The photo probably includes Barbara, Ken and Laurie Young, the children of Ernest Lance (Lance) Young and his wife Beryl Mair who married in 1939 and came to 11 York Street during the WW2 years. The donor does not recognise all of the children. Linda Lawrence is the tallest girl; her brother Ken is largely obscured. Laurie is the youngest girl with the pigtails. Her sister Barbara is at the back. The Lawrence family lived next door at 15 York Street (there was no 13 York Street). A black & white photo of 3 girls and 2 boys in imaginative play in a canoe positioned against a timber paling fence.On rear: Photographer's processing stamp "4938"laurie young, ken young, children, barbara young, york street, back yards, mont albert

The Greensborough Interchurch Council held a Way of the Cross service on Good Friday 05/04/199610 p., black text on white paper, stapled in top left corner.greensborough interchurch council, church services, easter, way of the cross

Colour photographs from the Twead Ride during Ballarat Heritage Weekend, 2016.twead ride, bicycle, ballarat heritage weekend

Ballarat Trades Hall Plaque, 2016Ballarat Unionists and Supporters met here on 15th Pctpber 2012 and celebrated the laying of the Trades Hall Foundation Stone 125 Years Previously President Secretary Brett Edgington Paul Clempsonballarat trades hall, camp street, unions, foundation stone, plaque, brett edgington, paul clempson

Vol. 9, No. 5, Summer 2004-05 CONTENTS Winning AMSSA Short Story by Emily Kersing 3 New paintings by Elizabeth Nettleton 6 Poetry by Karen Throssel 10 Montsalvat Poetry by Fiona Seivers 11 Banyule Arts News 13 Book reviews 14 Ausra Larbey at Heide 16 CD Reviews 19 Robbie Greig CD Launch 23 Artin' About 24 Wining & dining 30 Listings 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, art streams gallery, emily kersing, eltham gourmet poultry & game, plenty of colour, samson hill estate, alan marshall short story award, liz nettleton, montsalvat, robbie greig, banyule festival, poetry, fiona sievers, darebin art show, bundoora homestead, latrobe university, banyule art collection, dynamic vegies, hurstbridge & districts community bank branch, organic produce store, wellers of kangaroo ground, mudbrick home restoration, northcote pottery, congo systems, bulleen art & garden centre, frames for art of hurstbridge, eltham town jazz and blues heritage festival, eltham jazz festival, thompsons amcal pharmacy, bridges, hurstbridge galleries, elizabeth nettleton

Golf trophy awarded by the Thomastown Golf Club. Bob Jones was a foundation member of the Club and Secretary for many years.Thomastown Golf Club was a social club formed in 1976. This is part of the Robert (Bob) Jones collection of Club memorabilia.Golf trophy, plastic and timber. "Thomastown Golf Club. B Grade winner, R. Jones, Bacchus Marsh, 05/12/1982." engraved on plaque.thomastown golf club, golf trophies, bob jones, robert jones

Established in 1945, the Australian Railway Historical Society Victorian Division Inc. has a proud history of over 70 years of catering for all who have an interest in the railway history of Victoria. It has a membership of over 500 members throughout Australia and overseas. This item was donated at the Centenary of the Orbost - Bairnsdale Railway exhibition held in Orbost April 2016. This item is a record of the the history of the Orbost-Bairnsdale railway line and therefore reflects the role that the rail line played in the social and economic history of Orbost. A magazine/booklet titled, NEWSRAIL. It is Vol. 44 Issue 4 dated April, 2016. There is an article on 'Orbost Railway Bridges. The magazine has a cost of $9.50. On the front cover is a coloured photograph of a train passing over the Wairewa trestle bridge on the Bairnsdale - Orbost line.

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Book has a cream cover with six black and white photos of women (clockwise from top left: Margaret Sanger, Emma Goldman, Josephine Butler, Emily Davis, Carolie Norton and Florence Nightingale) Author's name is printed in dark blue on front cover and spine and the title is printed in brown on front cover and spine. The back cover has a summary of the book along with reviews. non-fiction'Significant Sisters' traces the lives and careers of eight women, each of whom pioneered vital changes in the spheres of law, education, the professions, morals or politics. Each forged her own particular brand of feminism, yet all engaged in the battle and limitations imposed upon women's freedomfeminism, caroline norton, elizabeth blackwell, florence nightingale\emily davies, josephine butler, elizabeth cady stanton, margaret sanger, emma goldman

Colour photograph of West Papuan dances at the 2016 Eureka Dinner.eureka stockade, anniversary, eureka dinner, west papua, dancers

Three coloured photographs of St Mary's Hospital, London, 2016st mary's hospital, london, hospitals

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 Mountain Grove, Kew by Margaret Picken.11 MOUNTAIN GVE., KEW / MARGARET PICKEN ~91 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 11 mountain grove - kew (vic)

This architectural drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 Fenwick Street, Kew by Margaret Picken.11 FENWICK ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 11 fenwick street - kew (vic).

12 x Volumes. Hard cardboard covers, red buckram, gold print on spines. Cut, plain, off white pages. Black / white photos, maps & illustrations. .1) Vol 1 The Story of ANZAC (Tenth Edition), 662 pages. .2) Vol 11 The Story of ANZAC (Sixth Edition), 975 pages. .3) Vol III The AIF in France 1916 (Tenth Edition), 1036 pages. .4) Vol IV The AIF in France 1917 (Tenth Edition), 1030 pages. .5) Vol V The AIF in France 1918 (Seventh Edition), 825 pages. .6) Vol VI The AIF in France 1918, 1096 pages. .7) Vol VII Sinai and Palestine (Eighth Edition), 844 pages. .8) Vol VIII Australian Flying Coirpr (Ninth Edition), 493 pages. .9) Vol IX The Royal Australian Navy (Eighth Edition), 649 pages. .10) Vol X The Australians At Rabaul (Eighth Edition), 412 pages. .11) Vol XI Australia During the War (Sixth Edition), 922 pages. .12) Vol XII Photographic Record of The War (Fourteenth Edition), 753 pages, glossy white paper.book, official history ww1, bean

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 Bradford Avenue, Kew by Margaret Picken.11 BRADFORD AVE., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 11 bradford avenue -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 Tara Avenue, Kew by Margaret Picken.11 TARA AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ C'WELLartist -- margaret picken 1950-, 11 tara avenue -- kew (vic.), property illustrations — buildings — kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 Redmond Street, Kew by Margaret Picken.11 REDMOND ST., KEW / MARGARET PICKEN '87 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 11 redmond street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 James Avenue, Kew by Margaret Picken.11 JAMES AVE., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 11 james avenue -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 11 James Avenue, Kew by Margaret Picken.11 JAMES AVE., KEW / MARGARET PICKEN '91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 11 james avenue -- kew (vic.)

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 11 Barton Street, Hawthorn by Margaret Picken.11 Barton Street, Hawthorn, Marg Picken '88. Woodards - Hawthorn.artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 11 Churchill Grove, Hawthorn by Margaret Picken.11 Churchill Gve, Hawthorn, Margaret Picken '93. Woodards - Haw. artist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 11 Falmouth Street, Hawthorn by Margaret Picken.11 Falmouth St, Haw, Margaret Picken '90. Woodards - Kew.artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses