Colour photograph. The design of the Rose Garden being dug out of the lawn.On reverse, "Burnley Rose Garden."lawn, burnley, rose garden., design

A few years after the surrounding beds had been planted. Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 89. Caption reads, "A landscaping challenge. Stark outlines of the building are gradually softened by foliage."Sepia print. Administration building. 2 students walking behind the Emily Gibson bed.administration building, green grows our garden, a.p. winzenried, planting of surrounding beds, emily gibson, garden design

First Principal of Burnley Horticultural College 1897-1906. Re-developed the Burnley Gardens.Studio print of Charles Bogue Luffmann: (1) Enlarged sepia copy. (2) Copy of the original (missing) made in 1981 on reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. 1981(889-1)." CD with scanned photograph.charles bogue luffmann, principal, garden design, luffman

ballarat botanic gardens, excursion, garden design

Students in class. students inside class, laboratory, drawing, garden design, biology

Colour photograph. The Engineering Building.engineering building., burnley, garden design

5 colour photographs of students drawing garden designs.students, drawing, garden design, students inside class

Herbs growing in a garden bed with a stone edge.Labelled, 'Photograph by Publicity Branch Victorian Department of Agriculture Ref No. C1762B.' and 'Vege Book 9887/60 Herb Bed.'herbs, herb bed, garden design

Article from the Sunday Age 27 August 1995 on Edna Walling's garden design practices by Susanne Leonard.walling, edna, gardens

A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires.A pictorial journey through Bruno's sculpture garden in Marysville with an additional section of photographs taken post-2009 Black Saturday bushfires. Bruno's Sculpture Garden is one of Marysville's popular attractions. There is a sculpture garden as well as a gallery of artworks. Both the garden and gallery were destroyed during the 2009 Black Saturday bushfires. Some of the sculptures were totally destroyed though a few did survive the fires. Bruno made the decision to re-sculpt the lost sculptures and re-built his gallery and re-open his garden to visitors to Marysville. This book is a new edition of a book that has been published as a symbol of the re-birth of both Marysville and Bruno's Sculpture Garden. Hardback. Front cover has a photograph of a sculpture of a large hand with a waterfall flowing from it. There is also a sculpture of a girl kneeling by the waterfall capturing water in her hands. The back cover has a photograph of a sculpture of two figures holding hands, one of whom is carrying a water jug.To this wonderful planet Earth/ Our experiences and stories are the colours of our life Acknowledgement/ I would like to express my gratitude to Iris and Andrew for their great work and enthusiasm toward this project/ and to all the people who have inspired me, especially my wife Marleen. Also many thanks to Jerome and Linda/ for all their generous support and to Ron Patterson for making it possible./ Bruno Torfsbruno torfs, bruno's art and sculpture garden, gardens-design, marysville, victoria, sculpture, australia, sculpture garden, sculptors, 2009 black saturday bushfires

Photograph of Canterbury Gardens. Design for the gardens commenced in 1905 with advice from William Guilfoyle, director of the Melbourne Botanic Gardens and opened in 1909.Black and white photographcanterbury, canterbury gardens, commonwealth day, canterbury railway station, canterbury mansions, hodgens hotel, bandstands, trees, prams, bull> f

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved From Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. The designation "Nippon porcelain" refers to porcelain made in Japan for export to the west, and stamped with the word Nippon on their bases. This practice began in 1891 in response to the U.S. McKinley Tariff Act, which forbade the import of items that weren't "plainly marked, stamped, branded, or labelled in legible English words." Unfortunately, many reproduction or fake pieces were also produced. In 1921 "Nippon" was no longer accepted by U.S. Customs Agents as the correct name of origin so from then on, imported Japanese porcelain was supposed to be marked "Japan". This information helps us to establish provenance of this item as after 1921.This item comes from a collection used by a prominent citizen of Wodonga. It is also an excellent example of Japanese porcelain of the early 20th century.A small teacup and saucer with a design of a couple in a garden. The design is repeated on the saucer. There is a circular pattern in red and gold around top of the cup and the rim of the saucer. Gilt decorations are included on the handle and around the inside of the cup.Under the saucer: Maker's mark inside a triangular shape and below a crown: "FINE CHINA/ Royal Nippon/ MADE IN JAPAN"domestic items, chinaware