Enid Beatrice Gilchrist (1917-2007) was a fashion designer best know for her development of self-drafting dressmaking patterns. Her patterns were first printed in "The Argus" in Melbourne in 1946 and were soon collected into books for the home sewer.A small cardboard box containing various two books and various baby wear transfers. The books are: "Clothes for your baby, designing, cutting and making" by Enid Gilchrist and "Baby book for mother, baby and child" Also in the box ten transfers, some in folders, some loose. Aileen and john Ellison Collection."Transfers" on lid of the boxbaby clothes, dressmaking, transfers

ANZAC booklet printed 1916. Written and illustrated by the men on Gallipoli Missing the outside front cover.Alice Enid Thomson, Clovelly, Bairnsdale

Letter was from a USA family member of a US soldier staying at a private residence in Bendigo. The US soldier was not permitted to communicate with family members as to their location. the Granger family circumvented that by sending a cable to his family and this letter was a reply to them..1) & .2) A4 page typed letter (2 pages) from Edna Johnson to Enid Granger. Black typed writing on cream coloured paper. Address on top and signed off on page 2. .3) Cream coloured envelope, address on front and six stamps. Various black stamps on front and air mail stamp address from written on back. .4) Small newspaper cut out photo of a young girl..1) Address on top - Edgemont Station, Box 241, East St, Louis, Ill, USA, April 10th 1942. .2) Signed "Sincerely Edna Johnson. .1) Address on front, Mrs Enid Granger, 32 Mt Korong Rd, Bendigo, Victoria, Australia.us soldiers, censorship, letter

ENID STEART ? ROBERT SEERS, RON PRYOR,CHARLES FENTON,MAVIS CARSON, IN CLUNES MUSEUM GROUND FLOOR - SHOP AREAlocal history, photography, photographs, museum, clunes

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered foliate and flowers, laurel wreath beneath oval union jack and crown. Handwritten message on back.Back: "To Enid From Dad / With best love / from France xxxxxxx"wwi, postcard, embroidered postcard, carte postale

Item found at Enid Walls estateHand held wooden-handled metal object. Object movement/use is similar to an egg beater. Has a rubber ball bevelled into metal base which is attached onto the side with a slender metal arm.Stamp on object proper left "PAT.B 99365". Object proper right middle metal part has hand written inscription of a name which appears to be "Harvey". Top metal disk has the inscription "VEEDEE"/The Veedee Co./96 Southwark Street/London.Smedical instruments, personal massager/vibrators, enid wall

Building block set used by Enid Wall as a young child Building block set of fifteen (15) blocks in original box without lid. Each block has images of domestic and wild animals, alphabet and numbers. Blocks appear to be made from balsa wood or equivalent due to light weight, and images have been adhered. Flowers motif wall paper (very worn) adhered to the sides of the box.blocks, toys, building block, toy block, children toys, learning blocks

Four single sheet typed documents pertaining to the Methodist Girls' Comradeship's Golden Jubilee celebration in 1968. E3094.31.1 - Golden Jubilee, Service Project E3094.31.2 - Letter to former members from Miss Enid Burston Convenor of the MGC Jubilee Committee E3094.31.3 - Souvenirs available for MGC Golden Jubilee E3094.31.4 - Letter from Miss Enid Burston Convenor of the MGC Jubilee Committee

Awarded to Deaconess Norma Enid Anguey by Sir Henry Winneke at Government House, Melbourne on 18th June 1079.British Empire Medal citation with informal photograph of recipient, Deaconess Norma Enid Anguey. The citation and photograph has been pasted onto non-archival card.

Elizabeth Enid Granger (nee Webster) born Eaglehawk (1906-1965).Framed, oval photographic studio portrait. Hand coloured detail. Glass domed, photograph is flat. cl; Mrs E F Granger / Mayoress 1948 - 9. lr: Reg Brockelizabeth webster, mayoress granger, mayor granger, reg brock photographer, city of bendigo, city of greater bendigo portraits

see page 5 Lakes Post Newspaper 25 November 1992Black and white photograph showing Lions Club President, Noel Stroud presenting cheque to Enid Ingpen of Community Health Centre Board of Management. Lakes Entrance Victoria volunteering, lions club, health services

Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. Handwritten message on backFront: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx"wwi, postcard, embroidered postcard, carte postale

Family of the Hugo Gramp, who perished in the Kyeema crash, 25th October 1938, at the memorial plaque unveiled on the 40th anniversary of the disaster. L - R Mervyn Gramp, Colin Gramp, Enid Schultz, Fiona Nettlebeck. air crash, kyeema, hugo gramp, mervyn gramp, fiona nettlebeck, colin gramp, enid schultz, cairn, mt dandenong

Senior Citizens Bowls Group. Two photos taken in Ararat in mid 1980's. In the first photograph Standing Jim Clayton, Phyllis Folkes, Mollie Brame, Graham Black. Seated Emily Edwards, Enid Hyslop, Vic White, Dot Gavin, Dawn Block. In second photograph. Standing Kath Jude, Phyliss Folkes, Jim Clayton, Betty Dryburgh, Dot Gavin. Seated ? Templeton, Coral Whelan, Enid Hyslop, Betty Smith.Two colour photographs of Stawell Senior Citizens Indoor Bowls Club. stawell

This mounted and framed photograph of a group of friends punting on the River Yarra has a number of historic and artistic associations. The photograph is primarily important as an informal photograph of the Australian baritone John Donald Mackenzie Brownlee (1900-1969), whose international career at the world's major opera houses from 1927 until his retirement in 1958 included singing at Melba's Covent Garden farewell in 1926, to recordings in the 1930s of a major series of Mozart operas in Glyndebourne Festival productions, conducted by Fritz Busch. Brownlee, born in Geelong, won the gold medal as champion vocalist at the South Street competitions in Ballarat in 1921. Moving to Paris in 1923 he began study with the French baritone, Dinh Gilly, making his operatic debut at the Trianon Lyrique in Montmartre in 1926. The most significant periods of his operatic career were with the Paris Opera from 1927 to 1936, and at the Metropolitan Opera from 1937 to 1957. After his move to Paris in 1923, he is recorded as revisiting Australia in 1928 as a member of the Melba-Williamson Company, and 24 years later in 1952. The photograph of Brownlee and the Gardners in a punt on the Yarra, while putatively dated to 1925, must be from earlier in the 1920s before his move to Paris, or later during the Melba-Williamson Company season. Before his move to Paris in 1923, Brownlee had lived in Belmont Avenue, Kew, where he must have developed a friendship with the Gardners. The photograph has additional artistic significance as it was produced at 'The Artorium', James Beament's design studio next to the Hawthorn Town Hall at 362 Burwood Road. With a home at 33 Uvadale Road (designed by Eric Nicholls, who managed the architectural practice of Walter Burley and Marion Mahony Grifffin from 1924 to 1932), Beament painted a number of significant murals for the Griffin practice, including those at the Capitol Theatre in Melbourne.A photograph of recreational activities on the River Yarra. The photograph is historically significant as a professionally produced photograph of the Australian operatic baritone John Brownlee, either before his move to Paris in 1923, or in 1928 during the Melba-Williamson Company operatic tour of Australia. The photograph has additional aesthetic significance as it was produced in James Beament's Hawthorn Studio - The Artorium - at 362 Burwood Road, next to the Hawthorn Town Hall.Framed photograph of John Duncan Brownlee, the Australian tenor, with Enid Gardner and friend in a punt on the Yarra River. Brownlee was born in Geelong but before his move to Paris in 1923, he lived for a period in Belmont Avenue, Kew. Three labels on reverse. 1. "John Duncan Brownlee, Operatic Star, originally of Geelong later resident of Kew at Belmont Av, on the pole. Also in the punt - Edith Gardner a friend. The Gardners lived on the east corner of Edgevale Rd. & Cotham. Approx. 1925." 2. "This picture is the property of Kew Historical Society 1/4/79". 3. Tel. Hawthorn 842 THE ARTORIUM ...."john brownlee (tenor), punting, recreation - yarra river (kew), james beament, the artorium -- 362 burwood road -- hawthorn (vic.)