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Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society "Annie Get Your Gun"
... Concert Bendigo Operatic Society Capital Theatre Bendigo Operatic ..."Annie Get Your Gun" is a musical loosely based on the life of Annie Oakley. Music and Lyrics by Irving Berlin.Bendigo Operatic Socety Music Programme for "Annie Get Your Gun" - a musical in 2 acts, opening for 6 nights, on 18th, 19th and 20th November and 25th, 26th and 27th November - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, orchestra and musical numbers.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society 'The Student Prince'
... -Forster's play "Old Heidelberg". Programme Concert Bendigo Operatic ..."The Student Prince" is an Operetta in four acts, music by Sigmund Romberg and book and lyrics by Dorothy Donnelly, based on W. Meyer-Forster's play "Old Heidelberg".Bendigo Operatic Socety Music Programme for "The Student Prince" - a musical in 4 acts, opening for 6 nights, 15th, 16th 17th, 22nd, 23rd and 24th June 1972 - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society 'Can Can'
... by Abe Burrows. Programme Concert Bendigo Operatic Society ..."Can Can" is a musical in two acts, music by Cole Porter and book by Abe Burrows.Bendigo Operatic Socety Music Programme for "Can Can" - a musical in 2 acts, opening for 6 nights, 16th, 17th 18th, 23rd, 24th and 25th November 1972 - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society Programme 'Oliver'
... Concert Bendigo Operatic Society Capital Theatre Bendigo Operatic ..."Oliver" is a musical in two acts, music and lyrics by Lionel Bart based on the novel 'Oliveer Twist' by Charles Dickens.Bendigo Operatic Socety Souvenir Music Programme for "Oliver" - a musical in 2 acts for the Society's twentieth year of production, opening for 8 nights commencing Wednesday 13th June, 1973 in the Capital Theatre - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society Programme "Hello, Dolly!"'
... 1938 farce 'The Merchant of Yonkers' Programme Concert Bendigo ..."Oliver" is a musical in two acts, music and lyrics by Jerry Herman and a book by Michael Stewart, based on Thornton Wilder's 1938 farce 'The Merchant of Yonkers'Bendigo Operatic Socety Souvenir Music Programme for "Hello, Dolly!" - a musical in 2 acts opening for 8 nights commencing Wednesday 13th November, 1974 in the Capital Theatre - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society Programme "The Music Man!"'
... by Meredith Willson & Franklin Lacey Programme Concert Bendigo ..."The Music Man" is a musical in two acts, music and lyrics by Meredith Willson & Franklin LaceyBendigo Operatic Socety Souvenir Music Programme for "The Music Man" - a musical in 2 acts opening for 8 nights commencing Wednesday, 12th June 1974 in the Capital Theatre - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society 'The Sound of Music'
... . Programme Concert Bendigo Operatic Society Capital Theatre Bendigo ..."The Sound of Music" is a musical in two acts, book by Howard Lindsay & Russel Crouse and music and lyrics by Rodgers & Hamnmerstein.Bendigo Operatic Socety Music Programme for "The Sound of Music" - a musical in 2 acts, opening for 8 nights commencing June 11th, 1975 - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgments, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Bendigo Operatic Society Programme 'Camelot'
... and book and lyrics by Alan J. Lerner. Programme Concert Bendigo ..."Camelot" is a musical in two acts, music by Frederick Loewe and book and lyrics by Alan J. Lerner.Bendigo Operatic Socety Music Programme for "Camelot" - a musical in 2 acts, opening for 8 nights commencing at the Capital Theatre 9th June, 1976 - A5 booklet with 16 pages - booklet consisting of lists of individuals participating and organizing the concert, advertisements, acknowledgements, synopsis of story and scenes. Included also are cast, musical numbers and Orchestra.programme, concert, bendigo operatic society, capital theatre -
Bendigo Historical Society Inc.
Programme - Programme ""South Pacific" by Bendigo Theatre Co. Inc
"South Pacific" is a musical by Richard Rodgers, lyrics by Oscar Hammerstein II and book by Hammerstein and Joshua Logan premiered on Broadway in 1949. Music Programme for "South Pacific" a musical performed by Bendigo Theatre Co.Inc. June 21st, 22nd, 28th and 29th and matinees Sunday June 23rd and Saturday June 29th, 1991 at the Capital Theatre, View Street- a 24 page booklet with acknowledgements, advertisements, details of cast,and story synopsis. programme, concert -
Bendigo Historical Society Inc.
Programme - Programme ""The Desert Song" by Bendigo Community Theatre and Arts Inc
"The Desert Song" is an operetta in two acts with book and lyrics by Otto Harbach, Oscar Hammerstwin II and Frank Mandel and music by Sigmund Romberg inspired by the 1925 upprising of a group of Berber fighters against French colonial rule in Morocco. Music Programme for The Desert Song" a musical performed by Bendigo Community Theatre and Arts Inc. October 25, 26, November 1, 2 and matinees October 26, November 3, 1991 at the Capital Theatre, View Street- a 20 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert -
Bendigo Historical Society Inc.
Programme - Programme ""The King and I" by Bendigo Theatre Co Inc
"The King and I" is a musical in two acts with book and lyrics by Rodgers and Hammerstein based on Margaret Landon's novel 'Anna and the King of Siam' from the memoirs of Anna Leonowens governess to the king's children in the early 1860s. Music Programme for "The King and I" a musical performed by Bendigo Theatre Co. Inc. June 10 to 18, 1994 at the Capital Theatre, Bendigo- a 24 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert -
Bendigo Historical Society Inc.
Programme - Programme ""Brigadoon" by Bendigo Community Theatre & Arts Inc
"Brigadoon" is a musical in two acts with book and lyrics by Alan Jay Lerner and music by Frederick Loewe Music Programme for "Brigadoon" a musical in two acts performed by the Bendigo Community Theatre & Arts Inc. May 18-21 and matinee May 22, 1994 at Capital Theatre, Bendigo- a 20 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert -
Bendigo Historical Society Inc.
Programme - Programme ""The Sound of Music" by Bendigo Community Theatre & Arts Inc
"The Sound of Music" is a musical in two acts with music by Richard Rodgers, Lyrics by Oscar Hammerstein II and Libretto by Howard Lindsay and Russell Crouse based on the Trapp Family Singers by Maria von Trapp. Music Programme for "The Sound of Music" a musical in two acts performed by the Bendigo Community Theatre & Arts Inc. June 27th to 29th and matinees 29th and 30th June 1996 at Capital Theatre, Bendigo- a 20 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert -
Bendigo Historical Society Inc.
Programme - Programme "Joseph and the Amazing Technicolor Dreamcoat" by Bendigo Theatre Company Inc
"Joseph and the Amazing Technicolor Dreamcoat" is a musical in two acts with music by Andrew Lloyd Webber and Words by Time Rice from a story coming from Genesis in the Bible. Music Programme for "Joseph and the Amazing Technicolor Dreamcoat" a musical in two acts performed by the Bendigo Theatre Company Inc. June 27, 28, July 3 to 5 and matinee June 29th 1997 at the Capital Theatre - a 24 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. Included is a list of productions from 1953 to 1997programme, concert -
Bendigo Historical Society Inc.
Programme - Programme "Les Miserables" by Bendigo Community Theatre and Arts Inc
"Les Miserables" is a musical in two acts with music by Claude Michel Schonberg and lyrics by Alain Boublil and Jean-Marc Natel based on the story by Victor Hugo. Music Programme for "Les Miserables" a musical in two acts performed by the Bendigo Community Theatre and Arts Inc from April 27 to May 13, 2001 at the Bendigo Regional Arts Centre (Capital Theatre)- a 28 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert -
Bendigo Historical Society Inc.
Document - VICTORIAN SYMPHONY ORCHESTRA, CAPITAL THEATRE
Victorian Symphony Orchestra, Capital Theatre, Bendigo. Thursday, 10th November, 8pm. This series of Concerts is arranged by the Australian Broadcasting Commission. Conductor and Soloist: Walter Susskind. Walter Susskind (with photo), During his two years as resident conductor of the Victorian Symphony Orchestra, Walter Susskind has left an indelible impression on music lovers by his conducting and his personality, both of which have endured him to concert audiences everywhere. Walter Susskind is now relinquishing his appointment of the permanent conductorship for the A.B.C. in Victoria to return overseas, and this final tour by the Victorian Symphony Orchestra for the 1955 season is also Mr Susskind's finale in Australia. An appealing future of these concerts to be presented over several provincial centres in turn will be the . . . Analytical Notes. Bendigo Concert Series Discontinued. The Australian Broadcasting Commission announces with regret that it has been found necessary to restrict the nimber of concerts presented in Bendigo each year pwing to the lack of sufficient support of these activities. Since 1947 the A.B.C. has presented a series of rour concerts each year in Bendigo. During these years artists who have appeared in the series include Ginette Neveu, Gyorgy Sandor, Erna Berger, the Robert Masters Quartet, Sydney MacEwan, Elena Nikolaidi, Michael Rabin, William kapell, Leon Goosens, Max Rosral, Sulvia Fisher, and many others of world standing. In addition, the Victorian Symphony Orchestra has given performances each year under such eminent conductor as Alceo Galliera, Juan Jose Castro and Walter Sisskind, while last year the seies included a visit by the Sydney Orchestra under Sir Eugene Goossens. While the A.B.C. in anxious to continue its policy of brining artists of world standing to provincial centres, includeing Bendigo, the quire considerable costs incurred. The Highesdt number of subscribers to a series in Bendigo was attained in 1951, when 350 season tickets were purchased. In all other uears, including 1955, the number has fallen below the required minimum, and ir has been decided not to proceed with plans for the 1956 season, although . . . Victorian Symphony Orchestra, season of 1955. Conductor: Walter Susskind. Associate Conductor: Clive Douglas. First Violins: Bertha Jorgensen (Leader), Harry Hutchins (Assistant Leader), Frank Schieblich, Norman Deerson, William Glassford, Paul McDermott, Herbert Pettifer, Alex Burlakov. Second Violins: Human Lenzer (Principal), Reginald Bradley, Robert Pattison, Harvey Davis, Ivan Pietruschhka, Reginald Larner. Violas: Paul O'Brien (Principal), Colin Kerr, Mischa Kogan, Winifred Roberts. Cellos: Don Howley (Principle), Peers Coetmore, Marston Bate, Henri Touzeau. Basses: Guill Fraillon (Principal), Thomas Howley, John Wood. Flutes: Richard Chugg, Leslie Barklamb. Oboes: Jiri Tancibudeck, Tamara Coates. Cor Anglais: Tamara Coates. Clarinets: Thomas White, Charles Crowley. Bassoons: Thomas Wightman, Noel Hunt. Contra Bassoons: Thomas Wightman, Noel Hunt. Horns: Roy White, Graham Bickford, Gordon Grieve, John Raines. Trumpets: Mervyn Simpson, Standish Roberts. Trombones: Stanley Code, John McGlade. Bass Trombone: Harold Willis. Tuba: Ian King. Harp: Adrian Bendall. Tympani: Gordon Craig. Percussion: Ernest Lighton, Bert Crawford. Music Writer and Arranger: Robert Hughes. Librarian: Geofrey Valentine. Orchestral Manager: Ross Carter. Photo: Walter Susskind, Miklos Gafni. Advertising: Walter Susskind recordings. James Firley, Shepparton. Bel-Air. The Estate Wines of S. Wynn & Co. Pty Ltd., Melbourne. Georges. Railway. A.B.C. Internationsl Celebrtity Concerts Committee Bendigo, 1955. President: Mrs. Maude Hall. Vice-President: Mr. E G Jarrett. Honorary Secretary: Mr L W Allen. Committee: Miss W Batterham, Miss C Cox, Miss J d'Helin, Miss J Ferguson, Miss H M Flanagan, Mr C F Houston, Mrs W Muir.cottage, miners -
Ballarat Heritage Services
Photograph - Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
Ballarat Heritage Services
Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
Ballarat Heritage Services
Photograph - Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION MELBOURNE SYMPHONY ORCHESTRA CAPITAL THEATRE PERFORMANCE 1948, 2nd July, 1948
Feed back Article to Newspaper July 2nd, 1948 dispelling accusations of people being late comers to the concert held the night before commencing at 8pm. Bendigo residents had not been informed that the concert was going to be broadcast and that the usual minutes grace period prior to the performance was not being observed.bendigo, tourism, theatre performances music -
Bendigo Historical Society Inc.
Newspaper - LYDIA CHANCELLOR COLLECTION: MELBOURNE SYMPHONY ORCHESTRA PERFORMANCE SEPTEMBER 1, 1948, 1st July, 1948
Under the direction of Mr Joseph Post 50 members of the Melbourne Symphony Orchestra (MSO) performed to at crowded house at the Capital Theatre in Bendigo July 1st, 1948. The programme included the Max Bruch's Violin Concerto in G Minor, op. 26; Dvorak 'New World'' Symphony; Weber's ''Oberon'' overture, Debussy's 'L'Apres midi d'un Faune''; chorale, 'Jesu, Joy of Man's Desiring'' (Bach-Roberts,) gavotte from Suit No. 6 (Bach-Wood), Brahms'Fifth and Sixth Hungarian Dances, Percy Grainger 'Country Gardens; (Arr, Earle) 'The Mermaid'' and (Martin Shaw) 'The Song of the Music Makers'' Soloists for the event included: Miss Bertha Jorgenson a Castlemaie Local and well known talent on violin; Miss Kathleen Moore violin; Miss A Walk flute. The concert was sponsored by Bendigo Musical Advancement Society in conjunction with the Austrlisn Broadcasting Commission.bendigo, tourism, theatre performances music -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMME BOOKLET, October, 1957
Bendigo Operatic Society Theatre Programme 'The Desert Song.' Capital Theatre Bendigo October 18th, 19th, 21st 22nd, 23rd and Special Performance 24th, 1957. Arranged by J.C. Williamson Theatres Ltd. Norman Lee Producer. Musical Director Max O' Loghlen. Bendigo Concert Orchestra. Music Sigmund Romberg. Book & Lyrics Otto Harbach, Oscar Hammerstein II, Frank Mandel. Main Cast: Mervyn Penno, Alfred Annison, Max Beckwith, Greta Smyth, Alfred Austin, Brian Thomas, Brian Brewer, Rosalie Spencely, Harry Brewer, Alan Ewart, Adrian Van Dyke, Margaret Rule, Bert Donovan, Barbara McGregor, Coral Shiell, Charles Phillips, Ruth Ennor, Ian Beckwith, Malcolm Cannon, Reg Boromeo. Songs Include: 'High on a Hill', 'The Riff Song', 'Ho, Bold Men of Morocco,' 'Margot', 'I'll Be a Bouyant Girl.' 'Why Did We Marry Soldiers,' 'Romance,' 'The Desert Song,' 'Then You Will Know,' 'Song of the Brass Key,' 'Let Love Go,' 'One Flower in Your Garden,' 'The Sabre Song,' 'Farewell,' 'All Hail the General' and 'Soldier, When the Battle is Over.'Cambridge Press, Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/the_desert_song -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: ARTS BENDIGO, VARIOUS SUNDRY DOCUMENTS
Merle Hall Collection - Arts Bendigo, Various sundry documents- a. One-page notice (''To All Teachers of Piano in the Bendigo Area'') of visit to Bendigo of former Bendigo student Tony Gray, notice date March 1993 - concert in the Banquet Room, Capital Theatre 14/3/1993; b. One-page notice of visit of Russian pianist Elisio Virsaladze and ''Moving Harps'' (trio) for October dates Year??; c. A5 brochure of information and dates for 1985 ''for many of the local and visiting arts-associated functions''. (3 pages of functions with dates, summary of performance and location of show; d. Single-page sheet of ''Arts Bendigo Activities Oct. '84 - Sept. '85 with paragraphs of ''Major Achievements'' and ''Disappointments'' and ''Thanks''. Also - ''Just Happened of Still To Come''; d. Six paged listing of 'Bendigo Subscribers' List 1979'' (Arts Council of Australia) with * annotations of being ''Financial'' - mostly personal names/addresses but some organizations. Approx 150 entries; e. two-paged list of ''Arts Bendigo Members July 1985'' with annotations of s= Single and F = Family members - approx 65 names; f. one-page Brief Report of Program Subcommittee June 1982, with rough analysis of attendance figures for recent shows; g. 3-page report of AB Development Sub-Committee meeting of 25/2/1985; h. two-paged report on ''Possible rehearsal and performing spaces in Bendigo area as known at June 1988 by Merle Hall, Secretary - brief details of 7 facilities and a number of ''Other'' facilities, with a final section on ''The Grand Vision''; i. One-page ''Proposals from Development Sub-committee'', prepared by Ellis C Blainer 3/3/87 - eight proposals in small detail; j. Bi-fold flyer ''Membership Information'' with description of AB activities and membership details/application form (not dated); k. A5 invitation of 'parchment' paper to ''25 Years of Achievement in the Arts'' (27/101995) - a brief AGM with a Social Evening from 8 pm; l. one-page invitation note accompanying the formal invitation to the special evening for 25th celebration of working with the arts in the Bendigo region. -
Bendigo Historical Society Inc.
Programme - Program "The Chocolate Soldier"
The Bendigo Operatic Society first appeared with a short piece as part of another concert in July 1898. This was followed by a performance of "Patience" in Oct. 1898 The "Chocolate Soldier is an operetta composed in 1908 by Oscar Straus. It is based on George Bernard Shaw's 1894 play, "Arms and the Man".Souvenir program for the Bendigo Operatic Society presentation of "The Chocolate Soldier" commencing on 18th March 1964 at the Capital Theatre, View Street, Bendigo. Eight-page program with photos of the stars of the show, director, Conductor etc. chocolate soldier, capital theatre -
Kew Historical Society Inc
Photograph, 1st Kew Scouts - Adelaide SA Jan 1924, 1924
The group was most likely en route to the Australian Corroboree, which in 1924 was held at the Adelaide Exhibition Oval. The building in the background is likely to be the railway station, as travelling by train would have been the main method of inter-capital city transport in those days. The ‘Corroboree’ involved a large gathering of Scouts from across Australia. They would have pitched tents to live in, and participated in activities such as swapping badges, visiting the city, going on day trips, putting on concerts and displays, and spending time preparing their own meals.Adelaide SA Jan 19241st kew scouts, south australian corroboree 1924, kew - scouts -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation and menu card, Joint Installation of Bros. K.J. Fullerton and W. F. Creeth, 1909
Freemasonary or Masonry has its beginnings in local guilds of stonemasons who from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of two Lodge Brothers. Half fold design printed in gold, brown, light blue, dark blue and black ink on white card. Front and back cover decorated with masonic symbols. Menu listed inside. Front cover: Zenith & Golden Corinthian Lodges,/ No. 52 & No. 7./ Joint / Installation / of / Bros. K. J. Fullerton / and W. F Creeth / Masonic Hall / Wednesday, June 30th , 1909 bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, making a nation exhibition, bendigo masonic lodge, city of greater bendigo events, city of greater bendigo community groups -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation and menu card, Joint Installation of Bros. R.T. Trembath and L. A. Sonnenberg, 1910
Freemasonary or Masonry has its beginnings in local guilds of stonemasons who from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of two Lodge Brothers. Horizontal fold printed in black ink on blue card. Embossed cover with scalloped edging. Front and back cover decorated with masonic symbols. Menu listed inside. Front cover: golden & Corinthian & Zenith Lodges / No. 7 and Mo. 52 / joint Installation / of / Bros, R. T. Trembath and L. A. Sonnenber / Masonic Hall, Bendigo / Wednesday, June 29th, 1910. bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, brockley printers bendigo, making a nation exhibition, bendigo masonic lodge, city of greater bendigo community groups, city of greater bendigo events -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation and Menu Card, Joint Installation, 1905
Freemasonary or Masonry has its beginning in local guilds of stonemasons which from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of unnamed Brothers. Half fold printed in gold and red ink on cream coloured card. Embossed cover with plain edging. Front and back cover decorated with masonic symbols. Menu listed inside. Front cover: The Zenith and Golden and Corinthian Lodges ? Joint Installation / Masonic Hall, Bendigo / Wednesday, June 28th, 1905 / Bro J.O.R Milburn Caterer bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, making a nation exhibition, james printer eaglehawk, bendigo masonic lodge, city of greater bendigo community groups -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation, Joint Installation of Bros. R.O. Henderson & T. L. Sargeant, 1906
Freemasonary or Masonry has its beginnings in local guilds of stonemasons who from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of Brothers Henderson and Sargeant. Half fold printed in red ink on grey / mauve coloured card with plain edging. Menu listed inside on left, toasts listed on inside right. Front cover: Banquet / at the / Joint Installation / of / Brox, R. O Henderson & T. L. Sargeant / as / Worshipful Masters / of the / Golden and Corinthian & Zenith Lodges / Masonic Hall / Wednesday, 27th June 1906 bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, making a nation exhibition, brockley printers bendigo, bendigo masonic lodge, city of greater bendigo community groups -
City of Greater Bendigo - Civic Collection
Memorabilia - Invitation, Joint Installation of Bros. H. Lee, 1907
Freemasonary or Masonry has its beginnings in local guilds of stonemasons who from the end of 13th century regulated the qualification of stonemasons. Modern Freemasonry uses scriptures which include ritual practices and ethical conduct as part of its foundation and every member must profess a belief in a Supreme Being. Women are not allowed to be admitted and discussion of religion and politics is not to take place within the lodge. Freemasons meet in local Lodges which are supervised at a regional level by a Grand Lodge. The degrees of Freemasonry retain the three grades of medieval craft guilds, those of Entered Apprentice, Journeyman or fellow (now called Fellowcraft), and Master Mason. The candidate of these three degrees is progressively taught the meanings of the symbols of Freemasonry and entrusted with grips, signs, and words to signify to other members that he has been so initiated. The degrees are part allegorical morality play and part lecture. Candidates for Freemasonry will usually have met the most active members of the Lodge they are joining before being elected for initiation. (https://en.wikipedia.org/wiki/Freemasonry) The Golden Lodge of Sandhurst was established as the first Masonic Lodge in Bendigo in 1854. Many prominent men including City Councilors were lodge members at it was a popular way for men to socialise. As the masonic movement expanded further lodges were established in Bendigo and the surrounding Boroughs and Shires. The Golden and Corinthian Lodges purchasing two blocks of land in a prominent position in View Street in 1866 with the intention of erecting a new temple and after amalgamating in 1872 appointed architects Vahland and Getzschmann to design the building. The Bendigo Masonic Hall (now the Capital Theatre) was built in 1873 -74 for both public and private use and contained lodge rooms, a public tavern anda concert hall. The Masonic section occupied the northern side of the building at ground floor level and included a lodge room at the rear, a library and reading room, and other affiliated rooms. Walls of the entry hall and lodge room were decorated with classical columns and panels ornamented with Masonic emblems. The upper level of the building contained a large hall with balcony at the north end and removable stage at the south end. Elaborately decorated with Masonic emblems, this hall was used for Masonic purposes as well as being available to the wider community for social events. The tavern, which became known as the Masonic Hotel, occupied the basement and the ground floor of the southern side of the building and included a sitting room, parlours, billiard room, bedrooms, kitchen, cellars and servants' rooms. It appears that two public entrances were provided for this section, one directly from street level into the basement, the other from the public entry hall. Invitation for the Installation of Brother Lee. Half fold printed in blue ink on cream coloured card with plain edging. Menu listed inside on left, toasts listed on inside right, officers listed on back cover. Front cover: Sandhurst Lodge / No 194 / Banquet / to celebrate the / Installation / of / Brother H. Lee / in the / Masonic Temple, Bendigo / Thursday, 20th June 1907 bendigo masonic hall, capital theatre bendigo, milburn catering bendigo, making a nation exhibition, bendigo masonic lodge, city of greater bendigo events, city of greater bendigo community groups