Photograph - black and white. Photograph of Dancers advertising 'Monkey Brand Soap'. Firms paid for costumes. The female third from left is Mary Bourke's sister Kathleen (Dixon). Information from Jim Evans via Peter Ellis. Photo from Peter Ellis. The girls are holding little suitcases, the men holding masks and four frying pans on the floor in front of them.entertainment, dance, monkey brand soap., mary bourke collection. kathleen (dixon). monkey brand soap.

This beautiful costume was the 'going-away' dress worn by Mrs John Russell at her wedding in c.1884. It has been passed down through the Russell family and was donated by her grand-daughter Mrs David Nixon. John Russell was an early Orbost blacksmith in Orbost, and director of the Orbost Butter Factory for 50 years. He came to Orbost in c. 1890 at the invitation of another early settler, James Nixon, became a blacksmith, and later a farmer and landholder. Many of his descendants still live in the Orbost area. This full length female costume is made of moroon satin with gold velvet inserts. It has a small train at the back, scalloped folds with lace edging down the front of the skirt, and two rows of 14 buttons each down the bodice.going-away-dress 1890s-dress

Black and white photograph Eight persons in costume. Four females in floor length dresses and bonnets. Four males: one boy dressed as Aboriginal, one as soldier, two men panning for gold. Tent in background. Inscriptions in image: '2nd Settlers' Camp'. On back, purple circular stamp 'Royal Historical Society at Victoria, Bendigo Branch', '1960', '218', '97', '264', '5', 'MP 187'. History of object Acc. No. 'MP 187' James Lerk? 'Centenary of Bendigo?'. On back: 'Copyright Bendigo Advertiser'. 'Bendigo Advertiser Photographic Service, for re-order quote CD 264'person, group, centenary ?, see also 2000.511.01, 2000.512.01, 2000 513.01, 2000.514.01, 2000.515.01, 2000.516.01, 2000.517.01, 2000.519.01, 2000.520.01, 2000.521.01, 2000.522.01, 2000.523.01, 2000.524.01

This mask was obtained by Charles Quon, probably from Hong Kong, and used by the Young Chinese League in their processions.This mask is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.A costume mask of a female character. She has a headdress of pink flowers, green and silver decorations. She also has a high bun. She has painted eye brows, eye liner, rosy cheeks and lips that are painted red. The eyes has been cut out for the wearer to see out of. There is a strap that runs behinds the mask.young chinese league, costume, mask, melbourne

Black and white photograph. Three females in costume. Floor length dresses, hats, standing on grass in park with large crowd behind. Inscriptions 'copyright' Bendigo Advertiser' Bendigo Advertiser Photographic Service. For re-order quote CD 266. On back, purple circular stamp 'Royal Historical Society of Victoria, Bendigo Branch' '1969', '218', '97', 'MP 181'. History of object - previous Acc No. 'MP 181'. James Lerk 'Bendigo Centenary?'. Helen Mainka 17/11/2000 'Female at L - Norma Young?'person, group, centenary, see also 2000.511.01, 2000.513.01, 2000.514.01, 2000.515.01, 2000.516.-01, 2000.517.01, 2000.518.01, 2000.519.01, 2000.20.01, 2000.521.01, 2000.522.01, 2000.523.01, 2000.524.01

Black and white photograph, four young females in costume dancing on stage, in a park. Large crowd under trees watching. Inscription: In image on board on stage 'Nuggets, presented by Dr Backhaus by Bendigo Diggers'. History of object - previous Acc. No. '185'. James Lerk 'Centenary of Gold?'. In image 'Dr Bacchaus's chair, stump from which? Dr Backhaus preached. First ordained preacher or minister on Bendigo Goldfields. On back 'MP 185'. Purple circular stamp 'Royal Historical Society of Victoria, Bendigo Branch', '1960', '97', 'CD 279'. 'Copyright, Bendigo Advertiser, 'Bendigo Advertiser Photographic Service. For re-order quote CD 279'Bendigo Advertiserperson, group, centenary, see also 2000.511.01, 2000.512.01, 2000.513.01, 2000.514.01, 2000.515.01, 2000.517.01, 2000.518.01, 2000.518.01, 2000.519.01, 2000.520.01, 2000.521.01, 2000.522.01, 2000.524.01.

Small floral arrangement of orange blossom attached to net tulle. Used as hair piece for wedding. Mounted on circular dark wooden base.hair-piece costume-female ceremonial floral

Worn by Mrs Jack Mundy while in New Hebrides. The Mundy family were farmers / settlers in the Snowy River area since c. 1880s. The original Mundy family moved to a land "selection" at Bete Bolong in the early 1880's from Buchan. Mundy familyHandmade grass skirt made of native plant fibres and held together with knotting along the top. Natural colour.nonegrass-skirt new-hebrides mundy costume-female native-materials

Taken in the mid 1900s, the photograph depicts seven unidentified male and female performers. They are all dressed in different theatrical costumes.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5656 /1900s, beechworth, theatre, actor, actress, costume, entertainment, entertainment album

This extraordinary record of the student cohort in 1908 reveals many aspects of school life in the early 1900's. The fashions, hair coiffure and accessories and added costuming are fascinating. The sport detail from the basketball hoop is significant. This photograph has social significance because of its detail regarding female school activities in the early 1900s. Black and white photograph mounted on grey card of Clarendon Ladies College student cohort in 1908. The students are arranged in five tiered rows. The photograph is taken against wall of a timber building. There is a basketball net fixed to the wall above the last row. Many of the girls are wearing fancy hats, some decorated with birds. Two young girls in the front row wear poster boards over their clothing advertising an event not to be missed; something to do with a menagerie. All the students are dressed in white, some in dresses, some n skirts and blouses and many have aprons over their skirts. The photograph is accompanied with a typed list of namesPrinted on front righthand bottom corner of mount: 'Richards & Co/Ballarat'1908, uniform, richardson, clarendon ladies college, costume, menagerie, hilda farmer, avenel halls, sylvia eyres, ella morrow, florence sides, gertie owen, laela williams, lorna dowler, emma buchanan, phyllis doepel, daisy llewellyn, adeline purser, sophie anderson, helen mathieson, d brophy, lily wright, margaret dowler, dulce deardon, gladys small, marjory howe, jessie kelsall, erica mckay, pearl eyres, iris llewellyn, edith bishop, marjorie walker, violet howard, hazel wlls, effie white, mimi murphy, carrie miners, edith murphy, irene palamountain, miss allan, marjorie salmon, dollie snow, naomi franklin, elsie powell, rachael kennedy, rose paull, sylvia barnett, esther, lilah emblling, trixie kliender, chrissie anderson, agnes wheen, kitty dawbarn, hazel clements, m serjeant, dolly gill, beryl bach, dorothy nicholas, frances gill, meg moore, jessie eyres, blanche murphy, merle booth, melba mcconnel, edna clark, betty lester, bessie hoad, madge dearden, kate cameron, olive mathews, grace nicholas, mollie souter, isabel mctaggart, madge llewellyn, mollie mary buley, alice ralph, ruth tyler, rebecca abraham, joyce eyres, nellie salmon

Pte L FORBES sent fabric home to his sister. There are four L Forbes on the nominal roll, unknown which one.Orange silk, rectangular scarf/cloth. Embroidered in 2 diagonally opposite corners with motif incorporating crescent moon, star, globe and part wreath of leaves in blue, purple & white. Fringed in lattice and tassel design 12 cm deep.manchester, nappery, costume, female, handcraft - embroidery

Women's hat, AWAS style, khaki fur felt, leather liner, leather chin strap. Hat badge is Australian Commonwealth Military Force, darkened brass coloured patch on side is red with a black horizontal stripe. The colour patch is from HQ 1st Australian Army. Puggaree light khaki, ribbon of 3.5 cm width.uniforms - army, costume-female, headwear, numismatics-badges-military

CAPT GLADYS ELVA Mole VFX17199, Australian Army Nursing Service. Refer 1900.2 Photos, 1901.4 Medals & Service history. Served Palestine, Tobruk, Colombo, Queensland, Borneo & Singapore. See also Reg No 1497.9 for remainder of uniform.Red Nurses Cape worn by Nurses over their uniform. Cape belonged to CAPT GLADYS ELVA MOLE. Cape fits over shoulders & clips at top front with hook & eye fastener. Complete with Captain's pips on epaulettes with Australia badges & buttons.Embroidered inside back neck edge in orange thread: “MOLE” Label lower back edge: “V231 Made in AUSTRALIA 1943 Size W”uniforms - military, medicine - nursing, costume female, cape, nurse

Item brought by Wesley Bertuch while on leave from Vietnam. Refer 1664.2 for his service history.Kimono, fine red cotton with oriental design on the rear depicting a winged dragon in five colours. Sleeves are elbow length. Includes a red cotton sash.costume - female, japan, souvenirs

Uniform hat for the Australian Women's Army service, 1942 - 1945 issued to Mrs M Crowley. Item is part of an AWAS display uniform. Refer Cat No 1267.4. Australian Women's Army Service uniform hat which is khaki in colour. It has a Grosgrain brown hat band with a with Rising Sun badge pinned to the front of the band. Attached to the right hand side of the band over the band bow is a rectangular unit colour patch consisting of white and dark blue with a purple surround. the inside of the hat is lined with a Grosgrain sweat band. Stamped in white on the sweat band: 'N. 121 6 3/4'uniforms-army, female, costume-female, headwear, awas - ww2

Native woven souvenir sash from East Timor. Pink, green, brown & gold bands alternating in vertical & horizontal stripes on each side, fringed ends.“East Timor repeated on woven central design”costume accessories-female, memorabilia, handcrafts- embroidery, military history - souvenirs, timor

This petticoat is demonstrative of home made infant undergarment clothing in the early 1900. Distance to and from commercial haberdashery store was too far to fit out young girls especially if the are undergarments. Mothers and other family members had the seamstress talent to make clothes that are not in full view of anyoneHistorically these undergarments have no fashion relevance for the younger fashion scene and this garment is an example of the self sufficient supply of home made articles. This was especially so within the Kiewa Valley and surrounds. Fashion in Australia and more so in areas with little or no access to overseas or city merchandise lacked "modern fashionable" clothes e.g. the latest from England and Paris. This region was and still is a rural backdrop of clothes that fit into the type of life and work of the society it holds.Cotton petticoat, white, three buttons on top back, 8mm wide straps of cotton tape. Gathered skirt with triple row of Rick Rack on the bottom edge and three pintucks, 17mm wide, on the lower edge of skirt. Garment is completely hand stitchedchildren's underwear, female underwear, dressmaking, handcraft, costume, clothing

This dress was possibly manufactured by a local seamstress in the period circa early 1900.The quality of the dress suggests that the lady who wore it was from middle to upper range of the socio-economic structure within the Kiewa ValleyHistorically this item dating in the early 1900s was made by a very competent seamstress (lack of manufacturer's label). It demonstrates that the conditions of relative isolation within the Kiewa Valley was not extreme and that local manufacture of clothing items were available and at a very high level of quality. This item demonstrates that the hand made era was alive and an essential part of community/social adhesion within the valley.Beige knitted dress, sleeveless ladies pin weaved running from waist to bottom. Fine pin weave from bust to waist. Two mother of pearl buttons fastening opening front neck 11cm from neck to upper breastno manufacturer's label suggesting manufacturer was a very talented local seamstress costume, woollen, knitted, dress, female clothing

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is ball shaped covered blue/silver reflective fastened sequin. Each sequin is attached by a seed bead of dark blue colourmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0351 for a cleaner itemmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsElongated pearl on silver coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors This item is similar as the one worn by the "Queen Mother" in the film "The Kings' Speech"Silver coloured pin with a thistle shaped head also in silver/chrome colour. Sleek in appearancemillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsGold coloured pin adorned with two curls. One with fourteen small glass/diamond stones one red/ruby type stone three empty stone clasps gold coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a turquoise glass ball head with a long needle. It is in the same style as items KVHS 0358 and KVHS 0359.millinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0361costume, female head wear, accessories hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin