Showing 54 items
matching camp 2 artists
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Whitehorse Historical Society Inc.
Article, City custodian of art legacy, 2005
Whitehorse's Art Collection includes two paintings by E Phillips Fox.Whitehorse's Art Collection includes two paintings by E Phillips Fox, landscapes by Heidelberg School artists Frederick McCubbin and Tom Roberts; about 300 ceramics and 40 sculptures. Photo of Curator, Jacquie Nichols-ReevesWhitehorse's Art Collection includes two paintings by E Phillips Fox.city of whitehorse, art, phillips fox, emanuel, mccubbin, frederick, artists camps, heidelberg school, gawler, john stevens, preston, reg, morant, julia, nichols-reeves, jacquie -
Whitehorse Historical Society Inc.
Pamphlet, Box Hill Artists Camp, 1987
Pamphlet written by Box Hill Historical Society IncPamphlet written by Box Hill Historical Society Inc. 1987Pamphlet written by Box Hill Historical Society Incroberts, tom, mccubbin, frederick, abrahams, louis, streeton, arthur, sutherland, jane, box hill historical society, box hill artists camp -
Whitehorse Historical Society Inc.
Pamphlet, Box Hill Artists' Camp, 1998
Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek.Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. They later moved to Heidelberg. Plein air painting instigated by Tom Roberts.Australian school of painting established in 1880's by group of painters who camped in Box Hill on Gardiner's Creek. painting, roberts, tom, mccubbin, frederick, abrahams, louis, streeton, arthur, sutherland, jane, heidelberg school, conder, charles, humphrey, mather, john, handasyde, stewart, hansen, theo brooke, gardiners creek, dewar, s. g. -
Whitehorse Historical Society Inc.
Book, Prelude to Heidelberg, 1991
The history of the artist's camp at Box Hill and its relationship to the beginnings of the Heidelberg School of Painting.The history of the artist's camp at Box Hill and its relationship to the beginnings of the Heidelberg School of Painting.The history of the artist's camp at Box Hill and its relationship to the beginnings of the Heidelberg School of Painting.heidelberg school, artists camps, box hill, painting -
Whitehorse Historical Society Inc.
Document, Box Hill History Kit
Box Hill History Kit published by Box Hill Historical Society and Box Hill City Council.Box Hill History Kit published by Box Hill Historical Society and Box Hill City Council. Contents include Brochures, First Box Hill Railway Time Table, copies of Box Hill & Doncaster Tramway Tram and old photos taken around Box Hill, Tom Roberts Artists' Camp, 1905 Map of Box Hill etc.Box Hill History Kit published by Box Hill Historical Society and Box Hill City Council. box hill historical society, box hill city council -
Whitehorse Historical Society Inc.
Document - Correspondence, The Artists Park, 1985
Copy of an invitation from Mayor and Councillors of City of Box Hill to a ceremony naming a neighbourhood park in Princes Street, Box Hill South in commemoration of the centenary of the Box Hill Artists' Camp. Included is a photocopy of 'The Artists Camp' by Tom Roberts.parks and reserves, city of box hill, box hill artists camp, princes street, box hill south, roberts, tom -
Whitehorse Historical Society Inc.
Document - Illustration, The Artists' Camp, 1886, 1957
Photocopy of Tom Roberts 'The Artists' Camp 1886-7 and the same site 1957 from 'A Tale of Box Hill' by Ivan Southall.artists camps, box hill artists camp, roberts, tom -
Whitehorse Historical Society Inc.
Article, Heidelberg's golden summers fill our eyes, 1985
The National Gallery of Victoria will have the biggest exhibition of the Heidelberg School paintings.national gallery of victoria, heidelberg school, conder, charles, mccubbin, frederick, streeton, arthur, mccaughey, patrick, box hill artists camp -
Whitehorse Historical Society Inc.
Article, Clues Found on Artists' Camps, 1984
Article by Simon Kinch, more light has been shed on Blackburn's place in The Australian Artists' Camps era of 1890's. Mr. Ossie Green contacted present day members of the McCubbin family. A number of paintings were painted at Blackburn Lake and later after McCubbin married, he bought a cottage in Blackburn, the exact location is unknown.artists camps, mccubbin, frederick, abrahams, louis, green, oswald stuart, box hill artists camp, blackburn lake -
Whitehorse Historical Society Inc.
Postcard - Illustration, Heidelberg School
Folio of coloured postcards of artists paintings from the Heidelberg School. The Heidelberg School set up tents in 1885 on land belonging to David Houston on Gardiner's Creek. Included is a history on each artist and painting.heidelberg school, davies, david, conder, charles, phillips, fox emanuel, mccubbin, frederick, roberts, tom, streeton, arthur, sutherland, jane, withers, walter, alston, alby, box hill artists camp -
Whitehorse Historical Society Inc.
Pamphlet - Ephemera, Friends of the Lake education Program, 1996
Leaflet advertising 1996 Adult Learner's Week. City of Whitehorse 'Box Hill Artists Group and Blackburn Artists Camp' - talk by Marjorie Morgan, local historian and co-author of 'Prelude to Heidelberg'; picture gallery exhibition.heidelberg school, friends of the lake, city of whitehorse, morgan, marjorie, blackburn lake sanctuary, box hill artists group, box hill artists camp, blackburn artists camp, adult learners week -
Whitehorse Historical Society Inc.
Article, Local bush drew artists, 12/10/1994 12:00:00 AM
Article by Patrick Carlyon on Ken Green, Blackburn resident and historian.Article by Patrick Carlyon on Ken Green, Blackburn resident and historian.Article by Patrick Carlyon on Ken Green, Blackburn resident and historian.green, ken, artists camps, elmore, algernon john, blackburn -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Reflections, Jalomitca, Rumanien, 1918
Dr. Leonhard Adam was an internee Camp 2.Riverbend with the reflections of a large tree in the still blue water. The tree appears to be in autumn colours with smaller trees and bushes along the riverbank. The sky is muted blue and white.Jalomitca, Rumanien, 1918tatura, dunera, internee camps, illustrations, watercolour -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, Ipse Feci, 1941
Dr Leonhard Adam was a Dunera internee in Camp 2 Tatura.RomanticismWatercolour self portrait by artist Leonhard Adam. He is wearing a pink/light red collared open shirt with a white vest underneath. His hair is black with streaks of grey through it. He has blue eyes and a ruddy complexion.Ipse Feci . Leonhard Adam. Tatura (Victoria) Austr. 18-21 Januar 1941tatura, dunera, internee camps, leonhard adam, ipse fici -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, Tatura Camp 4, 1941
Dr. Leonhard Adam was a Dunera internee in Camp 2.RomanticismMary-Clare AdamWatercolour painting of rows of barracks with internees and fencing at Tatura Camp.Tatura Camp 4, Victoria, 25 vii 41tatura, internee camps, dunera, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Portrait of unknown Internee, 1940
Dr. Leonhard Adam was an internee in Camp 2.Original painting depicting an internee during the artist's time in Internment at Tatura.Portrait of unknown 'Camp 2 Internee', by Leonhard Adam. Cream coloured painted old-fashioned frame (plaster?), with decorative scrollwork on corners. Male subject, brown hair & goatee, blue eyes. Blue/ white background. White shirt.Leonhard Adam Tatura / Vic Weiten 1940tatura, dunera, internee camps, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Leonhard Adam, No 4 Camp Tatura Victoria, 1941
Leonhard Adam was a Dunera internee in Camp 2 Tatura. RomanticismWatercolour painting of Tatura Internment Camp 4 outbuildings and fencing.Leonhard Adam, No.4 Camp Tatura Victoria, 16 Aug, 41tatura, dunera, internee camps, illiustrations, watercolour, leonhard adam -
Tatura Irrigation & Wartime Camps Museum
Work on paper - Painting - Watercolour, Camp 2 Tatura
Alfred Landauer was Born in Vienna 13/06/1910. He was a commerical artist who arrived in Australia on board the "Dunera".Pen & Ink and watercolor of three camp huts. Large trees at the rear of the huts. Several internees are reclining in chairs outside each hut. A guard tower is in the distance . A fence runs along the side of the painting and a garden and green grass follow the length of the fence. A. Landauer 1942camp 2, dunera, landauer, watercolor, 1942 -
Federation University Historical Collection
Booklet - Exhibition catalogue, EYE, End of Year Exhibition, Arts Academy Catalogue, 2022
Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy, Institute of Education, Arts and Community. Notes a return to face-to-face teaching. Catalogue includes students from Diploma of Graphic Design (9), Advanced Diploma of Graphic Design (4), Bachelor of Visual Art (6), Bachelor of Communication Design (2), Graduate Diploma of Ceramics (4), Bachelor of Fine Art (2). Publication design by Angas Dorsett, Jack Trevey, Ashleigh Freeman, Susan Stanley and Jason Grace. Last page lists acknowledgements of staff and supporters. Inside back cover lists sponsors.Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2022. 48 page + 4 page cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye -
Federation University Art Collection
Painting - Artwork, 'Looking for God in Abstract Art 2' by Gareth Sansom, 2010
Gareth SAMSOM (19 November 1939- ) Born Melbourne Sansom describes a desire to constantly surprise and challenge himself as an artist. He had his first exhibition in 1959. His paintings of the 1960s were characterised by a distorted use of line, shape and colour and were influenced by abstract expressionism, Francis Bacon and Sidney Nolan. Over time, his work has also drawn on punk, dada, Basquiat, T.S. Eliot, urban graffiti, classical Greek philosophy and art theory across a variety of media ranging from drawing, printmaking and collage to photomontage and photography. Sansom lectured in Art at the Ballarat Teachers' college, and was appointed Head of Painting at the Victorian College of the Arts from 1977-1985, and Dean School of Art at the Victorian College of the Arts from 1986-1991. He was artist-in-residence at the University of Melbourne in 1985, which was when he resumed his full-time painting practice with a series of large works on canvas. The Federation University Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.'Looking for God in Abstract Art 2' is a play on the debate over the respective virtues of abstraction and figuration that has preoccupied artists and critics for more than a century. Sanson has always walked a wobbly line between the two, adroitly avoiding falling headlong into either camp. It is also a gentle dig at the pretensions to higher spiritual meaning in abstract art. In the centre are two photographs, one of rubber masks and the other of the artist in a lurid fright wig and mask and using a spray can like a young tagger. These images, where the artist wears a mask and teeters on bright red platforms, are wonderfully ludicrous send-ups of the 'fine art' of painting. (Geoff Wallis from 'Gareth Sansom: Alternative Person", Art Gallery of Ballarat, 2012) This work was exhibited and published in the catalogue of the exhibition 'Gareth Sansom: Alternative Person' at the Art Gallery of Ballarat in 2012 item. art, artwork, gareth sansom, sansom, mixed media, oils, enamel, photo-collage -
Federation University Art Collection
Painting - Oil on Canvas, 'Jack' by Phil Berry, 2009
Phil BERRY (1963 - ) Born Ballarat Completing a Master of Arts at the University of Ballarat (now Federation) in 2012, he workes as a sessional staff member for the Arts Academy. Artist Phil Berry recalled ‘As a child I spent the majority of my holidays at my uncle and auntie’s. Uncle Jack was a prisoner of War at Changi during World War 2. Repatriated to Australia he was emaciated and clutched his prize possession, an old spoon. Part of his daily life during the extreme hardship of the camp, the spoon was a symbol of his survival, a constant in extreme uncertainty.’ ‘Home again Jack married, started a family and embraced peace. A kind and gentle man, I was fortunate to have known him. The coming of peace had given back what war had nearly taken away.’ This item won the Lucato Peace Prize and is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painted canvas depicting a spoon. Phil Berry studied at the University of Ballarat Arts Academy (later Federation University) and undertook sessional lecturing at the Arts Academy.art, artwork, berry, phil berry, philip berry, lucato peace prize, prisoner of war, available, spoon, cutlery, war, arts academy, alumni -
Federation University Art Collection
Painting, Norman Hofmaier, 'Promethius 1 from the Mallee Mysteries Series', by Norman Hofmaier
Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1942
One of several by C. VagariniColour photograph of a painting of 2 huts left hand side. The end of 4 huts right side. One tall post, 7 fence posts and 5 gum trees in the centre.C. Vagarini (bottom right main one)camp 3, templer society, camp artists, c. vagarini -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Scan Colour Australia, 1950c
Dimitri Cah, a young Italian migrant, painted eighteen murals throughout the Glenara Motel while employed by the proprietors, Frnk and Nancy CreaColour postcard of one of the eighteen murals decorating the internal walls of the Glenara Motel, Lakes Entrance, Victoria. This one shows the artists stylised idea of an Aboriginal camp.Aboriginal Lifelike Sceneaboriginals, motels, arts, rsl clubs