p.221.non-fictionThe life and times of Lord Clivegreat britain - military history, india - british occupation

Australia 1945Acrylic on canvas

According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00752 and 00753). 00751.1 Clive James at the podium with a logo of "70 Legacy" and slogan "Seventy year of constantly caring 1923 - 1993". 00751.2 A view along the high table with Weary Dunlop and Clive James among others whose names aren't know. 00751.3 The Melbourne Legacy President J. D. Stevenson at the podium. 00751.4 A view of the diners at their tables while Clive James is talking. 00751.5 Another view of the room including band members on stage behind Clive James. See 00753 for proof sheets of photos of the event.A record of a function to commemorate the 70th AnniversaryBlack and white photo x 5 of a Legacy function with Clive James and an article from The Answer.70th anniversary, dunlop, function, answer, clive james

According to the paper label "Expatriate Clive James was named the 1993 Legacy Personality of the Year at a special function conducted by Melbourne Legacy. Clive entertained over 500 guests with a personal address of his time as a young Legacy boy. Clive will be seen later in the year as part of Legacy's Annual Badge Appeal." It was a "Breakfast with Clive James" at the Regent Hotel in February 1993, and Australian author Patsy Adam-Smith and Sir Edward 'Weary' Dunlop were also guests. (See also 00752 and 00753). The event was reported in The Answer in March 1993.A record of a function to commemorate the 70th AnniversaryBlack and white photo proof sheets x 3 of a Legacy function with Clive James.The proof sheets are marked A, B, and C. 70th anniversary, dunlop, function, clive james

Book. ALEC H CHISHOLM COLLECTION. 50 page hardback short biography of Peter Lalor by Clive Turnbull. Australian Heritage Books. Published in 1946 by the Hawthorn Press, Melbourne. Designed and printed by John Gartner at the Hawthorn Press. Edition limited to 500 copies. Catalogue sticker ''2196 TUR'' on spine.Clive Turnbullbooks, collections, biography, alec h chisholm collection, clive turnbull, peter lalor, eureka, biography

Book. ALEC H CHISHOLM COLLECTION. 53 page hardcover biography of Francis Adams, Australian poet of the 1880s, by Clive Turnbull. Published about 1945 by the Hawthorn Press, Melbourne. Designed and printed by John Gartner at the Hawthorn Press. Edition limited to 500 copies. Australian Heritage books. Catalogue sticker ''2161 TUR'' on spine.Clive Turnbullbooks, collections, biography, alec h chisholm collection, clive turnbull, francis adams, biography, poetry

The photograph depicts nine Ruyton Girls' School prefects and probationers in 1952. The four students standing in the back row are probationers, who have been identified from left to right as M. Hartshorn, C. Kent, J. Hodgson, and M. Morrison. The five students seated in the front row are prefects identified from left to right as E. Macdonald, V. Mummery, H. Cole (School Captain), S. Backhouse, and T. Abson. All of the prefects and probationers are dressed in full Ruyton uniform including knee-length check-print skirts, brown lace-up shoes, dark jumper, white collared button blouse with a tie, and wool blazer. The students are all looking straight at the camera and smiling. The image is an official school photograph taken by Clive Stuart Tompkins. The same photograph appears in the 1952 Ruytonian.The record holds strong historic significance as it provides insight into the history of student leadership at Ruyton Girls' School. Student leadership commenced in 1906 with the introduction of the prefect system. Prefects had numerous responsibilities—gate duty, grounds duty, classroom marking, assembly door watch, uniform monitoring, and even supervising student detention. In 1947, a dedicated Prefects Room was erected on the east side of the Ruyton Girls' School Assembly Room in Henty House. The prefects system was revised in 1968 with a new leadership structure: there would be a permanent School Captain, Vice Captain and School Sports Captain; six permanent prefects would be elected, and the rest of the Matriculation class would form committees. These included Library, Social Services, S.C.M., Editorial, and Music. In this way, it was thought "that each Matric girl would have a certain amount of responsibility." With this revised structure came a brand new Prefects' Study, located in a former classroom next to the Domestic Science building. Each prefect was allocated one book locker, one clothing locker, "a small share in the heater", plus a new shared lounge. The prefect system was updated again in 1974. All sixth formers would become prefects, or "school officials." This saw the sixth form divided into two halves: one group would be prefects for the first half of the year, then the second group would take the reigns in the latter half of the year. In October 2023, Ruyton announced a new collaborative leadership structure for captains, prefects and house leaders, which would see two students in each leadership role. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photograph printed on matte photographic paper.Obverse: C STUART TOMPKINS / CAMBERWELL / Reverse: Ruyton / Rawcey Ware (?) / Add to order / no 5488 / & make a / others / Ruyton / [illegible] /ruyton girls' school, ruyton, students, school, senior school, girls school, kew, melbourne, school uniform, prefects, photograph

Set of four Black and White photographs of W2 380. Photos not dated, c1975. .1 - Toorak Road, just past Osborne St, South Yarra, with the South Yarra Post Office in the view. Also Helmuts Milk Bar? Tram has the destination of Chapel St, route 8B. .2 - Turning from Park St South Yarra into Toorak Road. Tram has the destination of Toorak, route 8. Note the Bundy clock on the left hand pole. .3 - In St Kilda Road, at the Arts Centre, with destination of Elsternwick, Route 4E. .4 - turning from Toorak Road into Park St, route 8. See image i5 for envelope which has the names of Clive Gibson, Dave Menzies and date 1975 which could be the date the photos were sent to Dave Menzies for some reason.trams, tramways, w2 class, bundy clock, route 8b, toorak road, south yarra, park st, route 8, st kilda rd, route 4e, elsternwick, tram 380

Book. ALEC H CHISHOLM COLLECTION. 38 page hardcover book. The story of James Stephens, pioneer of the 'Eight Hour Movement' in Victoria. Australian Heritage books - edition limited to 500 copies. Published in 1945 by the Hawthorn Press, Melbourne. Designed and printed by John Gartner of the Hawthorn Press. Catalogue sticker ''2159 TUR'' on spine. Handwritten in ink on flyleaf 'To Alec Chisholm (Government House) with Kellyite Greetings Clive Turnbull'Clive Turnbullbooks, collections, biography, alec h chisholm collection, james stephens, clive turnbull, eight hour movement. biography

This book was given in 1928 as a prize by the Dennington Presbyterian Sabbath (Sunday) School to Clive Cust. The Dennington Presbyterian Church was originally established in Drummond Street in 1918. In 1951 it was moved to Lindsay Street and demolished in 1968. The Cust families have been prominent in Warrnambool’s history since its foundation days. Clive Cyril Cust was born in Warrnambool in 1914 to Alex and Annie Cust. This book is of minor interest as an example of the type of book given to a teenage boy as a Sunday School prize in 1928. It is also of interest because of its connection to a member of the Cust family. This is a hard cover book of 216 pages. It has a brown cover with black lettering and ornamental borders on the front cover and spine and a coloured sketch of several military men on horseback on the front cover. The same coloured sketch forms the frontispiece and there are three other black and white sketches scattered throughout the text. The inscriptions are hand-printed and hand-written in black ink. ‘Presbyterian Sabbath School Dennington, Prize Awarded to Clive Cust, January 1928, F. Jones Superintendent’. ‘Presented to Mr Clive Cust of Dennington’ dennington presbyterian church, clive cust

Book. ALEC H CHISHOLM COLLECTION. 42 page hardcover book telling the story of Charles Whitehead, a forgotten author, associate of Charles Dickens who came to Melbourne in the gold rush days and died in poverty. Published in 1945 by the Hawthorn Press, Melbourne. Designed and printed by John Gartner at the Hawthorn Press. Edition limited to 500 copies. Catalogue sticker ''2162 TUR'' on spine. Handwritten in ink on flyleaf '' To Alec Chisholm, this tribute laid at the foot of the Viceroy's throne, by his Obednt Servt Clive Turnbull 22 : vii : 45 ''Clive Turnbullbooks, collections, biography, alec h chisholm collection, clive turnbull, charles whitehead, biography

This photographic exhibition was developed by the Federation University-led Community Wellbeing research stream of the Hazelwood Health Study in collaboration with Morwell Neighbourhood House and Gippsland Centre for Art and Design at Federation University Australia. It highlights people's hopes for the future of Morwell has its roots in two unexpected places: the Hazelwood mine fire in 2014 and an academic study into community recovery from that fire. In late summer of 2014 a bushfire spread to the coal mine near the town of Morwell in the LaTrobe Valley, in south-eastern Victoria. The Hazelwood mine fire burned for 45 days, shrouding communities - especially Morwell - in smoke and ash. Strong calls by the community for an investigation into the health impacts of the Hazelwood Mine Fire led to the Department of Health's (Know the Department of Health and Human Services) decision to fund a ten year study of the potential health effects of this smoke event (Known as the Hazelwood Health Study). This exhibition came out of work undertaken by the Community Wellbeing Stream of the Hazelwood Health Study during 2016 and 2017. Based at Federation University Australia's Gippsland Campus, just a few kilometres from where the fire took place, one of our Study's main aims has been to find out from the community how the smoke event impacted on community wellbeing. We also planned to talk to community members about the effectiveness of community rebuilding activities, and find our how these have aided recovery following the smoke event. In 2017 we began working with community organisations on a project to foster community recovery and wellbeing. What emerged from these discussions was the idea for a photographic exhibition, on the theme of 'Our hopes for the future of Morwell'. Invitations to participate were extended to up to 50 members of various community groups. The groups were asked to think of some object that symbolizes their hopes for the future of Morwell. Individuals were then invited to attend a photographic session kindly hosted by the Morwell Neighbourhood House. Each individual was to hold this object while it was photographed, as well as explain what the object represented in terms of Morwell's future. Out of this process twenty nine photographs with their captions were produced, enlarged and framed for exhibiting. The photographs were taken by Clive Hutchison of the Gippsland Centre for Art and Design at Federation University Australia.Twenty nine framed original photographs.morwell, our hopes for the future of morwell, clive hutchison, photography, morwell neighbourhood house, hazelwood health service, gippsland centre for art and design, hazelwood mine fire, haxelwood health study, morwell neighbourhood mine fire, neale stratford, tracie lund, ian brown, susan yell, sue whyte, ainsley ja, ainsley james, michelle duffy, shaun mallia, valerie prokopiv, morwell art and framing

Clive Gregory 1988 Entrant No. 26 Ref: Series 34, Items 10, 58, 59 Negative missing SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, clive gregory, eltham trestle bridge, train

Diamond Valley Railway at Eltham Lower Park Clive Gregory 1988 Entrant No. 26 Ref: Series 34, Items 10, 58, 59 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, eltham lower park, clive gregory, diamond valley railway, film - kodak ga 100 5095, scan - 35mm negative

Clive Gregory 1988 Entrant No. 26 Ref: Series 34, Items 10, 58, 59 The images in this record were not selected for inclusion. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. shire of eltham archives, bicentennial project, eltham, eltham community photographic survey, clive gregory, eltham lower park, film - kodak ga 100 5095, lower eltham cricket club, scan - 35mm negative, series 35, tuck shop, diamond valley railway

Frederick Clive Victor Lowery, VX28403 2nd AIF. Refer 190P, 192.2..1) Record of Service book A.A.B 83 re CPL F. Lowery, brown card cover. Some writing inside back cover. .2) A.I.F. Army Driving Licence AAF.G11 No 263576, dark brown tri-fold re F Lowery. .3) Certificate of Discharge No 185876 re F. Lowery. Parchment paper printed both sides with details of service in the AIF..1) "VX28403 CPL LOWERY F" .2) "VX28403 Lowery Frederick Victor Clive"documents, licences, military history, service records

A profile of the life of Alan Rowle Coad who lived in Clive Street Mitcham and known as 'Old Salty' due to his expertise in restoring saline land to productivity.A profile of the life of Alan Rowle Coad .Ccoad, alan rawle, clive street, mitcham

This is a book given to Clive Cust in 1926 as a prize from the Dennington Presbyterian Sabbath School. The Dennington Presbyterian Church opened in Drummond Street in 1914, moved to Lindsay Street in 1951 and closed in 1968. A Sunday School at this church would have been operating during this time. The Cust families were pioneer settlers in the Warrnambool district. A Clive Cyril Cust was born to Alex and Annie Cust in 1914 in Warrnambool and it is presumed that he was the owner of this book. This is an interesting book as it is one of the few items we have connected to the Dennington Presbyterian Church. It is also of interest as a good example of the type of reading material favoured by young boys in the 1920s.This is a hard cover book of 196 pages. The cover is dark green with gold lettering on the front cover and on the spine and a colour sketch of a hunter and a lion on the front cover and a colour sketch of a fireman on the spine. There are several colour and black and white plates throughout the book. There are several pages at the back of the book of lists of books available from the Religious Tract Society, London. The inscription on the first page is handwritten in black ink. The cover is slightly marked and faded.‘Dennington, Presbyterian Sabbath School, Prize awarded to Clive Cust, Jan. 1926’ clive cust, dennington presbyterian church, history of warrnambool

Dental Surgeon " Mervyn Clive Townsend" was KIA on the sinking of the HMAS SYDNEY on 15/11/41 by a German Raider. Refer Cat No. 2313P for Townsends service.Twenty five (25) Letters of Sympathy for the death of Mervyn Clive Townsend to his parents. All handwritten on various sizes and colours of note paper. Dated around Dec 1941 period.hmas sydney, ww2, kia, mervyn clive townsend

"AUSTRALIANS AWARDED" - "A concise guide to Military and/Civilian Decorations, Medals and/ other Awards to Australians/ from 1815 to 2007 with their Valuations" Peter Ball collection, refer Cat No 4704.Hardcover Book Cover - cardboard with adhered paper cover. Gold, black and white print on front. spine and back. Front and spine illustrated in colour - "First Australian Division Artillery going into 3rd Battle of Ypres" by Septimus H Power painting. Artillery guns, horses and soldiers in a battle scene. 359 pages - cut, plain, glossy white paper illustrated in colour - photographs of decorations, medals and awards. Handwritten - owner's name. Handwritten front end paper in blue ink "Peter C Ball" Opposite title page in black ink "Peter C Ball"books, reference guide, history, military warfare

Front cover has two photographs. On of a treed valley leading up to snow covered mountains and on of a water reservoir surrounded by bushland.non-fictionA book that outlines the importance of irrigation and water usage used in various industries in the Goulburn Valley and North Eastern Victoria.water, industry, irrigation, australia

Original owner: William John GARLAND, 5th Army Troop. Milne Bay 1942 - The Story of Milne - Force. From book cover: The 1942 battle for Milne Bay was a turning point in the Pacific War, when a garrison of predominantly Australian Infantry and RAAF Fighter Squadrons turned back a Japanese invasion force.Hard cover, cardboard, glossy finish, colour background blue to green with yellow layer. Blue / orange print front, white print spine, black print back. Front cover has black / white photo of bogged Japanese tanks. 496 cut, plain, white, pages. Black & white illustrations, photos, maps.book, milne bay, 1942

Two packets of size 10 Crewel Needles, one has been opened, the other is complete.Two packets of Size 10 crewel needlesneedles