‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981japanese art, japanese packaging, tsutsumi, gift giving

Produced and acted by members of the Heidelberg Theatre Company and all supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by HTC members.All items in good conditionheidelberg theatre company, htc, one man, two guvnors by richard bean, 2016, 415, chris baldock

Hard cover with dust cover. 324 printed pages containing text and black and white photographsDonated by R Bingley on permanent loan to the Ringwood RSL

Kitchen gadget used in the 1930s/1940s to be a labour saving deviceGreen metal domestic slicer with three blades on a wheel turned by handle, can be clamped to benchInitials KBC, Cast irondomestic object, kitchen, bean slicer, ken bowes & co ltd, labour saving

Official History of Australia in the war of 1914-1918 Vol VI The AIF in France 1918 - The Armistice by C.E.W. Bean , published by Angus & Robertson 89 Castlereagh St Sydney 1942 , faded maroon hard bound covered book with gold lettering , inside cover signed A.E./ Emmerson , 74 Sternberg St Bendigo , 530 illustrations and maps ,C.E.W. Beanbooks, military, the aif in france 1918 - the armistice / c.e.w. bean

Official History of Australia in the war of 1914-1918 Vol IV The A.I.F. in France 1917 by C.E.W. Bean , published by Angus & Robertson 89 Castlereagh St Sydney 1939, maroon hard bound covered book with gold lettering, inside cover signed Wesley Harry 1973, 423 illustrations and maps, eighth edition (first edition was 1933).C.E.W. Beanbooks, military, c e w bean /

Official History of Australia in the war of 1914-1918 Vol I The story of Anzac :The first phase , from the outbreak of war to the end of the first phase of the Gallipoli campaign , May 4, 1915 by C.E.W. Bean , published by Angus & Robertson 89 Castlereagh St Sydney 1939 , 21.6x14x6.5cm maroon hard bound covered book with gold lettering , inside cover signed Wesley Harry 1973 , 111 maps 56 illustrations and , ninth edition ( first edition was 1921) the outbreak of war to the end of the first phase of the Gallipoli campaign , May 4, 1915 by C.E.W. Bean , published by Angus & Robertson 89 Castlereagh St Sydney 1939 , 21.6x14x6.5cm maroon hard bound covered book with gold lettering , inside cover signed Wesley Harry 1973 , 111 maps 56 illustrations and , ninth edition ( first edition was 1921)C.E.W. Beanbooks, military

Official History of Australia in the war of 1914-1918 Vol V The AIF in France 1918 December 1917-May 1918 by C.E.W. Bean , published by Angus & Robertson 89 Castlereagh St Sydney 1939 , maroon hard bound covered book with gold lettering , inside cover signed Wesley Harry 1973 , 279 illustrations and maps , fifth edition ( first edition was 1937)C.E.W. Beanbooks, military

Official History of Australia in the war of 1914-1918 Vol II The story of Anzac :from 4 May ,1915 to the evacuation of the Gallipoli Peninsuala by C.E.W. Bean , published by Angus & Robertson 89 Castlereagh St Sydney 1939 , maroon hard bound covered book with gold lettering , inside cover signed Wesley Harry 1973 , 524 illustrations and , eighth edition ( first edition was 1924)C.E.W. Beanbooks, military

This stencil was used to mark bags of dried bean seed, in this case Brown Beauty bean seeds, produced by farmers in the Orbost district and clean and bagged by Fisher Bros., seed bean merchants of Orbost. This stencil is significant because it was specially made for the seed bean industry which was a major industry in the Orbost district for the first half of the 20th century. A galvanised iron sheet from which words have been cut out to form a stencil. BROWN BEAUTY BEANS 1948 CROP PRODUCE OF AUSTRALIA SOUND, CLEAN, FRESH ORBOST, VICTORIA, AUSTRALIA PACKED FOR LAMBERT OVERSEAS PTY LTDseed-beans bag-stencil farming

Hard cover book set. Cardboard, red buckram, gold print on spine. Pages - cut, plain, off white. Illustrated - black and white and colour photographs, maps and illustrations. 1. Vol 1. The story of ANZAC 1 (Third edition) 662 pages. 2. Vol 2. The story of ANZAC (Eighth edition) 975 pages. 3. Vol 3. The AIF in France 1916 (Ninth Edition) 1036 pages. 4. Vol 4. The AIF in France 1917 (Eighth Edition) 1030 pages. 5. Vol 5. The AIF in France 1918 (Sixth Edition) 825 pages. 6. Vol 6. The AIF in France 1918 ( ? Edition) 1099 pages. 7. Vol 7. Sinai and Palestine (Eighth Edition) 844 pages. 8. Vol 8. Australian Flying Corps (Eighth Edition) 493 pages. 9. Vol 9. The Royal Australian Navy (Seventh Edition) 649 pages. 10. Vol 10. The Australians at Rabaul (Seventh Edition) 412 pages. 11. Vol 11. Australia during the War (Fifth Edition) 922 pages. 12. Vol 12. Photographic Record of the War. (Twelfth Edition) 753 pages (Glossy white paper).2. - .12) Black ink stamps [two] Title page "High School/ Library/ Eaglehawk" - School crest "EHS/Via AQUILEE" Back end papers - "High School/ Library/ Eaglehawk". 9. Felt tip pen marks on top of pages.books, history, ww1

Dark maroon buckram cover with small gold embossed Rising Sun. Red background, black & white print, gold image of Rising Sun in centre of dust cover. Illustrated with black & white photos, 234 pages.Donated by Bgo 'Y' Men's Clubbooks, aif, military history

Red buckram hard copy, gold text on covers, black & white photos & illustrations. .1) Vol I The Story of ANZAC, 662 pages .2) Vol II The Story of ANZAC, 975 pages .3) Vol III The AIF in France 1916, 1036 pages .4) Vol IV The AIF in France 1917, 1030 pages .5) Vol V The AIF in France 1918, 825 pages .6) Vol VI The AIF in France: May 1918, 1099 pages .7) Vol VII Sinai and Palestine, 844 pages .8) Vol VIII The Australian Flying Corps, 493 pages .9) Vol IX The Royal Australian Navy, 649 pages .10) Vol X The Australians at Rabaul, 412 pages .11) Vol XI Australia During The War, 922 pages .12) Vol XII Photographic Record of the War, 753 pages .13) Vol XIII Photographic Record of the War, 753 pagesbooks, military history

Hard covered red book of 1030 pagesStamps of various librararies before coming to usbook, aif, france, book, aif, france

Red Hardcovered book of 975 pages. Indexed. Illustrated. Gift of Professor Scott Bowman, Vice-Chancellor, Central Queensland University, 2014charles bean, world war one

Red hard covered book of 825 pages, and 279 illustrations.a.i.f, france, a.i.f, 1917, 1918, world war one

Red hard covered book of 662 pages, 111 maps and 56 illustrations.Inside front in pencil "H.J. Sims"world war, world war one, charles bean, aif, egypt, anzac, sims, h.j. sims

Red hard covered book of 1030 pages, with 423 illustrations and maps.world war, world war one, charles bean, aif, anzac, lagnicourt, messines, ypres, menin road, polygon wood, broodseinde ridge, passchendale, hill 60, hill 70, benafay wood, hindenburg line, hooge dump, butte, bapaume, bullecourt

WW1 HistoryA Shorter History of the Australian Fighting Services in the First World War. Canberra Australian War Memorial 1952. (Third Edition).

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