Showing 736 items
matching bull
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Stawell Historical Society Inc
Postcard, Bull & Mouth Hotel in Main Street Stawell looking East with a Pioneer Coach in foreground c1950 --- Postcard
Bull & Mouth Hotel Main Street Stawell Built 1907 looking East. Pioneer Coach in foreground. c1950stawell streetscape -
Stawell Historical Society Inc
Photograph, Bull & Mouth Hotel in Main Street Stawell looking East with Dane's market on right c1920
Bull & Mouth Hotel Main Street Stawell Built 1907 looking East. Dane market on right. C1920stawell streetscape -
Stawell Historical Society Inc
Postcard, Bull & Mouth Hotel in Main Street Stawell with Dane Bros on the right c1950 -- Postcard -- Coloured
Bull & Mouth Hotel Main Street Stawell Built 1907. Dane Bros on right Murray Views No. 16. c1950stawell streetscape -
Surrey Hills Historical Society Collection
Photograph, Miss Norma Bull
The article this photo appeared in noted that Norma Bull had recently (1940) been sketching at the home of John Masefield, Poet Laureate, in Oxford having painted him when he visited Melbourne. Norma Catherine was one of two children of Dr Richard Joseph Bull and his wife Catherine Grace (nee Perrier); she was born in 1906 and died in 1980. She was cremated at Springvale.A black and white photograph of a woman with short dark hair, wearing earrings. Her hands are clasped near her chin. norma bull (miss), norma catherine bull (miss), john masefield (mr), artist -
Bendigo Military Museum
Book - BOOK, WW1, Stephen Bull, Trench, A History of Trench Warfare on the Western Front, 2010
Dr Stephen Bull, Author, is Curator of Military History and Archaeology for Lancashire Museums.Hard cardboard cover, buckram, black colour white print on spine. Dust cover is dark brown. Black / red / white print. Front background has sepia photo of soldiers in a trench. Back has small sepia photo of soldiers in a battle scene, dark brown background. Front & back fly leaf & end papers have black & white photo of soldiers & a tank ditched in a trench. 272 pages, cut glossy, white. Illustrated, colour, / black & white / sepia, photos, diagrams & maps.book, trench war fare -
Rutherglen Historical Society
Image, 1970s
Established in 1921 by Reginald Langdon Buller, the ‘Calliope Vineyard’ was named after the only surviving ship from the Great Hurricane at Samoa - 1889. A.B. (Banjo) Patterson’s Ballad Of The Calliope tells the tale in stirring fashion. Reginald’s vision of his new enterprise successfully sailing through the tempests of business and agricultural life proved prophetic. Coincidently, Calliope is also the Greek Goddess of Poetry. Today Buller Wines remains a local family business. Purchased by the Judd Family in 2013, Buller Wines has had a strong focus on the investment of cellar, storage, operations and most importantly, the vineyards which is reflective in the quality of wines produced by Winemaker Dave Whyte.Black and white photograph of the front of Bullers WineryOn back of photo: "145% [upper case D in small circle] Bullers Calliope"wineries, north east victoria, wine industry, bullers winery, bullers calliope, reginald buller -
Stawell Historical Society Inc
Photograph, Bull & Mouth Hotel in Main Street Stawell with Pioneer Motor company Later Pioneer Coaches Pty Ltd
Bull & Mouth Hotel Main Street Stawell Built 1907 with Pioneer Motor company Later Pioneer Coaches Pty Ltd. Prop: Albert A Withers 1862-1929. Probably Nash Extended Chassis c1923 14-18 passengers.stawell streetscape transport -
Bendigo Military Museum
Photograph - PHOTOGRAPH, FRAMED, R DERMER SMITH, unknown
The man on the right is Thomas Tuckerman. His cousin is on the left.The photo is in a frame of different layout. Frame: Metal frame with decorative edges. At the top is a Rising Sun Army Badge. The badge is marked "Australian Commonwealth Military Forces" It has a vertical perspective. Photo: Black and White photo of the two men seated. One is holding a book, probably a marriage register. There is a small table between them. Their clothing appears to be 1910-1930 vintage, neither have a R.A.S. badge on. On the right side is printed the photographer's name: R. Dermer Smith, Bull Street, Bendigo photo, wedding party -
Stawell Historical Society Inc
Photograph, Main Street looking west from Bull & Mouth Hotel with Named Shops in the 2nd Photo -- 2 Photos c1907/08
Main Street Stawell c1907 Left is Bull & Mouth Hotel, Playfords, Whiteside & Co Taylors Carters Boot shop. On right Rotunda in distance, T Browns Furniture, George Mitchell, Norman A Harding, W.C. Barker Picture framing. Rose Series P 2725The Rose Series. P. 2725 Main Street, Stawell, Victoria stawell streetscape -
Surrey Hills Historical Society Collection
Photograph, Norma Bull portrait
Norma Bull in a window of 'Medlow', 1920s Her brother (Ronald) Richard was a keen photographer and is believed to have taken the photographs of the family and in the grounds of 'Medlow'. Norma Catherine Bull (7 September 1906 – September 1980) was an Australian painter, printmaker and etcher best known for the paintings and sketches she made in Britain during World War II. Norma was the daughter of Richard Joseph Bull (1874-1927) and Catherine Grace Perrier (1884-1972). Her father was the Director of Bacteriology at Melbourne University. Richard and Catherine had 2 children. Norma was born in Hawthorn in 1906 and her brother Ronald Richard was born in Surrey Hills in 1912, where in 1911 Richard bought a property at 42 Warrigal Road, Surrey Hills developed by Colonel William Cairncross, known as ‘Willcyrus’ and renamed ‘Medlow’ by the Bulls. As a child, Norma was a high achiever both intellectually and artistically. She was educated at Fintona, where she matriculated as Dux of the School and winner of an exhibition in French. She won a scholarship to attend the University of Melbourne where she studied French, Zoology, Philosophy, English and History, leading to a Bachelor of Arts in 1929. Following this she studied painting and drawing at the National Gallery Art School for seven years. Whilst most of the students of the 1930s were inspired by Modernism, Norma followed more traditional styles and became known for her etchings and realistic depiction of urban scenes. Her work was strongly influenced by the conservative nature of the National Gallery Art School under Bernard Hall, and she remained a traditionalist all her life. In 1938, she was awarded the Sir John Longstaff Scholarship in Fine Art. This enabled her to travel to England to study at the Royal Academy in London. She arrived in April 1939 and after the outbreak of war, she worked as a volunteer at a First Aid Clearing Station and applied to become a war artist. In 1941, she was given a sketching permit by the War Artists Advisory Committee to record bomb damage in the Bristol area. In 1947, an exhibition of her 205 wartime works entitled “Two Hemispheres”, opened at Australia House in London. Many were acquired for major collections in England including the Victoria and Albert Museum, the Imperial War Museum and the Royal Collection. The “Two Hemispheres” exhibition toured Australia in 1948 and for over twelve months she followed Wirth’s Circus around the country, painting aspects of circus life. From then on she lived at Medlow’, From 1960 she was secretary of the Fellowship of Australian Artists. She was a finalist in the Archibald Prize on 2 occasions and is remembered through a biennial Art Prize, ‘The Norma Bull Portraiture Scholarship’ which is administered by The Victorian Artist’s Society. She continued to paint landscapes and seascapes in her traditionalist style. She had holiday homes at Anglesea and Bright. After she died in September 1980, 31 of her works were bequeathed to Bright Art Gallery. A black and white photograph of a lady holding a sun umbrella and sitting in a window frame.miss norma bull, medlow, house names, warrigal road, surrey hills, mr ronald richard bull -
Melbourne Legacy
Film - Video tape, Junior Legatee vids '02', 2002
A mini video cassette containing clips of Junior Legatees in 2002. It includes footage of a trip to Mount Buller for skiing.A record of activities organised for Junior Legatees by Melbourne Legacy.A VHS video cassette of Junior Legatees at Buller Summer Camp.Case title Junior Legatee vids '02' Panasonic (SP MODE) Mini DV Junior Legatee Videos '02' 0.00 Shortened JL video 4.45 Buller Summer Camp 8.29 11min JL videojunior legatee, junior legatee outing, camp -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane, 1869-1920
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about Richard Routledge is that he was a tool maker and retailer that operated a business at either 23 or 64 Bull St Birmingham between 1869 to sometime in the early 20th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane Hollow type Marked Routledge No.8 Blade Stamped JAS Burden (owner). flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Wood moulding Plane, Between 1869 early 20th century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about Richard Routledge is that he was a tool maker and retailer that operated a business at either 23 or 64 Bull St Birmingham between 1869 to sometime in the early 20th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Plane, Moulding, Hollow Size No 18 Routledge Maker (Owner "J.A.S.Burden")flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Tool - Moulding Plane, Late 19th Century
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. All we known about Richard Routledge is that he was a tool maker and retailer that operated a business at either 23 or 64 Bull St Birmingham between 1869 to sometime in the early 20th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world and that his tools in particular moulding planes are well sought after by collectors of vintage tools. A vintage tool used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture was done by hand using one of these types of plane. A significant item from the mid to late 19th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture was made predominately by hand and with tools that were themselves hand made shows the craftsmanship used to make such a unique item. Moulding Plane. Stamped JAS Burden (owner) also No 2flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Melbourne Athenaeum Archives
Newspaper Article, At Last – The Etta James Story performed by Vika Bull on February 19 2013 at Melbourne Athenaeum Theatre, 2013
a collection of newspaper artilcles -
Bendigo Art Gallery
Painting, Wed Stuart, Pall Mall from Bull Street, c.1860, Circa 1860
Not signed (artist's name appears in painting, c.l. black oil, "STUART/ARTIST". Not dated -
Swan Hill Regional Art Gallery
Print, PUGH, Clifton, Europa and the Bull, 1979
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City of Ballarat Libraries
Postcard - Card Box Photographs, Joe McShane's Bull and Mouth Hotel, Doveton Street North. Ballarat
Opposite Coghlan and Boake's Sale Yards. Plate 285 Chuck Photo Series.joe mcshane, bull and mouth hotel, doveton street north, hotel, building -
Old Castlemaine Schoolboys Association Inc.
Photograph, Colin Bull giving Speech
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Horsham Regional Art Gallery
Painting, Frank HODGKINSON, Bull fight, n.d
Gift of Mack Jost, 1994watercolour on paper -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, W.R. Garrett, Selsey Spotted Prince, 1939
Black and white photograph. Jersey bull standing in the Bull Paddock.On reverse, "Selsey Spotted Prince 2 yr old 1939," and, "Photography by W.R. Garrett Phone Hawthorn 3685 No. 4170."selsey spotted prince, 1939, w.r. garrett, bull, jersey bull, bull paddock -
Phillip Island and District Historical Society Inc.
Book, BULL, J.C. et al, Story of Gippsland shipping : discoveries of the early navigators, lakes steamers, coastal windjammers, shipwrecks and famous captains, 1967
Cowes Municipal Public Library No. 0229shipping, victoria, gippsland -
Swan Hill Regional Art Gallery
Painting, BULL, Norma, Lure of distant gold, unknown
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Swan Hill Regional Art Gallery
Painting, BULL, Norma, Autumn glow, Coventry ruins - workers are homeward bound, 1944
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Canterbury History Group
Photograph - Canterbury Gardens from Canterbury Road, F.{G}. Bull, [c1900]
Black and white photograph of Canterbury Gardens.canterbury, canterbury gardens, commonwealth day, canterbury railway station, canterbury mansions, hodgens hotel, bandstands, trees, prams, bull> f -
The Celtic Club
Book, Philip Bull, Ireland and Australia 1798-1998: Studies in culture , identity and migration, 2000
Australia's principal scholarly commemoration of the Irish Rebellion of 1798.p.365.non-fictionAustralia's principal scholarly commemoration of the Irish Rebellion of 1798. academic conferences - ireland, irish - australian history -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Bull, J.C. and Williams, Peter, Story of Gippsland Shipping, 1967
History of early navigators, lakes, steamers, coastal windjammers, shipwrecks and famous captains. Illustrated with photographs.G.E.Scarce, 7 Warde St., Bairnsdale. Happy Birthday to Mum, etc.ships and shipping, maritime history -
University of Melbourne, Burnley Campus Archives
Photograph, James Leslie Provan, Burnley 1942 Album Page 2, 1942-1943
Bull, possibly Selsey Spotted Prince.bull, selsey spotted prince, burnley, 1942, j.l. provan -
Montsalvat
Plaster Mould, Untitled
Plaster mould of a fan or mirror shaped design depicting a bull.Nonematcham skipper, mould, jewellery, bull -
Federation University Art Collection
Artwork, 'Matador' by Wes Walters, c1970s
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour behind glass showing a matador and a bull. wes walters, bull, matador, available, bullfighting, spanish