In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A white cotton and lace christening gown. The primary decorative elements of the gown are at the front which includes multiple layers of lace on net that extend from the neck to the hemline, which are then bordered with ruffles of the same lace. The bodice has a high neck, bordered with lace, and two short sleeves.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A sturdy white cotton christening gown that confirms to a number of conventional design rules. These include pleating on the bodice and at the front of the skirt. The width of the pleats below the waist would indicate a later rather than earlier manufacture. Lace is used in a vertical band at centre front, on the neck and at the waist. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This christening gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton christening gown. The high-necked, short-sleeved bodice has a number of decorative elements. This includes an extesive use of lace in diagonal panels at the front above four horizontal layers of the same lace. There are two layers of lace forming the sleeves. Nilchristening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga.This item comes from a collection used by a prominent citizen of Wodonga. It is also an excellent example of silver christening mugs popular in the early 20th century.A silver christening mug with the engraving on one side.Engraved on side: "Baby"domestic items, silver cutlery

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, fine white cotton christening gown. The short bodice includes a v-shaped lace insert bordered by a scalloped collar. Lace is also used on the neckline, short sleeves, and hem. The lace on the sleeves is attached in rows of overlapping fabric. The fabric below the high waistline is gathered to produce a full long skirt.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Simple fine, white cotton petticoat used underneath an outer christening gown. The petticoat uses the same silhouette as the gown. The sleeveless bodice is held up by shoestring straps at the shoulder. Gathered fabric at the waist creates volume as an undergarment. Six bands of decorative horizontal pleating are used in the lowest section of the skirt as well as a scalloped hem.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown. The bodice includes a number of pieces of lace, most notably a panel of broderie anglais at the centre of the bodice. Bands of lace are also used at the neck and on the sleeves. The skirt is gathered below the waist allowing the fabric to form folds.The lower section of the skirt five pleated bands and a hem also created from broderie anglais.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns worn by male and female infants began to be modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A mid-nineteenth century christening (baptismal) gown, constructed of sturdy white cotton featuring a long skirt, high neck and long sleeves. The gown is constructed by hand, and there is evidence of home-finished needlework, The bodice is loosely pleated with gathering at the high waist, A later cotton tie was attached at the centre waist and commercial lace added to the neckline and cuffs.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown. The high necked, short sleeved bodice has a number of decorative elements. These include two panels of fabric, the lower of which includes pleating, and inserts of lace that extend beyond the waist. Ties extend from the front to the back of the bodice. Lace is also used on the neckline and on the edge of the folded sleeves. The skirt is pleated at the front extending to the hem.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

19th century Irish linen Christening gown and matching petticoat donated by Ruth Starkey. The Christening gown and petticoat have been in the family for around 170 years, passed to generations. They were sewn by Eliza Lynon in Enniskillen, Northern Ireland. The following history has been provided by Ruth Starkey: • Town of origin is Enniskillen, Northern Ireland, sewn by Eliza Lynon. • The gown came to Australia with Eliza Lynon on the Red Jacket in 1855. • Eliza married Joseph Dobbyn (who was a member of the Royal Inniskilling Fusiliers Regiment) at Christ Church Geelong. • They built a home at 150 McKillop St, Geelong. Melrose was the name of the home. • Family name Dobbyn - Joseph Wilson Dobbyn b. 07/04/1844 - d 12/10/1892 and Elizabeth (Eliza b 12/03/1847 d 26/08/1934) and passed to Eliza Jane, Jessie Victoria Mary and Lucy Ellen Dobbyn (sisters). • Lucy Ellen nee Dobbyn, married Herbert Blunt, Boatbuilder Geelong at Christ Church Geelong • All lived at 150 McKillop St Geelong over the years • Passed to Marjorie May Fearn born nee Blunt who was baptized at Christ Church Geelong 29/5/1915 • Passed to Ann Rosemary Starkey nee Fearn • Passed to Ruth Norelle Starkey (me) I was baptized at Christ Church Geelong. • I am the great- great granddaughter of Joseph and Eliza and the great granddaughter of Herbert and Lucy.Irish linen Christening gown with cutwork anglais. Cutwork along hem is scalloped with a central motif going down the centre front of the body. Bodice is embroidered in a v shape at the front and has cutwork embroidered sleeves. Skirt is attached to the bodice with cartridge pleats.irish linen, christening, religion, children's clothing, ceremonial, church, geelong, red jacket ship, enniskillen, christ church geelong, northern ireland

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A handmade, sturdy white cotton christening gown. The bodice is made from a number of separate pieces of fabric. At the front there is a flat, pleated panel that extends well below the waist. The longer half-length sleeves are attached to the neckline rather than from a shoulder. Each sleeve is bordered with crocheted lace. Crocheting is also used as a decorative element on the front of the tie. The skirt is simply hemmed. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the words of the donor, Betty Stone, "This gown was originally made by my great grandmother Sarah Ellis (nee Chamberlain) Lees of Wangoom, Warrnambool. Later, the gown was altered by her daughter Ann (nee Lees) Dale who also used it for the christenings of her five children in the 1890's, and later still, for some of her grandchildren. Sarah Ellis Chamberlain, born in Thriplow, Cambridgeshire, England on 31 July 1844, sixth child of Joshua and Susan Chamberlain, was ten years old when she arrived in Australia with her parents and siblings in January 1855. Ten years later, in 1864, Sarah Chamberlain married Lees Lees, a skilled stonemason who had migrated from Saddleworth, Yorkshire. Lees Lees purchased land in McGregors Road, Wangoom, Warrnambool where he operated a successful stonemasonry, contracting business until his death in 1912. The Lees farm, which eventually consisted of about fifty acres, was situated adjacent to both the Chamberlain and Dale farms. Sarah Lees was a meticulous homemaker who also fashioned and sewed clothes for her seven children. A photograph of the eldest child, Anne, taken in 1868, depicts her wearing a dress and pantaloons sewn by her mother. Sarah also crocheted lace curtains for her home in addition to large tablecloths and other articles. According to family legend, the skirt of this christening gown was part of the original gown hand-sewn by Sarah (nee Chamberlain) Lees which was used for the christening of her children. The gown was later passed on to her daughter Anne (nee Lees) Dale who, also an expert needlewoman, replaced the bodice and used it for the christening of her five children born between the years 1890 and 1899. Still, later, at least two children of the third generation (Sarah Lees' great-grandchildren) also wore this gown when christened at Christ Church Warrnambool. Sarah (nee Chamberlain) Lees died in 1932, aged 87 years, at her daughter Anne Dale's home in Latrigg. Anne (nee Lees) Dale died in 1948 aged 83 years, at her home in Latrigg." (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of late-19th-century needlework and handmade domestic items.Christening gown made by Sarah Ellis. White with unusual Broderie Anglaise yoke. The long-sleeved garment has a gathered waist and a long skirt. The front centre of the skirt has a floral Broderie Anglaise and cut work panel insert.Circa 1860's. From the 'Chamberlain Dale Lees Collection’, donated by Betty Stoneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, sarah ellis, hand sewn, christening gown, baby wear, clothing, 19th century

Belonged to Miss Olive A. Sebire, from the home of Mr. W. J. Sebire - Wandin.Silver Christening mug, with embossed flowers and ornate handle - quadruple plate.Flowers New Amsterdam Quadruple plate 616christening mugs, mugs

An illustrated book of christening, bridal and mourning fashions from the sixteenth to twentieth century shown at the National Gallery of Victoria's exhibition of the same name as the book, ie, "Hatches Matches and Dispatches: Christening, Bridal & Mourning Fashions."non-fictionAn illustrated book of christening, bridal and mourning fashions from the sixteenth to twentieth century shown at the National Gallery of Victoria's exhibition of the same name as the book, ie, "Hatches Matches and Dispatches: Christening, Bridal & Mourning Fashions."clark rowena, fashion, ngv collection, bridal, christening

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown featuring an elaborate hand-worked bodice. The bodice has diagonal bands of lace as well as sections of fabric that imitate the effect of a bolero. These, as well as the sleeves are also hand embroidered and bordered with tatted lace. The fabric is finely gathered below the waist. The lower part of the gown includes inserted bands of different kinds of lace. The longer sleeves might indicate that the gown was made for an older infant. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of the many items that exhibit the skill and craftsmanship of the women of these families This very long, baby’s christening gown with cut-work, is an example of the dressmaking skills and craftwork of the women of the pioneer families. The Marshall family were early settlers in Moorabbin Shire. A very long, baby’s christening gown with hand cut-work c 1880clothing, brighton, moorabbin, pioneers, dressmaking, market gardeners, early settlers, craftwork, mrs marshall

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown. Handmade featuring lace on the layered short sleeves, as well as at the neckline. The gown has a tie above the waist. The bodice is designed to form a number of horizontal and vertical panels, most prominently including tapered pleating at the front. The fabric comprising the skirt is gathered at the waist, allowing the full skirt to flare towards the hem. The lower part of the dress features a scalloped double hemline above which are four bands of folded fabric.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.A long, white cotton christening gown designed and made using a number of decorative elements. These include an embroidered lace v-shaped insert at the front of the bodice that extends below the waist. Bands and layers of lace are also used at the neck and on the double-panelled sleeves. A broad band of lace has been used to form the waist, below which the fabric of the skirt is very finely gathered. The front of the skirt includes thirty-two horizontal pleated bands. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Worn by Mervyn SebireInfants white Christening gown - heavily embroidered and smocked, with lace trimming and gathered sleeves.christening clothing, baby clothing

Long white christening gown with short sleeves and Broderie Anglaise yoke, circa 1860'sflagstaff hill, warrnambool, shipwreck coast, maritime museum, maritime village, flagstaff hill maritime museum and village, christening gown, christening dress, baptism gown, baptism dress, religious ceremony, nightwear, sleepwear, clothing, fashion, 19th century, child’s christening gown, handmade clothing

Plain silver christening mug with decorated handle and simple dotted edge around top and base.Made in US America Quadruple 302 Superior Silver Co.christening mugs, mugs

In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Very long, white cotton christening gown. The bodice is distinguished by an intricate panel of handmade lace that forms a semi-circle at the neck. On either side of the lace insert are folded lapels, each bordered with lace. The short sleeves are constructed of two overlapping pieces of fabric. Below the waist the fabric is pleated to allow for the large amount of fabric in the skirt to flare outwards. The extraordinary detail within the gown is extended to the lower section of the skirt where the maker has created five pleated bands, each comprising four layers. The hem also features a band of lace. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life

Worn by family of late Mrs. W.J. SebireWhite infant's long Christening gown - eyelet linen with tucked panels. Puffed sleeves. Cotton Batiste.christening clothing, baby clothing

Silver Christening mug with beading around the rim and base. Has decorative handle - Quadruple silver 302.christening mugs, mugs

Black and white copy of a mass produced photo of TRH The Duke and Duchess of York with Princess Elizabeth on the day of christening.Photo Central Newsperson, family, portrait of family

Cream christening gown with silk underskirt. Fine lace and mesh dress with puff sleeves and white ribbon at bodice.costume, infants'

From its beginnings in 1958, the Society has mounted exhibitions and/or displays, in early days in shop window and in community spaces located in the Kew City Hall (later Kew Library), and since 2010 at the Kew Court House. Exhibitions typically coincided with the annual Kew Community Festival in March, but after 2013 evolved into three new exhibitions yearly at the Kew Court House. Smaller displays continue to be mounted in the Kew Library.Faded photographic colour positive of a christening gown displayed at the 1976 Festival of Kew exhibition mounted by the Kew Historical Society.Inscribed verso: Historical exhibition 1976festival of kew 1976, kew historical society -- exhibitions