Showing 464 items
matching apron
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Flagstaff Hill Maritime Museum and Village
Clothing - Apron, c. 1900
This apron was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.The apron is an example of late 19th century ladies' clothing for use in domestic service or hospitality.Apron, ladies size, cotton, machine made. Bodice has hand made Broderie Anglais lace trim and neck ties, skirt has gathered waist and ties, three pin ticks around hemline. Would have been worn for 'best' wear. C. 1900flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late 19th century, broderie anglaise, handmade lace, apron, domestic clothing, domestic work, domestic service -
Whitehorse Historical Society Inc.
Clothing - Apron
These aprons were very popular in the 1990's.As used to 1990'sCream calico waist apron. Material doubled to make deep pocket for clothes pegs. Pocket hem and waist band trimmed in green cotton; painted design on front, consisting of clothes line, the words, 'Pegs' and 'Clothes on line'.costume, female working -
Blacksmith's Cottage and Forge
Apron, Costume Domestic
An item of Local significance for women in use of decorating their Domestic life in the mid 1920's. Usually these items were constructed with the use of their own handicrafts. The 'Sunday Best' status helped to present a civilised look to the one day of No work and Church in a family's weekly life.A lady's linen, hand embroidered full apron. Orange Flowers(Button hole stitch), green leaves (satin stitch) Featherstitch on pockets and edges of the garment.1 Tie is missing meaning that the apron cannot be worn.embroidery, hand, domestic, linen, silk, crafted, apron, sunday best, stranded, ties -
Coal Creek Community Park & Museum
Phonograph record, I like Your Apron and Your Bonnet / Meet Me Tonight in Dreamland
Black vinyl phonograph record with a green "Zonophone, The Twin" label. Side A: I like Your Apron and Your Bonnet, Side B: Meet Me Tonight in Dreamland, English Bells played by Billy Whitlock with orchestral accompaniment.Trade Mark "The Twin" serial No 798- reference No x-49352 -
Flagstaff Hill Maritime Museum and Village
Clothing - Apron, c. 1912
This child's white batiste apron was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child, circa 1912.This child's apron is representative of ladies fashion of the 1910s.Child's white batiste apron. Hand sewn, inserted front panel, ties to fasten, open back, sleeveless, ruffled hem. Circa 1912. Worn by Robert Barnard son of Mrs W N Barnard of Portland. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, robert barnard, child’s batiste apron c. 1912, child’s clothing c 1912, protective clothing -
Flagstaff Hill Maritime Museum and Village
Clothing - Apron, c. 1911
This child's white batiste apron was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child, circa 1911.This child's apron is representative of ladies fashion of the 1910s.Child's white batiste apron. Hand sewn, open back, ties to close, sleeveless, pintuck and lace bodice, lace insert border above hem. Circa 1911. Worn by Robert Barnard son of Mrs W N Barnard of Portland.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, robert barnard, child’s batiste apron c. 1911, child’s clothing c 1911, protective clothing -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - farrier's apron
Farriers wore a heavy leather apron for protection against cinders, hot metal fragments, and when shoeing horses, the hoof clutched against the farrier's knees and upper legs.Heavy leather apron with securing straps.apron, farrier, horse -
Whitehorse Historical Society Inc.
Memorabilia - Apron, 1982
Apron sold prior to 1983 Federal Elections won by Labour Party. Bob Hawke became Prime Minister after taking over leadership of the Opposition from Bill Hayden just prior to the elections called by Malcolm Fraser. Worn by donorRed cotton BBQ apron, black binding around edges and waist ties. 'Bill's Boys' printed in black. Cartoon images of Neville Wran, Bill Hayden, Bob Hawke, Gough Whitlam and Al Grassby.domestic items, cooking, costume, male working -
Kew Historical Society Inc
Clothing, Embroidered Silk & Cotton Apron, 1950s
The Matyó region of Hungary, which includes Mezökövesd is known for its rich costume traditions, specifically embroidery. Matyó embroidery is a densely-patterned style of free-hand work in rich and colorful floral motifs. Its prime era was the 1860s and 1870s when the folk arts thrived. This example characterizes the dynamic color combinations and flower varieties of the Matyó tradition.The textile is part of a large and significant collection of items donated by Rosemary Vaughan-Smith, past member and office-bearer of the Kew Historical Society. between 2005-12. The collection includes costumes, scrapbooks, autograph books, artworks and objects.Rectangular apron worked in three panels, the lower two of which are backed. The waist tie is of a floral fabric. The tape is attached to both vertical sides. There is a black fringe attached to the bottom panel over floral printed fabric. The needlework techniques employed in the embroidery include flat stitch which is used to create the effect of quilting and creating large brightly coloured flowers in the middle section. mezökövesd, aprons - hungarian, matyo embroidery, migration -
Flagstaff Hill Maritime Museum and Village
Apron
Apron full length white bib & lace trimming on top of bib. Left hand side pocket has been removed because stitching marks remain.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, apron -
Flagstaff Hill Maritime Museum and Village
Clothing - Apron, c. 1900
This apron was donated along with other well kept items of women's clothing. The clothing once belonged to members of a family who migrated from Faversham, Kent, England to Sydney, Australia in the late 19th - early 20th century and was passed down through the family. The items have been worn and have also been well cared for.This items is an example of ladies' clothing worn during the late 19th to early 20th century.Apron, ladies, machine made, cotton, Gathered waist, waist ties, small bodice with Brodery Anglais lace hand stitched onto it, neck ties. Would have been work for 'good' wear. C. 1900. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies garments 19th century, cotton garments 19th century, apron late 19th century, domestic clothing, domestic service, hospitality service, broderie anglaise, ladies’ clothing, hospitality clothing -
Kew Historical Society Inc
Clothing, Sanfor, Apron, 1930s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.White cotton apron dress with blue trim, with a label on the inside collar "Sanfor". Sanfor refers to Sanforization which was a process used to treat cotton fabrics, patented by Sanford Lockwood Cluett (1874–1968) in 1930. It is a method of stretching, shrinking and fixing the woven cloth in both length and width before cutting and producing, to reduce the shrinkage which would otherwise occur after washing. The items was donated by Teresa Mayer. sanfor, women's clothing, uniforms, teresa mayer, protective wear -
Stawell Historical Society Inc
Costume - Apron, Fishers Centenary 1911-2011
Claico ApronFishers Cnetenary 1911-2011 -
Stawell Historical Society Inc
Costume - Apron, Stawell Lamington Festival
Cotton ApronAnthropomorphic Lamington -
Glenelg Shire Council Cultural Collection
Clothing - Apron, 1900s
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Lace edged white lawn apron with attached bib. Both bib and apron, pentagonal shape.clothing, womens history, needlework, domestic item -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Apron
Replica Nurses Apronuniform, ww1 -
Whitehorse Historical Society Inc.
Clothing - Apron
Cream calico apron embroidered with a lady in pink gown with a palm tree and flowers on fence. Apron is not finished or bound.domestic items, sewing, costume, female working -
Whitehorse Historical Society Inc.
Clothing - Apron
From the Till collectionCream calico bib apron. Floral trim across top of bib. Waist tie and floral trim on pockets. Cream lace trim around edge of apron.costume, female, costume, female working -
Williamstown High School
Apron 1969, Janie Winter, 1969
This apron was made by Janie Winter in 1969, Form 1 Needlework class - Teacher Mrs Church. Binding trim is hand sewn as is the embroidered name. The apron was used the following year in Form 2 during Cookery classes. A matching scarf (85.2) was also made in that year.Gold linen apron with red binding and pocket and rick rack trim. Embroidered with 'Janie' on top left hand front. williamstown high school, 1969, needlework, mrs church, janie winter, apron -
Whitehorse Historical Society Inc.
Clothing - Apron
Embroidered black apron, front is shiny satin, reverse matt satin. Machine scalloped edging. Machine embroidered leaves and flowers in autumnal colours. Apron tied with satin ribbon.costume, female working -
Whitehorse Historical Society Inc.
Clothing - Apron
Worn by Donor's grandmother at Bethley Ridge near Maryborough. Unique style of embroideryApron - Brown Hostess - Lace Edged. Embroidered in fine woolcostume, female working -
Whitehorse Historical Society Inc.
Clothing - Apron, c1930's
Part of Bette Jones collectionDeep beige linen apron with bib. Bib and skirt embroidered with flowers and leaves in pinks and greens. Apron edged and trimmed with cotton lace. No straps, so either designed to be pinned on or unfinished.costume, female working -
Whitehorse Historical Society Inc.
Domestic object - Apron, 1873
Black satin apron with hand painted border. Two buttons at waist.costume, female working -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Hardenbergia violacea - Purple Sarsaparilla Creeper and Ultricularia dichotoma - Fairy's Apron), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers -
Whitehorse Historical Society Inc.
Clothing - Apron
Worn by donor's grandmother at Bethley Bridge near Maryborough, unique style of embroidery,Apron, Hostess, Laced edged and embroidered with wool (Tambour Style), cream cotton.costume, female working -
Whitehorse Historical Society Inc.
Clothing - Apron
Small white cotton apron with bib front and tie. Spoke stitch border.costume, female working -
Whitehorse Historical Society Inc.
Clothing - Apron
Purple waist 'cocktail' apron with coloured fringing. Vivid embroidery in yellow, red, pink and green.costume, female working -
Clunes Museum
Domestic object - APRON
PROTECTIVE CLOTHINGPART OF WHITE COTTON WORK APRON. THREE GORED SKIRT WITH ONE POCKET, COVERED BUTTONS.local history, costume, female, working., trembath, perry -
Whitehorse Historical Society Inc.
Clothing - Apron, not known
Bought for collection from Op ShopAfternoon Tea apron trimmed with 7cm lace border. Also with four insertions of lace panels in frontcostume, female working -
Glenelg Shire Council Cultural Collection
Functional object - Apron, 1900-1920
Scalloped edged white maid's apron, bib attached. Checked fine lawn. Cotton backing on edge.