A black and white photograph of 104 Battery RAA, Gnr Leo Adams, adjust the sight of the 105mm gun while Sgt Peter Tilbrook contemplates the fire mission at Fire Support Base "Betty" . the Batter was supporting 4 RAR/NZ (ANZAC) Battallion. The battery was in action against NVA/VietCong sappers attempting to attack the giant US supply depot at Long Binh in Bien Hoa Province during the Tet Offensive 1969photograph, 104 battery raa, gnr leo adams, sgt peter tilbrook, fire base betty, 4 rar nz, long binh, bien hoa province, tet offensive, 1969, gibbons collection catalogue

A black and white photograph of Contact, Contact, Contact - later afternnon, Section strength TAOR patrol, Long Binh Operation Federal 14th March 1969, 7 Platoon, C Company 4 RAR/NZ (ANZAC) , Cpl Gary Mosely keeps a tight reign on a captured NVA/VietCong sapper prisoner.photograph, 7 platoon, c coy, 4 rar nz, fire base betty, operation federal, cpl gary mosely, nva/vc, gibbons collection catalogue

A black and white photograph of Gunners of 104 Battery RAA at Fire Base "Betty" firing on a high angle against NVA/VietCong sappers attempting to attack the giant US supply depot at Long Binh in Bien Hoa province during the 1969 Tet Offensivephotograph, gunner, 104 battery raa, long bien, bien hoa, tet offensive, 1969, gibbons collection catalogue

A black and white photograph of Gunners of 104 Battery, Royal Australian Artillery, at Fire Base Betty carry out maintenance on their gun durung a lull in fighting. The Gunners had a never ending battle against the tropical weather and its affect on the guns.photograph, 104 battery, raa, artillery, long bien, tet offensive, gibbons collection catalogue, gunner

Black and white Photograph of Gunner Charlie Hayden and Mike Longley preparing shells for firing at Fire Support Base Betty in Long Binh Province in March 1969photograph, royal australian artillery, long binh

A black and white photograph of Gnr Jim Dunn, 104 Battery Royal Australian Artillery, carries a 105mm shell to the gun at Fire Support Base "Betty". The battery was in action against NVA/VietCong sappers attempting to breach the giant US Army Supply Depot at Long Binh in Bien Hoa Province during the Tet Offensive 1969photograph, 104 battery raa, gnr jim dunn, nva/vc, long binh, bien hoa province, tet offensive, 1969, gibbons collection catalogue

A black and white photograph of Gnr John Lyall with his opposite partners enjoy a game of euchre. The 104 Battery Gunners kept themselves busy in the 105mm gun position, in a state of readiness, to react to the call for supporting Artillery fire from Infantry Units. during a lull in action at 4 RAR/NZ Fire Support Base Betty during Tet Offensive 1969photograph, 104 battery raa, 4 rar nz, tet offensive, 1969, gnr john lyall, gibbons collection catalogue, long bien

This bowl is part of a series completed in 1994 on the subject of the sin of 'Vanity' / A smug looking woman flirts coquettishly with a manservant who helps her to put on her shoes / The people depicted on the bowl are dressed in 18th century costumes / The court of Marie Antoinette of France is evoked / The blue and white drawing is in the style of 18th century woodblock prints and was drawn freehand / The bowl is signed and dated on the base / The technique is traditional tin glaze (majolica, maiolica or delft) / Coloured oxides were painted onto a clear glaze which had been opacified with tin oxide, and then fired at 900 degrees / The bowl was exhibited at Christine Abrahams Gallery, Melbourne in 1994 / A bowl from the 'Vanity' series is held in the Collection of the Queen Victoria Museum and Art Gallery in Launceston, Tasmania. Copeland's parents are John and Betty Hipwell, one of the founding members of Potters Cottage (an influential ceramic collective that grew out of Nillumbik) / Copeland grew up surrounded by this artform. Reg Preston (another founding member of Potter's Cottage) introduced her to the Majolica technique which has influenced her ceramic work to this day / This bowl is characteristic of Copeland's speciality and mastery of the Majolica technique. This bowl is hand painted with an image of a couple flirting (man-left side and woman-centre) in 18th century French dress / Decorative circle and polka dot pattern along the rim and underside of the bowl / The bowl is predominantly painted in cobalt blue and orange colour using the Majolica (maiolica or delft) technique; a traditional tinglaze method of application. Coloured oxides are painted onto a clear glaze which has been opacified with tin oxide / The bowl is then fired at 900 degrees.Underside has in colbalt blue artist signature and date / 'A. Copeland . 1.9.1994'.copeland, earthenware, majolica, potters cottage, vanity, bowl, eighteen century, french, marie antoinette