This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for Presentation Convent, 28 Sandham Street https://vhd.heritagecouncil.vic.gov.au/places/35476 (as at 1/11/2020) - HO61 City of Glen Eira The "Presentation Convent" is locally significant as a substantial late Victorian villa residence in Elsternwick and for its more recent role in the educational and spiritual lives of the community. Other names: formerly "Cromarty School for Girls", "Chiselhurst". (National Trust entry on VHD mentions an association with Horatio Beauchamp without elaborating.) Currently this is St Joseph's Primary School.From Victorian Heritage Database citation for Presentation Convent, 28 Sandham Street https://vhd.heritagecouncil.vic.gov.au/places/35476 (as at 1/11/2020) - HO61 City of Glen Eira A substantial two storeyed stuccoed asymmetrical Italianate villa residence, representative of its period, with two storeyed cast iron verandah and projecting facetted bay with trabeated treatment to the ground floor and round arched upper level windows with distinctive moulds.Page 184 of Photograph Album with one portrait and three landscape photographs of Presentation Convent, Elsternwick. One is an internal fireplace and its mantelpiece.Handwritten: Presentation Convent, Sandham Street [top right] / CHISEL HURST / CROMARTY [under bottom right photo] / 184 [bottom right]trevor hart, chimneys, porch, school, education, presentation sisters, catholic girls college, balcony, verandah, presentation convent, sandham street, victorian villa residence, cast iron frieze, cast iron columns, protruding bay, bay window, 1880's, late victorian, cromarty, chiselhurst, chisel hurst, horatio beauchamp, elsternwick, victorian style, cast iron work, catholic church, mansions, house names, gardens, mantelpieces, fireplaces, streetscapes, cars, cromarty school for girls, st joseph's primary school, st josephs primary school

Report of curriculum of school and its intended participation in Healesville Sanctuary's programs. Story on lack of support by State and Federal governments for cultural programs at Worawa College in Healesville. This article represents a continued connection between Aborigal communities and Healesville Sanctuary.Newspaper article

p.184.Story of the last air-mail flight for New Zealand of the "Southern Cross" and a brief reference to events which followed it.air mail service - australia, southern cross (airplane)

Index, p.184.non-fictionAn essay on comparative mythologyancient world - mythology, mythology - literary

Ill, p.184.non-fictionThe story of the author's boyhood adventures in the early days of Rhodesia, with a brief account of his work as founder of the Child Emigration Society.kingsley ogilvie fairbridge 1885-1924, child emigration society (london)

ill, p.184.non-fictionA history of the green diesel electric locomotives, the 40 and 41 class on the New South Wales Railways.diesel locomotives - new south wales - history, diesel locomotives - australia - history

ill, p.184.non-fictionA history of the trains & the trams in Tasmania.railroads -- australia -- history., railroads - tasmania - history

ill, maps, p.184.non-fictionReminiscence from a railway driver on the New Zealand Government railways.railroads -- new zealand -- history., railway enginemen - new zealand - personal history

184 p.; 22 cmnon-fictionA History of the Pakenham Racing Club.pakenham (vic.), pakenham racing club, david burke, michael burke

index, ill, p.184.non-fiction A short history of the Victorian Railwaysrailroads - victoria - history, railroad construction - victoria - history

Index, ill, maps, p.184.non-fictionAn account of the experiences of Allied POW's held in Buchenwald concentration camp. concentration camps - buchenwald, world war 1939-1945 - prisoners of war - germany

Index, ill, maps, p.184.non-fictionThe role of naval guns in France in World War Oneworld war 1914-1918 - personal recollections, world war 1914-1918 - campaigns - france

Index, ill, maps, p.184.A travellers guide to Maltamalta - description, malta - travel

index, ill, maps, p.184.A history of the construction of the New South Wales Railways from 1848 to 1889.railroad construction - new south wales - history, new south wales - railways - history

bib, ill, maps, p.184.non-fictionA thesis for the degree of Master of Arts at Melbourne University on the history of railway engineers and their relationship with Victorian politicians in the period 1852 to 1881.railway construction - australia, railway construction - victoria - history

On 4th October 2014 Nillumbik Shire Council launched a publication titled ‘Nillumbik Tales - Voices of our Elders’, which is a collection of colourful and personal snapshots of our local community. The unique Nillumbik based stories have been written by a variety of authors, including some who are members of our Society. In collating and publishing this historically important collection Nillumbik Shire Council has documented many aspects of our area and of the people who contributed to our community. The original print run of ‘Nillumbik Tales’ was sold out and there has been a reprint.Catalogue labels on spine and cover from Yarra Plenty Regional Library. Electronic ID label (RFID tag) inside rear covergardens, school, family, characters, organisations, place, local history, kangaroo ground, kinglake, nillumbik, bend of islands, eltham, cave, reminscences

The story of the Olympic Village Heidelberg during the Olympic Games 1956.184 p., black and white text and photographsSigned by the authorolympic village, 1956 olympic games

184 p., illus., with paper dust jacket non-fictionA complete course of modern instruction in the sport of lawn bowls.heidelberg golf club bowling club, lawn bowls, bowling

Index, bib, ill, maps, p.184.non-fictionChronicles the history of the SS during World War IIgermany - history - 1939-1945, world war 1939-1945 - waffen ss

History of Victorian cemeteries; includes a chapter on Aboriginal mission cemeteries; guide to how to use cemeteries for research and family history and how to conserve cemeteries.Paperback; 184 p. : ill., 1 map ; 24 cm.ISBN 0909710856social customs, cemeteries, healesville, victoria, aborigines, st helena, greensborough

Index, Bibliography, ill (b/w), maps, p,184.non-fictionA detailed account of the Luftwaffe in the final year of World War Twogermany - luftwaffe - history, world war 1939-1945 - aerial operations - germany

This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery

Moulding Plane Maker A Mathieson & Son Glasgow Size �" and 2 and No 184flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Two cylinders used in Lecture Demonstration (G&F No 184 with foot & neck.

184 p. : ill., 1 map Includes bibliography (p. 173-178) and index.non-fictioncemeteries, historic sites, victoria

Glassware. Two cylinders used in Lecture Demonstration (G&F No 184 with foot & neck.