Born: St Kilda, Victoria, Australia 1864; Lived and worked: England and France 1884 - 1933; Died: Melbourne, Victoria, Australia 1947ImpressionismGift of Mr Alan Harris in memory of his wife Lynette Harris (née Burnell), 2004Oil painting on board depicting rural landscape with trees and farmhouses. Gold brushed timber frame with decorative gesso corners.Recto: Not signed, not dated, not titled painting, landscape, buildings, tree, impressionist, hills

Painted from the home (or front) paddock which ran south to the creek. The paddock was used for the cultivation of lucerne and maize crops in the lower regions while closer to the house where Ainwick Crescent is now situated, it was a burgeoning market garden for the cultivation of all varieties of vegetables. The large pines beyond, sheltered the farmyard on the west of Gardenia Road. That complex can be partly glimpsed on the left of the painting. This is a directly painted watercolour relying on the use of white paper and transparencies to impart a feeling of morning light. The figure is the artist's mother for whom the picture was painted. Provenance: Augusta Borrack (nee Ziebell) Collection, John Borrack CollectionWatercolour painting, depicting Ziebell's Farmhouse from the south (Thomastown and Mernda). Painting is mounted in a gold frame with cream board.Artist signature: John Borrack; Last Days at Ziebells "The Pines" Thomastown, 'Pro mea matre hanc picturan feci (In Memoria)'illustrations, watercolours, john borrack, ziebell, watercolour, painting

Donated by Jessie Smith (nee Small)Sepia photograph mounted on cardboard. 15 lambs feeding from bucket and two dishes at "Shetland Heights" San Remo. Farmhouse in background.shetland heights san remo, lambs feeding, phillip island, jessie smith

Sketch 'Derelict Farmhouse near Axedale', by L.R. McMurray 1983 Print 242/500, black & white print mounted on brown cardboard

From an era when smoking was more acceptable and it was common place to 'roll your own'.Round tin with fitted lid. Log cabin brand. Originally gold with red ribbon text and a farmhouse image on the front. Details on how to open on rear. Log Cabin Flaked Gold Leaf Tobacco Back: ‘To open twist coin’ Vacuum Sealedtobacco tin, vintage tin, log cabin tobacco

Postcard, WW1, B&W image of the ruins of a farmhouse at GA5 school near Ravelsberg, after a German offensive. Ruins surrounded by defoliated trees. Copy Y36postcard, postcard, ww1, france, ravelsberg, german offensive, ruins

Cream background with, in foreground, couple in dark brown regional Brabant costume; farmhouse with outbuildings and trees in background. Spring frame at rear for hanging. Brown imitation wood frame.Brabant at base of tile.

Mount William Gold Rush Photo taken from Spion Kop looking at western side of My WilliamView of township called Ladysmith George Mason's farmhouse in centre of picture with smoke rising from chimney Seven men in foreground carrying various items eg. shovel, gold pan, swag etc.1 copy B/W 1 copy sepia 1 on displaymining, gold mining, mafeking

This property was known as Mokepilly Station ( name on back of photo is spelt 'Mokepilli'.For further reference see p.2,p.92,116,119,121, Victoria's Wonderland.Photo shows a body of water in foreground with a collection of buildings on opposite bank. there are a number of large gum trees on both sides of water. The buildings appear to be a farmhouse and outbuildings that have thatched roofs. There is extensive fencing.buildings, houses

Bendigo Advertiser ''The way we were'' from 2000. Rustic: a farmhouse near Mount Sugarloaf, near where Fosterville was later established, circa 1880s. Photo courtesy Bendigo Historical Society. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photograph shows a post and wire fence, paddock and farmhousePart of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.

Information and photo of Montmorency farmhouse. Information from Davey family descendant Sylvia Tupper.This photograph and text was copied from a Facebook site. Members are people who lived in the Greensborough area and share their reminiscences of the area with others. The site is administered by a GHS member but is not officially affiliated with the Society. Any information is the opinion of the contributor. Article and photograph sourced from social media.montmorency farm, davey family

Aerial view of Cotswold Valley, Menzies Creek. B&W photos taken from light plane. Paddocks and treed areas are visible. Two houses are in the centre of the photo, presumably the Breen farmhouse on Jacksons Hill Road. The tip of the plane's left wing is also visible.

On the front cover is a picture of two boys dressed in cowboy outfits riding on two horses. In the background is a farmhouse with mountains in the far background. The title of the book and the author's name are on a banner across the top of the front cover. The back cover has information regarding 'The Challenge Series For Boys and Girls'.fictionThe X Bar X Boys was a series of western adventures for boys created by the Stratemeyer Syndicate and written under the pseudonym of James Cody Ferris. This is the first one in the series.cowboys, ranch, america, fiction, james cody ferris

Built 1920c by J Reggardo first owner.Colour photograph of a small timber farmhouse situated at Old Lake Tyers Beach Road, Lake Bunga. It is unpainted timber with corrugated iron gable roof, external brick chimney. Half of veranda has been enclosed. Remains of orchard in front of house. Lakes Entrance Victoriahouses, heritage study

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph shows what appears to be a rural farmhouse and paddock, this is part of the site of the old railway line to Whittlesea. In centre of photo is the old station platform.Part of the John Ramsdale collection of slides and audio visual material.Colour photograph scanned from slide.No maker's marks. No caption on slide.whittlesea, whittlesea rail line

Photograph (Proof 63) of a group of six adults standing in front of the verandah of a farmhouse. There are three men and three women , one of the women is holding and infant. In the foreground there is an unpainted picket fence. VERY faded names can be seen written around the edges of the photo, viz., Samuel and Sarah, Henrietta Wright, Samuel , Robert, Frank, Blanchebuildings, house, farn huose, farm house

oil on canvas on boardlandscape, farm, farmhouse, charles douglas richardson, cd richardson, c douglas richardson, cloud

In the early 1970s, Arthur Boyd bought and restored a large, two-storey traditional farmhouse called Il Paretaio. Situated on the crest of a hill and surrounded by fields and olive groves, it is five kilometres from the village of Palaia in the province of Pisa, Tuscany. Boyd established this farmhouse as a residency programme, (which was later managed by the Australia Council). The residency program ended in 1990. Anthony Pryor undertook an Australia Council residency at Paretaio in 1984. This work is one in a series made during his time there. This work was entered into the Shire of Eltham Art Award in 1985.Pryor is an artist of national significance. This work is an example of his series of 'boxes' made principally for his own pleasure and often swapped with artists and other friends as soon as they were finished. The 'box' series was part inspired by Japanese techniques of wooden construction. Pryor first visited Japan in 1975 and was immediately drawn to Japanese methods of working with stone and wood. Many of these boxes are based upon the principles of the Japanese Zen Buddhist monk Sengai Gibon (1750-1838). This work relates to Sengai's famous hanging scroll Circle, Triangle and Square in which the circle can be read to stand for the cosmos, the square for the individual, and the triangle for aspiration. A heavy, box-like (cube) structure created from huon pine, with bronze, brass and stone elements. Within the cube is an eastern inspired, rear lattice wall in combination with bronze domestic fittings, and symbols (cube, pyramid and circle). Metal lightning, clouds and wooden rainbow hover over an asymmetrical bronze bed floating within the cube. A chair leans and a tilting ladder reaches towards the sky. Stamped into wood: lower right 'ANTHONY PRYOR PARETAIO'huon pine, pryor, brass, bronze, stone, cube, paretaio, italy, eastern, japan, sengai gibon, symbols, zen buddhism, sculpture, personal

Postcards sent by "R.H. Baron" from his deployment in France and Belgium post the end of WW1. Part of the Robert H. Baron (No.3596) and Cooper Collections. See catalogue No. 1981P for details of Baron's service.1. & 2. Each has the same illustration on the front. Illustration in colour features a French soldier in uniform and a woman. In the background are trees, buildings and a church. Text is in French. 3. Coloured hand drawn illustration featuring a farm scene. Horse and wagon full of hay in foreground. Trees and farmhouse in background. 4. Colour illustration features pansies and a swallow. Text in French.1. Handwritten in pencil on back: 'Letter from R.H. Baron to his mother'. 2. Handwritten in pencil on back: 'Letter from R.H. Baron to Elsie'. 3. Handwritten in pencil on back: 'Letter from R.H. Baron to his Aunty' - dated 1/3/1919. 4. Handwritten in pencil on back: 'Letter from R. H. Baron to Myrtle'.robert h. baron, cooper collection, ww1, postcard

The Fisher family lived at Waterloo farm, Smythe's Road, near Ballarat. Alice Russell Shaw the daughter of Jessie Black Hamilton and John Shaw, married Albert Fisher in 1909 and had 10 children by him. They lived at Waterloo farm, Smythe's Road. Alice Russell Fisher (Shaw) was known as 'Queenie' Fisher. This family farmed in the Smythe's area for many years. They produced fine milk and butter. Jean, their second eldest child recalled that when they made the butter sculptures they used plenty of salt so that it wouldn't melt. They won first prizes at the Ballarat Show for the butter sculptures.Llaminated sepia photograph.nonewaterloo farm, fisher, hamilton, shaw, smythe's road, ballarat, farm, farmhouse

Part of a collection of photographs owned by Dorris McLaughlin who was born in Greensborough, in 1899 to John McLaughlin and Rosalie Ellen Whatmough. The collection contains photographs of friends and relatives from the Greensborough and Eltham areas. This photograph shows the old farmhouse at John McLaughlin's Eltham property.Digital copy of black and white photograph.dorris mclaughlin, john mclaughlin, eltham

A history of Alexandra and surroundsHardback. Front cover has a photograph of a farmhouse in a paddock with Cathedral Mountain in the background. Back cover has a circular emblem that has a miner digging, a pump house and poppet head and some bales of wool. The words 'Founded on gold wool and butter' surround the centre. There is also a photograph of the main street of old Alexandra with a stagecoach drawn by two horses that has three people seated in and on the stagecoach along with some luggage on the roof.Stamp of the Marysville & District Historical Society Inc / P.O. Box 22 / Marysville 3779alexandra region-victoria, history

A copy of a photograph of a farmhouse with farm building in the background. Surrounding the house is a picket fence, in the foreground are three adults and five children. One of the women is holding a child and the other is holding a child by the hand. There is a man with a beard and wearing a Bowler hat standing between the two women. There are three other children; two boys on tricycles, and a girl standing between them. Written at the base of the photo is First Home, Ellmswood, Serpentine 1890topic, farming, farm house, serpentine , ellmswood