The family photograph was taken at the wedding of Nick and Plousia Kandiliotis. Standing at the back from L-R: Kleomenis (Clem) and Jean Kandiliotis, Jim Vlassopoulos (Kiourkiouris), Stathi Kandiliotis, Niko and Plousia Kandiliotis, Socrates Kouvaras, Toula and Jim Kandiliotis, Vicky and Orpheus Kandiliotis. Seated front from L-R: Chrisostomi Kandiliotis and Fotini Kouvaras, Flowergirls/page boy: Chrissa, Clem Jr, Christine and Joanne Kandiliotis. Bridesmaids: Beba Lucas (Pappas), Danae KandiliotisA black and white photograph of a wedding group. There are seven men, six women,m two bridesmaids, three flower girls and a page boy.

This photograph shows one of the many weddings held at the Mission to Seafarers over the years and provides an overview of wedding fashion of the late 1920s. The bridesmaids were Ella Kendall and Molly Walker. In this image a horse and cart can be seen in the background on Flinders St and a Telegraph pole. Dora would continue association with the Mission and as president of the Flying angels in the 1960s-70s she would be awarded the MBE for services to Community presented by the State Governor of Victoria. This photograph shows one of the many weddings performed at the Mission to Seafarers over the years. Cross referencing with the marriage registers, also held in the collection, reveals that this photograph is Amy Dora Walker (known as Dora) of East Malvern marrying Harold Priestley Simpson of Surrey Hills / Mornington on 14 February 1928. Dora's son David Simpson, a former architect still volunteers for the Mission in 2018. Dora is listed on the Women of achievement listing.Sepia toned photograph of bride and attendants in the courtyard of the Mission to Seafarers. The bride's dress is calf length and she has just stepped out of a large car assisted by her Father Mr Walker. The Bride is holding a large bouquet. There are two attendants or Bridesmaids to the right of the photograph, wearing layered calf length dresses, cloche hats and holding a small bouquet. Both are standing outside the Mission to Seamen on Flinders St waiting to assist the bride. small circular Blue ink stamp on rear of photograph: PRINTED BY HARRINGTONS. numerals stamped on the back 3 and 8 hat, flowers, veil, wedding, dress, shoes, motorcar, bridesmaids, dora walker, dora simpson, harry simpson, flinders street, 1928, david simpson, fan album, john reginald weller (1880-1969), arthur walker, molly walker, ella kendall

Huttley Martin FamilyB/W/ Portrait of a young woman in long floral dress, high heels, pearl necklace - headdress holding floral bouquetLorna ( as Madge's Bridesmaid)huttley, martin

Beryl Cox b Yung was the daughter of Ernest Herbert Yung, son of George Edward Godlip and Clara Emma Yung (b Smith) of Happy Valley. Ernest was a returned soldier having fought in the Battle of Menin Road, Belgium, in WW1.Three black and white photographs of the Cox family of Nhill .1 Beryl Yung and Bridesmaid .2 Two children - possibly Beryl and her brother. Children of Ernest Herbert Yung .3 Wedding photo of Beryl and Jeff Cox.1 Half of a Post Card. Verso: Beryl + bridesmaid, married Geoff Cox. Elite Photos. no. 24213 .2 Verso: Jas Brown print Nhill .3 Half of a Post Card. Beryl + Jeff Coxyung family, happy valley, beryl cox, 1940's wedding, children 1920's, jeff cox, beryl yung

The people in the wedding group photograph are back L-R: Aspasia (Sia) Koutsouvelis nee Raftopoulos, Bride and Groom - unknown, Arthur Koutsouvelis. Front L-R: First cousins Harry Koutsouvelis and Mary Iannis and the bridesmaid unknown.A black and white studio photograph of a wedding group comprising the bride and groom, best man and matron of honour, junior bridesmaid and a page boy and flower girl. Some of the names of the people in the photograph have been written across the bottom of the mounted photograph.

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." "Most admired of the Bride's presents" (bride and bridesmaids with blanket)"Most admired of the Bride's presents" /Warrnambool Blankets and Rugs/Warmer Wool from Warrnamboolblankets, blanket fever, wool, advertisement, warrnambool, australian women's weekly

Made by Jean Wilson for Beth Wilson. Wedding of Heather Wilson to Darren KnightRed satin bridesmaid dress with white lace detailing.

Gloves worn by bridesmaid to wedding of NA4657Pair of white Rayon long-sleeve gloves; 10cm opening at wrist and two pearl buttons. Gloves worn by bridesmaid to sister's wedding. see Bridesmaid's dress NA4657Nylon; Rayoncostume accessories, glove accessories

Black and white photograph of a wedding party in a gardenOn back of photo: "Ada Ready's wedding & Allie Ready bridesmaid."ready family, allie ready, ada ready, wedding photographs

Studio portrait of wedding partyB/W photograph on grey mount. Wedding couple with groom, bridesmaid and flower girlNonethompson collection, nightingale

The bride is Rita Paizis together with her father, Nicholas Paizis arriving at the Evangelismos Greek Orthodox Church, East Melbourne. Rita married Dennis (Menelaos) Varigos. A black and white photograph of a bridal group showing the bride and her father with two bridesmaids.

Black and white photographImage is a studio photograph of the wedding party including 2 bridesmaids and a flower girl.

The photo is at the wedding of Ekaterina Paxinos and Dionysios Lekatsas (Lucas), which took place at Evangelismos Church in Victoria Parade, East Melbourne in 1924. Pictured together with the bride together are her attendants: Picture on far left is Anthi (nee Mavrokefalos)) Chilianis; the others are the daughters of Dimitrios Paxinos who was one of the early Ithacans to arrive in Melbourne in 1886.For the Ithacan community the practice of the orthodox religious ceremonies helped maintain customs and traditions within in an adopted country. Celebrations such as marriages and baptisms played an important social role in the Ithacan community as they were an opportunity for families and friends to come together. A sepia studio photograph of a wedding group of the bride and her two bridesmaids and two flower girls.

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Bridesmaid frock. Full length pink crepe with (at bride's request) two floating back panels. 1973grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full-length cream silk taffeta bridesmaid’s dress. Same colour lace on the upper bodice and sleeves. australian fashion, grace james collection, bridesmaid's dresses, grace james, fashion design, fashion -- 1970s

The wedding of Nick Papas and Mary?/Meg? Ferguson. Nick's brother Jack is pictured first on the left. Nick and John Papas worked with stained glass specialists and worked on projects such as Melbourne's Lazar's restaurant windows, the Great Hall of the Arts Centre, and many churches around Melbourne, both Greek and other denominations. A black and white photograph of a wedding party photographed in a garden. There are the bride and groom and two bridesmaids and two groomsmen.pappas, papadopoulos

Also a black and white photograph of bride with flower girl 05242.1 9 x 14 cmBlack and white photograph of bride Val Williams with two bridesmaids and flower girl Lakes Entrance Victoriacelebrations, fashion

Worn at the wedding of Dorothy Williams in 1957Pink polyester cummerbund with 'strings' at each end for tying around the waist. Worn by bridesmaid at the wedding of Dorothy Williams.costume accessories, female

Wedding of Loula Sikiotis to Mike Kostos. Photographed L-R: Poppy Kostopoulos, Loula Sikiotis, Leah Sikiotis, Theodora (Beba) Lucas and flower girl Antonia Andrews.A black and white photograph with a white border of a bride standing in a room with her two bridesmaids and two flower girls.

Sepia toned photograph of bride Rita Wills and her bridesmaid in Mona Mcleods photographic studio, bride in white dress with unusual split upper sleeve, simple head dress and patterned veil, seated bridesmaid in floral frock with short puffed sleeves, simple circle of flowers in hair. Bairnsdale Victoriacelebrations, clothing, genealogy

The photograph was taken to celebrate the wedding of Nick Comino and Ellie Black. Back from L-R: unknown, Victor Comino, Nick and Ellie Comino nee Black, Nina and John Black (sister and brother of the bride) and Spiro Chilianis. Front from L-R: Olga Black (sister of the bride) and Efstathia Black (mother of the bride). Nick and Ellie settled in Emerald, Queensland. Ellie was the daughter of Constantine and Efstathia (Toula) Mavrokefalos (Black). A black and white studio photograph of a family wedding photograph. With the bride and groom and one bridesmaid are four other men and two ladies.

Bridesmaid Dress worn by Joyce Suto (nee Baker) ( a member of the Society) as a bridesmaid at the wedding of her schoolfriend Derri Thomas to Derek Whitfield at Tidenham, Glous, U.K., in April, 1947. Bridesmaid dresses were made of an early kind of nylon with 'cap sleeves' and the material was bought with meagre supply of clothing coupons during postwar clothes rationing. Bridesmaids carried daffodils, irises and pussy-willow. 'Cap sleeves' chosen by the bride were a comparatively new fashion feature and not popular with the bridesmaid. So they all bought enough material for regular sleeves to be added later. The dresses were afterwards worn to dances.Long frock with short (cap) sleeves and a green sash. Frock is made of an early nylon and has a green sash to be worn with itcostume, female ceremonial

Taken at Guildford Villa, which has been demolished, at the wedding of Annie Beckett and Henry Leigh. Background view is to the north with Guildford Road across the photo and Monserrat' on Mont Albert Road on the horizon. Identification: Back row - L to R: Bert Leigh, Katie Beckett, Henry (Harry) Leigh, Annie Beckett, Percy Leigh, Clara Beckett. Front row - L to R: Mabel Beckett, Elsie Beckett, Arthur Leigh, Winnie Leigh. The bride was the daughter of Robert Beckett (senior) of Essex Road and the bridegroom was the son of Timothy Leigh, estate agent and architect of Essex Road. Married at the Wesleyan Church.Both the Beckett and Leigh families were significant in the early days of settlement of Surrey Hills.A B&W photo of bridal party comprised of bride, bridegroom, 3 bridesmaids, 3 male attendants and 2 flowergirls against a largely rural background.guildford villa, weddings, wedding dresses, annie beckett, henry leigh, harry leigh, bert leigh, percy leigh, clara beckett, mabel beckett, elsie beckett, arthur leigh, winnie leigh, topography

Jessie Partington and bridesmaid at Jessie's marriage to Gordon Scholes.Jessie was a member of the Partington family, Greensborough pioneers.Digital copy of black and white studio photograph.jessie partington, jessie scholes

The bride and groom are Vicki Vlassopoulos (Kioukiouris) and Orpheus Kandiliotis (Liarokapis). Family members are back L-R: Nick and Jim Kandiliotis and Peter Vlassopoulos. Front L-R: Ekaterina Vlassopoulos, Eutichia Vlassopoulos, Orpheus and Vicki Kandiliotis, John Vlassopoulos, Rosa Vlassopoulos and Jim Vlassopoulos.A sepia studio photograph of a family wedding group. With the bride and groom are four men, a lady, two bridesmaids and as young boy. The group are standing ion front of drapes.

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara HEGARTY at home before her wedding to Bob GARDINER.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty

Barbara GARDINER (nee HEGARTY) married Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT). The bridesmaids dresses were made by Margaret Conn who was one of the bridesmaids.B&W photograph of Barbara HEGARTY at home before her wedding to Bob GARDINER.weddings, celebrations fetes and exhibitions, domestic life, religion - anglican (holy trinity), robert (bob) gardiner, barbara gardiner nee hegarty