Showing 104 items
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Bendigo Military Museum
Banner - BANNER, HMAS BENDIGO, RAN
Gangway banner from the Fremantle class Patrol boat HMAS Bendigo (11) P211. Decommissioned at Cairns on 9 September 2006. Two banners presented to Training Ship Bendigo staff - one for RSL Museum and one for Training Ship.This is a heavy duty vinyl banner used on the ships gangway. Background colour is blue with the words HMAS BENDIGO printed in yellow paint along the banner. At each end of the banner is the crest of HMAS BENDIGO. The crest shows a rope circle and in the centre is the top of a battlement with the flag of the Southern Cross. Above the rope circle is a stylised crown with parts of a sailing ship on the crown. Under the rope circle are a stone axe, a nulla nulla and a boomerang. Under the weapons on a banner are the words in English "Advance with Purpose". The banner has numerous brass eyelets around the borders.ran, hmas bendigo -
Eltham District Historical Society Inc
Photograph, State School No. 209. Dalton Street, Eltham, 1923
Back Row L-R: Garnet Burges, Keith Poulter, Jack McColl, Geoff Braithwaite, Pat Carrucan, Teddy (Alf) Harvey, Jack Carrucan, Jack Burgoyne Second Row L-R: Dorothy Butler, Dulcie Stone, Nell Leadbeater, Gwen Ryan, Gwen Butler, Maisie McColl, Mollie Russell, Phyllis West, Grace Braithwaite, Evie Bunker, Violet Fraser Front Row L-R: Jack Newton, Cyril Bowman, George Harrison, Fred Butterworth, Stan Ellis, Loftus Hancock, Harry Butherway, George Pitcher, Sid Castledine Cross Reference Photo No.(s): 641, 642, 672, 717This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image and 4 x 5 inch B&W Negsepp, shire of eltham pioneers photograph collection, eltham, dalton street, state school no. 209, cyril bowman, dorothy butler, dulcie stone, evie bunker, fred butterworth, garnet burges, geoff braithwaite, george harrison, george pitcher, grace braithwaite, gwen butler, gwen ryan, harry butherway, jack burgoyne, jack carrucan, jack mccoll, jack newton, keith poulter, loftus hancock, maisie mccoll, mollie russell, nell leadbeater, pat carrucan, phyllis west, sid castledine, stan ellis, teddy (alf) harvey, violet fraser -
Eltham District Historical Society Inc
Journal, Peter Doughtery, ArtStreams: Whittlesea, Banyule, Darebin, Manningham, Nillumbik & Yarra; Vol. 7, No. 1, Mar-Apr 2002, 2002
Vol. 7, No. 1, Mar-Apr 2002 CONTENTS Comment 2 Cultural Tourism Centre for Nillumbik In Search of stones by Anne Mullholland 3 CD Review 5 Elizabeth Scarlett on Continuum Short Story 6 The Thin Black Line by Jocelyn Harewood Poetry 9 Homage to Lloyd Rees by Christine Crowl Book Review 10 September 11 by Noam Chomsky Doing the Country Thing 12 With Brian Woodstock and Ross Henderson Heritage Across Cultures 14 The City of Whittlesea Heritage Week 2002 Photography 16 Rusty Stewart Book Review 18 Planting the nation, edited by Georgina Whitehead Poetry 20 Radiant Awnings by Shelton Lee Book Review 22 A Girl’s Best Friend: The Meaning of Dogs in Women’s Lives; Jan Fooke and Renate Klein Heide Museum of Modern Art 23 First Stage of Heide Museum of Modern Art Redevelopment CD Review 24 Cloud Lining Grace Notes Professor Ratbag aka Lisa Bellear by Christine Croydon 26 Artin' About 28 Wining and Dining 30 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/06) art streams, brunswick music festival, cultural tourism, drystone walling, stones, willy wonka's ice cream gourmet food, jocelyn harewood, eltham fullife pharmacy, chris pittard, mary-lou pittard, lloyd rees, christine cowle, smiths gully general store, montsalvat, bulleen art & garden centre, manningham arts centre, brian woodcock, ross henderson, eltham wiregrass gallery, manningham gallery, city of whittlesea heritage week, greensborough cake kitchen, arts on burgundy, were st food store, shelton lee, thompsons pharmacy, heide museum of modern art, dynamic vegies, christine croydon, bundoora homestead, lisa bellear, stolen generation, tony tuckson, john borrack, viewbank -
Eltham District Historical Society Inc
Photograph, Looking southeast near 80 Bible Street, Eltham, c.September 1966, 1966c
The end of the stone wall is the border between 78 and 80 and the extension of the stonewall is distinctly visible todayBlack and white photographic printIlford paper stamped 8963 Originally located in a Filmpro King Size Prints processing envelope $3.01 Shire of Eltham 9/9/66 and noted as Calrossie Ave area and crossed out Eltham-Yarra Glen Road, Bridge Street to Elsa Court existing conditions mid 1967bible street, road construction, streets -
Port Melbourne Historical & Preservation Society
Plaque - Missions to Seamen Harbour Lights Guild, memorial to Alice Sibthorpe Tracy, Oct 1933
... stones. A small red cross is set in the centre top. Extremely... is a mosaic in various shades of blue stones. A small red cross is set ...This tablet was originally erected at the Victorian Seamen's Institute, corner Nott and Beach Streets, and was relocated to the new Mission building, corner Beach Road and Swallow Street, in 1937. Several years prior to demolition of the building in October 1995, this tablet was removed and stored, eventually being donated anonymously to the PMH&PS.. It commemorates her service since helping to found the Harbour Lights Guild.Missions to Seamen Harbour Lights Guild memorial to Alice Sibthorpe Tracy (1933). The border of this tablet is made up of small blue tiles. The inscripture is set in a light stone face. which is in two halves, bordered by a rectangle of small gold-coloured stones. Surrounding is a mosaic in various shades of blue stones. A small red cross is set in the centre top. Extremely heavy for ot's size'To the glory of God, and sacred to the memory of Alice Sibthorpe Tracy, one of the founders of the Ladies' Harbour Lights Guild, of which she was Honorary Treasurer for 23 years. Ever a devoted worker. ...12th Dec 1932. This memorial erected October 1933.'missions to seamen, memorials, religion - anglican (holy trinity), alice sibthorpe tracy, ladies harbour lights guild -
Churchill Island Heritage Farm
Tool - wedge
An agricultural tool used by loggers, or farmers, the log splitting wedge has been used for thousands of years and was originally made from stone. They were either driven straight into the wood or into a previously made incision with the blade parallel to the grain. Using a sledgehammer or other tool hammered onto the flat end, the wedge is forced deeper into the log until the force splits the timber.Used by the donor in clearing timber at Olinda and Shady Creek, Victoria. Forms part of a timber clearing tool collection including cross cut saws and Trewhella jack.wood cutting/splitting wedge. Steel. commercially made. Has relief groove.TROJAN [stamped on side]timber cutting;, timber splitting, olinda, shady creek, churchill island heritage farm, wilfred dungan collection -
Victorian Interpretive Projects Inc.
Photograph - colour, Clare Gervasoni, St Peter's Catholic Church, Daylesford, 2015, 14/06/2015
"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon -
Ballarat Tramway Museum
Slide - 35mm slide/s, Keith Kings, 3/12/1961 12:00:00 AM
Bendigo Birney tram No. 30 leaving Charing Cross for Quarry Hill, taken after tram has passed, on 3-12-1961. Tram fitted with lights and warning stripes. Passing Ezywalkin stores. Shows stone sets in pavement. Has Quarry Hill destination. Photo by Keith Kings.Stamped on 'K.S.Kings etc.' and in blue ink, 'K(k)(359), 1/250 f4, 3/12/61, Bendigo Birney 30, Charing Cross'tramways, trams, bendigo, birney, tram 30 -
Mont De Lancey
Accessory - Locket, Unknown
An oval gold locket with 12 small pink coral stones mounted on a raised cross on the front. It has a black velvet ribbon to tie it around the neck. Inside are two tiny locks of hair mounted on a pale purple piece of cardboard with a plastic surround.sentimental jewellery, personal adornments, lockets, hinged jewellery -
Unions Ballarat
Photograph - Photographs: New Flag Poles - Trades Hall - 2018, 26 April 2018
The Ballarat Trades Hall building was erected in 1887 - the foundation stone being laid on 15 October of that year. The photographs show new flag poles that were installed to the building on 26 October 2018. Flags shown in the photos are the Red Flag and the Flag of the Southern Cross. Scaffolding was erected to undertake restoration of the building façade. Significant to the character of the Ballarat Trades Hall building.Electronic photographs - jpeg.ballarat trades hall, ballarat regional trades and labour council, btlc, flags - red, flags - southern cross, flags - btlc, building works -
Southern Sherbrooke Historical Society Inc.
Display folder "Carlotta Tye Memorial Church"
Grey A4 display folder containing items pertaining to the history of the All Saints Anglican Church (Carlotta Tye Memorial), Selby. Contents: -photo, Carlotta Tye -article, "New Selby Church-generous donor pays whole cost", Ferntree Gully News, 22 Jul 1938 -article, "Gift Stone Church at Selby" -article, "New Church of Emerald Stone" -photo, Rev. Alfred Donelly -certificate, Carlotta Tye Memorial Hall, dated 27 Jul 1938 (copy) -article, "Carlotta Tye Memorial Church -Dedication Services-Selby Ceremonial", Ferntree Gully News, 4 Nov 1938 -article, "Farewell At Selby -Rev. A. C. Donnelly", Ferntree Gully News 5 May 1939 -photo, "Carlotta Tye Memorial Church, Selby. Built 1938, c. 1940", copy of original held by Betty Marsden -photo, interior of Tye Memorial Church -article, "Wedding Bells/Tointon - Roach" Ferntree Gully News, n.d. -flyer, "Red Cross Ball/Anglican Hall/Selby" (19 Oct 1939) copy -article, "Selby Red Cross Ball/An Outstanding Success", n.d. -article, "Selby Anglican Ball/Successful Function", n.d. -article, "Selby Ball/Successful Red Cross Function", n.d. but annotated "1939" -article, "Pleasant Function At Selby" -flyer, "Annual Anglican Ball Friday, Oct. 11", n.d. but annotated "1946? I think" -article, "Anglican Ball At Selby/Enjoyable Event", n.d. but annotated "1946" -article, "Parish looks back to yesterday", annotated "Dec.2nd 1974" -article, "Church at Selby may die", Free Press, Camberwell, 4 Dec 1974 -typescript, brief history of church -article, "The little stone church is 40" -article, "Anniversary This Sunday" -article, "Service marks 50 years"/"Fiftieth Anniversary Service - Dedication of New Hall 30th October, 1988", 10 typed A4 pages -article, "Memorial Church in the Mountains" by Linda Webb Burge -letter, Rev. Ian Weickhardt to Rt. Rev. Bishop R. L. Butterss, dated 4 Apr 1989, re. proposed name change of church; with annotations. -article, "New Name", Free Press, 20 Dec 1989 -"Service of Remembrance and thanksgiving for the life of Marjorie Cromie 23/5/21 - 23/11/96" -address to Cromie Service of Remembrance by Andrew Maynes (grandson), with annotations -letter, Sally Petty (Parish Support Manager) to Anne Maynes, re. renaming of church -booklet, "65th Anniversary Service, Sunday 2 November 2003 2.30p.m." -photocopy, page 6 of 65th Anniversary Service with various annotations -photocopy, Certificate of Title, Vol. 6172, Fol. 1234263, transfer of blocks 6,7 & 8, Sub. 8895, to Allan Tye -photocopy, Certificate of Title, Vol. 6217, Fol. 1243300, transfer of block 6, Sub. 8895, from Allan Tye to Church of England Trusts Corporation. -article, "Church dad built turns 50", The Sun, 7th September, 1988, original, found inside book, "The Best Of James Herriot", from Crook Collection -photo, colour, the Selby church hall two weeks before it burned down in 1981. -Newspaper article, 'Selby Church of England Birthday', 23/7/1959. The folder was compiled from material supplied by Dianne Kueffer, Anne Maynes & Jeanette Webster, initially for Selby All Saints Spring Arts Festival, 2003, with later addition See also: Information Folder - Churches - All Saints Anglican (Carlotta Tye Memorial) Selby Spring Arts Festival, VSSH 116 carlotta tye memorial church, all saints anglican church, tye family, anglican diocese of melbourne -
Wangaratta High School
WHS Prefects Honour Board, 1953-1963
Dark brown honour board with gold text shaped like a rectangle with a protrusion at the top to accommodate for a large WHS logo and a PREFECTS heading.PREFECTS 1953 GLENEISE ROSS: B. SOUTHGATE,W. KNEEBONE, D. BARR, B. BRADSHAW, F. BRISBANE, R. BRYANT, E. CANING, M. LEAN, R. MACAULAY, C. PARK. DOUGLAS McLAUGHLIN: L. BARR, P. DINSDALE, J. HERRIN, T. PAPPAS 1954 CORAL PARK: J. BISHOP, D. CIRUTO, M. COCHNEAS, S. HERBLE, A. SAVAGE, D. STANDISH, D. WHITE. JOHN EMSLIE: C. BOURKE, D. ELLIS, P. STEVENS, W. STUDHAM 1955 SHIRLEY HEBERLE: D. CIRCITO, J. BISHOP, L. BRISBANE, E. CLARK, A. KENTMANN, J. PETTERSON, G. TUDDENHAM. JOHN BELL: E. JONES, J. SONNEMANN, W. STUDHAM 1956 JILL PETTERSON: G. TUDDENHAM, V. CROWTHER, M. DERRICK, L. HEBERLE, L. HOWELL, C. LEIGH, M. VINCENT. ERNEST JONES: J. SONNEMANN, B. HOPPER, K. SAVAGE 1957 MARION VINCENT: C. LEIGH, M. DERRICK, R. HOLMES, I. LEAN, E. MARENGO, B. NICOLL, N. THOMAS. KENNETH SAVAGE: K. HADLEY, J. HALL, K. JOHNSON, D. McDONAGH 1958 ROSEMARY HOLMES: P. McDONALD, J. MORELY, B. PRIESTLY, A. BOWFITCH, E. MAUGHER, C. EMSLIE, B. GLOVER, S. BRADSHAW. KENNETH HADLEY: D. McDONAGH, N. ROSENGREN, R. SQUIRE 1959 MARGOT FISHER: C. PROBYN, C. EMSLIE, N. JONES, J. PRATT, W. ROBERTS, M. SCAMBLER, L. SIMMONS, J. THOMPSON. ROSS SQUIRE: A. BARR, B. PENDLEBURY, K. SCAMMELL, T. TONURI 1960 BARBARA JOB: N. JONES, L. BENSON, S. EDGAR, R. FERRARI, H. GIBB, M. GROSSMAN, C. KNEEBONE, F. NEWLAND, D. POLMEAR. NEIL STEWART: B. SUTTON, L. FRY, M, KNEENAN, J. STONE, G. WATSON 1961 MARGARET DUNDAS: S, EDGAR, E. AMERY, R. ANGUS, D. BRADBURY, V. CROSS, S. EVERTON, W. GERRETT, D. GIBB, E. MORRISS, S. NICHOLL, J. POWELL, R. REID, J. SUTTON, M. WHITE, R. WOOD. FRANK COBHAM: M. KEENAN, G. DUSTIN, D. FLINN, R. GROWLING, L. LANG,B. RAE, R. STONE, L. SULLIVAN, J. WELCH 1962 SHIRLEY NICOLL: V. CROSS, J. ADAMTHWAITE, C. BADGER, H. CAMERON, B. CROCKETT, C. HENDERSON, J. LANG, N. KINIBURGH, H. MORRIS, M. OSMOND, J. POWER, B. REITH, R. TANSLEY, C. TIPPETT, J. WHITEHEAD. LAURIE LANG: D. FLINN, P. BENNETT, R. BOYD, G. DUNSTEN, G. GOWLING, R. McCONCHIE, C. SQUIRE, R. STONE, L. SULLIVAN 1963 CHERYL TIPPETT: HELEN MORRIS, R. BENTON, R. BERRY, H. CAMERON, H. CROCKETT, R. EDE, R. FERGUSON, N. KINIBURGH, J. LANG, M. McKENZIE, B. MUNCEY, M. OSMAND, V. ROSEGREN, E. STANTON, J. STEWART. LANCE SULLIVAN: GEOFFREY7 DUSTIN, B. HANSEN, M. IRVINE, R. McCONCHIE, N. MARTIN, W. SCHULTZ, C. SQUIRE, C. STONE, R. SWAN -
Wangaratta High School
WHS Sporting Honour Board, 1955-1981
Brown wooden honour board with gold text in the shape of a rectangle with a protrusion at the top to accommodate for a large WHS logo and a title reading HOUSE CAPTAINS. Along the top of the main body or text is a row of painted metal plates in the school house colours above the names of the houses.HOUSE CAPTAINS 1955 (O) J. BELL, D. CICUTO (K) T. McHARRY S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) W. STUDHAM, M, LA FONTAINE 1956 (O) E. JONES, J. PETTERSON (K) T.McHARRY, S. HEBERLE (M) J. SONNEMANN, L. BRISBANE (W) B. HOPPER, N. CLARK 1957 (O) A. CORNELIUS, M. MAUGER (K) A. KERRIS, L. BLOOM (M) D. GLASSENBURY, J. COLTHRUP, (W) R. JONES, J. SINCLAIR 1958 (O) A. CORNELIUS, J. PRATT (K) D. DE CHAN, D, SOUTHGATE ((M) B. WALKER, M. PETHYBRIDGE (W) G. SMITH, W. ROBERTS 1959 (O) L. FRY, J. EDDEY (K) G. WATSON, M. WHITE (M) P. BRUCE & G. McINTOSH, I. VINCENT (W) B. SUTTON, B. JOB 1960 (O) F. COBHAM, M. GROSSMAN (K) G. WATSON, M. WHITE (M) J. STONE, C. KNEEBONE (W) E. CORNELIUS, B. JOB 1961 (O) F. COBHAM, E. EDGAR (K) M. KEENAN, J WHITEHEAD (M) R. STONE, E. EVERON (W) R. GOWLING, J. MURPHY 1962 (O) R. BOYD, C. TIPPETT, (K) J. KOST, J. WHITEHEAD (M) R. STONE, N. KINIBURGH (W) G. DUNSTAN, V. CROSS 1963 (O) C. SQUIRE, C. TIPPETT (K) N. MARTIN, V. ROSENGREN (M) L. SULLIVAN, B. CROCKET (W) R. McCONSHIE, B. MUNCEY 1964 (O) G. ROSSER, C. NEWTH (K) J. ALLEN, R. ALEXANDER (M) P. BRYCE, J. DAVEY (W) G. WOOD, H. STEWART 1965 (O) L. WADLEY, J. SCHULTZ (K) K. WOLFEL, R. SIMMONDS (M) R. FERGUSON, M. HEMPHILL (W) I. MITCHELL, M. STEWART 1966 (O) D. SANGER, C. CUTLER (K) G. TERRY, A. ROBINSON (M) W. WOODS, J. CANAVAN (W) R. SOUTHERN, H. STEWART 1967 (O) G. WELCH, C. CUTLER (K) P. RICKARDS, C. TIPPETT (M) K. MURRAY, J. CANAVAN (W) R. GUMLEY, S. WORLAND 1968 (O) G. WELCH, V. FURS (K) W. McGREGOR, S. TOBIAS (M) D. TIMMINS, M. GEORGE (W) J. STOLARCZYK, B. DOBSON 1969 (O) R. STONE, V. FURS (K) W. Mc GREGOR, D. BAYLISS (M) G. McINTYRE, E. CONNORS (W) R. SYMONS, M. JACKEL 1970 (O) K. BROWN, V. DEWS (K) B. FISHER, D. BULTHUIS (M) G. McINTYRE, P. MEEK (W) H. FRY, P. O'TOOLE 1971 (O) B. COOK, S. BARRY (K) B. FISHER, M. RHODES (M) I. McCORMICK, J. HARBOUND (W) H. FRY, M. MITCHELL 1972 (O) B. COOK, V. RYAN (K) L. HARTWIG, F. CLUGG (M) I. McCORMICK, J. HARBOURD (W) J. DELLICASTELLI, J. PARRISH 1973 (O) N. BRAUMAN, R. SLOAN (K) R. LUMSDEN, V. WATKINS (M) D. GRIFFITH, J. ALDERIDGE (W) S. PEAKE, S. PHILLIPS 1974 1975 (O) R. MOORE, A. DUSTIN (K) C. DALEY, G. HARTWIG (M) G. VOSS, R. ALDERIDGE (W) J. CROXFORD, L. TOWNSEND 1976 1977(O) A. GILBERT, B. ALLEN (K) I. CESA, S. ANDERSON (M) G. VOSS, K. CHAPLIN (W) T. SEYMOUR, J. HILL 1978 (O) P. PATTERSON, B. ALLEN (K) l. MABIN, S. ANDERSON (M) T. SMITH, I. HULLEY (W) D. PROSSER, J. GIBB 1979 (O) P. RUNDELL, J. FRAZER (K) J. DOIG, S. TOOHEY (M) G. PRITCHARD, S. CAMPBELL (W) R. BURNS, J. HISKINS 1980 (O) B. SCHULTZ, A. McILROY (K) M. WILLIAMS, S. TOOHEY (M) G. DELL, H. TAYLOR (W) B. ANDERSON, C. SPINK 1981 (O) J. MONCRIEF. M. FRAZER, (K) P. JORDAN, V. WHINRAY (M) R. RUSSELL, M. HUME (W) A. ELWARD, H. KNOBEL -
Tarnagulla History Archive
Photograph of Commercial Road, Tarnagulla, June 1866
Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers -
Ballarat Heritage Services
Photograph - Colour, Dorothy Wickham, Mason's Marks, Carlisle Cathedral 27 October 2016, 2016
Carlisle Cathedral The Priory near the cathedral was founded in 1122 by King Henry I. There were earlier buildings on the site. Ten years later the priory church became the Cathedral and the Kind created the diocese of Carlisle. The building is constructed of red sandstone. Celebrated architect Ivo de Raughton who lived a few miles south of Carlisle designed the intricate masonry. Many interesting features are recorded about Carlisle Cathedral in tourist brochures and its homepage, however they do not mention the many mason’s marks clearly visible on the stone columns inside the Cathedral. There have been hundreds of marks recorded, some being similar to those on the Yarrowee Channel in Ballarat. Sign of the cross (plus sign)carlisle, cathedral, stonemasons, mason's marks -
Tatura Irrigation & Wartime Camps Museum
Photograph, German and Japanese Graves
German and Japanese graves at Tatura Cemetery WW2.Black and white photograph of at least 13 white crosses, marking graves. A row of stones in front of that. In front of the stones is a row of 6 white long sticks. Trees in the background. Looks like two big rocks, maybe marking graves, on the far right of the picture just behind the first cross.german graves, japanese graves, tatura cemetery -
Vision Australia
Photograph - Image, Kevin Stapleton and Wally Urgacz using their white canes, 1969
RBS client Kevin Stapleton uses a white cane as he descends church steps, crosses a road and walks along the footpath. Another RBS client, Wally Urgacz, walks behind Kevin as he crosses the road in the Sydney CBD. Wally Urgacz steps off the Bondi Beach bus and up a flight of stone stairs using his Hoover long cane, under the purview of Margaret Rihr.5 x B/W photographs of men using a white caneMobility - historicalroyal blind society of nsw, white cane day, kevin stapleton, wally urgacz, margaret rihr -
Rutherglen Historical Society
Image, 1938 (Exact)
Black and white photograph of the band in procession, Major Joe Nott leading, during the ceremonial laying of the Foundation Stone for the Rutherglen Bush Nursing Hospital. This one is an enlarged photographic duplicate of 449.6ahospital, foundation stone, parade, joe nott, joseph henry nott, nott family, ww1, wwi, ww2, world war 1, world war i, world war 2, croix de guerre, military cross -
Whitehorse Historical Society Inc.
Photograph, Laying Foundation Stone, 26/02/1967 12:00:00 AM
Laying Foundation Stone for Mountview Uniting Church, Mitcham. Cross Ref: ND1837uniting church, mitcham, glasson, bill -
Whitehorse Historical Society Inc.
Photograph, Mountview Uniting Church, 26/02/1967 12:00:00 AM
... Foundation Stone. 26 February 1967. Cross Ref. ND1837... Stone. 26 February 1967. Cross Ref. ND1837 mitcham uniting ...Mitcham Mountview Uniting Church Service for laying Foundation Stone. 26 February 1967. Cross Ref. ND1837mitcham uniting church, glasson, bill -
Whitehorse Historical Society Inc.
Photograph, Mitcham Uniting Church, 26/02/1967 12:00:00 AM
Congregation at Service for Laying Foundation Stone for Mountview Uniting Church, Mitcham. 26 February 1967. Cross Ref: ND1837.mitcham uniting church, glasson, bill -
Whitehorse Historical Society Inc.
Photograph, Foundation Stone, 26/02/1967 12:00:00 AM
Foundation Stone for Mountview Uniting Church, Mitcham. Cross Ref: ND1837mitcham uniting church -
Port Fairy Historical Society Museum and Archives
Postcard, Moyne River Port Fairy
This bridge was built in 1902, replacing a previous structure that crossed the Moyne River from 1857 and linked Belfast with Belfast East, as the two areas of Port Fairy were then known. Prior to that, passage over the river was via a ford (an underwater stone track that allowed wagons to cross when the river was low) located just north of where the current car bridge stands. The present bridge survived the great flood of 1946, but has been the subject of innumerable patch-up jobs over its 114 years. In 2012, the bridge underwent a detailed structural assessment and was given the OK for the next eight to 10 years, notwithstanding the need for regular maintenance works. At the time, it was estimated a new bridge would cost between $2-3 million. It was extensively refurbished in 2016Sole means for traffic to cross to the east side of Port FairyBlack and white photographMoyne River Port Fairyriver, moyne, bridge, road -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - St. Stephens Church, Portland, 1934
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing stone building (church) in shade of tree with stone fence and iron gate in foreground. Crosses attached to roof of building.Front: (no inscriptions) Back: St. Stephens Church Portland. New fence erected for Centenary 1934.esther winifred hall, portland centenary, 1934, henty -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Glass Sided model wave tank, n.d
Port of Portland Authority archives.port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - stone cottage, n.d
Black and white photograph, old stone cottage, tin roof; wooden building beside it, wooden paling fenceBack: '14' crossed out, '15' in pencilcottage, photography, rural -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Glass sided model wave tank, n.d
Port of Portland Authority Archivesport of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Glass Sided model wave tank, n.d
Port of Portland Authority Archivesport of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Model Breakwater, Model Parapet Wall, n.d
Port of Portland Authority Archivesport of portland archives, model breakwater -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Model Breakwater, Model Parapet Wall, n.d
Port of Portland Authority Archivesport of portland archives