Showing 47 items matching celadon

Bright & District Historical Society operating the Bright Museum
Cup

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain wine cup, celadon. Chinese tableware.Blue Chinese writing or maker’s stamp on base.chinese, cup, goldfields, gios, tableware, glaze, porcelain, harrietville, celadon, wine
Bright & District Historical Society operating the Bright Museum
Cup

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain wine cup, celadon. Chinese tableware.Blue Chinese writing or maker’s stamp on base.chinese, cup, goldfields, gios, tableware, glaze, porcelain, harrietville, celadon, wine
Bright & District Historical Society operating the Bright Museum
Cup

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain wine cup, celadon. Chinese tableware.Blue Chinese writing or maker’s stamp on base.chinese, cup, goldfields, gios, tableware, glaze, porcelain, buckland, celadon, wine
Bright & District Historical Society operating the Bright Museum
Spoon

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain spoon, design in glazed celadon, with dark blue pattern.Dark blue pattern, swirls and dashes.chinese, spoon, gios, tableware, glaze, porcelain, buckland, celadon
Bright & District Historical Society operating the Bright Museum
Bowl

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Porcelain food bowl, celadon glaze, Chinese. Blue floral design on outer surface, blue lines inside.chinese, bowl, goldfields, gios, tableware, glaze, porcelain, buckland, celadon
Bright & District Historical Society operating the Bright Museum
Bowl

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food bowl, celadon glaze. Decorations in blue colour on outer surface. Blue lines circling the inside, handpainted.Blue Chinese writing or maker’s stamp on base.chinese, goldfields, gios, tableware, glaze, harrietville, celadon, handpainted, porcelain bowl
Gippsland Art Gallery
Ceramic, Levy, Col, Faceted Vase, c.1980

Donated by Robert McDougall through the Australian Government Cultural Gifts Program, 2019Oxblood and celadon glazed ceramicgippsland, artwork, permanent collection
Bright & District Historical Society operating the Bright Museum
Bowl

Chinese porcelain food bowl, celadon glaze, blue floral design on outer surface. Blue lines around inside of bowl. Eight pieces reassembled. Has a base rim."Tick" on bottom of the bowl.porcelain, chinese, tableware, bowl, celadon, glaze, buckland valley, goldfields, aldo gios
Federation University Art Collection
Ceramic - Ceramics, Ino Shukuho, 'Celedon Bottle' by Ino Shukuho, c1982

Ino SHUKUHO (13.02.1943- ) Born Kyoto, Japan The work of Ino Shukuho are completely handmade with the vast majority of his pots rectangle, squares or oval in shap. His pottery techniques limit production to a maximum of 3-4 pots daily. He is considered a Jaoanese 'national treasure' and he once handcrafter pottery for the Japanese emperor. In 1982 Shikuho Ino was a distinguished guest of the Gippsland Centre of Art and Design (GCAD). Wheel thrown porcelain with celadon glaze.Artist's stamp on base. jan feder memorial collection, ceramics, artist, artwork, gippsland campus, ino shukuho, jan feder memorial ceramics collection
Ballarat Heritage Services
Ceramic - Studio Pottery, John Gleeson, Ceramic Platter, 2007

John GLEESON Living at Campbell's Creek for over 30 years, John Gleeson makes a range of functional stoneware pottery. He fell in loved with pottery during a hobby class in Geelong in 1972. He worked for a year at Canny Ridge Pottery in Harcourt. John Gleeson uses white stoneware and porcelain clay from The Bendigo Pottery, and buff clay from Bennetts Pottery in Adelaide. He mixed all his own glazes from commercially sourced raw materials, sometimes supplemented with ash from his fire and local red clay to get special effects.Large celadon platter with incised fish design. john gleason, studio pottery, ceramics, australian studio pottery
Bright & District Historical Society operating the Bright Museum
Saucer

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed with floral decoration. Handpainted on inside surface. Celadon background with floral design in colours, pink, green, white and brown with gold frosting on leaves.Chinese writing or maker’s stamp on base in orange ink / dye.chinese, gold, floral, goldfields, gios, tableware, glaze, porcelain, dish, buckland, celadon, handpainted
Bright & District Historical Society operating the Bright Museum
Dish

Chinese porcelain food dish, celadon glaze. Blue pattern on outside, swirls and lines.dish, porcelain, chinese, glaze, tableware, goldfields, aldo gios
Federation University Art Collection
Ceramic, Simon James, Coffee pot, sugar bowl & cups, 1985

Simon JAMES (1959- ) Born Nairobi, Kenya Simon James completed a Bachelor of Arts (Ceramic Design) at Monash University in 1982. Light green celadon glaze coffee pot, sugar bowl and 5 cups and 6 saucers.Signed on bottom "Simon James or S.J"ceramics
Federation University Historical Collection
Photograph, Corporate Gifts from International Visitors and Visits, 2020

Photographs of corporate gifts that were removed from a large showcase in the Mt Helen Council room, and were surplus to requirements. They have been photographed for documentation purposes. Most were collected whole David Battersby was Vice-Chancellor and Chancellor Paul Hemming.Glass horses - "To Dr Paul Hemming Chancellor of Federation University Australia from Dr Tie Zhao Novemnber 2015" Celadon medallion, by Hanxin ZHOU, 2011, 17 cm diameter, paper label on reverse "Guandong Celadon." Wheel thrown disk with chattering decoration and celadon glaze made from local mineral source (China). Hand carved inscription on front face in Chinese characters (no interpretation available), disk shape denotes luckiness and achievement, made for the School's 20th anniversary (2011).international visitors, international visits, souvenirs, gifts, swan, liu-li, guanglong school, guanlong celadon, zhou hanxin, halcyone days, elephant tray, jade dragon ship, glass horses, tie zhao
Kew Historical Society Inc
Container - MacRobertson's Toffee Tin, MacRobertson's Confectionery, 1955-65

MacRobertson's confectionery was founded by Macpherson Robertson in the 1880s, and later sold to Cadbury's. The tin has local significance as Sir Macpherson Robertson was a resident of Sackville Street, KewOctagonal celadon and pink coloured tin, originally holding confectionary manufactured by MacRobertson. The lid of the tin features an image of roses, while the sides portray other flowers."MacRobertson"confectionery, sir macpherson robertson, containers, macrobertson's confectionery
Federation University Art Collection
Mixed media - Artwork, 'Tile I & Tile III' by Caitlin Lowe, 2010

Caitlin LOWE (1990- ) Born Townsville, Queensland Caitlin Lowe completed a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (later Federation University) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Two framed mixed media artworks consisting of 5 x 5 cm LGH tiles, glazed using Speckled Blue Stoneware and Celadon Stoneware glazes. Presented on handmade paper using cotton hand stitching.art, artwork, mixed media, caitlin lowe, ceramics, available
Federation University Art Collection
Ceramic - Artwork - Ceramics, Ray Hearn, 'End Game' by Ray Hearn

Dr Ray HEARN (1943- ) Born Stawell, Victoria Ray Hearn graduated from the Ballarat School of Mines Technical Art School with a Diploma of Art (Ceramics) in 1970, followed by an Master of Fine Art from Regina Canada in 1976. He holds a PhD in Anthropology from Northern Territory, Darwin in 2003, with field work, exhibitions and teaching in Thailand since 1996. He has completed his MA in art curatorship from the University of Melbourne, with a thesis on Sidney Nolan and Ned Kelly.From Above and beyond function: Ray Hearn explains the reasons behind his useless ceramics:- "End Game suggests a climax of a tactical and intellectual struggle, in ceramics or chess, but it is also about beginnings and endings, for in chess the king can never be captured--one game ends and the board is reset so the next can begin. I made this piece at the start of my PhD work, acknowledging then that as there were once potters so too there are potters today--and tomorrow. The ceramic pieces were all collected in Tanon Suthep, one of Chiang Mai's streets. The board is a fragment of white tiles from a pharmacy building being remodelled, the bowl is a broken fast food noodle bowl from the ubiquitous street stalls, and the new small blue and white jars purchased from a market stall. Typical of my work, the objects are familiar--they might be just like ones we have at home today, had but threw away only yesterday, or objects we might purchase tomorrow. Clay lives on, and the ceramic 'game' starts again too. As it transpires End Game is about my own work too. All research degrees require an end--a thesis must reach a conclusion, and like a game of chess, start again. The sculptural potential of clay is unlimited, and in theory functional clay wares' aesthetic potential unlimited too, from a classic Song celadon to Arneson's genital encrusted teapots (which I first saw illustrated in Craft Horizons 1971). West Coast funk with its kitschy teapots and cups were vehicles for sculptural objects never meant to be drunk from, and a genre of useless functional wares emerged. Nothing could be more useless in a practical sense than a work of art, especially a painting--yet most craftwork has a passing reference at least to function." ( https://www.thefreelibrary.com/Above+and+beyond+function%3A+Ray+Hearn+explains+the+reasons+behind+his...-a0172598257, accessed 07 February 2018:)ray hearn, ballarat school of mines, ballarat technical art school, alumni, ceramics