The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was part of the 2013 Australian Bookplate Award. Gift of the Keith Wingrove Memorial Trust, 2015 Framed original wood engraving for a bookplate which features a frog.artist, artwork, bookplate, framed bookplate, keith wingrove memorial trust, frog, edwin jewell, reuter

Photograph of a wood engraving showing a group of people gathered around a bank window, inspecting the gold that has been produced by the mining companies. On the reverse in biro is written Commercial Bank, Sandhurst (View Point ), wood engraving from a Melbourne illustrated weekly.topic, mining, gold production, cakes of gold, commercial bank, view point, bank window

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860s the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Lark Rise To Candleford Author: Flora Thompson Publisher: Oxford University Press Date: 1946 Further Information: A Trilogy by Flora Thompson. Illistrated with wood-engravings by Julie NeildThe label on the spine cover with typed text PAT 823.9 THO Pastedown frontend paper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Serviceflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, lark rise to candleford, flora thompson, julie neild

"In 1839 John Dight purchased Melbourne block 88, which included 26 acres of land along the Yarra River for £481 at the Port Phillip land sales held in Sydney. Dight was already in the business of flour milling and had a mill near Campbell Town in New South Wales called ‘Ceres’. In April 1840, he notified his customers through The Sydney Herald that he was leaving to go to Port Phillip. The first steam powered flour mill was constructed in Melbourne in 1841. Dight built his water powered mill, soon after, from bricks bought over from Tasmania. Dight used the river to power his mill: Water flowed along an inlet channel to turn an undershot water wheel. In order to regulate flow or to ensure flow for times when river levels were low, Dight constructed a rough stone weir." (Melbourne Water)Dights Mill. Reproduction of a book plate from an original wood engraving, showing Dights Mill and Falls on the River Yarra. The image was originally published in Sands & Kenny, Melbourne & Sydney.Annotation on reverse: "Dights Flour".dights mill, yarra river

Photograph of a wood engraving, showing a Large group of men in front of the Victoria Hotel and the Stock Exchange , Pall Mall, Sandhurst. The men are all formally dressed with long coats and top and bowler hats.topic, mining, investment, mining exchange, stock exchange, victoria hotel, pall mall

Lionel LINDSAY (17 October 1874- 22 May 1961) Born Creswick, Victoria Wood engraving, signed in block lower right. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed woodblock print.art, artwork, lionel lindsay, lindsay, woodblock, woodcut, goat, animal, available

Copy of wood engraving illustration in "The Illustrated Australian News" January 8, 1887 p4. Composite of 6 views of the Gardens: 1. The Centre of the Gardens. 2. Curator's Cottage. 3. Pavilion. 4. Orange Grove. 5. Entrance to Orchard. 6. A Winding Path. Signed CSB. From the National Library of Australia.the illustrated australian news, gardens, cottage, curator, engraving, garden views, orange grove, orchard entrance

The author, William Morgans, was a lecturer on mining at the Bristol School of Mines. The owner of the book, William Baragwanath, was a former student of the Ballarat School of Mines who held the following positions: Department of Mines (1897-1922); director of the geological survey (1922-24); chief mining surveyor (1924-32); secretary for mines (1932-34); chief mining surveyor (1934-43); consultant to the Department of Mines (1943-50); President, Royal Society of Victoria (1943-44), councillor of the Ballarat School of Mines (1916-50).Hard cover book of 207 pages with buff cloth cover. The books covers materials andf processes used in the manufacture of tools, special uses, qualities and efficiciency. It includes 235 wood engravings of mining tools drawn to scale. Tools include borers, hammers, sledges, picks, shovels, spades, saws, helves and handles.Title page handwritten in ink 'W.B.' [William Baragwanath]mining, tools, ballarat school of mines, geology, bristol school of mines, government geologist, william baragwanath

Henry Hurst and his family settled at Allwood, Hurstbridge. It is his family that the town name comes from. In 1886 Henry had a scuffle with a bushranger known as Robert Burke in the Hurst home. During the scuffle a pistol was fired wounding both men. Burke was overpowered by some station hands and placed under arrest. Hurst later died. Wood engraving published in The illustrated Melbourne Post. Calvert, Samuel, 1828-1913, (engraver) and Fox, Alexander, 1830-, (photographer.) This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, henry facey hurst, engraving

Photograph, Sandhurst of Bendigo, Ville De Mineurs Australiens (Victoria). - Vue Generale. Dessin de Taylor, d'apres une photographie.Original drawn by F.Meaulle,Engraved by A.Slom 1889. Hand coloured 19 X 13cm Matted.Price on line 35,000EUR / $36.75 USD Already Scanned.Label on the cover states -'Foye Gallery -Hand coloured wood engraving published Circ. 1885Drawn by F.Meaulle : Engraved by A.Slom.photograph, streetscape, bendigo

The point of view of the artist is looking towards Kew from the vicinity of Xavier College. The paddocks in the foreground are bordered by Wellington Street. In the distance the towers of the asylum can be see, further narrowing the date to after 1870s. The work exists in a number of original versions including a colour print.Kew, ca. 1870 - ca. 1880. Reproduction of a book plate from an original wood engraving, of an elevated view of trees and paddocks with a town in the background. The illustration is signed R. JENNY Sc. [Rudolph Jenny 1827-1905, lithographer.] A version from which this reproduction may have been made was donated to the State Library of Victoria by the National Trust, Victoria in 1985. kew (victoria), wellington street -- kew (vic.)

David Frazer (1966- ) David Frazer is an Australian artist who works in painting, wood engraving, etching, lithography and bronze. Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. (http://www.goldfieldsprintmakers.com/david-frazer.html)Bookplate for Caitlin E. Littlewood by David Frazer featuring the skipping girl neon sign at Richmond. The skipping girl is known as 'Little Audrey'.bookplate, david frazer, caitlin littlewood, skipping girl, little audrey, keith wingrove bookplate design award

Book titled 150 Years of Gold delivered by Peter McCarthy, Managing Director Australian Mining Consultants at La Trobe University, Bendigo on 26 September, 2001, the 2001 Sir John Quick Bendigo Lecture. Book cover, inside and out has a beige copy of a wood engraving of Hustlers Reef, Sandhurst with a tan tone photo of Peter McCarthy on the centre front. Mining is mentioned from the late 1840s to the present day. In the back is a career history of Peter McCarthy and a short life story of Sir John Quick. Also in the back is a list of past lectures from 1994 to 2000.bendigo, history, long gully history group, the long gully history group - 150 years of gold, peter mccarthy, australian mining consultants, la trobe university bendigo, robertson hyetts, sir john quick, quick hyett and rymer, quick and hyett, national library of australia, charles joseph la trobe, james gumm, hargreaves, melbourne argus, henry frenchham, the times, gibbons, james esmond, dr barker, thomas hiscock, alfred clarke, geelong advertiser, wat tyler, dunlop and regan, commissioner doveton, sub commissioner armstrong, captain dana, argus, armstrong, stewart gibson, margaret kennedy, convict's prevention act, micky o'halloran, throckmorton, anti-gold-license association, g e thomson, dr jones, 'captain' edward brown, eureka rebellion, sir john quick, mark twain, australian federation, mining exchanges, alfred deakin, the amalgamated miner's association, robert clark, britian's national miners' association, silicosis, tuberculosis, walter summons, bendigo amalgamated mines, great war, gold mines of australia, bendigo mines limited, nell gwynne, carshalton shaft, napoleon shaft, george lansell, fortuna villa, the four deborah mines, world war two, central deborah, north deborah, william kelly, the edwards works, newstead dredge, jim crow dredge, adelong dredge, calder freeway, bendigo mining nl, randolph bedford, cra ltd, sovereign hill, ballarat historical park association, rmit, melbourne university, macquarie university, australasian institute of mining and metallurgy, institution of engineers australia, mineral industry consultants association, joint ore reserves committee, ceo institute, anthea mccarthy, michele matthews, sir john quick committee, city of greater bendigo, the hon justice michael kirby, mr don blackmore, murray darling basin commission, dr janet mccalman, australian research council, dr john white, visy industries, dr al luloff, mrs delys sargeant, the rt hon ninian stephen

Stawell Mining Scene "The Picturesque Atlas of Australasia" edited by the Hon Andrew Garran MLC B/W photograph an an engraving on wood. One of the mines is Scothman's United. Copied from "The Picturesque Atlas Of Australasia" stawell

Stawell Mining Scene "The Picturesque Atlas of Australasia" edited by the Hon Andrew Garran MLC B/W photograph an an engraving on wood. One of the mines is Scothman's United. Copied from "The Picturesque Atlas Of Australasia" stawell

David Frazer (1966- ) David Frazer is an Australian artist who works in painting, wood engraving, etching, lithography and bronze. Born in Victoria, David Frazer graduated from the Phillip Institute of Technology, Melbourne with a Fine Art degree specialising in painting. In 1996 he achieved an Honours degree from Monash University specialising in Printmaking and in 2000, gained his Master of Arts. In 2002, David was awarded the Keith Wingrove Bookplate Design Award and in 2007, he was a major prizewinner at the International Print Biennial in Guanlan, China and a featured Australian artist on the ABC’s documentary series ‘Artist at Work’. (http://www.goldfieldsprintmakers.com/david-frazer.html) Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award.Bookplate for Tony Irvinng featuring the Yarra River and silos at Richmond, Victoria. bookplate, tony irving, david frazer, nylex clock, yarra river, silos, richmond

The Denny Lascelles Wool Warehouse was the first building in Victorian planned to facilitate storage, inspection and marketing of wool in one operation, and upon completion was the second largest store in the colony. CJ Denny's was largely responsible for establishment and development of the wool marketing industry in Geelong and is a figure of significance in the history of settlement in Geelong. The wool store, a basalt structure with cement rendered ornamentation, was erected for CJ Denny's and Co, in 1872 to the design of Jacob Pitman, Architect.Wood cut engraving of the Mesrs. C. J. Dennys and Co.'s New Wool Store Geelong, published in The Illustrated Australian News, 1872. The half page full colour illustration shows the newly constructed Wool Store with a bull drawn cart carrying full wool bales situated out the front of the store.Top margin: THE ILLUSTRATED AUSTRALIAN NEWS 201 Below image: Mesrs. C. J. Dennys and Co.'s New Wool Store Geelong Image signed, lower mid edge: WINSTON Image, on building: C.J. Dennys Wool Brokers 1872 C.J. Dennys & Co. Wool & Produce Warehousedenny lascelles wool warehouse, wool, dennys, wool store

This book contains a number of plates taken from paintings by Raphael, Poussin, Da Vinci Ferrari, Perugino and numerous engravers including J Cooper J L Williams W. Meason and H Shaw. As well as the large number of plates there is also much ornamentation on initial letters medallions and margins. It was a gift to George Rolfe who resided for many years in Warrnambool. He owned the property of Lyndoch and later purchased Shipley. A tangible link to one of the early citizens of Warrnambool.Light brown cover with red, blue and gold embellishments. Pages edged in gold. Numerous plates taken from engravings on wood, throughout the book. Bessie Wordsworth Xmas 1887from*****. George Rolfe with much love from his affectionate cousin * * Turner * 8th 1915. warrnambool, george rolfe, bessie wordsworth, new testament, wood engravings

David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002.Framed limited edition linocut on paper.lls '2/36' lc 'The Text Message (study)' lrs 'D. Frazer 15'artist, artwork, david frazer, parallel prints, printmaking, linocut

This is a leather covered book. The cover is decorated with gold panels of fruit and gold lettering on the spine and has a plastic cover to protect it. There is gilt edging on the 388 pages. It contains text, sketches, lithographs and some coloured maps and engravings on wood..non-fictionContemporary and geographical record of Australasia in the 19th centurywarrnambool history, western district history, australian history, australasian history, picturesque atlas of australasia, picturesque atlas of australasia volume 1

This dictionary belonged to John Brass, an early settler in South Warrnambool. He owned several block of land and operated a lighterage business with John Young. As a lighterman and boatman he was well-known in Warrnambool. He was drowned in March 1895 while attempting to cross a temporary foot bridge across the Merri River. His house (probably in Stanley Street) was built in 1868 and remained as an interesting example of a lighterman’s cottage until1974. The dictionary probably became the property of W. Macdonald after John Brass’ death. No information has been found on this W. Macdonald. This book is of interest as it belonged to John Brass, an important early settler in South Warrnambool. This is a hard cover book of 974 pages. The cover is green with embossed patterning and lettering on the front cover and gold lettering on the spine. The book has a Preface, a Contents page, the Dictionary entries and an Appendix. There are many illustrations, from engravings on wood, scattered throughout the text. The cloth binding is coming loose and there are several loose pages. The last page is missing. The inscriptions are written in pencil and in blue ink and there are red stamps of John Brass. The cover is stained and faded. ‘John Brass, South Warrnambool, Victoria, Aust- 1893’ ‘June 5 x 6 x 93’ ‘J.Brass, Jetty’ Stamps – ‘John Brass, South Warrnambool’ ‘W.J. Macdonald, Moyston, Dec.23-11-95’ ‘W.J.McDonald’ john brass, history of south warrnambool, w. macdonald (moyston), warrnambool’s maritime history

A large brown cloth hardcover book with black leather spine and corners. Title is engraved in gold on spine. Illustrated by numerous engravings on wood and steel, including select details, and complete machines. Illustrations in b/w. It includes a list of b/w plates, a table of contents, 116 p. of text and 112 p. of plates. This workwork provids instruction on drawing and illustrating heavy machinery including steam engines. It also contains lessons in drawings and examples of approved construction. non-fictionengineer drawings, drawing instruments, the sector, the lines of numbers, drawing of elementary forms, m le blanc, mm armengaud, linear drawing, projection, eccentric curves, machinery sketching, forms of gearing, projections of shadows, spur gearing

The fly page of this book describes the book as "Illustrative of the Industrial Arts and Social Life of the Greeks and Romans". The publisher has dated the book as 1893, but the comment under the title is "Sixth Edition, revised and improved, 1884". The comment implies that it is the sixth edition, reprinted in 1893. The author, Anthony Rich was born in either 1803 or 1804 and lived until 1891. The book is part of Flagstaff Hill's Pattison Collection, a large group of books and records, some of which are rare and valuable. The collection was originally owned by the Warrnambool Mechanics' Institute, which was founded in 1853 and is named after Warrnambool's Public Librarian, Ralph Pattison. The publisher, Longman, Green & Co., was founded in 1724 in London by Thomas Longman under the name Longman. In August of that year, he bought the two shops and goods of William Taylor and set up his publishing house there at 39 Paternoster Row. The shops were called Black Swan and Ship, and it is said that the 'ship' sign was the inspiration for Longman's Logo. After many changes of name and management, including the name Longman, Green, Longman and Roberts from 1859 to 1862 the firm was incorporated in 1926 as Longmans, Green & Co. Pty Ltd. The firm was acquired by Pearson in 1968 and was known as Pearson Longman or Pearson PLC. The book is important for its connection with the London publisher Longmans, Green & Co, The firm has been established for over two centuries and is renowned for publishing encyclopedias, dictionaries, books on English grammar, textbooks, poetry, reference books, novels, magazines and more. The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.A Dictionary of Roman and Greek Antiquities: with nearly 2000 engravings on wood from ancient originals. Illustrative of the Industrial Arts and Social Life of the Greeks and Romans. Author: Anthony Rich, B.A. Publisher: Longmans Green & Co Date: 1893 (Sixth Edition, revised and improved, 1884) Green cloth hardcover book with embossed gold print on the spine. Inscriptions include a label on the spine, a stamp and handwriting on the fly page, and a stamp on the front endpaper, and an unreadable oval stamp on the fly page. This book is part of the Pattison Collection.Label on spine, typed: "PAT 913.03 RIC" Sticker on pastedown front endpaper "Warrnambool Mechanics Institute and Free Library" Stamp on front loose endpaper: "Corangamite Regional Library Service" Stamp on fly: "CORANGAMITE REGIONAL LIBRARY SERVICE / WARRNAMBOOL CITY LIBRARY" Stamp on fly: Oval Shape with indecipherable text Handwriting on fly page: "445" "G.S. / 94.5"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, longmans green and co. london, classical dictionary, encyclopedia, dictionary, roman antiquities, greek antiquities, anthony rich, wood engravings, original wood engravings, industrial arts, social life, longmans green & co, 1893, 1884, sixth edition