This child's white broderie anglaise christening gown was worn by Robert Barnard, son of Mrs W N Barnard of Portland, when he was a young child, circa 1911.This item is representative of christening gowns in the early 1910s. Child's white broderie anglaise christening gown, hand sewn, three button closure, short sleeves, c. Circa 1911. Worn by Robert Barnard son of Mrs W N Barnard of Portland.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, robert barnard, child’s clothing c 1911, broderie anglaise, christening gown, ceremonial gown, ceremonial clothing, religious clothing

This Christening gown belonged to William Edward Housden who was born in Castlemaine in 1890 and died in Warrnambool in 1972. He served in World War One and married Lucy Knowles in 1921. It was on occasions, and still is, a common practice to make a special dress for a baby's Christening or to use a gown that has been handed down over the generations. This is a fine example of a Christening gown made for a baby 130 years ago.This is a Christening gown made of cream cotton. It is high waisted with a gathered skirt and a pintucked bodice with hand embroidered leaves and fine drawn thread work. The draw string waist opens at the back. It has long sleeves with lace and embroidered cuffs. There is lace and draw string tape around the neck. The seams have been machined.william edward housden, christening gowns

This Baby's long white Christening gown is made from fine muslin, with short sleeves and cut-work and pin tucked front panels The women of the early settler families were very skilled dressmakers and made the clothes for their families. The early settler families followed the religious rites of their Christian Church and this Baby's Christening gown shows the dressmaking skills of the pioneer women of Moorabbin Shire c1900 , A Baby's Christening gown of fine white muslin with cut-work and needlework on yoke, gathered skirt and short sleeves with a draw string waist and neck . The front panel has 5 sections of pin tucks and cut work . clothing, christening gown, methodist church, church of england, brighton, moorabbin, pioneers, dressmaking, lacework, cutwork, market gardeners, early settlers, craftwork , bentleigh, , moorabbin shire blackburn nance, dairy farms, fruit orchards

A traditional Baby's long white calico Christening gown with cut-work and pintucks on the front yoke and fastened at back by a mother of pearl button and draw string at neck with long waist ties. The women of the early settler families in Moorabbin Shire were skilled dressmakers and craft workers and made the clothes for their families. There were times when prices for produce were not good and families struggled to support their families until prosperity returned. However they still made simple materials special by their dressmaking and craft work skills The early settler families followed the religious traditions of their Churches. This Baby's long white calico Christening gown is an example of the simple dressmaking skill of a woman making a special garment with inexpensive material and her cut- work decoration. A Baby's long, white calico Christening gown with pintucks,cut-work, lace, long sleeves, long waist ties and a draw string neck. clothing, brighton, moorabbin, pioneers, dressmaking, lace work, cut work, christening gowns, methodist church, religious services, market gardeners, early settlers, craftwork , bentleigh, moorabbin shire blackburn nance, dairy farms, fruit orchards

The tack hammer was used by Mrs K D Baird (Joy Coutts CPLC 1936) in the christening of the Minervan IV on the 11th April 1981, Boat Race morning. The christening is mentioned in Ring-a-roo October 1981 p.8The presentation of a christening hammer indicates the honour in which the owner was held by the school and also signifies the value placed by the school in both their rowing fleet and the people associated by name with the individual boats. Solid brass tack hammer with magnetic tips. Varnished wooden handle. Engraved head.Front of head: PRESENTED TO / MRS K D BAIRD / 11TH APRIL / 1981 Head verso: Minervan IV Maker's mark: GWMOUNT / PAT 282222joy-coutts, k-d-baird, ballarat-college, clarendon-presbyterian-ladies-college, minervan-iv, rowing, boats, christening, hammer,

Christening of Beverley and Robin Kent's second child, Andrew.Beverley was the daughter of Padre Oliver and his wife Moira. She was born in the Mission an has lived there. Beverley and Robin met and married at the MissionColour photograph depicting a couple with their young daughter and a baby. The photograph was taken in the courtyard of the Flinders Street Mission. The baby is wearing a long white outfit Written in red ink on verso: KENT Written in blue ink on verso: Andre Kent baptism / at St Peter's Mariners / church / Dockland / (Robin, Beverley and Ro Kent) / Feb/March 1958robin kent, christening, baptism, mission to seafarers, flinders street, courtyard, st peter chapel, beverley kent nee oliver, rosamond kent, andrew kent

Brian Millane's grandmother made gown and petticoat in 1881/1882. Used in 1967 at christening of Brian and Michelle's first child. Was worn by many generations of the Millane's family.Long cotton christening gown with handmade eyelet/broderie anglais on skirt and bodice. Four tucks on each side of broderie anglais on bodice. Sleeves and neckline edged with lace. Opening at back pearl button and tie at waist. Pin-tucks in skirt layered between broderie anglais lace. Petticoat is sleeveless with lace and tucks at hemline. Opening at back of bodice with ties.millane family, st john's church mitcham

Vic Rathgeber and Family. Vic's niece going to christening.

In the early 19th century, infant baptismal gowns worn by male and female infants began to be modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A mid-nineteenth century christening (baptismal) gown, constructed of sturdy white cotton featuring a long skirt, high neck and long sleeves. The gown is constructed by hand, and there is evidence of home-finished needlework, The bodice is loosely pleated with gathering at the high waist, A later cotton tie was attached at the centre waist and commercial lace added to the neckline and cuffs.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the words of the donor, Betty Stone, "This gown was originally made by my great grandmother Sarah Ellis (nee Chamberlain) Lees of Wangoom, Warrnambool. Later, the gown was altered by her daughter Ann (nee Lees) Dale who also used it for the christenings of her five children in the 1890's, and later still, for some of her grandchildren. Sarah Ellis Chamberlain, born in Thriplow, Cambridgeshire, England on 31 July 1844, sixth child of Joshua and Susan Chamberlain, was ten years old when she arrived in Australia with her parents and siblings in January 1855. Ten years later, in 1864, Sarah Chamberlain married Lees Lees, a skilled stonemason who had migrated from Saddleworth, Yorkshire. Lees Lees purchased land in McGregors Road, Wangoom, Warrnambool where he operated a successful stonemasonry, contracting business until his death in 1912. The Lees farm, which eventually consisted of about fifty acres, was situated adjacent to both the Chamberlain and Dale farms. Sarah Lees was a meticulous homemaker who also fashioned and sewed clothes for her seven children. A photograph of the eldest child, Anne, taken in 1868, depicts her wearing a dress and pantaloons sewn by her mother. Sarah also crocheted lace curtains for her home in addition to large tablecloths and other articles. According to family legend, the skirt of this christening gown was part of the original gown hand-sewn by Sarah (nee Chamberlain) Lees which was used for the christening of her children. The gown was later passed on to her daughter Anne (nee Lees) Dale who, also an expert needlewoman, replaced the bodice and used it for the christening of her five children born between the years 1890 and 1899. Still, later, at least two children of the third generation (Sarah Lees' great-grandchildren) also wore this gown when christened at Christ Church Warrnambool. Sarah (nee Chamberlain) Lees died in 1932, aged 87 years, at her daughter Anne Dale's home in Latrigg. Anne (nee Lees) Dale died in 1948 aged 83 years, at her home in Latrigg." (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of late-19th-century needlework and handmade domestic items.Christening gown made by Sarah Ellis. White with unusual Broderie Anglaise yoke. The long-sleeved garment has a gathered waist and a long skirt. The front centre of the skirt has a floral Broderie Anglaise and cut work panel insert.Circa 1860's. From the 'Chamberlain Dale Lees Collection’, donated by Betty Stoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, sarah ellis, hand sewn, christening gown, baby wear, clothing, 19th century

Belonged to Miss Olive A. Sebire, from the home of Mr. W. J. Sebire - Wandin.Silver Christening mug, with embossed flowers and ornate handle - quadruple plate.Flowers New Amsterdam Quadruple plate 616christening mugs, mugs

The pioneer settlers and market gardeners of Moorabbin Shire were very committed to their religious observances. The meetings and celebrations of religious rites gave them companionship and support during the difficult times of establishing their market gardens. The craftsmanship and skills of the families is shown in the clothing they made. The skill and craftsmanship shown in this christening - baptism - gown is and example of the clothing made by the pioneer settlers and market gardeners in Moorabbin ShireA long, white, cotton, baby's christening gown with lace and inserts and pin-tucking.brighton, moorabbin, pioneers, bentleigh, market gardeners, baptism, clothing childrens, religious rites, dressmakers

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families This very long, baby’s christening gown with cut-work, is an example of the dressmaking skills and craftwork of the women of the pioneer families. The Marshall family were early settlers in Moorabbin Shire. A very long, baby’s christening gown with hand cut-work c 1880clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, mrs marshall

Worn by Mervyn SebireInfants white Christening gown - heavily embroidered and smocked, with lace trimming and gathered sleeves.christening clothing, baby clothing

Long white christening gown with short sleeves and Broderie Anglaise yoke, circa 1860'sflagstaff hill, warrnambool, shipwreck coast, maritime museum, maritime village, flagstaff hill maritime museum and village, christening gown, christening dress, baptism gown, baptism dress, religious ceremony, nightwear, sleepwear, clothing, fashion, 19th century, child’s christening gown, handmade clothing

Plain silver christening mug with decorated handle and simple dotted edge around top and base.Made in US America Quadruple 302 Superior Silver Co.christening mugs, mugs

Worn by family of late Mrs. W.J. SebireWhite infant's long Christening gown - eyelet linen with tucked panels. Puffed sleeves. Cotton Batiste.christening clothing, baby clothing

Silver Christening mug with beading around the rim and base. Has decorative handle - Quadruple silver 302.christening mugs, mugs

Black and white copy of a mass produced photo of TRH The Duke and Duchess of York with Princess Elizabeth on the day of christening.Photo Central Newsperson, family, portrait of family

Cream christening gown with silk underskirt. Fine lace and mesh dress with puff sleeves and white ribbon at bodice.costume, infants'

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Faded photographic colour positive of a christening gown displayed at the 1976 Festival of Kew exhibition mounted by the Kew Historical Society.Inscribed verso: Historical exhibition 1976festival of kew 1976, kew historical society -- exhibitions

Used by 4-5 generations of Amess family. Samuel Amess owned Churchill Island 1872-1929.Long white christening gown with 4 panels of broderie anglaise at front and ribbon ties at back of neck. Slight gathering between bodice and skirt.amess family, christening gown, broderie anglaise

Coloured photo (two copies)of Society Display at Whitehorse Spring Festival. Barbara Keene on duty in Whitehorse Centre. Display of Christening Robes & Cameras.whitehorse spring festival, keene, barbara

Probably a Christening Gown.White lawn infant's dress with bobbin lace on neck, bodice, hem of sleeves and dress . Insert of lace near hem of dress. Pink ribbon threaded through eyelet lace.costume, infants', handcrafts, lacemaking