Prior to the 1960s, hats were worn by all men. Aluminium hat stretchers were generally in use from the 1920’s. The hat was placed on the aluminium dome shaped piece. When the handle was turned, the dome section split vertically, one section moving away from the fixed half. A graduated scale along the side indicated the size. This item was possibly used in the hat factory in Orbost. Stuart Hats commenced manufacturing hats in about 1948 and closed their factory in Orbost around 1953 probably because of the high transport costs. The company's head factory was in Melbourne. The hats made in Orbost were sold all over Australia as well as in Melbourne at Myers and David Jones. The building became first a Dry Cleaners and then a private home.This item was possibly used by Stuart Hats which was a significant manufacturing business in Orbost in the 1950's employing nearly 20 local people.A hat stretcher consisting of an aluminium dome-shaped piece (on which the hat was placed) and a metal winder. It has been mounted onto a wooden baseOn wooden base : "Restored by John Mundy"millinery hats hat-stretcher

Dr. Joseph Clover (1825-1882), an English physician, first described his Portable Regulating Ether Inhaler on Jan. 20, 1877. Clover was an especially sought after anesthesiologist and early pioneer in the specialty. This was the best-known of many inhalers that Clover designed. The dome-shaped reservoir was turned to points on a control dial to gradually increase or decrease the percentage of the air that passed over the ether. Several inventors based new inhalers on this, while the original continued to be manufactured as late as the beginning of WWII.Metal domed chamber with a bulb attachment on an elbow joint for rebreather bag. There is also a connector for a facemask, but no facemask.Engraved on dome of chamber: Clover's Inhaler / Mayer & Meltzer / London •Moulded in to metal at connector: MAYER & MELTZER RD. NO. 212327joseph clover, closed administration, mayer & meltzer

This Johnson Bros. (USA) Locomotive Type Boiler was from a steam shovel (that moved on rails) that excavated rock and soil during the construction of Stevens Weir near Deniliquin NSW in 1934. It has a working pressure of 100psi. This is an example of a fire tube boiler where the fire from the fire box heats the water surrounding the fire tubes running through the boiler, smoke escapes out the smoke stack and the steam is captured in the dome and sent through pipes toward other engines in the Port of Echuca Steam Display. Two glass gauges are fitted on the side of the firebox. Two safety valves are fitted at the top of the boiler to maintain the correct and safe pressure. It still functions today for visitors most days of the week.A good example of the technology and industrial history of the Riverina region of southern NSW and northern Victoria. It is an integral part of the Port of Echuca Steam Display running secondary engines off the steam produced within this boiler. Large cast iron, fire tube boiler with 124 fire tubes, fire box, steam dome and exhaust chimney. boiler, johnson bros, steam display, kevin hutchinson steam shed

The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The inhaler is oval shaped with two halves. One half should be made of glass [missing] to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [broken]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side.The Bruck Inhaler is a modification of the Clover Inhaler, designed by Ludwig Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.joseph clover, lambert bruck, inhaler, rebreather, nitrous oxide, oxygen, probyn williams, hewitt

Dr Geoffrey Kaye was a clinical anaesthetist at a time when very few full time anaesthetists existed. He was passionate about the training of future anaesthetists and would often section anaesthetic equipment to reveal its inner workings and show those to students. This Probyn Williams Inhaler is one apparatus which has been sectioned and the various elements of the inhaler have been painted to highlight the differences in function.Oval shaped metal inhaler with attached metal facemask. The inhaler has been sectioned to reveal its inner workings and the ether chamber has been painted black while the air-channel has been painted red. The manufacturer's logo, stamped into the inhaler, has been sectioned as well, leaving only half the information available.Engraved on dome side of inhaler: PROBYN WILLIAMS / G.K. sect. 1939 •Stamped into dome side of inhaler MAYER & / LON

Pioneers’ Memorial under construction. The foundation stone was laid in 1935. This photo was loan for copying by Gwen ReeveBlack & white photograph of Pioneers memorial under construction. Scaffolding is under the dome of the building. There is also a jacket on the railing leading to the dome. stawell

Metal object. Half dome shape.bendigo, gold mining, qc binks

Dr. Joseph Clover (1825-1882), an English physician, first described his Portable Regulating Ether Inhaler on Jan. 20, 1877. Clover was an especially sought after anesthesiologist and early pioneer in the specialty. This was the best-known of many inhalers that Clover designed. The dome-shaped reservoir was turned to points on a control dial to gradually increase or decrease the percentage of the air that passed over the ether. Several inventors based new inhalers on this, while the original continued to be manufactured as late as the beginning of WWII. Dr Geoffrey Kaye sectioned equipment, enabling medical students to see the inner workings and gain insight into the engineering of the equipment.Cross section of Clover's inhaler attached to a circular metal base.Handwritten on white sticker at rear: P / 26 / B •White print on blue sticker: O.2.3. •Engraved on dome side of inhaler: G. Kaye sect. 1939.joseph clover, geoffrey kaye

Relates to John "Jack" Hindley, WIA and captured 11/4/17, died as POW in Germany 6/5/17. See also item no 1776.3P. The item was from the Bendigo Fire Brigade of which Jack was a long member off.WWI souvenir glass dome containing artificial flowers.ornaments-glass, military history-souvenirs

Used in Second World War to alert planes and as a hand torch. This torch was used by a member of an Australian unit.It is a representative item of military equipment for service. This item was used by Australians serving overseas during WW2.A metal torch with glass dome at top and brass clipEverReady 1939 64205ww2, military equipment, australia, wonthaggi rsl

Post Office Receiving Pillar was Collected from Warrnambool City Council’s Scott Street Depot and transported to Flagstaff Hill, stored in the Barracks area Friends of Flagstaff Hill began the project of restoring the Post Office Receiving Pillar in early 2011. The replacement dome required a pattern to be made from paper, then timber, then someone to manufacture it. The cast iron body required sand blasting and undercoating. The pillar was installed in Flagstaff Hill Maritime Village in March 2014. A specialist visited the Village and painted the pillar with 7 coats of ‘post office red’ then completed the job with gold paint on the details. In 2015 an information plate of brass was fitted to the Pillar in the position that would have originally announced the clearing times. It was originally manufactured by G Couch, Engineer, Alliance Iron Works, Melbourne. Gordon Couch passed away in June 1896 and his Works were offered for auction in November 1897. HISTORY OF POST OFFICE RECEIVING PILLARS In 1851 ‘pillar boxes’ were installed at roadside locations in the island of Jersey, England; they had already been successful in several European countries. The use of new prepaid, adhesive postage stamps as well as the roadside pillar boxes meant there was no need for the public to take a trip to the Post Office just to post a letter. By 1855 London had installed its first six Pillar Boxes. In 1856 the pillar boxes were first introduced in Sydney. These were circular with a crown on the dome, supported by leaves. Early Victoria Mail was originally collected by ‘letter carriers’, first appointed in Melbourne in 1841, equipped with leather bag and hand bell. He wore a red coat with brass buttons and a black top hat! In 1844 two wooden receiving boxes were erected in Melbourne. The first cast iron boxes were installed in South Melbourne (Emerald Hill) and were still in service until 1967. They were a fluted circular design and made in England. In the early 1860’s the ‘low door round’ design posting box was introduced, being circular and surrounded by a crown, with two broad embossed bands around its circumference. The clearance door was in front of the box and low down. These were made in Australia. In the early 1870’s square boxes with a tapering top were being used. These too were made in Australia by different manufacturers with slight variations on style such as the orientation and number of slots. Next came the circular boxes again, similar to the ‘low door round’ but with the clearance door extending to just below the posting slot, often referred to as ‘high door round’. These boxes did not have embossed bands. In 1887 small cast iron boxes were introduced, attached to posts and poles and called ‘lamp post receivers’. Around 1930 a ‘London’ model was used in Victoria. It was copied from the flat-domed type in London but made in Tasmania. … [References: Flagstaff Hill Maritime Village records, The Argus, 11th April, 1890, The Argus, 2nd July, 1896, The Argus, 30th Nov. 1897, “Stamps.Au” http://www.stampsau.com, 4th April 2011 (Extracted from “Australian Street Posting Boxes” by Ken Sparks – out of print)] Post Office Receiving Pillar, or letterbox.1885 "High Door Round" design, restored 2014 Tall cast iron sylinder with decorative dome cap, slot in side, hinged door with handle shaped as a fist. Painted red with gold trip..Reconditioned barrel, reconstructed dome. Restored by Friends of Flagstaff Hill, 2014. Now a working letterbox. Made in Melbourne.Oval maker's plate “ - G. COUCH - / ENGINEER / ALLIANCE IRON / WORKS / MELBOURNE”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, post office receiving pillar, letterbox, mailbox, australia post

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Hiroshima Peace Dome (Atomic Bomb Dome, centopath; originally the Hiroshima Prefectural Industrial Promotion Hall), 1915, Hiroshima, Japan (Architect: Jan Letzel)10slide, robin boyd

Hand Knitted Woven Flowers in Glass Dome on wooden base stawell

Clive enlisted in August 1914 in the Public Schools Company of the 5th Battalion. He was killed in the Landing at Gallipoli on April 25, 1915 and is commemorated at the Lone Pine Memorial, Gallipoli. He was 26. To honour his memory, the Clive Wellington Were Cricket Trophy for 'the boy who plays the game' was presented to Mentone Grammar in 1936, by his sister, Jessie, wife of Headmaster, Charles Campbell Thorold. It was awarded to Henry Watson Leslie, in his first year at the school.Silver cricket bats on silver dome mounted on bakelite basefor 'the boy who plays the game'

Postcard, colour photo of the front of the Berlin Cathedral showing the entrance, central dome and two side domes. In the foreground is an equestrian statue of Frederick William IV. On the back is printed No.100/10postcard, photograph, postcard, berlin, cathedral

On the 6th of March 2021, the Melbourne-based band Shantily Clad launched their album in the Mission to Seafarers. There was a wave of popularity of the sea shanty during the Covid pandemic especially on the social media application TikTok.The Mission has always been open to the community and has a tradition of hosting cultural events: shows, concerts, exhibitions, festivals.Photograph of the band Shantily Clad during the launch of their album in the Norla Dome.cultural events, concerts, band, sea shanty, shantily clad, norla dome, songs

Flat Handed Dome Handle Metal Tip for ink Wooden HandleFoi M. M. Stuart Murray (all backwards)

Insulators used throughout state. These probably used in Rutherglen. Now (1985) phone lines being put undergroundTelephone cross pole insulator made of clear glass with dome topOn clear glass: "C.C.G." and "4_."telephone, communication, electricity

Louise Hearman used the Norla Dome and painted a mural which had taken her around a year to complete. The exhibition called Elephant Room was shown from May 1988. The work was vandalised in June 1989 and subsequently demolished.Louise Hearman is a Melbourne born artist and Archibald Prize winner. Hearman first came to public notice in 1987/88 when she spent a year painting the mural in the Norla Dome. The premises of the Mission also served as her studio at that timeBlack and white flyer with dual lengthways ribbings on the back side, possibly indicative of an intent to fold the flyer in three.The Elephant Room You are invited into the dome at the “Mission to Seamen” building, no. 717 Flinders St (ext), painted by Louise Hearman. Opening night Thurs May 28th 6 pm - 9 pm Visiting hours 11am -6 pm Tues to Sun from May 29th to June 11th Or by appointment ph (03) 328 1400 a.h. Sponsored by: Australian Council, Crown Hire, Art Stretchers Oliver-Davey Glass and Box Archer Emery.cultural events, exhibitions, paintings, artists, norla dome, 1988, louise hearman, elephant room, flinders street, melbourne

Some of the buildings of the Mount Ophir winery. Photo was taken by Miss Olive Codling, who was a life member of the Wodonga Historical Society. Photograph is believed to have been taken on the occasion of a Tour by the North East Branch, 1st combined meeting.Black and white photograph of a building with a tower, with a building with a dome shaped roof in the foreground.mt ophir, mount ophir, wine industry

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0361costume, female head wear, accessories hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin

Dr. Joseph Clover (1825-1882), an English physician, first described his Portable Regulating Ether Inhaler on Jan. 20, 1877. Clover was an especially sought after anesthesiologist and early pioneer in the specialty. This was the best-known of many inhalers that Clover designed. The dome-shaped reservoir was turned to points on a control dial to gradually increase or decrease the percentage of the air that passed over the ether. Several inventors based new inhalers on this, while the original continued to be manufactured as late as the beginning of WWII. Clover, to spare the patient the unpleasantness of induction with his "closed" inhaler (1877), suggested the "mitigated-ether" technique. The inhaler was fitted with a bypass tap for the reception of N2O. The bag was filled with the gas and anaesthesia was inducted a combination of N2O and asphyxiation. Ether was then admitted gradually by rotation of the bowl of the inhaler. When the patient had been duly "weaned over" to ether, the mask was lifted, the N2O allowed to escape, the bag refilled with exhaled air, and normal anaesthesia "a la Clover's inhaler" was continued.Metal domed chamber with a bulb attachment for rebreather bag, including a tap mechanism. Remnants of the paper rebreather bag are attached to the bulb. At the other end is a yellow facemask made of plastic (probably celluloid). The manufacturer's logo has been moulded into the dome of the chamber.Manufacturer's logo: THE HOLBORN / SURGICAL INSTRUMENT CO. LTD. / LONDON •Blue sticker with white writing: O.2.4.joseph clover, mitigated-ether, nitrous oxide, n2o, closed method

Patriotic floral tribute c1899 Seamen's hobby while on board to create a posy for 'loved ones'Glass dome on wooden base enclosing a floral display made entirely of fish scalesseamen floral tribute fish scale

My work has always involved textiles. I began my art practice in the darkrooms of photography, but I often came back to textiles to expose my images on, with either cyanotype or daguerreotype processes. I love way textiles can be manipulated so quickly and how each piece of fabric can have a different feel and weight. I prefer to use old materials with an inherent history that I can repurpose and reinterpret, usually linen, cotton, silk and other natural fibers. My work has increasingly become about texture, an overload of visual complexity and the introduction of hard materials into the soft sculpture medium. Almost anything can be stitched into a piece and so far the inclusion of brass, bronze and copper as small components of the finished work has opened the boundaries of where my practice can go. I use stitches and beads and other things to ‘draw’ and make patterns on each work; I love the detail and the investment in each slow stitch it takes to reveal the final piece.Wangaratta Art Gallery CollectionA black, golden, white, and silver handsewn protection totem encased in a glass dome case.gillian bencke, textile