Part of the Stokes Orchard Estate, Stage 1 established 197635mm colour positive transparency Mount - Black and Whiteinfrastructure, roads, eltham, ironbark close, scarlet ash court, stokes orchard estate

Part of the Stokes Orchard Estate, Stage 1 established 197635mm colour positive transparency Mount - Black and Whiteinfrastructure, roads, eltham, ironbark close, scarlet ash court, stokes orchard estate

Colour photo print eltham, infrastructure, roadworks - gutters, scarlet ash court, shire of eltham, stokes orchard estate, streets

Roll of 35mm colour negative film, 3 strips Also photo print Kodak GA100 5095eltham, infrastructure, roadworks - gutters, scarlet ash court, shire of eltham, stokes orchard estate, streets

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of The Big Tree near Cambarville in Victoria. At the time the photograph was taken it was the world's tallest hardwood tree standing at 92 meters (301', 6"). However it was reduced to 84m by a wind storm in 1959.POST CARD The Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoriabig tree, cambarville, cumberland valley, mountain ash, world's tallest tree, victoria, p. 4357, rose series postcard, postcard, souvenir

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of The Big Tree near Cambarville in Victoria. At the time the photograph was taken it was the world's tallest hardwood tree standing at 92 meters (301', 6"). However it was reduced to 84m by a wind storm in 1959.POST CARD The Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoriabig tree, cambarville, cumberland valley, mountain ash, world's tallest tree, victoria, p. 4357, rose series postcard, postcard, souvenir

A postcard in a series produced by the Rose Stereograph Company in Victoria, Australia as a souvenir of Marysville.A black and white photograph of The Big Tree near Cambarville in Victoria. At the time the photograph was taken it was the world's tallest hardwood tree standing at 92 meters (301', 6"). However it was reduced to 84m by a wind storm in 1959.POST CARD The Rose Series/ De Luxe A Real Photograph/ Produced in Australia Published by the Rose Stereograph Co.,/ Armadale, Victoriabig tree, cambarville, cumberland valley, mountain ash, world's tallest tree, victoria, p. 4357, rose series postcard, postcard, souvenir

tower hill, volcano, volcanic ash, volcanic ash layers, geology, koroit

Donated by Evan Lowenstein through the Australian Government Cultural Gifts Program, 2012Type E photograph on papergippsland, artwork, permanent collection

index, ill, maps, p.312.non-fictionA history of the tramways and sawmills of Warburton and District.timber tramways - australia - history, logging railroads -- victoria -- gembrook -- history.

The irresistible appeal of our unique Terrestrial orchids will often find native plant enthusiasts down on hands and knees following a hot summer bushfire surveying the forest floor where flowering colonies may emerge stimulated by the ‘Ash Bed’ effect and the symbiotic relationship with a particular soil Hyphae. Many like the small Hare orchid and Red Beaks depicted in this work may not be seen flowering again on the site until the next fire event.This work is one of a number painted by the artist after bushfires in the Grampians. Roger Edwards was a Forest Officer, posted to Cavendish, in SW corner of the Grampians, in 1975. He retired in 2018, enabling him to devote more time to his art.Environment, Wildflowers, Landscape, Botanic artGift of Rob Youl to commemorate artist, Betty Conabere.This painting shows orchids and other native plants regrowing densely in an ashbed after a Grampians bushfire. It is an aesthetic depiction of important ecological processes. wildflowers, lanscape, orchids, bushfire, grampians, environment, recovery after fire, botanic art

This postal note was purchased at Hobart West Post Office but was not cashed in. Postal notes (or postal orders) were introduced as a means of transmitting smaller amounts of currency within a country. They were sanctioned by the Universal Postal Union and upon joining this body, each colony was required to issue them. Money orders were later introduced for larger sums. The post office became responsible for postal notes in 1890. Postal notes were a way of sending money through the post. They were replaced by money orders. Duplicate money orders were issued as replacements.This item is an example of a form of currency which has been superseded by postal and money orders. Postal orders are not legal tender, but a type of promissory note, similar to a cheque.A postal note -black print on green background. The amount is 2/- and it is dated Feb 9 1942 , Number 337582currency postal-note

Forceps, Tooth Extracting. Made C.Ash & Sons England.73 S, EP/27. L 145mm.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, forceps, tooth extracting, c.ash & sons

Australian Postal Note made out to the Postmaster at Hamilton to pay Miss H.M. Thomson - four shillings, at any time within six months from the last day of the month of issue on account of the Postmaster General. The purchaser must fill in the office of payment and names of payee.232512 VICTORIA / COMMONWEALTH OF AUSTRALIA / To the Postmaster at . . . . . . . Hamilton / Pay .. . . . . . . Miss H.M. Thomson / FOUR SHILLINGS / POUNDAGE / THREE HALF PENCEpostal note, money order, postmaster general

Purchased, 2017Silver Gelatin, Digitalgippsland, artwork, permanent collection

Black and white photograph of entry to Ash Cottage Herbery of Metung Victoria 1991Black and white photograph of entry to Ash Cottage Herbery of Metung Victoria businesses, plant nursery

This bowl was turned by Mr Bob Harris from the fallen Claret Ash which grew on the north side of the Mair Street (CPLC) oval. Bob was a groundsman at Mair Street 1980 - 1989. His profile was published in Ringaroo March 1986. He passed away in June 2013. The bowl was presented to College 24 August 1989. Claret Ash turned bowl with lidrobert-harris, grounds staff, craftsmanship

Cards collected by R.H. Baron when visiting his Uncle who lived near the village of ASH, UK. c.Nov 1918. Part of the "Robert H. Baron", No. 3596 and Cooper Collections. See Catalogue No. 1981P for details of Baron's service.1. Coloured photograph of a street featuring building including a Post Office. 2. Coloured photograph of a house fronting a gravel road. 3. Sepia toned photograph of a gravel road, vegetation and trees. 4. Sepia toned photograph of a row of houses fronting a gravel road. 5. Sepia toned photograph of a row of houses. Man standing next to a horse and cart. Large pond in foreground. 6. Sepia toned photograph of a row of houses. Man standing next to a horse and cart. Large pond in foreground. 7. Sepia toned photograph of a river with boats moored on bank. Buildings on far side of river. 8. Sepia toned photograph of a row of houses fronting a road. 9. Sepia toned photograph featuring people on a wharf. Row of houses in back ground.1. Pinewood Post Office, Ash. Handwritten in faded black ink on back: 'This is the road Uncle lives in. he live just about opposite the cross (or house in middle) I made on the card, Bob'. 2. York House, Ash. Handwritten in black ink on back: 'Just near my Uncle's place in Ash, Bob.' 3. Fox Hills, Ash. Handwritten in faded black ink on back: 'Letter from R.H. Baron to his brother Freddy - no date.' 4. Ash Common, Victoria Hall, etc. Handwritten in faded black ink on back: ' Of course you will know Ash as you have wrote it bit when writing to Uncle, Bob'. 5. Ash Village & Pond: Handwritten in faded black ink on back: 'This is Ash Village - is about 1 mile from where Uncle lives. Bob.' 6. Ash Village and Pond: Handwritten in faded black ink on back: 'Letter to Elsie from R.H. Baron - no date.' 7. Ash Vale. The Wharf. Handwritten in faded black ink on back: 'Letter to Elsie from R.H. Baron - no date.' 8. Ash Vale. The Wharf. Handwritten in faded black ink on back: 'Partial letter to R.H. Baron's brother - c.Armistice Day. 9. Ash Vale. Handwritten in faded black ink on back: 'Another view of Ash, Bob.'robert h. baron, cooper collection, postcards, ash uk, ww1

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of Ash bending in front of a chaff cutter and a pile of hay in the background. Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "Ash working with old chaff cutter. C.I.Easter Festival 30/3/2013"churchill island, photograph

Ash Tray made in South Vietnam. Peter Umina collection, refer Cat No 2446 for his service details..1) Ash Tray base from large calibre shell. 2.) 50 calibre round that screws into base with washer & screw.military history - trench art, personal effects - smoking accessories

Churchill Island has a large photographic collection dating from the nineteenth century. This series shows the extensive work and volunteering conducted on site by workers after it was turned into a heritage siteColour photograph of Ash feeding oat into the chaff cutter Probably taken at the Churchill Island Easter Festival 30/03/2013Catalogue number on reverse in pencil. Written on reverse in pen "Ash feeding his oat crop through the old chaff cutter. C.I.Easter Festival 30/3/2013"churchill island, photograph