Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills

Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills

Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills

Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills

Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills

Donated by Mr Leslie Rourke.wool industry wool sales wool - research wool sales - reserve price plan wool marketing textile mills textile mills, australian wool corporation joint wool selling organisation limited international wool secretariat, stock pile, wool industry, wool sales, wool - research, wool sales - reserve price plan, wool marketing, textile mills

Donated by Mr Leslie Rourke.wool industry wool sales wool - measurement textile mills wool marketing textile mills textile mills, australian wool corporation international wool secretariat, stock pile, wool industry, wool sales, wool - measurement, textile mills, wool marketing

"Sale by sample with clean colour measurement" - Australian Wool Corporation 1977."Sale by sample with clean colour measurement" - Australian Wool Corporation 1977.woolclassing - objective measurement wool marketing wool - measurement wool sales sheep stations - management, australian wool corporation, wool clip preparation, woolclassing - objective measurement, wool marketing, wool - measurement, wool sales, sheep stations - management

"The objective measurement of raw wool" -Ms J Welsman, May 1977. Amongst items collected in Australian Wool Corporation folder (W6052)."The objective measurement of raw wool" -Ms J Welsman, May 1977. Amongst items collected in Australian Wool Corporation folder (W6052).textile research wool marketing wool - measurement woolclassing - objective measurement, australian wool corporation, wool clip preparation, textile research, wool marketing, wool - measurement, woolclassing - objective measurement

Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Grenville Made in England Pure New Woolwool marketing, australian wool corporation, gunn, sir william fong, mr colin

Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.wool marketing, australian wool corporation, gunn, sir william fong, mr colin

Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.Tie with wool mark logo. Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.wool marketing, australian wool corporation, gunn, sir william fong, mr colin

This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was published by the Australian Wool Corporation to be given away with the magazine "Family Circle". It contains patterns for crocheted toy sheep, as well as knitting patterns for womens, mens and childrens garments.PURE NEW WOOL / Your / Family Knitting / with wool / Pattern Book / 11 Patterns for all your Family / from Family Circle and / The Australian Wool Corporation.knitting handicrafts - history crochet, family circle australian wool corporation, knitting, handicrafts - history, crochet

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Yellow shirt, one pocket on left breast. The cuffs and the collar are white.On label - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation1992 barcelona olympics, wool, australian wool corporation

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Floral tie with cream, red, green native flower design.On label - Woven & manufactured in Australia by "Tee-Dee" exclusively for the Australian Wool Corporation1992 barcelona olympics, uniform, tie, australian wool corporation

Promotional poster, "Men Knitting - the first Australian Exhibition."Promotional poster, "Men Knitting - the first Australian Exhibition."MEN KNITTING/ THE FIRST/ AUSTRALIAN EXHIBITION/ PROUDLY SPONSERED BY/ THE AUSTRALIAN WOOL CORPORATIONknitting wool marketing, australian wool corporation, knitting, wool marketing

Promotional poster, "Men Knitting - the first Australian Exhibition,.."Promotional poster, "Men Knitting - the first Australian Exhibition."MEN KNITTING/ THE FIRST/ AUSTRALIAN EXHIBITION/ PROUDLY SPONSERED BY/ THE AUSTRALIAN WOOL CORPORATIONknitting wool marketing, australian wool corporation, knitting, wool marketing

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretchGreen knee length skirt with button and zip back. Has two pockets, and two darts in both front and back.Label 1 - Barcelona 1992 Official Uniform supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia 141992 barcelona olympics, australian wool corporation, wool, olympic games official occasions

About the 1992 Barcelona Olympic Games donator Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technichian, my role was a low profile newly created position of “Controller, Technical Marketing” where wool was to be marketed on its technical properties, as distinct from the “Product Marketing Group” which exploited trhe traditional high profile approach of marketing wool;s superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to ‘spot the Aussie’ and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Green jacket with Olympic emblem on left breast pocketLabel 1 - Barcelona 1992 Official Uniform Supplied by Australian Wool Corporation Label 2 - Fletcher Jones Australia Label 3 - Warm iron dry clean only On jacket breast - Australia Barcelona 19921992 barcelona olympics, uniform, tie, australian wool corporation

CSIRO Division of Textile Physics: Annual Report 1975-76. Amongst items collected in Australian Wool Corporation folder (W6052).CSIRO Division of Textile Physics: Annual Report 1975-76. Amongst items collected in Australian Wool Corporation folder (W6052).textile research, csiro division of textile physics