Single white card with green & brown decorated border with leaves. Inside are some green, brown & yellow leaves with a brown, green & yellow butterfly hovering over them. At the bottom is printed in brown: 'With best wishes for a happy Christmas'. Written on the back is: 'To Bessie with love from Olive'.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Six assorted postcards with various themes : (a) Painting of a young lady with a blue dress and hat , (b) Young lady carrying a flat basket of Roses , (c) Loch Leven , (d) Truro Cathedral , (e) Miss Nellie Stewart , (f) Painting of a lady in a very ornate costume and a small child catching Butterflies.postcard, various themes, loch leven, truro cathedral, nellie stewart

Delicate white card with flowers, leaves, butterflies & lacy sections around an oval opening which has a piece of vallum like paper which has a pink, a blue & grey flower and some leaves painted onto it. At the bottom is a small glued on banner with ' With you around the World I'd roam. And count each Time my native home.' printed in dark brown.person, greeting cards, malone collection, malone collection, greeting cards

Mackay collection - White linen tea cosy with butterflies embroidered in white on top and bottom corners.manchester, table linen, tea cosy

Squat Cloisonne bowl/vase decorated with flowers & butterflies in shades of blue,green,yellow with inside and base turquoise.ornaments, cloisonne, vase

Clothing. Women's cream coloured double thickness silk scarf. Fabric has embossed pattern of diagonal leaf shapes. At each end on one side only are hand painted pictures;. 1. A Chinese girl kneeling below a tree and holding a sword in her right hand. 2. Tree branch with two butterflies and a rectangular Chinese symbol. Both ends have 5 cm fringeing.costume accessories, female, cream coloured silk scarf

Artwork. A square of silk fabric, finished on the four sides with a .8 cm fringe of the fabric. A border of blue stitchery 2 cm from inside the fringe surrounds a floral design of three variegated pink flowers, one variegated blue flower, and soft green leaves. In one corner is a butterfly with soft pink wings, dark body, and long antennae. Burgandy satin stitch buds, and centres in two of the flowers add depth.artwork, doyley

Metal brooch. Item represents a stylised butterfly or moth. Each wing is composed of four rough circles, each larger than the other. Each circle is held by a smaller solid circle. In the centre, wire has been wrapped around the 'body' with one end forming an antennae. The other antennae has broken off. Reverse has the remains of clasps. Object is rusted.bendigo, gold mining, qc binks, qc binks.

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for second prize in their Second Annual Musical and Literary and Elocutionary Competition for Bass Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Embroidered by hand. Top edged in gathered, coffee coloured lace, 4.5 cm wide. An opening at the base is also edged in the same patterned lace.Four metal press-studs close the shoulders and neck of the cover. Padded and lined with art-silk featuring butterflies and floral designs in dark - grey and white. The initials M.B. are satin stitched on the back, while fine running stitches outline a pattern on the front, emphasising the padded effect.Hand stitched, the initials M.B. give the only indication of ownership.manchester, trimmings, pink satin hot water bottle cover

Two piece pink and white box with stylized butterfly on top and three sides of the lid. Label on one end of the lid reads, Berlei 1033, Full slip - long sleeve, stretch lace bodice, fashion - natural Qnty 2 16. 1. One piece of gold coloured net gathered in centre. Border of seeds scattered !8cm X 14 cms. 2. Wire decorative hair comb with gold lame ribbon attached to a band across top of comb. Twenty four wire teeth with loops at the tips, 15 cms X 7 cms. 3. Two sprays of plastic flowers in plastic bags, two white plastic flowers with two green plastic leaves 10 cms X 7 cms. 4. White fabric rose with green paper wrapped stem, 13 cms X 6 cms. 5. Coffee coloured fabric rose backed with four patterned fabric leaves - coffee coloured. Two green plastic tubes attached as stems. 16 cms X 9 cms. 6. Cream coloured fabric rose. Four petals of flocked fabric.Green paper wrapped stem. 16 cms X 9 cms. 7. Black fabric rose with four petals of flocked fabric.Three black fabric leaves. Black paper wrapped stem. 15 cms X 8 cms. 8. Pink fabric rose with six green fabric leaves attached to the back . 13 cms X 10 cms. (.Pale pink fabric rose backed with three green paper leaves, loops of pink ribbon, six small pink fabric flowers and two sprays of brown fern like leaves. 14 cms X 10 cms.ephemera, mementoes, box of flower brooches and pins

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Comic Song. Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Prize certificates on card awarded to Golden City Choral Society Bendigo, for second prize in their second annual Musical, Literary and Elocutionary Competition for Choir Competition, Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands & McDougall Ltd. Printers Melbourne.performing arts, elocution, choral society

Artwork. Norman Penrose collection: a drawing of two deer, enlarged from a wood-cut. 'A General History of Quadrupeds.' 1790 printed under the drawing of the deer. Drawing is 7.5cmH x 13cmW on a larger piece of cardboard. Cutting of 7 Australian Butterflies. Coloured picture of furniture, a child's toy and a colourful advertisement of showcard and ticket writing. Also another cutting of Danger Days.drawing, wood-cut, norman penrose collection, artwork, butterflies, ticket writing

McColl Rankin & Stanistreet, New Star Gold Mine Harrietville NL. a/ Department of Mines 20.2.1934 laboratory reports results, 3 receipts attached, list of general expenses, quarter ended 30.4.1934, heading Dargo ''Gold Butterfly'' Gold Butterfly crossed out hand inscription Gold Reefs Syndicate, Wanangatta, Dargo. b/ copy of Purchase agreement of leasehold land for the purpose of mining. Dated 28.6.1934. c/ Payments by R.A. Rankin - Office Account A/C Leases No's. 5187 and 5195 Dargo, Gippsland, prior to exercise of option. Inscription: Paid by New Star Company ?? On ?? 1934 ?? ?? ??. d/ Letter: purchase of Leases No's 5187 & 5195 Black Snake Black Snake Creek, Dargo. Dated: 22.8.1934. e/ letter acknowledging receipt of payment for application of Lease No. 5187, lease will be delayed until precise area is determined. Signed: ?? Rankin. 3 pence stamp for stamp duty attached. Dated: 23.8.1934. f/ Memo, Mr Grelis. Re Leases No's 5187 & 5195 Dated: 4.9.1935. Signed: ?? g/ McColl Rankin & Stanistreet business envelope. Envelope labelled New Star Gold Mine Harrietville. 46.organization, business, gold mine, mccoll rankin & stanistreet, new star gold mine harrietville nl. dargo ''gold butterfly'' gold reefs syndicate, wanangatta, dargo black snake black snake creek 1934 1935

Prize certificates on card awarded to Golden City Choral Society Bendigo, for second prize in their second annual Musical, Literary and Elocutionary Competition for Choir Competition, Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands & McDougall Ltd. Printers Melbourne.performing arts, elocution, choral society

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Recitation Gentlemen Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for first prize in their Second Annual Musical and Literary and Elocutionary Competition for Baritone Solo Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Prize certificate on card awarded to Mr. Alexander John Hamilton by the Maldon branch of Australian Natives Association for second prize in their Second Annual Musical and Literary and Elocutionary Competition for Humorous Recitation Printed in gold on off white card, bordered with butterflies, flowers and vines. Markings - Sands and McDougall Ltd. Printers Melbourne.performing arts, elocution, competition

Open Monument is a contemporary artwork acknowledging the history of Chinese people in Ballarat. The Chinese diaspora was global and many Chinese people came to Ballarat and the Victorian Goldfields. The work details some of the personal Chinese family memories of Ballarat from the goldrush forward. The 33 marble laser-etched panels include found images and texts mounted on a modernist metal architectural feature holding back a grassed hill landscape. Within the side walkway of gravel and composite stone is an etched of local activities relating to the Chinese community achievements that can be added to by the community.Open Monument is of aesthetic and historical significance to the people of BallaratArchitectural artwork consisting of large marble panels on a corten steel frame imbedded into a grassed mount.Inscription on plaque: Open Monument 無極紀念碑 ​/ Artist: John Young ​/ Officially Launched by Mr Yumin Song / Chinese Consul-General to Victoria​ / 6th September 2015​ / Open Monument unearths stories of the Chinese diaspora in Ballarat, a name which means/ “resting place” to the traditional custodians - the Wadawurrung and Dja Dja Wurrung people.​/ The monument comprises of two artworks: Transculture, a granite-panelled work, evoking stories of alternative worldviews, / modernity, leisure and toil. Whilst Timeline traces the major contributions of the Chinese community in Ballarat, every decade / from the 1850s until the present. The timeline then folds out to 2170, anticipating imaginary future contributions.​ / The monument is open to future interpretations of this history. ​/ I thank you for visiting and acknowledging the contributions and memories that meant so much to / those who have gone before us./ - John Young Zerunge​ / Patron: Mr Henry Thai OAM JP​ / President of Ballarat Chinese ​/ Community Association Inc​ / The following generous donors to this project are acknowledged with gratitude​/ City of Ballarat​ Sovereign Hill Museum Association Inc.​ Ballarat Chinese Community Association Inc.​ Mr Henry Thai OAM JP & Mrs Sandra Thai ​ Mrs Shirley Doon & Family in memory of Harry Doon​ Chinese Masonic Association Inc.​ Mr Mean Te and Mrs Meng Khun​ Mr Jack Nguyen MA JP & Mrs My Tang​ Mr Tony and Mrs Elise Yu​ Mr Chang Zhen Zhen & Family​ Australian Lian Jiang Association​ The Federation of Chinese Associations Vic​ The Leesoon Family​ Mr Stephen K.F Ng OAM JP​ Dr Che Sam Lo MD phD JP OAM​ Elderly Chinese Home Inc.​ The Federation of Chinese Org from VN Cambodian and Lao Association of Vic. Inc.​ Bright Moon Buddhist Society​ Nam Pon Soon Club House​ See-Yup Society​ Mr Peter Chong Wai Lo​ Mr Qing Song Lin​ Mr Binh Quoc Mao & Mrs Thuy Cam Thai​ Mr Alexander Mao​ Mr Yuet Lung Kwok JP​ Mr Tai The Tran​ Mr Phillip K. L. Tran​ Mr William K. L. Tran​ Mr Quang Khon Tran JP​ Mr Kouy Taing​ Mrs Kieng Hor Lou​ Mr Bill Chang Piu Au​ Mr Maurice Kwok Leong ​ Mrs Eunice J. Leong​ Mr Vi Minh Tran JP​ Mr Frank Cheng​ Mr David Cheng​ Mr William Thai​ Mr Lizhen Lin​ Mr Phillip Richard Thai​ Mr Hoan Ping Kow​ Mrs Xao Nhu Kow​ Mr Huy Thai​ Mr Yun Kuen Lo​ Mr Chiu Yip & Mrs Yuan Han Cho​ Mrs Jacqueline Louise Thai Greenwood​ Mr Joe Hap Chi Chao & Mrs Rosana Wei Ning Chao​ Charity & Multi Art Association of Victoria Inc.​ Mr Billy Cai​ Miss Nikki Cai​ Miss Su-Ling & Miss Lily Mays-Doon​ Mr Anthony Doon​ Mr H J Moy & Family​ Chinese Australian Cultural Society Ballarat Inc​ open monument chinese, chinese history ballarat goldfields, china, ballarat, goldfields, john young, chinese, mining, multicultural, immigration, tong way, goon, joss house, embroidery, billy butterfly, chinese market gardens, red lion hotel, ah soon, mayor of main road, chinese herbalist, yee lee, james hong, cheok cheong hong, john ah loo, wathawurrung, robe, lowe kong meng, louis ah mouy, tongway, gallipoli, william lung

Coloured photograph of Noah Dunlop, V.P.S.S.A. Swimming Championships Finalist in Breaststroke and Butterfly 2002. Head and shoulders photo.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - noah dunlop 2002

Dark green book with blue printing on the cover titled 'The Victorian Drawing Book'. Border around the edges. Has space on the front for name, class, commenced and finished on the front. Price sixpence. Pencil drawings in the book include some letters of the alphabet, people, animals and flowers. Three loose drawing in the book and a transfer of an iris and butterflies for embroidery. Supplement to Weldon's Ladies' Journal. Advertisement for Faudel's Embroidery Silks, Peacock & Squirrel Brands.drawing, pencil, drawing book, german heritage society collection - the victorian drawing book

Book, Peter Randall Collection, Chasing Butterflies, Estelle Randall & Helen Annand.book, bendigo, estelle randall

Donor believes items were completed by her great aunts - Lydia, Rosa and Olivia Pollard when the sisters were young girls. They were completed in Country Durham England. The items have been passed down through the family.Handmade brown embroidered lingerie/garment bag with gold and green embroidered border with four insect type patterns surrounding a decorative central pattern. The fold over front is lined with a light fabric with a pattern of flowers and butterflies predominately in gold, blue and green tones reflecting the patterns of the embroidered front cover.late victorian needlework, handmade embroidery, lingerie bag, garment bags

Book includes a Bookplate which reads: State School 978; F. M. Bradhurst, Head Teacher. Special Prize, 3rd Class. Presented to Rosalinda Heard, By the Board of Advice etc. The school was Smythesdale High School.Hard cover book with red book cloth cover, floral design with flowers and a butterfly. Title and author on the cover.jerusalem, religion, christianity, state schools, education, smythesdale

Built in 1953, the Rice House was leading Melbourne architect Kevin Borland's first commssion and was one of two houses of its kind. The design of the shell-like structure was inspired by the Arch of Ctesiphon, built in the second century south of Baghdad. Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches covered in hessian. This ctesiphon system was developed in the United Kingdom by engineer J.H. de Waller in 1947. Commissioned in 1951 by Harrie and Lorna Rice, after Harrie, then an art student, met Borland at The Age Small Homes Service. Borland suggested they buy land in Eltham because at that time it was the only council in Melbourne that would grant a permit for such an innovative house. Covered under Victorian Heritage. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p157 Inspired by an ancient arch in Iraq, a house stands on top of a hill in a private position, off Ryans Road, Eltham. One of only two houses of its kind, it was leading Melbourne architect Kevin Borland’s first commissioned house, which he built in 1953. The shell-like structure, partially screened by giant trees and cacti, was inspired by the Arch of Ctesiphon south of Baghdad, built in the second century.1 Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches tightly covered by hessian. This ctesiphon system was developed in the United Kingdom by engineer J H de Waller in 1947. This house was the first of three such structures built in Victoria, of which only one other remains, although substantially altered.2 It is the Wood House and supermarket, at the corner of Cleveland Road and High Street Road, Ashwood, designed by Robin Boyd in 1952. The Rice House demonstrates Kevin Borland’s innovative and experimental work. It is an outstanding example of the post-war period of experimentation in domestic architecture in Melbourne – by Robin Boyd, Kevin Borland and others – for The Age Small Homes Service from 1947 to 1953. This was partly an expression of late-Modernism and also necessitated by the post-war shortage of building materials. In Eltham, the post-war shortage of building materials largely resulted in mud-brick houses. Examples of Borland’s public work include contributions to the Olympic Swimming Pool in Melbourne and the Preshil Junior School in Kew. After more than 50 years of living in the house, Harrie and Lorna Rice still love it. Facing north-east with large windows overlooking the garden and two courtyards, it is well lit and benefits from a through breeze. The couple commissioned the extraordinary house after Harrie, then an art student, met Borland in 1951 at The Age Small Homes Service. Harrie was so impressed by the recently graduated Borland’s enthusiasm, that he asked him to design them an interesting house for a low budget.3 The unusual design presented several hurdles for the young couple before they could construct it. Borland suggested that they buy land in Eltham, because at that time it had the only council in Melbourne that would allow such an innovative house. Another hurdle was to gain finance for this remarkable house. The State Savings Bank Manager refused finance on the grounds that it was ‘unliveable’ and a ‘disgrace’. Fortunately, through a family connection, the couple borrowed money from the National Bank. But they discovered years later, that the bank’s evaluation stated the two ‘concrete sheds’ were of no value!4 The house built in off-white concrete, consists of two sections. The main house has four arches supported by brick and concrete walls that create a series of inter-connected rooms. Inside, the ceiling follows the roofline. Originally this section was only ten square metres, because of building restrictions at the time. But in 1973 Borland added two rooms and a carport. The second structure of two arches was originally a garage and a studio for art teacher Harrie Rice. To accommodate the growing family, in the mid 1950s, Borland converted the second structure into two children’s bedrooms, a kitchenette, a bathroom and a living room. The two structures were originally linked by a covered way of suspended draped-concrete, but this collapsed in the 1980s. The design has several maintenance problems. Cracks developed where two halves of the shells were joined. Then the material sprayed over the cracks became brittle, causing leaks. Fortunately Harrie found another material he could use. The valleys between the arches collect water, requiring annual painting with a waterproof material to prevent leaking. Lorna framed the house with native and exotic plants, which provide privacy and as a bonus, the garden attracted the rare Eltham Copper Butterfly.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, rice house, ryans road

One of seven sites in Eltham and Greensborough where the butterfly survives. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p181 The rare Eltham Copper Butterfly, Paralucia pyro-discus, was saved from near extinction by a community campaign in the late 1980s. Thanks to that effort, the butterfly, a form of the Fiery Copper Butterfly, with a wing span of only 2.5cm, can be seen in parts of Eltham and Greensborough from late November to April. As late as 1987 the butterfly was thought to be near extinction. But that year, entomologist, Michael Braby, found several colonies, including two major ones in natural bushland on Diosma Road, Eltham. However these were threatened with destruction, as their habitat was to be destroyed by a development of 71 houses. The colonies were on a 14 hectare subdivision owned by Esanda Finance, an ANZ Bank subsidiary. It would cost around $5 million, to reimburse the bank for the land.1 The butterfly, which depends on woodland, a stunted form of the Sweet Bursaria bush, and the Notoncus ant, was considered too fragile to relocate. Braby’s discovery led to a sometimes fiery two-year campaign, which even became an election issue. It involved the local community, local and state governments and the developer, before a compromise was reached. The larvae have an intricate relationship with the small black ant, Notoncus. During the day, the larvae shelter in nests made by the ants around the base of the trunk and roots of the Sweet Bursaria (Bursaria spinosa). The ants are thought to protect the larvae from predators and parasites, as they attend them from the nests to feed on the Bursaria leaves at night. In return, the larvae excrete a sugar solution, which the ants love to eat. The butterfly was first recorded in Victoria in 1893, and first collected scientifically from Eltham in 1931. But it was only officially named in 1951, by Victoria’s then top butterfly expert, David Crosby.2 However, from 1970, rapid housing development in Eltham destroyed much of the butterfly’s habitat. The discovery of several major colonies in 1987 met with great excitement, and 250 people attended the first local public meeting. The State Government commissioned Crosby to investigate how to protect the butterfly, and the council froze development for three weeks. Then Esanda agreed to suspend development for several months, until a compromise was reached. Crosby recommended that 62 of the 71 lots be kept to ensure the butterflys’ survival. However this would cost $1 million to $1.5million in compensation to Esanda.3 Greensborough MP Pauline Toner, launched a $1million fundraising campaign and many artists donated their works to the appeal. Toner offered Clifton Pugh’s painting Eltham Copper Country to millionaire Alan Bond for $1 million, after having heard that he had offered $6 million for the Van Gough painting Sunflowers. However Bond did not accept. The butterfly was considered a ‘hot’ election issue during the by-election, following Pauline Toner’s resignation. Liberal party candidate, Margaret Brown, was accused of falsely saying she had been involved in the butterfly campaign so as to win votes. Sadly, the $1million appeal fell short at $426,000, so a compromise was reached. The State Government donated the Education Department site on Eucalyptus Road, but only nine lots of the Diosma site were bought, and the rest of the development went ahead. On March 3, 1989, Ms Toner died of cancer, and the Eucalyptus Road site was named in her honour. Around 2000 the butterfly was further threatened by proposed developments on Pitt Street, facing the Pauline Toner Reserve and between Diosma and Nyora Roads. Fortunately the Friends of the ECB, with the Shire of Nillumbik, ensured that more habitat was made available.4 The butterfly now survives in seven sites in Eltham and Greensborough, including the main sites at the Pauline Toner Reserve on Eucalyptus Road, the Western and Eastern colonies on Diosma Road, and the Yandell Reserve in Greensborough.5 The butterfly survives also in Castlemaine and in the Kiata and Salisbury areas. However, it remains endangered.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham copper butterfly, pauline toner butterfly reserve

Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p181 The rare Eltham Copper Butterfly, Paralucia pyro-discus, was saved from near extinction by a community campaign in the late 1980s. Thanks to that effort, the butterfly, a form of the Fiery Copper Butterfly, with a wing span of only 2.5cm, can be seen in parts of Eltham and Greensborough from late November to April. As late as 1987 the butterfly was thought to be near extinction. But that year, entomologist, Michael Braby, found several colonies, including two major ones in natural bushland on Diosma Road, Eltham. However these were threatened with destruction, as their habitat was to be destroyed by a development of 71 houses. The colonies were on a 14 hectare subdivision owned by Esanda Finance, an ANZ Bank subsidiary. It would cost around $5 million, to reimburse the bank for the land.1 The butterfly, which depends on woodland, a stunted form of the Sweet Bursaria bush, and the Notoncus ant, was considered too fragile to relocate. Braby’s discovery led to a sometimes fiery two-year campaign, which even became an election issue. It involved the local community, local and state governments and the developer, before a compromise was reached. The larvae have an intricate relationship with the small black ant, Notoncus. During the day, the larvae shelter in nests made by the ants around the base of the trunk and roots of the Sweet Bursaria (Bursaria spinosa). The ants are thought to protect the larvae from predators and parasites, as they attend them from the nests to feed on the Bursaria leaves at night. In return, the larvae excrete a sugar solution, which the ants love to eat. The butterfly was first recorded in Victoria in 1893, and first collected scientifically from Eltham in 1931. But it was only officially named in 1951, by Victoria’s then top butterfly expert, David Crosby.2 However, from 1970, rapid housing development in Eltham destroyed much of the butterfly’s habitat. The discovery of several major colonies in 1987 met with great excitement, and 250 people attended the first local public meeting. The State Government commissioned Crosby to investigate how to protect the butterfly, and the council froze development for three weeks. Then Esanda agreed to suspend development for several months, until a compromise was reached. Crosby recommended that 62 of the 71 lots be kept to ensure the butterflys’ survival. However this would cost $1 million to $1.5million in compensation to Esanda.3 Greensborough MP Pauline Toner, launched a $1million fundraising campaign and many artists donated their works to the appeal. Toner offered Clifton Pugh’s painting Eltham Copper Country to millionaire Alan Bond for $1 million, after having heard that he had offered $6 million for the Van Gough painting Sunflowers. However Bond did not accept. The butterfly was considered a ‘hot’ election issue during the by-election, following Pauline Toner’s resignation. Liberal party candidate, Margaret Brown, was accused of falsely saying she had been involved in the butterfly campaign so as to win votes. Sadly, the $1million appeal fell short at $426,000, so a compromise was reached. The State Government donated the Education Department site on Eucalyptus Road, but only nine lots of the Diosma site were bought, and the rest of the development went ahead. On March 3, 1989, Ms Toner died of cancer, and the Eucalyptus Road site was named in her honour. Around 2000 the butterfly was further threatened by proposed developments on Pitt Street, facing the Pauline Toner Reserve and between Diosma and Nyora Roads. Fortunately the Friends of the ECB, with the Shire of Nillumbik, ensured that more habitat was made available.4 The butterfly now survives in seven sites in Eltham and Greensborough, including the main sites at the Pauline Toner Reserve on Eucalyptus Road, the Western and Eastern colonies on Diosma Road, and the Yandell Reserve in Greensborough.5 The butterfly survives also in Castlemaine and in the Kiata and Salisbury areas. However, it remains endangered.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham copper butterfly, sweet bursaria