White painted Wooden Cross, Knitted Poppy, Australian FlagWoolley, Ivan Alfred A118435cross, australian flag

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Drabble, Glenn Alfred 1730929cross, memorial cross

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Large, Paul Andrew 2781704.cross, memorial cross

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Sharp, Gordon Cameron 2781465.cross, memorial cross

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Whiston, Colin Joseph 3787607.cross, memorial cross

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Wales, Maxwell Ray 216559.cross, memorial cross

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Grant, Ernest Francis 3411673.cross, memorial cross

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.McCormack, Albert Frederick 1730993.cross, memorial cross

White woodedn cross with knitted poppy attached coloured red with green & black centre. Soldier's name & serial number printed in black ink on front of the Australian flag attached on the back of the cross.Clements, Peter Edward 54570.cross, memorial cross

This set of six colour photographs of a Catafalque Party from the Army Survey Regiment was taken at the Mount Macedon Memorial Cross on the 19th of November 1995. The ceremony was held to commemorate the 60th anniversary and the refurbishment of the site. The refurbishment entailed the complete replacement of the cross and its surrounds. The cross is also known as the Cameron Memorial Cross and was built in 1935 as a memorial for those who lost their lives in the First World War. The Guest Speaker was Mr Bruce Ruxton AM MBE OBE, who at the time was the president of the Victorian RSL. He served in the 2/1st Australian Topographical Survey Company in WW2 before reallocation to the 2/25th Australian Infantry Battalion. He was the president of the Victorian RSL from 1979 to 2002 and was a staunch vocal advocate for the health and welfare of war veterans and their families. Refer to the Wikepedia web site for more detail on the history of the Mount Macedon Memorial Cross and Mr Bruce Ruxton AM MBE OBE.This set of six colour photographs of a Catafalque Party from the Army Survey Regiment was taken at the Mount Macedon Memorial Cross on the 19th of November 1995. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, 1995. Mount Macedon Memorial Cross Ceremony, SPR James Commons in foreground. .2) - Photo, colour, 1995. Mount Macedon Memorial Cross Ceremony, Guest Speaker - Mr Bruce Ruxton AM MBE OBE. .3) - Photo, colour, 1995. Mount Macedon Memorial Cross Ceremony, SPR Katie Royce, unidentified soldier in background. .4) - Photo, colour, 1995. Mount Macedon Memorial Cross Ceremony, James Commons. .5) - Photo, colour, 1995. Mount Macedon Memorial Cross Ceremony, L to R: SSGT Peter Coles, SPR James Commons. .6) - Photo, colour, 1995. Mount Macedon Memorial Cross Ceremony, SPR James Commons. Each photo is annotated ‘Mt Macedon Memorial Cross Ceremony 19 Nov 95. Mr Bruce Ruxton AM MBE, OBE, SSGT Peter Coles, SPR Katie Royce and SPR James Commons are identified on the photos. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Used in 1950’s to power machinesSign at front “ Southern Cross “ $ Green in colour. Mark AX-C1 Air cooled$. An S with a cross is on the drum

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.World War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blue."French Red Cross"first world war (1914-18)

The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the dayWorld War I-era pressed tin fundraising button. The button features the French flag and a red cross over a starburst, against a gold background. Encircling the image is a white ring with the text ‘French Red Cross’ in blueFrench Red Cross

Mining Prospectus - Oriental & North Cross Reef Gold Mining Company. Panorama of three photographs the. No 1 Shaft. No 2 Shaft and Battery. No 3 Shaft and Grant Lamont & Co Crushing Battery1st page of prospectus for Oriental and North Cross Reef Gold Minig Company No LiabilityReverse Panorama view of The Oriental and North Cross Reef Gold Mining Company, No Liability No1 shaft, No2 Shaft, No3 Shaft . Grant, Lamont & Co's Crushing Battery. View runs South to North.stawell mining

White painted wooden cross with 'Parker, Roderick Thomas Ross 218346'. An Australian flag and poppy are attachedParker, Roderick Thomas Ross, 218346parker, roderick thomas ross, cross

Digital Image of the Fletcher Jones cross being relocated to a Warrnambool church.fletcher jones, cross, church, warrnambool

No information at all with this walletA brown leather wallet/bill fold, with 3 internal pocketsGood Wishes from the Australian Red Cross Societyaustralian, cross, red, wallet, society

Wooden cross painted White with "Mathers, Ian George 2794496". An Australian flag and a red knitted poppy are attachedcross, mathers, ian george

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Fundraising badge for the Italian Red Cross (Croce Rossa Italiana) from World War I. The Italian Red Cross worked throughout the war to support sick and wounded Italian servicemen. Badges like these were designed for fundraising purposes during the war.I"talian Red Cross"patriotic buttons, first world war (1914-18), badges