Book. ALEC H CHISHOLM COLLECTION. 165 page paper back book of verses, The Sentimental Bloke, by C. J. Dennis with a 10 page glossary of Australian vernacular used in the verse. Published in 1976 by Angus & Robertson and printed by the Dominion Press. Forward by Henry Lawson, 1915 after contents page. Catalogue sticker ''2115 DEN'' on spine. ISBN 0 207 12880 4.C. J. Dennisbooks, collections, poetry, alec h chisholm collection, c.j. dennis, poetry

Book. ALEC H CHISHOLM COLLECTION. 243 page hardcover memoir by Tilly Aston, Australia's blind poet, author and philanthropist. B & W photo of Tilly Aston opposite the title page. Also includes some of her verse. Published in 1946 by The Hawthorn Press, Melbourne and printed by John Gartner at the Hawthorn Press. Catalogue sticker ''2258 AST'' on spine.Tilly Astonbooks, collections, biography, alec h chisholm collection, tilly aston, biography

Book. ALEC H CHISHOLM COLLECTION. 227 page hardcover book of comic Australian poetry by various poets. Edited by Geoffrey Lehmann. Published in 1972 by Angus and Robertson and printed by Halstead Press, Sydney. Catalogue sticker ''2065 LEH'' on spine. ISBN 0 207 12302 0.Geoffrey Lehmannbooks, collections, poetry, alec h chisholm collection, comic verse, australian poets, geoffrey lehmann

Book. ALEC H. CHISHOLM COLLECTION. 195 page hardback book of humorous verse by Ogden Nash, an American poet. Published in 1944 for J.M.Dent & Sons Ltd by George Jaboor, Melbourne. Printed by Speciality Press, Melbourne. A newspaper cutting inside front cover from The Australian, 22 May 1965, relating to Ogden Nash. Catalogue sticker '2038 NAS' on spine. Handwritten in ink on flyleaf ''To my old friend Alick Chisholm with best wishes for 365 days of health and happiness in 1946 Any man who loves birds and animals as you do, must be a great man 31/12/45 Tom Nettlefold''Ogden Nashbooks, collections, poetry, alec h. chisholm collection, ogden nash, tom nettlefold, poetry

Book. ALEC H. CHISHOLM COLLECTION. 128 page cardboard cover book of verse subtitled 'Memories o' the Homeland Australian Fancies and Friendly Epistles'. A selection of poems of Allan McNeilage with a forward by Thos. L. Work. Illustrated with four B & W Scottish scenes and two Australian scenes. Published in 1917 by the Victorian Scottish Union, Melbourne and printed by J. T. Picken & Son, Melbourne. Catalogue sticker '2027 MCN' on spine. Handwritten in ink on the flyleaf ''With compliments from Cr. J. S. Yorston Caulfield Sept 7. 43''Allan McNeilagebooks, collections, poetry, alec h. chisholm collection, allan mcneilage, victorian scottish union, j.s.yorston, poetry

Book. ALEC H CHISHOLM COLLECTION. 173 page hardback collection of verse by Frank Morton. Presentation copy. B & W photo of the author opposite title page. Published by Lothian in 1916. Printed by Hazell, Watson & Viney Ltd, England. Lothian's All Australian Book List at rear. (16 pages) Catalogue sticker '2003 MOR' on spineFrank Mortonbooks, collections, poetry, alec h chisholm collection, frank morton, poetry

Book. ALEC H CHISHOLM COLLECTION. 96 page hardcover book of verse by Tom Quilty. Printed and published in 1958 by F. H. Johnston Publishing Co., Sydney. Published to benefit the Flying Doctor Service (A.I.M). Illustrated with ten B & W photos of the Kimberly Region including one of the author opposite page 5. Catalogue sticker '2050 QUI' on spine. Two newspaper reviews of the book inside front cover. The Bulletin 30 July 1958 and the Daily Telegraph 3 May 1958. Also a bookmark saying that 1000 copies had been donated to the Australian Inland Mission and the Royal Flying Doctor Service.Tom Quiltybooks, collections, poetry, alec h chisholm collection, tom quilty, poetry

Book. ALEC H CHISHOLM COLLECTION. 168 page hardcover book of verse by Douglas Ainslie. Psychedelic colours on covers. Preface by G.K. Chesterton. Published in 1926 by Leonard and Virginia Woolf at the Hogarth Press, London. Printed by Neill & Co., Edinburgh. A printed extract from this book, on a separate loose page, is pasted inside the front cover. Handwritten in ink on this extract is ''Wishing you a Happy New Year. Your home is a treasure-house for my poetry! Am in America talking to many ------. I want to come to Australia. Can you arrange it !? See British Who's Who --- ---. Douglas (not A.D.) Ainslie'' Catalogue sticker '2053 AIN' on spine.Douglas Ainsliebooks, collections, poetry, alec h chisholm collection, douglas ainslie, leonard & virginia woolf, poetry

Book. ALEC H CHISHOLM COLLECTION. 200 page hardback collection of verse by C. J. Dennis. Glossary of Australian vernacular on last 6 pages. Published and printed by E. W. Cole, Book Arcade, Melbourne. No date indicated but could be early 1900s ? Catalogue sticker '2002 DEN' on spine. Handwritten in ink opposite contents page '' A Chisholm Maryborough''.C. J. Dennisbooks, collections, poetry, alec h chisholm collection, c.j.dennis, poetry

Book. ALEC H CHISHOLM COLLECTION. A 77 page blue soft cover book of verses by Arthur Albert Bayldon. Published by The Currawong Publishing Co., Sydney c.1940s and printed by Scotow Press, Sydney. Catalogue sticker '2035 BAY' on front cover. B & W image of the author on page 3. Handwritten in pencil on title page ' Born 20/3/1865'Arthur Albert Bayldonbooks, collections, poetry, alec h chisholm collection, poetry, arthur albert bayldon

Book. ALEC H CHISHOLM COLLECTION. 89 page hardcover book of verse by Mary E. Fullerton. (Author of 'Moods and Melodies'). Published by Commonwealth of Australia, Sydney J. Endacott, Melbourne in 1921. Printed by the Galleon Press, Canterbury, Victoria. Handwritten in ink on flyleaf 'Two voyagers good luck on sea & land Mary E Fullerton'. Catalogue sticker '2029 FUL' on spine.Mary E Fullertonbooks, collections, poetry, alec h chisholm collection, poetry, mary e. fulleton

Book. ALEC H CHISHOLM COLLECTION. A 48 page hardcover book of humourous verse by J.D.G.Medley and illustrated by ''Armstrong''. Published by Melbourne University Press in 1953. Handwritten in ink on flyleaf 'With regards of The Author J.D.G.Medley' Catalogue sticker '2004 MED' on spine.J.D.G.Medleybooks, collections, poetry, alec h chisholm collection, j.d.g.medley, poetry, armstrong

Book. ALEC H CHISHOLM COLLECTION. A 31 page soft cover book of verse dedicated to 'Australia's Soldier Sons' by William James Wye. Published in Melbourne , 1941 by the Bread & Cheese Club. Designed and printed by Oxford Press, Melbourne. B & W photo of the author opposite title page. Catalogue sticker '2049 WYE' on spine. Drawing of a lyrebird on cover.William James Wyebooks, collections, poetry, alec h chisholm collection, poetry, william james wye

Book. ALEC H CHISHOLM COLLECTION. 165 page hardcover collection of Australian verse by the Scottish poet, Will Ogilvie who spent 12 years in Australia working as a drover, horse breaker and station hand. Dust jacket has a coloured illustration. Published in 1958 by Angus & Robertson and printed by Halstead Press, Sydney. First published in 1898. Catalogue sticker ''2007 OGI'' on spine. Faded newspaper cutting from Sydney Morning Herald, 1/2/63, about the death of Will Ogilvie.Will Ogilviebooks, collections, poetry, alec h chisholm collection, will ogilvie, poetry

Book. ALEC H CHISHOLM COLLECTION. 113 page green hardcover collection of stories in verse by C. J. Dennis. Illustrated with B&W sketches and 2 colour sketches by Hal Gye. Includes a glossary of Australian terms. Published about 1920s by Angus & Robertson, Sydney and printed by W. C. Penfold & Co. Ltd, Sydney. Catalogue sticker ''2080 DEN'' on spine.C. J. Dennisbooks, collections, poetry, alec h chisholm collection, c.j.dennis, poetry

Book. ALEC H CHISHOLM COLLECTION. 128 page blue hardback collection of verse, Songs of the Sentimental Bloke. Illustrated with B & W sketches and a coloured dust jacket by Hal Gye. Published in 1957 by Angus and Robertson, reprinted from the original publication of 1915 with a forward by Henry Lawson. Printed by Halstead Press, Sydney. A glossary of Australian vernacular at the end of the book. The back of the dust jacket indicates that Alec H Chisholm was a biographer of C. J. Dennis. Catalogue sticker ''2077 DEN'' on spine.G. J Dennisbooks, collections, poetry, alec h chisholm collection, c.j.dennis, hal gye, poetry

Book. ALEC H CHISHOLM COLLECTION. 188 page green hardcover book of a collection of verse and prose about Australian birds classified by the four seasons. A B & W photo of a bush garden opposite the title page is probably C. J. Dennis' property. The author acknowledges A. H. Chisholm's assistance in identifying bush birds from Chisholm's book 'Mateship with the Birds'. Published in 1935 by Angus & Robertson Ltd and printed by Halstead Printing Co., Sydney. Catalogue sticker ''2076 DEN'' on spine. Handwritten signature in ink on title page of ''A. H. Chisholm''.C. J. Dennisbooks, collections, poetry, alec h chisholm collection, c.j.dennis, prose, poetry, birds, ornithology

Book. ALEC H CHISHOLM COLLECTION. 165 page paperback of 'The Sentimental Bloke and other Selected Verses' by C. J. Dennis. Includes a glossary and an introduction by Henry Lawson written in 1915. Published in 1976 by Angus & Robertson and printed by The Dominion Press in Australia. Catalogue sticker ''2017 DEN'' on spine. ISBN 0 207 13381 6.C. J. Dennisbooks, collections, poetry, alec h chisholm collection, c.j.dennis, poetry, henry lawson

Book. ALEC H CHISHOLM COLLECTION. A 493 page hardback anthology of Australian verse chosen by George Mackaness. Published by Angus and Robertson, Sydney in 1946 and printed by Halstead Press, Sydney. Catalogue sticker '2018 MAC' on spine. Handwritten in ink on flyleaf ' For my old friend Alec Chisholm, bird lover and man-of-letters from the compiler G. Mackaness 10/8/46.Various Australian Poetsbooks, collections, poetry, alec h chisholm collection, george mackaness, poetry.

Book. ALEC H CHISHOLM COLLECTION. A 19 page soft cover book of verse by Maie Casey with drawings by Frances Burke. Printed by McLaren & Co. Pty Ltd, Melbourne in 1963. (copy No. 213) Handwritten in ink on flyleaf 'Mr Alec Chisholm with best wishes from Maie Casey 8.11.63. Also the signature of Frances Burke. Catalogue sticker '2044 CAS' on front cover. Maie Casey was the wife of Lord Casey, Australian politician and Governor General.Maie Caseybooks, collections, poetry, alec h chisholm collection, poetry, maie casey, frances burke

ill, p.113.One of C. J. Dennis's most poignant books of verse, Digger Smith recalls a singing soldier from The Moods of Ginger Mick, who returns from Gallipoli to become the country neighbour of Doreen and the Bloke (The Sentimental Bloke). In true Dennis style it is told with wisdom, humour and pathos. australia - military - history - poetry, australia - poetry

Hardcover w/ Dust Jacketwalsh st library

Black embossed leather bible with soft protective edges and gilt text on the spine. Coloured maps and gilt edges. Handwriting inside the front cover."Methodist Church of Australia Victoria and Tasmania Conference. Presented to Stella Marion Opie on the occasion of dedication as Deaconess of the Methodist Church at Wesley Church Melbourne 27th February 1951"methodist deaconess stella marion opie

This gum leaf painting is one of a pair displayed on foil in the same frame. It is typical of many paintings by the self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.An oil painting on gum leaf by the well-known Australian artist Alfred William Eustace. He was a self-taught artist during the 19th and early 20th century and a prominent resident of Chiltern. Oil painting on gum leaf by Alfred William Eustace. A scene of a log cabin on Black Dog Creek Road, Chiltern, with Skeleton Hill in the background. The canvas is a juvenile Red Box (Eucalyptus polyanthemos) leaf. It is one of a pair of Eustace gum leaf paintings mounted on gold foil, under glass in a brown frame. Inscription on back. Labels on back: Rehoused by The Centre for Cultural Materials/ Conservation, University of Melbourne "Oil on Gum Leaf"/ by Alfred William Eustace/ Donor:- Cam & Connie Boadle/ Wales U.K. Crescent/ MUSEUM/ GRADE/ 24 OCT 1998/ CONSERVATION BOARD ALBURY/ PICTURE FRAMERS/ Shop 15 & 16/ AMP Lane,/ Albury, 2640/ Ph: 02 6021 7088black dog creek, chiltern, alfred eustace, skeleton hill, gum leaf, painting, eustace

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape, with creek and grassland in foreground surrounded by bushland and hill in distance, by A.W. Eustace, under glass in original timber frame with beige matte and a twist wire stand. One of 3 miniatures. No signature visiblealfred eustace, oil painting, landscape, chiltern

This is one of a set of 3 miniature oil paintings by the self-taught artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Miniature oil painting of a landscape with creek and surrounding trees by A.W. Eustace, under glass, in original dark brown timber frame with beige matte and a twist wire stand. One of 3 miniatures. Sticker on back: 188 (original Registration number)alfred eustace, chiltern, oil, landscape

This is a colour photograph of a gum leaf painting that is one of many done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by A.W. Eustace. A man is panning for gold in a stream with a house and hills in the background. Under glass in a decorative gilt and cream coloured plastic frame.Hand writing on tape at back of frame: COPY OIL ON GUM LEAF 10" x 5" A W EUSTACE owned by Betty & Alf Brownlie 2260alfred eustace, gum leaf painting, chiltern, gold panning, gold

This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape

This black and white photograph of the grave of A.W. Eustace is believed to have been taken in September 1987 at the Chiltern New Cemetery. Alfred William Eustace, an Australian artist, was born in the small village of Ashbury, Berkshire, England, the son of John Eustace, Head Game-keeper to the Earl of Craven at the beautiful Ashdown Park. He migrated to Australia with his wife and children in 1851 and camped next to the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was owned by the Withers family and was in excess of 55,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that are in the Beechworth Museum collection are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by his relatives from the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.A. W. Eustace, as well as being a well-known Australian artist, was a significant member of the Chiltern community.Black and white photograph of the grave of A.W. Eustace, under glass, in a metal frame.Sticker on back: 184 (original Registration number)a. w. eustace, grave, chiltern new cemetery