Gestener print of a sheet titled "Data sheet for "W2 Day", TMSV special tour, Sunday 19/5/68", listing the tramcars used on the day; car number and depot, motors, controllers, date in service, class, date converted and class, body builder, roof, date of Upholstered seats in saloons, sun shades and notes on the tramcars them selves. Data for 567, 407, 585, 547, 332, 436 and 233. Made by Keith Kings May 1968. See Reg Item 605 for the ticket used on this tour and Reg item 3543 for a photograph of tram W2 332 at Wattlepark Loop."K. S Kings May 1968" in bottom right hand corner in light blue ink.trams, tramways, tramcars, mmtb, lists, tours, w2 class, tmsv

Demonstrates the use of horse trams as trailers after the start of the electric trams in Ballarat and the street scape and tramway loading at the same time.B&W print of an ESCo tram just past the intersection of Doveton St. and Sturt St. travelling east along the north side of Sturt. Steet towing a heavily laden horse tram as a trailer. Photo appears to be taken soon after opening of the electric trams, as the tram does not have any destination box above the driver. Possibly summer 1905/1906. Numerous people in the street, some horse drawn vehicles in the photograph. Shows buildings along the south side of Sturt St. and part of the verandah of the building at the NE corner of Doveton St. On textured photographic paper. For a list and description of the same base image see Archives file - "Notes on ESCo Tram towing a heavily loaded trailer" 2nd copy added 6-8-2016 from a donation of Mike Ryan via Hawthorn Tram Depot.On reverse side - black ink stamp "E.G.Butland" Copy 2 has "TMSV 332 Flinders St, Melbourne 3000" stamped on the rear.tramways, trams, sturt st, trailers, horse tram, town hall, esco

332 p. : decorative grey-green and black cover, with images of a ship on the sea, and seaweed or flowers.Title and author's name embossed in gold on spine. Decorative endpapers - images of sailing ships and swans. Plate pasted to front cover, indicating book was previously in another collection: 'Mullen's Library, Collins Street, Melbourne'.fictionfiction, fred j. whishaw

This shirt belonged to Dorothy May Mortlock (VF518245) who was part of the Australian Womens Army Service (AWAS). Dorothy Mortlock was born in Swan Hill and enlisted with the 3rd AUST AWS REC DEPOT.Light khaki-coloured shirt with detatchable collar (UA09.4.2), long sleeves. Shirt is fastened with five bakelite or plastic brown buttons. Three button holes along the collar line attach to detatchable collar, possibly via cufflink-style fasteners. Shoulders each carry an epaulette with a canvas badge, embroidered with the letters "A.W.A.S." in white' epaulette fastened by brown button. Light khaki to white topstitching throughout. Inscribed on interior of collar on label is "N 332 1943/Made in Australia/SIZE 13". Handwritten on interior collar "VF518245/PTE MORTLOCK, D/A.W.A.S."world war ii, second world war, wwii, women, australian women's army service

Postcard - Montrose Aerodrome titled 'Montrose Aerodrome - a busy day' . Showing seven /eight ? Planes on field in front of hangars (three sheds) - one nearby plane has 332 on tailplane - further one is a 233? One plane with skids in front of landing wheels is in air above, this plane has number on tail but is unclear.Excelsior Seriesaviation, civilian, montrose aerodrome uk

Soft Cover Book. Soft cover - cardboard, black and red print with beige background on front, spine and back. Front cover background illustration, black and white photograph troops in a trench. Back cover background illustration black and white photograph "Over the top". 332 pages, cut, plain, of white paper. Illustrated black and white photographs and maps "The Battle of the Somme" was among the bloodiest conflict of all time. Yet despite it's horrific destruction, the fighting at the Somme was characterized by incredible bravery.book, ww1, somme

Inspected by Joanna Freslov, archaeologist 2.6.22008. Grinding stones are slabs of stone that Aboriginal people used to grind and crush different materials. Bulbs, berries, seeds, insects and many other things were ground between a large lower stone and a smaller upper stone. This is the lower stone.Large grinding stones such as this one were designed to be left at a camp site for use the next time the group moved there. Smaller grinding stones were carried between sites. Grinding stones were not abandoned when they became worn and smooth through use. The stone would simply be roughened again so it was once again suitable for its function. This is an example of a food preparation utensil used by the Early Indigenous people of Eastern Australia.A large flat rock with grind hole in top. Rock has split. gridstone aboriginal stone-artefact

The .303-inch ammunition for the SMLE was issued ready to use in 'Charger Clips' of 5-rounds5 brass cartridges and with brass clip.wrl 64 + on rim of cartridge

photographed outside the Birregurra Railway Station 5 coaches and horses preparing for the trip to Lornebiregurra railway station, horses and dray, horse drawn coaches

This local news column details events, people and places of interest as they occurred in Watsonia in 1987.This column was a means of advertising for local community groups and gives a snapshot of the Watsonia area at the time.Spiral bound plastic binder with 20 pockets. Blue title page. Contains photocopies of selected articles from Diamond Valley News 1987.watsonia, rosalie bray, diamond valley news

The photo shows a bullock team carting honey to Horsham.Photo shows a bullock team pulling a loaded cart. The team is standing on the side of a wide, unsurfaced road. There are two men standing in front of the cart.transport, bullock team

Catalogue card reads, 'Wedding, Schneider and Bromley'. [no date].

This fire poker is a basic design that has been used throughout the centuries to attend to a fire for cooking, heating, firing a boiler and similar domestic activities.This object is significant as an example of an item in common use in the 19th and early 20th centuries and is still in use today.Fire poker; a flat metal bar shaped with ring at one end and a right angle bend at the base. It is painted black.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, poker, fire poker, fire iron, heating, cooking, laundry, tending a fire

RAN Serge (No 1's) with Insignia (Part of Complete uniform U274)uniform, vietnam, ran

Black and white reprint of Batchelder: watchhouse ( James Lerk 28.2.2000 ) , Market Square. Drays loaded with sacks both left and right. Brick building central chimney. Unmade roadway. Brick building with central arched doorway and 2 narrow windows each side of door. 1 window on Lh end of building. Contrast colour brick quoins around windows and door.batchelderbuildings, government, watch house, sandhurst

Metal letter holder, for hanging on a wall,. Back panel with embossed design, protruding shelf at front to hold letters

Most likely collected and donated by Dr Frank Forster.Crochet, with slightly tapered rod, ["Continental" marked on label] and with a mahogany turned handle. Stamped near handle, Krohne & Co London.obstetric delivery, destructive instrument, crochet

Anzac Day Parade in Wangaratta possibly early 1950's.Anzac Day Parade in Wangaratta Large black and white photograph of large number of men in suits marching in formation along main street.anzac day, wangaratta

ST BERNARD DOG CARRYING MONEY BOX, MADE OF HEAVY CAST METALlocal history, metal, st bernard dog, money box

Karl Duldig carved this marble sculpture of a mask in the Vienna Kunstgewerbeschule (School of Applied Arts) in 1921. His teacher, Anton Hanak, the Professor of Sculpture at the School, encouraged him to carve directly into the stone. It was an accomplished work for the 19 year-old student and was selected by Hanak to represent the students of the School at the Deutschen Gewerbeschau (German Applied Art exhibition) in Munich in 1922, an early accolade for the young artist. The sculpture and another Kneeling Nude were reproduced in the journal Deustche Kunst and Dekoration in 1923-24 in an article on the Hanak-Klasse. In 2011 Mask was exhibited in the National Gallery of Victoria exhibition Vienna: Art and Design. The sculpture is one of ten substantial sculptures in marble and stone, and a larger group terracotta sculptures and masks, portrait busts and small stone sculptures created by Karl Duldig in Vienna that are held in the Museum collection. These art works are complemented by an archive of contemporary documents including letters, photographs, documents and ephemera. In 1938 Duldig’s Viennese sculptures were sent to Paris in 1938 for a proposed exhibition, and were hidden in Paris by Slawa Duldig’s sister Rella, throughout the Second World War, and arrived in Australia post-war over 5 decades. Karl Duldig was a student of the Kunstgewerbeschule from 1921 until 1925, and then attended the Akademie Der Bildenden Künste (Academy of Fine Arts) from 1929 until 1933. He was accepted into the Professor Josef Mullner’s “Meisterschule” at the Academy of Fine Arts from 1929 until 1933. His teacher at the Kunstgwerebeschule was Austria’s foremost contemporary sculptor Anton Hanak, and he was a formative influence on Duldig’s work. Hanak had been a member of Viennese Secession, and worked with Josef Hoffman on architectural commissions prior to the First World War. Hanak shared both his love of the expressive quality of materials and a humanist vision with his students. Various writers have written about Duldig’s interest in masks. His interest may have been stimulated by his classical education, the Greek and Roman antiquities in the Kunsthistoriches Museum in Vienna, or the ethnological collections in Vienna’s Museum of Ethnology (now known as the Weltmuseum). The mask was a motif explored by expressionist and cubist artists whose work was exhibited at the Vienna Secession. Duldig would have been familiar with the psychological investigations of the neurologist and founder of psychoanalysis Sigmund Freud, who established his practice in Vienna. In the Duldig Studio library, Duldig’s keen interest in the arts of a myriad of visual cultures is apparent. Of particular note are two well-thumbed copies Rudolf Utzinger’s, Masken, published by Ernst Wasmuth in Berlin in 1923, depicting masks from around the world. It is likely that a multitude of influences were at play. Slawa Duldig also worked with this motif, and also carved a smaller mask in Salzburg marble as well as a remarkable mask in clay, and these are held in the collection. Ann Carew 2016The Mask has national and international aesthetic significance. It is one of the earliest works by Karl Duldig in the Studio collection, and is a subject that he would continue to explore throughout his working life. The sculpture demonstrates a high degree of technical skill and mastery at an early age. It is evidence of Duldig’s engagement with the art of his peers during this period – the mask is a motif that inspired contemporary expressionist and cubist artists. It also demonstrates his interests in portraiture, human psychology, and the creation of identity and transformation of personalities. The Mask also provides an important link to the studio practice in the Vienna Kunstgwerbeschule, the teaching of Anton Hanak, and the program of international art exhibitions in Europe during the period. It is also of historical significance: the story of its survival and eventual recovery provides a counterpoint to the story of the Nazis’ confiscation of art during the Second World War. Ann Carew 2016Carving in Salzburg Marble. Holes for eyes and mouth cut through the block. Highly polished finish at front contrasting with rough finish at back and stylised curled hair. Marble base separate (75 x 275 x 198, wt 9000) and added later by artist. Karl Duldig 1921 incised on back

This object relates to Leslie Cecil LEWIS. He was born on 1/04/1889 in Mount Gambier, SA. Leslie Cecil served in the Army (3892) enlisting on, 03/08/1917 in Newport, VIC before being kiled in action on duties with the 10 FAB late 4th LHR as a Army Non-Commissioned DVR (GNR) on 13/10/2018. Leslie Cecil LEWIS was not a prisoner of war. His next of kin is Sarah Elizabeth LEWIS - Wife. Leslie Lewis was awarded the Victory Medal, British War Medal.BRITISH ARMYliterature, ballarat rsl, ballarat

Glossy postcard with edges raised above the photograph itself of Collins St. Melbourne looking east along Collins St towards the NE corner of the intersection with Elizabeth St. Cable trams in distance with many horse drawn vehicles on both sides of street and pole lines with wires. B.H.Alston building features. Some motor cars in photo. On base of card is title & in bottom RH corner is 'No. 10'. On rear are areas for Address and Correspondence. Title is 'Collins St. 'The Block' Melbourne'. On rear as well is publisher details with Melbourne mis-spelt. Rear of card is finished off white , while front has a light pink finish. Photo printed using photographic paper. Printed in Great Britain. trams, tramways, melbourne, collins st., cable trams

Plain silver christening mug with decorated handle and simple dotted edge around top and base.Made in US America Quadruple 302 Superior Silver Co.christening mugs, mugs

Set of 7 colour prints of Melbourne trams and locations during the mid 1980's to 1990, Photos not well focused. .1 - 981 inbound, Swanston St with Town Hall in background. .2 - Two W's in Swanston St .3 - 918 outbound, Princes Bridge with the Gas and Fuel towers in the background. .4 - 947 and 425? Swanston St - with cars in Swanston St. .5 - large line up of trams in the north bound side of Swanston St. Note people at the tram safety zone. Last tram is 836. Has Billy Guyatts store in the background. .6 - 763 outbound, Swanston and Flinders St. Bourke St has been closed to motor traffic. .7 - Z3 172, Swanston St on a wet day, does not have a destination showing - could be a transfer tram. Features advertisements on trams for: Triple FM Radio, Bank of Melbourne Printed on Kodak or Konica paper.trams, tramways, ptc, swanston st, tram 981, tram 918, tram 947, tram 425, tram 836, tram 763, tram 172