ENIMATIC LAND OF BIRDS THAT SING FLOWERS FROMS SEEDS THAT SPRING OF REPTILES AND FISHES CREATURES FROM THE BEGINNING SUN AND MAN AND SCIENCE THE SYMBOLS THAT SILENTLY BUILD AND CHANGE IN COOL AND WARM YOU ARE THERE AND HERE OF YESTERDAY NOW THE SPLITTING EARTH MURAL BY JOHN GILBERT 1973John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large ceramic mural by John Gilbert commissioned for the wall of the E.J. Barker Library. The mural features brown and green glaze with features of indigo. The work has no particular pictorial representation. It is an arrangement of colour and form, designed for enjoyment rather than to analyse. The theme relates to the development of the Universe through basic symbols such as plant forms, fish, birds and to mans development through symbols of science and engineering. The outer edge is symbolic of earths crust being peeled away to reveal science and nature. The mural depicts the changing of seasons from Winter to Summer (left to right). The mural was completed at John Gilbert's Slate Gallery studio, Mount Helen, and took eight months to make.gilbert, artwork, john gilbert, art, ballarat school of mines, mural, ballarat institute of advanced education, ballarat pottery, ceramics, old ballarat pottery, edinburgh pottery

John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large stoneware pot with brown swirling glaze design. art, artwork, john gilbert, gilbert, ceramics, stoneware, alumni, edinburgh pottery, old ballarat pottery

Found in old retaining wall during restoration work in 1980s together with some original earthenware chimney pots that are now restored to chimneys at Hymettus. The presence of such items discarded in garden areas and fill, indicates that these imported bottles were a common utensil in the area. Bourne's Denby pottery was a prolific producer of such items in the nineteenth century and Denby remained a notable British pottery into the late twentieth century.damage to top from spade otherwise undamaged with glaze to all sides.Impress stamp lower side of bottle.denby, vicrorian, ballarat

Handwritten letter to Mr. Blake with reference to meeting students and the changes in Bendigo. Mentioned are the Log Lock-Up, the Central Deborah Mine, the ex-manager of the mine, Mr. Rowe acting as a guide, Victoria Hill and the Bendigo Pottery. The notes titled ''To replace Around the Goldfields'' mentions the Third Edition, 'Historic Guide to Bendigo', published in 1969 of land reclamation schemes rapidly removing all traces of several mines. Those affected on the New Chum Line of Reef are: The Victoria Consols, Ironbark and Hercules and Energetic. The Sheepshead Line - the Ironbark and Ironbark South. On the Garden Gully Line - The Cornish United, Koch's Pioneer and Confidence Extended. The Paddy's gully Line - The British American, Lansell's Sandhurst (Needle) and the Collman and Tacchi. On the Derby Line - Johnson's No 3 (Nelson) and on the Hustlers Line are the United Hustlers and Redan and the K. K. Mines. Also, a carbon copy of the notes.document, memo, new chum & victoria letter & notes, mr blake, mr hattam, log lock-up, central deborah mine, mr rowe, victoria hill, bendigo pottery, historic guide to bendigo third edition, new chum line of reef, the victoria consols, ironbark, hercules and energetic, sheepshead line, ironbark, ironbark south, garden gully line, cornish united, koch's pioneer, confidence extended, paddy's gully line, the british american, lansell's sandhurst (needle), collman and tacchi. derby line, johmson's no 3 (nelson), hustlers line, united hustlers and redan, k k mines