Showing 354 items
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Mont De Lancey
Socks
Pair of new brown infant socks. Special dye.socks, baby clothing -
Tarnagulla History Archive
News clipping: A Tour Of Tarnagulla, A Tour Of Tarnagulla, October 3, 1977
... dyer ...Murray Comrie Collection. Excerpt from the Wimmera/Mallee Country Bulletin of October 3, 1977 with article titled 'A Tour Of Tarnagulla' by the paper's editor Betty Osborn. Outlines a visit by nine people led by David Haden of the Goldfields Historical Society. Includes image of Miss Mary Renshaw of Strangways, granddaughter of David Renshaw. References the Methodist Church, David and Margaret Hatt, the Bank, Jackson's garden, Baptist Church, Post Offices, Bock's windmill, Bell's Cottage and the Dyer's stone cottage. tarnagulla, bock, dyer, hatt, bell, methodist church, renshaw -
Glenelg Shire Council Cultural Collection
Functional object - Wannon Water Leak Detector, n.d
Small ziplock bag, containing information card from Wannon Water on how to use the included bottle of food dye to ascertain whether a toilet is leaking. Bottle clear plastic, green lid; filled with green food dye.wannon water, plumbing -
Whitehorse Historical Society Inc.
Newspaper - Article, Portrait of a lady, 9/04/1994
Review by Harold Love of Jim Davidson's biography of Louise Hanson-Dyer, 'Lyrebird Rising'.hanson-dyer, louise, davidson, jim. lyrebird rising, l'oiseau lyre -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/01/1992 12:00:00 AM
Black and white photograph of Tony Dyer batik artist at Artworks Gallery Nungurner Victoriaarts, exhibition -
Damascus College
Artwork, other - Stations Of The Cross
This set of Stations of the Cross was created as the prayer focus for the St Martin’s in the Pines chapel by Sr Margaret Mary Batros.Core-board plaster sheet covered with card using chisels, blow torch and wood dye. catholic education, sisters of mercy -
National Wool Museum
Booklet, The Dyeing of Yarn Packages, 1967
light blue booklet with black letteringThe Dyeing of Yarn Packages. Volume2: Appendices By Arne Johnels -
National Wool Museum
Photograph, [Federal Mill: dyeing and finishing c1918-1920s]
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionF Murgatroyd Federal Mill/ Dyeing and Finishing/ c1918-1920stextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill, dyeing, finishing, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Photograph, [Federal Mill: dyeing and finishing c1918-1920s]
James Murgatroyd worked in textile mills in England, Victoria and NSW. His son Fred worked as a loom tuner at Yarra Falls, Tweedside and Collins mills in Victoria as well as in Sydney, and studied at Leeds University.The Murgatroyd CollectionF Murgatroyd Federal Mill/ Dyeing and Finishing/ c1918-1920stextile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill, dyeing, finishing, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
National Wool Museum
Catalogue, Dobcross spares and service manual woollen and worsted loom
"Dobcross spares and service manual woollen and worsted loom" -Hutchinson, Hollingworth and Co. Limited"Dobcross spares and service manual woollen and worsted loom" -Hutchinson, Hollingworth and Co. LimitedDYER AND PHILLIPS PTY LTD/ 89 FLINDERS LANE/ MELBOURNEtextile machinery, hutchinson, hollingworth and co. limited, weaving looms, weaving machinery -
National Wool Museum
Booklet, The Dyeing of Yarn Packages, 1967
Light blue booklet with black letteringThe Dyeing of Yarn Packages. Volume 1: Text. Arne Johnels -
Bright & District Historical Society operating the Bright Museum
Cup
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain wine cup, celadon. Chinese tableware.Chinese writing or maker's stamp on base in blue ink / dye.chinese, cup, gios, tableware, glaze, porcelain, harrietville, celadon, wine -
Bright & District Historical Society operating the Bright Museum
Cup wine small
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain wine cup. Chinese tableware decorated with handpainted flowers and leaves in colours, pink, green and brown.Chinese writing or maker’s stamp on base, in orange ink / dye..chinese, cup, floral, goldfields, gios, tableware, glaze, porcelain, harrietville, wine, handpainted -
Bright & District Historical Society operating the Bright Museum
Saucer
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed with floral decoration. Handpainted on inside surface. Celadon background with floral design in colours, pink, green, white and brown with gold frosting on leaves.Chinese writing or maker’s stamp on base in orange ink / dye.chinese, gold, floral, goldfields, gios, tableware, glaze, porcelain, dish, buckland, celadon, handpainted -
Glenelg Shire Council Cultural Collection
Painting - Painting on cloth - Tongan Tapa Cloth, n.d
Clircular tapa cloth painted and sewn to a round wooden frame. View of a village painted on front of cloth, depicting a pole and wire fence with palnts at base, and palm trees and bushland in the background. The huts have thatched roofs.Front: Tonga Friendly Islands (lower centre, black dye) -
Stawell Historical Society Inc
Memorabilia - Realia
Small wooden Cabinet used to store retail Dye, Door front and back. From Chemist Shop. Dyolastawell -
Flagstaff Hill Maritime Museum and Village
Thermometer
Thermometer metal frame, loop at top of frame, pure alcohol liquid with red dye - not enough alcohol to be dangerous if swollowed.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, thermometer, alcohol thermometer, medical thermometer, medical equipment -
Wangaratta Art Gallery
Textile, Christine Upton, Gumnuts Galore, 1984
Upton has used the traditional technique of Indonesian batik to create 'Gumnuts Galore'. Batik has a long history in the world and is believed to have originated on the island of Java in Indonesia. The designs traditionally used in batik are imbued with meaning and powerful symbolism to reflect the culture and beliefs of the place where it was made and for whom it was made for. Upton has instilled her piece such meaning and symbolism by depicting eucalyptus leaves and gumnuts which evokes a sense of belonging and pride.Rural City of Wangaratta Collection, purchased with funds from the Wangaratta Art CouncilA rectangular design of gumnuts on silk created through the batik technique using natural dyes in shades of red, brown, and greenwangaratta art gallery, christine upton, batik, gumnuts, flora, australian flora, textile -
National Wool Museum
Photograph, Federal Mill: dyeing room c.1918-1920
James Murgatroyd worked in the textile industry in England, and in Victoria and New South WalesF Murgatroyd Federal Mill/ Dyeing Room/ c.1918-1920textile machinery textile mills weaving mills textile mills - staff textile mills, federal woollen mills ltd tweedside woollen mills yarra falls mill collins bros mill pty ltd, carding, murgatroyd, mr fred murgatroyd, mr james, textile machinery, textile mills, weaving mills, textile mills - staff -
Bendigo Historical Society Inc.
Document - BILL ASHMAN COLLECTION: CORRESPONDENCE
Two copies a typed letter with printed letterhead, dated March 7, 1938. Letter is from ? Moody of Moody's Dye Works Ltd. To Scalebuoys (N. Z.) Ltd. He mentions since using the Scalebuoy soap is more readily and completely removed from goods that have to be wet cleaned and also gives better penetration for dyeing. He also mentions that the boiler was in better condition and they have stopped using the compound they were using. Letterhead has a photo of Moody's Dye Works on the left side of the letterhead.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, moody's dye works ltd, scalebuoys (n.z.) ltd, moody -
City of Greater Bendigo - Civic Collection
Textile - Yomut Turkmen Islamic Rug, c 1880
This rug was a gift and gesture of friendship from the local Muslim community to the City of Greater Bendigo. It was presented to Mayor, Cr Rod Fyffe on behalf of the people of Bendigo at a 2016 'Thank You Bendigo' dinner. In 2014 approval for a planning application from the Bendigo Islamic Association to build a community centre and mosque in East Bendigo prompted a series of public protests that captured widespread media attention. During this tumultuous period the Council identified the need for a community-wide plan to promote diversity and help address potentially divisive cultural issues. These events led to the COGB becoming the first local government area (LGA) formally accredited under Australia’s Welcoming Cities Standard. Community leaders emerged who wanted to show that the anti-mosque protesters did not reflect the views of the majority of Bendigo residents. The community lead ‘Believe in Bendigo’ movement gained momentum, and the Council and other local organisations joined forces to present a unified message that Bendigo residents do not tolerate racism. Muslims have made Central Victoria their home since the Goldrush, contributing to the community and the economy for the past 120 years. Traditional Islamic rugs, especially their patterns and motifs are intrinsically linked with the design of the Bendigo Mosque and Bendigo Islamic Community Centre providing important points of reference for the architects of the project. Typically, mosques are linked with specific cultural groups but not in the case of Bendigo where the Muslim community is made up of multi-ethnic groups. This meant the building's design was not fixed to a specific style or cultural iconography but instead needed to encompass many. The small local Muslim community selected a specific Australian architect because of their interest and knowledge of Islamic design and iconography gained through family collection of Islamic textiles. In thinking about the design of the mosque and community centre the architects wanted to acknowledge the role of Afghans in Australian history, especially tribal Afghans who helped build connections across the interior of Australia between First Nations communities, European settlers and Central Asian migrants. The gift of this Turkmen rugto the Bendigo community thus symbolises collaborative partnerships across faith and cultural groups based on friendship and mutual benefit. A Turkman rug was specifically chosen as it is the pinnacle of nomadic arts of the Islamic world. It was also important to the architects and the local Muslim community that the gift was a female artistic product as it was mainly a female Muslim architecture team that designed the mosque in Bendigo and there was a desire to select something that celebrated female artistry. This hand-woven rug is an engsi, made for a woman in preparation for marriage. Design work and weaving is a shared experience, between many generations of women and each rug hold the personal story of the woman it is made for and her family and thus holds deep symbolic meaning. There are often songs and poetry that are recited as the rug is made – helping the makers to memorisze the mathematical structure of the design. An engsi is put on the doorway to a yurt as part of a wedding ceremony. During the ceremony the groom turns the engsii upside down to check the quality of the rug makers weaving skills. The nomadic lifestyle of Yomut Turkman tribes determines the size of the rug as the loom can’t be carried. Its size is also restricted by the dimensions of the doorway of the yurt. This rug is dated as c 1880 because of the types of patterns used, the use of natural dyes (synthetic dyes were introduced to the area in 1890s) and with the smoother weaving on the back indicating the quality of craftsmanship dating to this time period. The Yomut engsi rug was made in Turkmenistan c1880 by Yomut Turkmen Tribes people and is designed to fit over the doorway of a yurt during a wedding ceremony. The main field motif is related to Turkoman jewelery design. The women and girls of the tribe spin the wool and design and weave the rugs. The men shear the sheep, dye the wool and clip the rug after it has been woven. The word “Turkoman” is thought to have been derived from Turk-iman, meaning the first nomadic Turkic tribes that began to follow Islam. Dyes used are natural including orange from madder root. bendigo mosque, bendigo islamic association, city of greater bendigo community partnerships, city of greater bendigo community groups -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: ALF THOMPSON RECOLLECTION
Four page document and a photocopy of a photo. The first three pages are the recollection of Alf Thompson recorded by Carol Holsworth on the 23 January, 2015. Alf worked at Hanro from August 1948 to the mid 1960's when Hanro was taken over. A plan of the dye house is also included. The photo is of Alf Thompson working at the dyeing rollers.bendigo, business, hanro -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1910 c
Also another black and white photograph of bullock team plus horse and dismounted rider at unknown location 05039.1Black and white photograph of John Dyers bullock wagon loaded with wool bales, 10 bullocks and driver behind the railway station at Bairnsdale Victoriatransport, roads and streets -
National Wool Museum
Textile - Quilt, India Flint, Red Blanket Wagga, 2008
Created for and entered in the 2008 ‘Expressions: The Wool Quilt Prize’- “The quilts connect us to our past and to our future, by interpreting Australian themes and telling our stories.”- Judy Hooworth, Quilter and Judge of the Prize. Donated to the National Wool Museum after the conclusion of the exhibition.Eucalyptus dyed woolen blanket base with salvaged fabrics hand sewn to create a patchwork effect. The eucalyptus dye has been used to create different tones of brown and red throughout the design with further dyeing used to create leaf imprints on the fabrics. A running stitch has been used to quilt the wagga, the stitching is imperfect, in places tied on the surface of the wagga.On reverse: INDIA FLINT RED BLANKET WAGGAexpressions: the wool quilt prize, quilt, india flint, wagga -
Sacred Heart College
Text Book, Messrs Longmans, Green & Co, Ltd, Richard of Bordeaux, 1942
Donated with other items. This book demonstrates how text books were sold again and again. It is interesting to see notes written in the text. In my time at SHC we were not allowed to mark our books (Marita Fitzpatrick 1951). IBut in earlier years 1944 and 1946 this seems not to be so. Note cost of book 2/6. A representative text in use in the mid to late 1940s.Green cloth bound copy of Richard of Bordeaux. Heritage of Literature Series 'War Emergency Binding'. Published by Messrs Longmans, Green & Co, Ltd, March, 1942.Phyllis Dye - Leaving 1944 S.H.C.Marie Brosnan; Marita Fitzpatrick Matriculation II, 1951richard of bordeaux; text book; shc; marita fitzpatrick; 1951; longmans; geelong; literature -
National Wool Museum
Book, Catalogue of Parts for the Hollingworth and Knowles Patent Openshed High Speed Fancy Loom
"Catalogue of Parts for the Hollingworth and Knowles Patent Openshed High Speed Fancy Loom" - Hutchinson, Hollingworth and Co. Ltd Loomworks, Dobrcross, 1898.DYER & PHILLIPS PTY. LTD. / 75-77 FLINDERS LANE / MELBOURNE. / SOLE AGENT.textile machinery, dyer and phillips pty ltd hutchinson, hollingworth and co. limited, weaving looms, weaving machinery -
Glenelg Shire Council Cultural Collection
Accessory - Brooch, 1930s
Belonged to Florence Dellar (Mrs. George), 59 Henty Street, Portland.Ceramic dye with gold safety pin catch. Hand painted with a view of harbour painted on yellowish sky. 2 Piers. Bathing Baths. Pine trees. -
National Wool Museum
Book, A Manual of Dyeing, volume I
"A Manual of Dyeing: for the use of practical dyers, manufacturers, students and all interested in the art of dyeing" vol. I, 5th ed. - Edmunch Knecht, Christopher Rawson and Richard Loewenthal, 1919.A.M. Collins / University Leeds / 1919dyeing -
National Wool Museum
Book, A Manual of Dyeing, volume I
"A Manual of Dyeing - for the Use of Practical Dyers, Manufacturers, Students and all Interested in the Art of Dyeing, volume I", Edmund Knecht, Christopher Rawson, Richard Loewenthal, 9th ed., 1933.A.G. Schofield / 'Panorama' / Noble St. / Newtown / Geelongdyeing -
National Wool Museum
Book, A Manual of Dyeing, volume I
"A Manual of Dyeing - for the Use of Practical Dyers, Manufacturers, Students and all Interested in the Art of Dyeing, volume I", Edmund Knecht, Christopher Rawson, Richard Loewenthal, 9th ed., 1933.dyeing