Showing 58 items
matching ethnography
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Orbost & District Historical Society
carved stick
A hand - carved walking stick with a diamond shape at the top. It has a snake down one side and a crocodile down the other. There are four carved faces around the top.walking-stick carving ethnographic -
Orbost & District Historical Society
fan, approx 1900
Brought to Orbost from the New Hebrides in about 1900.A long-handled hand woven palm fan in natural colours. The fan is oval shaped. The handle is narrow.fan handcraft dress-ornament ethnographic -
Orbost & District Historical Society
fan, approx 1900
Brought to Orbost in 1900.A diamond shaped palm fan hand-woven in natural colours. It has a narrow handle and is closely woven.fan handcraft ethnographic new hebrides dress-ornament -
Orbost & District Historical Society
fan, approx 1900
Brought to Orbost from the New Hebrides in about 1900.A round hand-woven palm fan. It has made with dyed fibres.fan handcraft new hebrides ethnographic dress-ornament -
Orbost & District Historical Society
bag
Rectangular natural coloured flax bag. Body of bag made of flax string woven into a loop pattern with chain stitch in white cotton thread, edged with flax string fringe. It has a small woven carrying strap. The edges have been left loose to obtain a frill.bag maori flax handcraft ethnographic -
Marysville & District Historical Society
Book - Hardcover book, J.W. Lindt Master Photographer, 1985
A book of photographs taken by John William Lindt of locations and scenery throughout the world.A book of photographs taken by John William Lindt of locations and scenery throughout the world. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.Hardcover. Front cover photograph-Log Bridge at the Hermitage c1910photography, artistic, john william lindt, la trobe collection, shar jones -
Marysville & District Historical Society
Document (Item) - Research Document, Joan Anderson, John W Lindt, Unknown
An account of the life of John W Lindt.An account of the life of John W Lindt. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.john william lindt, fernshaw, watts river, black spur, the hermitage, nicholas, nicholas john caire, the argus -
Marysville & District Historical Society
Photograph (Item) - Black and white photographs, Unknown
Early black and white photographs of John William Lindt.Early black and white photographs of John William Lindt. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.john william lindt, fernshaw, watts river, black spur, the hermitage, nicholas, nicholas john caire, the argus -
Marysville & District Historical Society
Document (Item) - Book extract, John (Jack) Cato, John William Lindt F.R.G.S. of Melbourne-The Story of the Camera in Australia, 1955
An account of the life of John Willliam Lindt extracted from the book The Story of the Camera in Australia.An account of the life of John Willliam Lindt extracted from the book The Story of the Camera in Australia. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city. John (Jack) Cato was a keen photographer from an early age and was the author of The Story of the Camera in Australia which when it was first published in 1955, was the first history of Australian photography and photographs.john william lindt, fernshaw, watts river, black spur, the hermitage, nicholas, nicholas john caire, the argus, john (jack) cato, the story of the camera in australia -
Blacksmith's Cottage and Forge
Skipping rope
This skipping rope was used as a children's toy by the donor who grew up in SunshineEthnographic material 1940's children's toyTwo wooden handles with rope attached to them both, handles are varnishedchildren, toy, skipping rope -
Federation University Historical Collection
Ethnographic, Advanced Stage Points and Scrapers
Silcrete can create sharp flakes and has been an important material for stone tool making in Australia. Silcrete was commonly used and widespread. Heat treatment of silcrete made the rock easier to fashion into flakes.Stone points and scrapers at an advanced stage, some just need sharpening. Collection includes rocks of silcrete, quartz, and quartzite.aboriginal, tools, stone tools, stone, flakes, points, scraper, quartz, flake tools, quartzite, silcrete, flaking, archaeology -
Federation University Historical Collection
Ethnographic, Possible Aboriginal Axehead
Possible stone axehead made of limestone with fractures aboriginal, stone tool, stone, axe, axehead, limestone, archaeology -
Federation University Historical Collection
Ethnographic Material, Stone grinding/sharpening tool
Stone grinding/sharpening tool with 'bump' which could be used as a handle. Evidence of wear due to sharpening on both sides of the stone. The rock is calcite cemented quartz sandstone; it is sedimentary quartzite with a granular appearance. It has a soft matrix, and is pale, indicating its calcite nature, as well as dissolved pits. Its origin is from dry land soils and dunes. aboriginal, stone, tool, archaeology, stone tools, sandstone, quartzite, calcite -
Federation University Historical Collection
Weapon - Ethnographic Material, Two native weapons, probably South Pacific in origin
These items were in the Ballarat School of Mines Museum, and when the museum was closed they were saved from the tip, and returned decades later. The Alafolo or afui are anthropomorphic clubs found across the island of Malaita. As war clubs, blows were struck with the edges of the club, which varied in length from under three to four feet. At least some of these clubs served a largely ceremonial function, particularly those rare examples with shell inlay. Malaitans war clubs are usually made of tooa, a reddish hardwood. Most finished clubs are submerged in mud (saltwater or fresh) for about a month, during which time they acquire a glossy black finish.Two native weapons, probably South Pacific in origin. .1) light coloured timber paddle with carving. Possibly Solomon Islands. .2) A dark coloured Alafolo made with heavy ironwood, with geometric designs from the Solomon Islands with stylized face, carved geometric design at top end; two carved rings with geometric design between them toward bottom end.ballarat school of mines, ballarat school of mines museum, ethnographic, paddle, club, ethnographic material, new number, solomon island, alafolo, malaita, weapons, new guinea -
Federation University Historical Collection
Geological specimen - Ethnographic, Rock Blanks
Rock Blanks blanks, rocks, aboriginal -
Federation University Historical Collection
Ethnographic, Partly Worked Aboriginal Tool Blanks
Silcrete and chert can create sharp flakes and have been important materials for stone tool making in Australia. Silcrete was commonly used and widespread. Heat treatment of silcrete made the rock easier to fashion into flakes.Partly worked, incomplete Aboriginal rock blanks. The collection includes rocks of silcrete, quartz, and chert. 8969.26 is quartz chert. 8969.37 is a flint stone with a vein of quartz. The dark brown rock is silcrete with more iron than others (possibly 8969.41). 8969.45 is Quartz. aboriginal, tool, blank, rock, scraper, aborigines, quartz, silcrete, chert, stone tools, quartzite, flaking, flake tools, archaeology -
Federation University Historical Collection
Ethnographic, Aboriginal Grinding Stone (lower section)
Lower section of a grinding stone, with 32 excess flakes. Evidence of green paint on the bottom section.grinding stone, grind stone, aboriginal, aborigines, tools, flakes, archaeology, stone tools -
Federation University Historical Collection
Tool - Ethnographic, Aboriginal partly worked stone
Silcrete and quartzite can create sharp flakes and have been important materials for stone tool making by Aboriginal AustraliansTwelve pieces of partially worked stone by Aboriginal people. Flakes or core, silcrete or quartzite. 8968.1 - Silcrete, pale material is anatase 8968.2 - Silcrete 8968.3 - Silcrete 8968.4 - Quartzite 8968.5 - Quartzite 8968.6 - Quartzite - heavily cemented on metamorphosed sandstone 8968.7 - Silcrete 8968.8 - Quartzite 8968.9 - Silcrete in sandy texture (others muddy texture) 8968.10 - Quartzite 8968.11 - Silcrete - part course, part fine, not neatly layered 8968 - 12 Silcrete - two textures - partly muddy, partly sandy stone, aboriginal, aborigines, stone tools, silcrete, quartite, flakes, tools -
Federation University Historical Collection
Ethnographic, Aboriginal worked conglomerate silcrete stone
Conglomerate silcrete stone with sharp edge, Red is iron staining - hematite, possibly found in drier areas stone, aboriginal, silcrete, hematite, haematite, stone tools, archaeology, aborigines -
Koorie Heritage Trust
Book, Brady, Maggie, Heavy metal : the social meaning of petrol sniffing in Australia, 1992
In Heavy Metal the author attempts to go beyond the socio-political or disease models. Brady focuses on petrol (gasoline) sniffing in a number of Aboriginal communities to arrive at an understanding of the users' subjective decisions to engage in this behaviour.... This informed ethnographic account is the first major published study of contemporary drug use by Aborigines.xii, 223 p. ; ill., maps : 24 cm.In Heavy Metal the author attempts to go beyond the socio-political or disease models. Brady focuses on petrol (gasoline) sniffing in a number of Aboriginal communities to arrive at an understanding of the users' subjective decisions to engage in this behaviour.... This informed ethnographic account is the first major published study of contemporary drug use by Aborigines.petrol sniffing -- australia. | aboriginal australians -- health and hygiene. | aboriginal australians -- substance use. | inhalant abuse -- australia. -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 03. 1-2 1979, 1979
A series of articles on Aboriginal History by well-known historians.166p.; footnotes; bib.; ports.; facsimiles; 25 cm.A series of articles on Aboriginal History by well-known historians.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal australians -- missions -- new south wales | religions - christianity - missions | religions - christianity - missionaries | music - vocal | literature and stories - story telling and story tellers | language - texts and translations - aboriginal to non-aboriginal language | art - rock art - painting | photography - ethnographic | ceremonies | literature and stories - story telling and story tellers | world war, 1939-1945 -- participation, aboriginal australian. | aboriginal australian soldiers. | aboriginal australians -- northern territory -- arnhem land. | defence - world war ii | religions - christianity - lutheran church | religions - christianity - missions | settlement and contacts - colonisation - 1851- | settlement and contacts - colonisation - 1851- | government policy - initial period and protectionism - 1851-1900 | government policy - state and territory - queensland | animals - invertebrates - crustacea and molluscs - beche-de-mer / trepang | -
Whitehorse Historical Society Inc.
Award - Sash - Horticultural, 1958
Awarded to Dora when Mitcham had a Horticultural Society, 1958. Second PrizeDark blue Rayon sash, 88cm long, gold coloured fringe each end, stamped gold writing, 'Mitcham Horticultural Soc/ Autumn Show, 1958, Best Floral Art Exhibit'|(Refer to Documents - ND6294 for certificates)As abovetrophies & awards, public events, ethnographic material, dress and ornament -
Port Fairy Historical Society Museum and Archives
Tool - axe head
aboriginal stone axe head found on Jack Bourke's property (Albert Road) January 1972Stone axe head. Hole at one end and groove made for twinelocal history, ethnographic material, hunting, fishing, gathering, stone, aboriginal -
Port Fairy Historical Society Museum and Archives
Functional object - bag
Hearsay-- Item was given to a white lady as a giftDilly bag woven from grasses. Woven in one piece with decoration near bottom and around top. Plaited handlelocal history, ethnographic material, hunting, fishing, gathering, aboriginal, carrying, basket -
Port Fairy Historical Society Museum and Archives
Decorative object - Necklace
Aboriginal necklace made from snake backbones,, threaded on cotton. no catchlocal history, ethnographic material, dress and ornament, necklace, snake, aboriginal -
Port Fairy Historical Society Museum and Archives
Tool - axe head
Aboriginal artifact (possibly found in garden in Bank Street Port Fairy By Chris Sharpells) 2 entries in green book under different numbers namely 792 and 814 state thisStone axe smoothed at long end to make cutting edgelocal history, ethnographic material, hunting, fishing, axe, gathering, stone, aboriginal -
Port Fairy Historical Society Museum and Archives
Tool - Grinding Stone
2 grinding stones. The larger stone is flatter and worn on both sides. The top grinding stone is rounder and worn on one side top fit into hand easilylocal history, ethnographic material, household, grinding stone -
Merri-bek City Council
Photograph - Ilford smooth pearl print, Atong Atem, Nyanluak, 2022