Oil on composition boardSigned l.l. cnr., purple oil ".R Forbes"face, jar, birds

Oil on composition boardSigned 'F. Verheesen 67', underlined in felt tipped pen - lower right corner

Oil on composition board.-

Clarice Beckett, Reflected Lights, Beaumaris Bay c.1930-31, oil on composition board, 18.2 x 24 cm. Bayside City Council Art and Heritage Collection. Purchased 2014. oil on composition boardcoast, beaumaris, bay, water, reflections, clarice beckett, beaumaris bay, lights, meldrum school, painting

oil on composition boardbeaumaris, bay, coast, water, sunset, trees, landscape, clarice beckett, dusk, handrail, beaumaris bay, meldrum school, reflection

Oil on composition board

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Donated by Malcolm Shore through the Australian Government Cultural Gifts Program, 2018Oil on composition boardgippsland, artwork, permanent collection

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

This artwork is thought to have come from Robin Boyd's East Melbourne office after his death in 1971. Robin Boyd was a long time friend of Grahame King and sculptor Inge King and he designed their Warrandyte home and studio in three stages between 1952 and 1964. This artwork may have been a gift from them.Red and black abstract composition.Signature and date on lower right. 3/20grahame king, inge king, robin boyd, walsh st artwork, ohm2022, ohm2022_22

acrylic and enamel on composition boardLower right, rose paint 'SERLE SEPT 66'

Carving fork with composition handle.forks, carving forks

Gift of Mack Jost, 1991synthetic polymer paint on composition board

Asher Bilu, Untitled (Abstract) 1978, resin, enamel and pigments on composition board, 91.5 x 91.5 cm. Bayside City Council Art and Heritage Collection. Purchased 2022resin, enamel and pigments on composition board

Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Synthetic polymer paint on composition boardgippsland, artwork, permanent collection

Retro-reflective tape on ply on composition boardfluorescent, found material, reflective, sculptural, indentation, marked, recycled material, repurposed

Painting depicting an abstract composition with wombat and lizard. Signed and dated lower right 'Clifton 72/89'. Inscribed on reverse in pink chalk '57' and on frame 'No.2'. clifton pugh, painting, abstract, wombat, lizard, landscape

Cement fondue, resin and oil on composition boardSigned u.l