Showing 51 items
matching china ornament
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Federation University Historical Collection
Pamphlet, Jeff Zilles, Old Curiosity Shop, c1980s
The Old Curiosity Shop was q house was built by bricklayer James Warwick, and his wife Caroline, with construction beginning around 1863. It was opened to the public in 1895. What is significant? Construction of the house later known as the Old Curiosity Shop commenced about 1863, the year bricklayer, James Warwick obtained a miner's right for a residential block on the edge of the exhausted Eureka diggings in the newly proclaimed municipality of Ballarat East. James built a modest 4-roomed timber and brick house for his expanding family and continued in the bricklaying trade until retiring around the early 1880s. By then he was pursuing his gardening interests in the local Horticultural Society and was supervising the gardens of many East Ballarat residents. It was during these years that his gardening and building interests converged to find expression in the marvellous permutations of decoration that extend over the house and garden. Using cast-off crockery, glass, ceramic figurine and mirror shards, shells, wallpaper samples, architectural ornament and slag, a place was found for all manner of things, large and small. Children would bring broken china dolls and bits of crockery, and the patient mosaic work preoccupied James and his wife Caroline for the rest of their lives. The work has its origins in the grottoes and shellhouses that ornamented the gardens of large English estates from the 1730s. In the few years before James' death in 1898, the house had become known as the 'Old Curiosity Shop', inspiring associations with the Charles Dickens novel of the same name. By then professional photographs had also been taken and thousands of tourists were visiting it yearly. Caroline obtained copyright for 2 of the photos and began issuing her own postcards before she died in 1903. The Shop passed to their son Charles and then to a succession of owners who added their own mythology to the story of the Warwicks and their work. After attracting tourists for more than 100 years, the Shop closed to the public in 1999. (Vitorian Heritage Database)Brochures on the Old Curiosity Shopold curiosity shop, warwick, ballarat east, james warwick, caroline warwick -
Seaworks Maritime Museum
Statuette, Eastern Han Dynasty Copper Horse
Gift from a 1991 "Chinese Transportation Delegation" to Port of Melbourne Authority. Part of a collection of artefacts accumulated by the Port of Melbourne Authority (previously Melbourne Harbour Trust and subsequently Port of Melbourne Corporation) at a time when gifts were exchanged with visiting international maritime delegations.Eastern Han Dynasty Copper Horse gifted by Chinese Transportation Delegation to Port of Melbourne Authority 11/10/91 in printed linen covered box and lined box. Enclosed papers provide history and staff of People's Republic of China in Chinese and English. Attached document describes it as "The Copper Horse, famous both at home and abroad, Was excavated from ..." Labelled "PMA 0204/1-3 ORNAMENT : COPPER HORSE Loc 1/3"Box with chinese writing on two labels. White mark under belly noting 'PMA 0204/1'. Also additional label stating 'PMA 0204/1-3 Ornament: Copper horse Loc 1/3.' -
Seaworks Maritime Museum
Ornament
Hollow glass ball featuring depiction of Asian port with ships in the river. Sitting on round wooden baseOn ball: Chinese writing "PMA 0167/1" on base: "PMA 0167/2" -
Flagstaff Hill Maritime Museum and Village
Monkey, 19th Century
This toy monkey was part of the cargo from the Fiji and amongst the articles salvaged from the wreck. The three-masted iron barque Fiji had been built in Belfast, Ireland, in 1875 by Harland and Wolfe for a Liverpool based shipping company. The ship departed Hamburg on 22nd May 1891 bound for Melbourne, under the command of Captain William Vickers with a crew of 25. The ship’s manifest shows that she was loaded with a cargo of 260 cases of dynamite, pig iron, steel goods, spirits (whisky, schnapps, gin, brandy), sailcloth, tobacco, coiled fencing wire, concrete, 400 German pianos (Sweet Hapsburg), concertinas and other musical instruments, artists supplies including brushes, porcelain, furniture, china, and general cargo including candles. There were also toys in anticipation for Christmas, including wooden rocking horses, miniature ships, dolls with china limbs and rubber balls. On September 5th, one hundred days out from Hamburg in squally and boisterous south west winds the Cape Otway light was sighted on a bearing differing from Captain Vickers’ calculation of his position. At about 2:30am, Sunday 6th September 1891 land was reported 4-5 miles off the port bow. The captain tried to put the ship on the other tack, but she would not respond. He then tried to turn her the other way but just as the manoeuvre was being completed the Fiji struck rock only 300 yards (274 metres) from shore. The place is known as Wreck Bay, Moonlight Head. Blue lights were burned and rockets fired whilst an effort was made to lower boats but all capsized or swamped and smashed to pieces. Two of the younger crewmen volunteered to swim for the shore, taking a line. One, a Russian named Daniel Carkland, drowned after he was swept away when the line broke. The other, 17 year old able seaman Julius Gebauhr, a German, reached shore safely on his second attempt but without the line, which he had cut lose with his sheath-knife when it become tangled in kelp. He rested on the beach a while then climbed the steep cliffs in search of help. At about 10am on the Sunday morning a party of land selectors - including F. J. Stansmore, Leslie Dickson (or Dixon) and Mott - found Gebauhr. They were near Ryans Den, on their travels on horseback from Princetown towards Moonlight Head, and about 5km from the wreck. Gebauhr was lying in the scrub in a poor state, bleeding and dressed only in singlet, socks and a belt with his sheath-knife, ready for all emergencies. At first they were concerned about his wild and shaggy looking state and what seemed to be gibberish speech, taking him to be an escaped lunatic. They were reassured after he threw his knife away and realised that he was speaking half-English, half-German. They gave him food and brandy and some clothing and were then able to gain information about the wreck. Some of the men took him to Rivernook, a nearby guest house owned by John Evans, where he was cared for. Stansmore and Dickson rode off to try and summon help. Others went down to the site of the wreck. Messages for rescuing the rest of the crew were sent both to Port Campbell for the rocket rescue crew and to Warrnambool for the lifeboat. The S.S. Casino sailed from Portland towards the scene. After travelling the 25 miles to the scene, half of the Port Campbell rocket crew and equipment arrived and set up the rocket tripod on the beach below the cliffs. By this time the crew of the Fiji had been clinging to the jib-boom for almost 15 hours, calling frantically for help. Mr Tregear from the Rocket Crew fired the line. The light line broke and the rocket was carried away. A second line was successfully fired across the ship and made fast. The anxious sailors then attempted to come ashore along the line but, with as many as five at a time, the line sagged considerably and some were washed off. Others, nearly exhausted, had to then make their way through masses of seaweed and were often smothered by waves. Only 14 of the 24 who had remained on the ship made it to shore. Many onlookers on the beach took it in turns to go into the surf and drag half-drowned seamen to safety. These rescuers included Bill (William James) Robe, Edwin Vinge, Hugh Cameron, Fenelon Mott, Arthur Wilkinson and Peter Carmody. (Peter Carmody was also involved in the rescue of men from the Newfield.) Arthur Wilkinson, a 29 year old land selector, swam out to the aid of one of the ship’s crewmen, a carpenter named John Plunken. Plunken was attempting to swim from the Fiji to the shore. Two or three times both men almost reached the shore but were washed back to the wreck. A line was thrown to them and they were both hauled aboard. It was thought that Wilkinson struck his head on the anchor before s they were brought up. He remained unconscious. The carpenter survived this ordeal but Wilkinson later died and his body was washed up the next day. It was 26 year old Bill Robe who hauled out the last man, the captain, who had become tangled in the kelp. The wreck of the Fiji was smashed apart within 20 minutes of the captain being brought ashore, and it settled in about 6m of water. Of the 26 men on the Fiji, 11 in total lost their lives. The remains of 7 bodies were washed onto the beach and their coffins were made from timbers from the wrecked Fiji. They were buried on the cliff top above the wreck. The survivors were warmed by fires on the beach then taken to Rivernook and cared for over the next few days. Funds were raised by local communities soon after the wreck in aid of the sufferers of the Fiji disaster. Captain Vickers was severely reprimanded for his mishandling of the ship. His Masters Certificate was suspended for 12 months. At the time there was also a great deal of public criticism at the slow and disorganised rescue attempt to save those on board. The important canvas ‘breech buoy’ or ‘bucket chair’ and the heavy line from the Rocket Rescue was in the half of the rocket outfit that didn’t make it in time for the rescue: they had been delayed at the Gellibrand River ferry. Communications to Warrnambool were down so the call for help didn’t get through on time and the two or three boats that had been notified of the wreck failed to reach it in time. Much looting occurred of the cargo that washed up on the shore, with nearly every visitor leaving the beach with bulky pockets. One looter was caught with a small load of red and white rubber balls, which were duly confiscated and he was ‘detained’ for 14 days. Essence of peppermint mysteriously turned up in many settlers homes. Sailcloth was salvaged and used for horse rugs and tent flies. Soon after the wreck “Fiji tobacco” was being advertised around Victoria. A Customs officer, trying to prevent some of the looting, was assaulted by looters and thrown over a steep cliff. He managed to cling to a bush lower down until rescued. In 1894 some coiled fencing wire was salvaged from the wreck. Hundreds of coils are still strewn over the site of the wreck, encrusted and solidified. The hull is broken but the vessel’s iron ribs can be seen along with some of the cargo of concrete and pig iron. Captain Vickers presented Bill Robe with his silver-cased pocket watch, the only possession that he still had, as a token for having saved his life and the lives of some of the crew. (The pocket watch came with 2 winding keys, one to wind it and one to change the hands.) Years later Bill passed the watch to his brother-in-law Gib (Gilbert) Hulands as payment of a debt and it has been passed down the family to Gilbert Hulands’ grandson, John Hulands. Seaman Julius Gebauhr later gave his knife, in its hand crafted leather sheath, to F. J. Stansmore for caring for him when he came ashore. The knife handle had a personal inscription on it. A marble headstone on the 200m high cliffs overlooking Wreck Beach, west of Moonlight Head, paying tribute to the men who lost their lives when Fiji ran aground. The scene of the wreck is marked by the anchor from the Fiji, erected by Warrnambool skin divers in 1967. Amongst the artefacts salvaged from the Fiji are bisque (or china) toys, (including miniature animals, limbs from small bisque dolls), rubber balls, a slate pencil, a glass bottle, sample of rope from the distress rocket and a candlestick holder. These items are now part of the Fiji collection at Flagstaff Hill Maritime Museum, along with Captain Vickers’ pocket watch and Julius Gebauhr’s sheath knife. This toy monkey is classified as Fiji 5 on the SWR Flagstaff Hill’s Fiji collection is of historical significance at a State level because of its association with the wreck Fiji, which is on the Victorian Heritage Register VHR S259. The Fiji is archaeologically significant as the wreck of a typical 19th century international sailing ship with cargo. It is educationally and recreationally significant as one of Victoria's most spectacular historic shipwreck dive sites with structural features and remains of the cargo evident. It also represents aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The Fiji collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Ceramic toy monkey salvaged from the wreck of the Fiji. The monkey is in a seated pose with its arms around its knees. This solid, moulded toy is made of bisque (sometimes described as bisque or porcelain) and the material is an orange colour. The surface is slightly pitted.ceramic, china, flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, porcelain, moonlight head, wreck bay, bisque, toys, miniature animals, monkey, ornament -
Flagstaff Hill Maritime Museum and Village
Container - Ceramic Bottle (Chinese Style), Minton Potteries, Late 19th century
The subject item is believed to be a "Chinese style stoneware liquor bottle used to store "Tiger Whiskey" (rice wine). These Chinese liquor jugs are made of glazed pottery known as brown stoneware and have been made throughout the centuries by many makers until well after American Prohibition. Later varieties from the mid 20th century are commonly found in the USA with the raised lettering "Federal Law Forbids Sale Or Re-use of this bottle" a sure sign of post-1934 manufacture. This example is interesting as it has a British Minton mark of two triangles on the base indicating a date of 1879 and was likely exported to Australia by Minton. These ceramic bottles virtually always have irregularities and flaws which indicate a product has been hastily manufactured, in any event, this is a fine example of a relatively common item that may have been copied by Minton and sold as a decorative domestic item for display or mass produced for storing liquor. Giles Family: The pair of ceramic bottles were given to Vera Giles by Jim Thompson and are just many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. A significant item of lead-glazed ceramic with the possibility it was made by the Minton potteries in England who were renowned for making quality pottery. The item style is in all probability a copy of a Chinese liquor bottle that was in common use throughout the British colonies and America up until the mid 20th Century. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Chinese liquor bottle one of a pair, lead glazed ceramic, dark brown and blue/black. Part of the Giles Collection.Mark of a double triangle, apex touching, on base, (Minton mark for 1879).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, pottery, ceramic ornament, domestic ware, late 19th - early 20th centuy ornament, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods -
Flagstaff Hill Maritime Museum and Village
Decorative object - Wall Decoration, Late 19th to early 20th centuries
During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society.An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. Wall decoration white china with relief circular hanging pieces, paper folds pinned back to reveal words Paper is pinned by metal studs. Paper folds create star shape. (set of 2)Watch and Pray and Come Unto Meflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, paper wall decoration -
Warrnambool and District Historical Society Inc.
Souvenir, Victoria Fine China, Miniature mug Warrnambool Thunder Point, C 1940
Warrnambool has been an attraction for tourists for over 100 years. It has been popular as a coastal resort and today the winter whale season brings more tourists. In the late 19th and early 20th centuries Warrnambool was promoted as a spa and health resort, partly because of its hot and cold sea water baths and partly because of its bracing climate and attractive coastline. Thunder Point, depicted on this item, has been a popular visiting spot for tourists for many years. Buying a high quality ornament such as this one was a popular activity of tourists in the mid 20th century. Tourists today buy souvenir items but the choice and range vary from what was available 80 years ago. This item is retained as an example of a local souvenir bought by tourists in the mid 20th century. This is a small white china mug with a gilt edging or strip around the top opening rim, the base and the handle. There is a colour image of a seascape in blue, yellow and black on the side of the mug and the maker’s name on the base.‘Victoria Fine China’tourism in warrnambool, souvenir china items 20th century, history of warrnambool -
Bright & District Historical Society operating the Bright Museum
Egg hand painted
... of China ornaments egg china ...Handpainted egg with blossom and butterfly design, mounted on blue silk base and covered by glass box.Made in People's Republic of Chinaornaments, egg, china -
Flagstaff Hill Maritime Museum and Village
Container - Ceramic Bottle (Chinese Style), Minton Potteries, Late 19th century
The subject item is believed to be a "Chinese style stoneware liquor bottle used to store "Tiger Whiskey" (rice wine). These Chinese liquor bottles are made of glazed pottery known as brown stoneware and have been made throughout the centuries by many makers until well after American Prohibition. Later varieties from the mid 20th century are commonly found in the USA with the raised lettering "Federal Law Forbids Sale Or Re-use of this bottle" a sure sign of post-1934 manufacture. This example is interesting as it has a British Minton mark of two triangles on the base indicating a date of 1879 and was likely exported to Australia by Minton. These ceramic bottles virtually always have irregularities and flaws which indicate a product has been hastily manufactured, in any event, this is a fine example of a relatively common item that may have been copied by Minton and sold as a decorative domestic item for display or mass produced for storing liquor. Giles Family: The pair of ceramic bottles were given to Vera Giles by Jim Thompson and are just many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. A significant item of lead-glazed ceramic with the possibility it was made by the Minton potteries in England who were renowned for making quality pottery. The item style is in all probability a copy of a Chinese liquor bottle that was in common use throughout the British colonies and America up until the mid 20th Century. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Chinese liquor bottle one of a pair, lead glazed ceramic, dark brown and blue/black. Part of the Giles Collection.Mark of a double triangle, apex touching, on base, (Minton mark for 1879).flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, vase, pottery, ceramic ornament, domestic ware, late 19th - early 20th centuy ornament, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century household goods -
Mont De Lancey
Grapes
Purchased 1970 in China by Mr and Mrs H. N. Lord.Pair of Jade Chinese grape bunches with leaves.objects of vertu, ornaments -
Mont De Lancey
Carved Ornament
... -and-dandenong-ranges Carved Ornament One Jade Chinese upright carving ...Purchased 1970 in China by Mr. & Mrs. H.N. Lord.One Jade Chinese upright carving with carved links forming chains on a wooden base.carvings, ornaments, objects of vertu -
Mont De Lancey
Ornaments
... -and-dandenong-ranges Ornaments Six china items. 1. Porcelain urn made ...Six china items. 1. Porcelain urn made in England. Crest shows deer and bracknell. Has two handles. 7 cm. 2. Carlton china WNR. Stoke-on-Kent. Crest shows two men. "Fortis in Armis". Bamburgh. Has five prongs. 7 cm 3. Swan Royal ivory porcelain. England. Blue crest in Latin, with yellow and green leaves. Arms of Penshore Abbey. 8 cm. 4. Harp. Made in England. Florentine China. Has crest with horses. Writing in Latin. 10 cm. 5. Peacock. Crest St. John's Chapel. Weardale. Stoke-on-Trent. Arcadian. 12 cm 6. Four pronged vase. Made in Germany. Has crest with red cross and two dragons. London. 8 cmornaments -
Whitehorse Historical Society Inc.
Functional object - Powder Box Cover
Head and arms of china doll attached to wire frame. Covered with mauve satin and lace to form dress.ornaments, mixed media -
Rutherglen Historical Society
Wooden wind chimes
Perhaps used by Chinese miners in AustraliaTwelve small bamboo rods, suspended by string from triangular arrangement of short hollow bamboo rodschimes, ornaments -
Whitehorse Historical Society Inc.
Container - Tobacco Jar
Tobacco Jar of Staffordshire China depicting King George III. Jar in two parts - top half has figure to waist - light brown coat and figured waistcoat. Hand holding pipe. Lower half has legs with patterned trousers and boots.ornaments, ceramics -
Bendigo Historical Society Inc.
Photograph - LOONG, CHINESE DRAGON, c1920s
Black and white photograph, with some hand colouring. Photo of Chinese dragon 'Loong' all in photo appear to be of Chinese appearance a couple of ornaments and a couple of people have been hand tinted. At 'Bendigo Showground' now known as 'Tom Flood Centre'. Markings/Inscriptions: Chinese Dragon 'Loong', on back; sticker Bendigo Historical Societyorganization, club/society, chinese society, event -
Bendigo Historical Society Inc.
Decorative object - CHINA VASE
... ORNAMENTS Ceramic vase Blue china vase, 3 cornered basket weave ...Blue china vase, 3 cornered basket weave pattern, 3 white china figurines holding vase and forming legs.ornaments, ceramic, vase -
Bendigo Historical Society Inc.
Domestic Object - SQUAT CHINA VASE
... DOMESTIC EQUIPMENT Ornaments vase Squat china vase with 3 feet ...Squat china vase with 3 feet, fluted opening, blue top and handles with gilding on body and decorated with green vine leaves and red grapes.domestic equipment, ornaments, vase -
Bendigo Historical Society Inc.
Domestic Object - SMALL SQUAT CHINA VASE
... DOMESTIC EQUIPMENT Ornaments vase Small squat china vase ...Small squat china vase with fluted opening, blue top, feet and handles, gilded decoration, white body decorated with vine leaves and grapes.domestic equipment, ornaments, vase -
Bendigo Historical Society Inc.
Domestic Object - LYDIA CHANCELLOR COLLECTION - CHINA SWAN VASE
Large China vase made in England in the shape of a white Swan with black and lemon detailing. Contains card with wording - This Swan ornament is from Taraxville Golden Square, the home of Lydia Chancellor who said it had been a wedding present to herself and her Husband.Made In England No4ornaments, ceramic, vase -
Bendigo Historical Society Inc.
Functional object - SMALL CHINA VASE
Small china lustre vase with two containers in shape of flowers on top of leaves with a small Cherub on top in tones of blue and green.ornaments, ceramic, vase, di517