Showing 386 items
matching cliff brown
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Glenelg Shire Council Cultural Collection
Painting, Nancy Malseed, Environment III, 1969
Art CollectionThe picture depicts trees with emus hiding amongst them. The trees are a cluster in the middle of a white background that gradually gets darker around the bottom and top edges. Mounted on a wooden backing which extends further then the picture, giving it a natural frame. No glass.Front: Malseed (brown paint, lower left.) Back: 1969- (Yellow circle sticker, top) 114 (small white sticker, top) Portland Art Gallery Trust (just short of top, white chalk) Nancy Malseed Environment 111 (1969) (strip of white paper, printed, top right) Malseed Environment 3 N.F.Scema, portland artists society -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, botanical, Collin Elwyn Woolcock, Olearia asterotricha (Rough Daisy-bush). Olearia ramulosa (Twiggy Daisy-bush), 1984
Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Drawings of cuttings and flower details of two plant species. Six drawings include single cutting of Olearia asteroticha with brown stems, bright green long leaves and blue (daisy-like) flowers with purple and yellow centre, a single cutting of O. ramulosa with green-brown stem, dark green long leaves and white (daisy-like) flowers with pink and yellow centres, one small flower detail (left), one white flower detail (centre) and two leaf details (right). The work is mounted in a double matt (off-white on pale blue), framed under glass in a gold and grey-green frame.Front: Olearia asterotricha (Rough Daisy-bush) " ramulosa (Twiggy " " ) (lower left) (pencil) CEW/84 (lower left in image, next to stem) (maroon pencil) Back: 42 (upper left) (pen) -
Glenelg Shire Council Cultural Collection
Painting, Enid Denton, Rain Forest, 1972
UnknownAbstract scene of a rainforest. Foreground depicts a stand of trees. There are several mountains in the background, set against a blue sky with rays of sun falling on a central mountain. Predominant colours for trees are green, yellow, brown and black. Mounted on cream matt in pale green frame, with glass glazing.Front: Enid Denton (lower right) (brown paint) Back: Rain Forest $600.00 Enid Denton, Smith Avenue, Croydon 3136cema, portland artists society -
Glenelg Shire Council Cultural Collection
Painting, Enid Denton, Flinders Ranges, 1963
CEMA Art Collection Winner of 1963 Portland Art Society Art Prize for category Watercolour. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.The painting depicts mountain ranges from an elevated position looking down across the mountains. The mountains in the foreground are predominantly shades of green, yellow and brown. The mountains in the background are various shades of blue and extend into a pale blue sky. The work has a grey painted frame with a white cardboard mount and glass.Front: E Denton (lower right, black paint) Back: ENID DENTON "FLINDERS RANGES" (1963) Watercolour (typed label) 1963 (yellow sticker) -
Glenelg Shire Council Cultural Collection
Functional object - Pool Cue and Case, n.d
Pool cue, wooden, belonged to H.L. Vivian. ' H.V.' scratched into wood near grip end '16 1/2 oz' etched into cue, about 1/3 length from grip end. Carry case brown leather, metal ring narrow end, flap to fold over opening. Light tan leather label with 'H.L. VIVIAN''16 1/2 oz' etched into cue, about 1/3 length from grip end. Carry case brown leather, metal ring narrow end, flap to fold over opening. Light tan leather label with 'H.L. VIVIAN'billiards, pool, cue, local history, portland, betty vivian collection -
Glenelg Shire Council Cultural Collection
Photograph, 'SS Casino', wrecked 10 July 1932, n.d
UnknownBlack and white photograph of the SS Casino. Fastened to mount board in timber frame, under glass. Frame is embossed with leaf and acorn patterns, and is stained brown.Front: (no inscriptions) Back: H/H 22 (yellow sticky label)s s casino -
Glenelg Shire Council Cultural Collection
Ceramic - Butter Dish, 1930
Owned by James and Ada Brimblecombe, Heywood. Later owned by Merle Lewis.Shell shaped china butter dish with gold edging. On base of bowl is a colour transfer of a scene of a bay with 3 jetties, a bath house and a road in the foreground.Front: The Harbour, Portland, Vic: (Black, lower centre) Back: Guaranteed/English bone china/made in England Royal/ Stafford (stamped logo, brown) -
Lorne Historical Society
Plaque - Spotters Plaque, Tribute plaque to the local Members of the Volunteer Air Observers Corps ( spotters)
In World War 2 residents of Victoria were concerned about enemy attack so a series of Spotters Huts were established along the coast. In Lorne the Spotters Hut was at Queenspark in the old recreation building. Many locals volunteered their time. The plaque was made by the Lorne Historical Society to honour these people who volunteered to join the Air Observers Corp. A rectangular thin Metal sheet , with black printing. This plaque was made in 1997 as a project of the Lorne Historical Society to pay tribute to the Spotters who worked in the spotters cabin at Queens Park Lorne during the Second World War. It listed all the names of the know Spotters, Win Allen, Nita Armistead, George Armitage, Olga Armitage, Grace Brown, George Crabbe, Monty Craig’s, Margaret Cunningham, Marj Gaylord, Marj Grant, Annie Stirling, Margie Fairbairn, Sheila McIntyre, Wilhemena Morris, Murray Morton, Nick Murnane, Eva Norton, Miss Pethabridge, Eileen Quick, Chas Read, Rev Ken Robert’s, Jack Stirling, Fred Harlock, Nellie Harlock, Cleve Herbert, Joyce Herbert, Hubert Howell, Bert Hughes, Helen Hughes, Enid Jarrett, Alice Kendrick, Marion Kendrick, Rowley Valentine, Mrs G Schram, Don Stewart , Hector Stribling, Cyril Barcoe, Rev Wilson, Kevin Dare, Cliff Green, Shirley Heathcote, Murray Milne. The plaque was placed on the Spotters Hut in 1997 but removed when the hut was remodeledspotters, world war 2, queens park, second world war -
Glenelg Shire Council Cultural Collection
Book - Book Set - "Votes and proceedings and papers presented to Parliament", n.d
Black or brown leather-bound spine and cover corners. Light blue cloth over cardboard covers, gold text and graphics on spine. Legislative Assembly sessions 1894 - 1900 inclusive. 93 volumes -
Glenelg Shire Council Cultural Collection
Functional object - Bottle - Blue Ark Brand strawberry essence, n.d
(Previous collection, Exhibitions, Prizes, etc.) Displayed at History House. Used by (Henty?) cordial company in Portland (?)Brown glass bottle with plastic stopper. Blue, red, white and gold label. Some contents of syrup remaining in bottle. Blue Ark strawberry essence.Front: (text on label includes brand name, contents of bottle, etc...)blue ark, cooking, essence, baking, strawberry -
Glenelg Shire Council Cultural Collection
Functional object - Jug recovered from wreck of Geltwood, n.d
Found on Geltwood ship wreck by Abalone Diver in the early 1990s. The Geltwood was an iron-hulled barque which was wrecked off the coast of South Australia in June of 1876. She was on her maiden voyage travelling from Liverpool and bound for Melbourne. There were no survivors.Geltwood shipwreckCeramic jug with part of spout and rim broken. Brown/tan stain fired. No lid. Some encrustations on handle and rim.geltwood, shipwreck, diving, jug, domestic -
Glenelg Shire Council Cultural Collection
Clothing - Evening Gown, n.d
Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Brown lace evening gown (possibly belonging to Miss Crosbie). Sleeveless, buttoned opening at back. Long skirt with numerous darts for fullness. Matching bolero jacket (3794.2) and likely to have been worn with brown satin heels (3800.1 and 3800.2).clothing, womens clothing, costume, evening wear, graham collection -
Glenelg Shire Council Cultural Collection
Photograph - Opalotype photograph - William Pile, 1880-1920
Frame - Golden timber/mottled. Inner frame - Gold embossed. Mount - brown flecked cardboard. Painting (on glass?) Male - High button jacket (black). White shirt. Black tie. Short beard. Full head hair. Grey background. Facing right.Front: W.T. Pile. Esq. 1880-86-87william thomas pile, mayor of portland, 1880s -
Glenelg Shire Council Cultural Collection
Print, Unentitled, 1987
UnknownPrint of a landscape scene in upper half of print. In a blue and orange sky are three roundels with (l-r): an indigenous soldier (c. WWII) overprinted with red and yellow, a depiction of the view of Earth from space, and a curled snake in reds and browns. In the landscape scene are line-drawn figures, a montage of items of modern technology and a child-like drawing of houses and cars in garages.Front: 26/30 (lower left) "Unentitled" (lower centre) Rex Davies Vicki Gordon Bruce Robert Peagram Maria Gibbs P. Tsernjavski Barb Sharrock (lower left) (pencil) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Print, Angela Gee, The Organist, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of torso and head of a woman. The woman is wearing a long sleeved top, a large necklace and a brown hat with large feathers. The background is yellow with light brown wallpapered patterning.Front: Portland Commemorative Print 4/20 A. Gee. The Organist. John Cain signature Premier of Victoria Back: 16 -
Glenelg Shire Council Cultural Collection
Print, Nuns Beach, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of coastline around Nuns Beach and Portland Lighthouse. The work takes the perspective of, sitting in a car parked on the cliff facing the lighthouse. The foreground features the cars steering wheel, dashboard and red bonnet. The majority of the work illustrates the cliffs in various shades of green and brown. In the top right is the Portland Lighthouse and the ocean and rocks below.Front: Terry Priestly 28/30 (lower right) (pencil) Back: 32 -
Glenelg Shire Council Cultural Collection
Print, Steampacket Inn, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a drawing of a building. The details of the building are done in thick black lines with patches of green, yellow and brown. The background has been left as the plain paper.Front: Darren Pumpa (lower left) Steam Packet Inn (upper centre) (pencil) Back: 50 -
Glenelg Shire Council Cultural Collection
Print, Kingsley, 1983-1984
CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33 -
Glenelg Shire Council Cultural Collection
Document - 34th Annual Report for the Port of Portland, Photos: Greg Baker, Malcolm McEachern, 1984-1985
port of portland -
Glenelg Shire Council Cultural Collection
Print, The Organist, 1984
CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Painting - Painting - [Moonlight Trees], Pro Hart, untitled [Moonlight Trees], 1967
Included in the 1999 "Salvage" Exhibition at CEMA Arts CentreThe painting depicts numerous leaf-less trees in the moonlight. The trees are painted in shades of brown, black and cream with the main focus on those in the centre foreground. The surrounding trees are completed in darker shades and are hazy and out of focus. The glow of the moon is depicted in white which dissipates into the dark blue/green sky. In contrast to this, a burnt orange is used as the background for the trees. The work has a gold and black frame with no mount or glass.Front: 67 PRO HART (black and gold paint, lower corners) Back: PRO HART "UN-NAMED" (1967) Donated by the Artist (typed label) White Sticker: 2 (in a circle) -
Glenelg Shire Council Cultural Collection
Painting - Painting - Acrylic on board, subject a Kelpie, 'WOOF', c. 2014
Casterton based artist, member of Artists of the Valley.Painting, acrylic on board. Titled 'Woof'. Image of head and shoulders of a kelpie. White mat board, black wooden frame, wire hanging.Back: white printed label, artist's details in red -
Glenelg Shire Council Cultural Collection
Print - Lithograph, Portland 1888, 1888
Framed lithograph, black and white, view of Portland from Whalers' Bluff. Double matte board, glass covered. Frame laminated, walnut veneer, gold inner strip. Back covered in brown paper, string hanging stripFront: 'PORTLAND 1888' - Black print, mat board Back: White label 'Spencer Scott, Sandilands Gallery' -
Glenelg Shire Council Cultural Collection
Book, George L. Craik et al, The Pictorial History of England, Vol. VII, 1792-1801, 1846
History of EnglandLight brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.History of Englandenglish history, 1992 to 1801 -
Glenelg Shire Council Cultural Collection
Book, The Pictorial History of England, Vol. 1, BC55-AD1399.1, 1846
Light brown coloured leather-bound spine and cover corners. Paper covered board cover: marbling, greens, red and yellow ochre. History of England, BC.55 to AD1815. Gold texta and graphics on spine.history of england -
Glenelg Shire Council Cultural Collection
Book, George L. Craik et al, The Pictorial History of England, Vol. V, 1760-1784, 1846
Light brown coloured leather-bound spine and cover corners. Paper-covered board covers with greens red and ochre marbling. Gold lettering and gold graphics on spine.english history, 1760 to 1784 -
Glenelg Shire Council Cultural Collection
Administrative record - Ledger - Prescription Book, August 1907 - November 1908, n.d
Green grained cover. Maroon leather spine and corners. Brown/Black/Red marbled fly leaf. -
Glenelg Shire Council Cultural Collection
Book - Book - H.M. Stanley, The African Explorer, n.d
Brown coloured book, gold and black writing on front and spine, black leaves with entwined letters on back cover. Illustration of H. M. Stanley, in gold, in gold oval, top left front cover. Ilustration of ? Stanley and African men on top of cliff, front cover. Illustration African Villge on spine. 192 pages. Plus 16 page catalogue. -
Glenelg Shire Council Cultural Collection
Book, J.W. Norie & Co., 157 Leadenhall St, Seaman and Merchants Complete Expeditious. Measurer 10th Edition, 1834
Brown leather cover. Gold line on spine. -
Glenelg Shire Council Cultural Collection
Magazine, Sungravure Pty. Ltd, Woman's Day, 20/05/1963
Front Cover: Green background. White Woman's Day across top. Head and shoulders shot of young woman with brown hair, check scarf around neck. Backcover: Advertisement for Peter Stuyvesant cigarettes. 104 pages.womans day magazine, popular culture, women