In 1895 artist Gordon Coutts was commissioned by Elizabeth Harding (Mrs. Silas Harding), a wealthy pastoralist, to paint this portrait of Prince Albert. The portrait was completed by 1896 and is a copy of an original by German artist Franz Xaver Winterhalter (1805-1873). In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Queen Victoria’s appreciation of Winterhalter began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. There are a number of notable differences in the original Winterhalter work and this painting. The local artist Coutts has changed the colour of the Prince’s cloak from deep blue/black to red (perhaps as a result of working from a black and white photograph). Other differences include extra satin shoulder ribbons, a simplification of the furnishings, notably the floor, and an inexact representation of the medallions worn; collars of the Order of the Garter, Bath, and the Golden Fleece. The painting is framed to match the official copy portrait of Queen Victoria, with the coat of arms of Prince Albert of Saxe-Coburg and Gotha, fixed atop the frame in place of the royal crown.Framed portrait, oil on cotton, of Prince Albert. The Prince Consort wears the robes of the Order of the Garter, holds a Field-Marshal’s baton, and is posed in front of a curtain and colonnade. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. The coat of arms that sits on top of the frame is a combination of carved timber and composition elements.Signed lower right corner in red brushpoint: ‘after Winterhalter / By Gordon Coutts / 1896’.albert, prince consort of victoria, queen of great britain, 1819-1861, winterhalter, franz xaver, 1805-1873, coutts, gordon (1865-1938)

Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria

Colour postcard of a white yacht on Lake Lucerne, Switzerland. Alps are evident in the background.chatham-holmes family collection, lucerne, boat, alps, lake

Green hardcovered book of 548 pages. non-fictionballarat technical art school library, book plate, art, ornament, lion, mouldings, metal objects, frames, jewellery, charges, heraldry, lettering, ornamental letters

Hardcover w/ Dust Jacketwalsh st library

Hardcover with Dust Jacketarchitects, american architects, biography, architectural history, 20th century, walsh st library

Hardcover w/ Dust Jacketwalsh st library

Oil on composition boardSigned 'F. Verheesen 67', underlined in felt tipped pen - lower right corner

Ill, p.70.non-fictionA catalogue of the paintings of Holbeinpainters - germany, hans holbein1497-1543

BUSINESS ESTABLISHED BY JOHANN CONRAD WEICKHARDT IN 1859, PURCHASED BY JACOB F. WEICKHARDT IN 1865. PURCHASED BY J. FRANZ WEICKHARDT 189-1921.1 ORIGINAL SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF BALLARAT BAKERY SHOP IN FRASER STREET, CLUNES, OPPOSITE TEMPLETON STREET. .2 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON GLOSSY PHOTOGRAPHIC PAPEROn Front; Handwritten in black ink, Ballarat Bakery. Clunes business established by Johann Conrad Weickhardt in 1859, purchased by Jacob F. Weickhardt in 1865, purchased by J. Franz Weickhardt 1899-1921 On Reverse; Johann Conrad Weickhardt visited Clunes for the formation of the All Nations Masonic Lodge in 1858. He then sold his business in Ballarat and came to Clunes in 1859. Born 1829, died 1905. Had Ballarat Bakery 1859 to 1865, Had British Hotel, Talbot Road, 1865 to 1905. Jacob Franz Weickhardt brother to Johann Conrad Ballarat Bakery 1865 to 1899 Born 183- Died 1900. Jacob Franz Weickhardt, son of J Conrad W Ballarat Bakery 1899 to 1921. Born at Clunes Aug 4- 1870, died Nov 1942. Father of Frederick Conrad Weickhardt. local history, photography, photographs, shops, weickhardt's ballarat bakery., buildings

BALLARAT BAKERY CLUNES. ESTABLISHED BY J.C. WEICKHARDT ABOUT 1859. OWNED BY J.F. WEICKHARDT [JACOB] FROM 1866 - 1898. OWNED BY J. F. WEICKHARDT [FRANZ] SON OF J.C.W. FROM 1898 -1921SEPIA PHOTOGRAPH BALLARAT BAKERY CLUNES, ESTABLISHED BY J.C. WEICKHARDT ABOUT 1859.HANDWRITTEN IN BLACK INK ON REVERSE OF PHOTOGRAPH: BALLARAT BAKERY CLUNES ESTABLISHED BY J.C. WEICKHARDT ABOUT 1859, OWNED BY J.F. WEICKHARDT (JACOB) FROM 1866 - 1898. OWNED BY J.F. WEICKHARDT (FRANZ) SON OF J.C.W. 1898 TO 1921 - PHOTO TAKEN ABOUT 1914local history, photography, photographs, shops, weickhardt's ballarat bakery., buildings

small sheet of film 1863 CAVANAGH T TO 1863 FRANZ Mbirth, family, register

small sheet of film 1863 FRANZ W TO 1863 JUGERNAUT Pbirth, family, register

Awarded for long and efficient sevice in the colonial era Silver Medal mounted on a decorative arm. Ribbon is made up of two 9mm Violet Bars set astride a 14 mm off white bar. Ribbon is susbended by a silver hanging loop Obverse face has a St. George Cross with 5 stars inside of a belt surmounted by a crown. This is surrounded by the words Local forces Victoria. The Reverse of the medal has " For long and efficient service" embossed on itFranz Kaaden PTE 1st Battn Inf BDE5/6rvr, officers and sergeants, long service medal, victorian, colonial

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Iris Studies in Colour and Talks about Flowers Author: Franz Delitzsch Translated by Rev A Cusin Publisher: T & T Clark Date: 1889 Label on spine cover with typed text PAT 291.43 DEL Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, studies in colour and talks about flowers, franz delitzsch, rev a cusin

Note to W. B. Evans, Sec. of Court King of the Forest, from ? Le Franz informing him that he is married and his wife's name is Mary.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, w b evans, court king of the forest, mary le franz, ? le franz

Wooden mushroom shaped implement for use when darning socks, turned wood with printed name and address on top.Reg Franz Kaaden March 3rd 1893 137 Victoria Street East Brunswickhandcrafts, needlework equipment, darning

MRS. WEICKHARDT WAS AN OLD IDENTITY OF CLUNES. AS A MISS PATIENCE THEY LIVED ON TALBOT ROAD CLUNES IN A RED BRICK HOUSE. WHICH IS STILL BEING LIVED IN.SEPIA PHOTOGRAPH OF MRS. MARGARET WEICKHARDT, NEE PATIENCE,WEARING A DARK DRESS - WHITE LACE JABOT AT HER THROAT - SMOCKING ON TOP OF SHOULDERS. SHE DIED IN 1927.MRS MARGARET WEICKHARDT - D. 1927. NEE PATIENCE. WIDOW OF JACOB FRANZ WEICKHARDT.photography, weickhardt., margaret weickhardt

THE THREE MATHEWS SISTERS WERE OLD CLUNES EDENTITIES. THEY RAN A PRIVATE SCHOOL IN FRASER STREET,CLUNES IN THE EARLY DAYS. THEY WERE MEMBERS OF THE CHURCH OF ENGLAND,SEPIA PHOTOGRAPH OF THREE LADIES - THE MISSES MATHEWS.FLORENCE D. 1941, MRS FRANZ WEICKHARDT EMMA D. 1948, ANNIE D. 1943.photography, early citizens., florence, the misses mathews

Owned by Mr Franz Streizel circa 1895.A travellers small brass inkwell in a square brown leather covered case or box. There is a brass inkwell under the lid with a tiny lever to open it.'Ink' is written in elaborate gold lettering on the lid of the leather case. The brass lid inside has a pattern embossed onto it.writing equipment, inkwells, ink pots

Sheet music, cream colour, black and orange text. On front ' Musical Masterpieces, March Militaire, Franz Schubert. World Famous Piano Solos' Allan & Co. Pty Ltd. Melbourne, Sydney, Adelaide, Bendigo.

Darkish black & white photograph of Francisca (Cissie) Schwerkolt on the right and Dora Van Prooyen. Francisca Schwerkolt (Both) is wearing a floral dress. Dora's (Dorothea) first husband was Franz Swarzman. She later married Joseph Van Prooyen.Grandma and Auntie Dora.schwerkolt francisca, van prooyen dora

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Souvenir programme issued by the "Q" Theatre Guild for a performance of Franz Lehar's The Land of Smiles in 1961. The production was performed at the Kew City Hall. The Cast List includes annotations by Marion Tilley. This was the first time that The Land of Smiles had been performed in Melbourne."q" theatre guild, performimng arts, kew city hall, the land of smiles (lehar)

Sewn by Internee Emma Aberle in Camp 3b from cloth woven in the camp by Franz Laumen, Krefeld, Germany, an internee from England.Ladies Frock - tartan Part Pleated Frock with buttons. Hand sewn with collar, short sleeves, buttoned, slightly pleated skirt. Woven clothe is a Tartan Pattern, mainly green/red.ww 2 camp 3

MR. AND MRS. WEICKHARDT ARE OLD CLUNES IDENTITESSEPIA PHOTOGRAPH OF J. FRANZ WEICKHARDT D. 1942 AND HIS WIFE FLORENCE - NEE MATHEWS, TAKEN 1898 - MRS. WEICKHARDT WEARING A WHITE HIGH NECK BLOUSE OVER A DARK COSTUME HOLDING A ROSE. MR. WEICKHARDT WEARING A DARK SUIT AND WHITE COLLAR SHIRT.photographs, weickhardt, franz weickhardt, florence weickhardt

Translated by Mervyn Savill. This is a translation of Die Essten Und Die Letzten published in Germany in 1953 by Franz Schneeklnth. First English edition published 4.4.1955.Pale blue buckram cover (hand cover), gold fading print on cover, black & white photo, 392 pages.books, military history, air force, german aircraft