This mounted and framed photograph of a group of friends punting on the River Yarra has a number of historic and artistic associations. The photograph is primarily important as an informal photograph of the Australian baritone John Donald Mackenzie Brownlee (1900-1969), whose international career at the world's major opera houses from 1927 until his retirement in 1958 included singing at Melba's Covent Garden farewell in 1926, to recordings in the 1930s of a major series of Mozart operas in Glyndebourne Festival productions, conducted by Fritz Busch. Brownlee, born in Geelong, won the gold medal as champion vocalist at the South Street competitions in Ballarat in 1921. Moving to Paris in 1923 he began study with the French baritone, Dinh Gilly, making his operatic debut at the Trianon Lyrique in Montmartre in 1926. The most significant periods of his operatic career were with the Paris Opera from 1927 to 1936, and at the Metropolitan Opera from 1937 to 1957. After his move to Paris in 1923, he is recorded as revisiting Australia in 1928 as a member of the Melba-Williamson Company, and 24 years later in 1952. The photograph of Brownlee and the Gardners in a punt on the Yarra, while putatively dated to 1925, must be from earlier in the 1920s before his move to Paris, or later during the Melba-Williamson Company season. Before his move to Paris in 1923, Brownlee had lived in Belmont Avenue, Kew, where he must have developed a friendship with the Gardners. The photograph has additional artistic significance as it was produced at 'The Artorium', James Beament's design studio next to the Hawthorn Town Hall at 362 Burwood Road. With a home at 33 Uvadale Road (designed by Eric Nicholls, who managed the architectural practice of Walter Burley and Marion Mahony Grifffin from 1924 to 1932), Beament painted a number of significant murals for the Griffin practice, including those at the Capitol Theatre in Melbourne.A photograph of recreational activities on the River Yarra. The photograph is historically significant as a professionally produced photograph of the Australian operatic baritone John Brownlee, either before his move to Paris in 1923, or in 1928 during the Melba-Williamson Company operatic tour of Australia. The photograph has additional aesthetic significance as it was produced in James Beament's Hawthorn Studio - The Artorium - at 362 Burwood Road, next to the Hawthorn Town Hall.Framed photograph of John Duncan Brownlee, the Australian tenor, with Enid Gardner and friend in a punt on the Yarra River. Brownlee was born in Geelong but before his move to Paris in 1923, he lived for a period in Belmont Avenue, Kew. Three labels on reverse. 1. "John Duncan Brownlee, Operatic Star, originally of Geelong later resident of Kew at Belmont Av, on the pole. Also in the punt - Edith Gardner a friend. The Gardners lived on the east corner of Edgevale Rd. & Cotham. Approx. 1925." 2. "This picture is the property of Kew Historical Society 1/4/79". 3. Tel. Hawthorn 842 THE ARTORIUM ...."john brownlee (tenor), punting, recreation - yarra river (kew), james beament, the artorium -- 362 burwood road -- hawthorn (vic.)

Identify card issued by RAAF to Frederick Gardner DAVEY who held the rank of Sargeant at the date of issued. Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Cream, folded, identity card with RAAF watermarks. Black / white photo of owner, Frederick Gardner DAVEY. Instructions for use of the printed on back of card. Printed in black type on cover: No 654 AX ROYAL AUSTRALIAN AIR FIRCE OFFICIAL IDENTITY CARD (For All Ranks) R.A.A.F. Forma 120A Personal details handwritten in black ink on inside of proforma.identification, raaf, all ranks

The Bellamy Gardner mask was in use by 1905 and was the first British mask for the open administration of ether. This mask combines the features of the Bellamy Gardner mask with a tower frame designed by Ogston. The Museum's "Penn catalogue", circa 1970, describes this mask: "this followed closely upon Ferguson's lead, but has an enormous amount of "dead-space" contained within the apparatus."Open wire ether mask with inner dome (Bellamy Gardner mask) and outer wire frame tower (Ogston frame).Moulded into connector clip: BRITISH MAKEbellamy gardner, ogston, open ether administration, henry peter penn

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details. Frederick Gardner DAVEY held the rank of P/O (Pilot Officer) at the date of issue. Folded, pink, Royal Air Force identity card. Black / white photo of owner Frederick Gardner DAVEY. Conditions of use printed on back of card. In black print on front cover: IDENTITY CARD FOR ALL RANKS OF THE ROYAL AIR FORCE, WOMEN'S AUXIL IARY AIR FORCE AND THE DOMINION AIR FORCES Card No 828520 R.A.F. FORM 1250 (R) Personal details handwritten in black ink on inside.identification, dominium forces, ww2

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service details.Photo, black / white, of a man, Frederick Gardner DAVEY in RAAF uniform. Mounted on cream card, embossed with designs in brown.Handwritten in pencil on back: Hyde Park, Sydney 19.4.42photography, raaf

Mary Forrest Gardner married Joseph Bartlett Davies on 6th February 1872 at St. Andrew's Presbyterian Church Launceston, Tasmania. She was the sister-in-law of Sir Matthew Davies, first Australian-born Speaker of the Legislative Assembly. Her father was the Rev. John Gardner. She died on 28th October 1887 and was buried at the Boroondara Cemetery. The Mentone Presbyterian Church was built as a memorial to her. The foundation stone of the church was laid by J. Bartlett Davies on 17th August 1889.Sepia toned cabinet card. Waist-length studio portrait of Mary Forrest Davies (nee Gardner).

Mounted sepia photograph of 3 soldiers - identified as follows (L to R) R. S. Gregor, T. Gardner, R. Punshon (seated). They are with their rifles and there are tents in the background.Handwritten on paper: T. Gardiner, R. Gregor, V. R. Punshon. Handwritten on back: 21-9-14 with compliments to A. F. Boardman, from R. S. Gregor Expeditonary Force 7th Battalion E Company on the eve of Departure for the Front under Colonel Elliott / R. S. Gregor, T. Gardner, Roy Punshon Stamped on back: Hewitt, Photographer, 92 Regent St. North Richmondgardner, t., gregor, r., punshon, v. r., boardman, a. f., r. s., armed forces, roy, soldiers, gardiner, elliott, - (col.), photographers, hewitt, george evans collection

Item re Frederick Gardner DAVEY DFC No 410533 RAAF. Refer Reg No 3536P for his service detailsRectangular cream card with black type detailing room number & price paid. Instructions printed on back in black type. Issued to Frederick Gardner DAVEY DFC for accommodation.Hand written in black ink: 55B 5/- Stamped in blue: 19 AUG 1943tickets, bedroom, details, military

Hard cover book - Full title: A Family Who's Who Volume III - More Australian Pioneers - The Burchetts and Related Families - Phillips, Canning, Greenwood, Milbourne, Robin, Stroud, Straw, Whitworth & Wright. By Sir Ronald East, 1976."200 copies printed for private distribution in Memory of Our Pioneer Ancestors to ensure that they will not be forgotten. Copy Number 157. To Ann from Dad & Mum, date 25.12.76.

alan gardner collection

3. Volume set. Autobiography by Winston Churchill; red cloth covers. Titles in gold on black panels. .1) 373 pages, plain, illustrated, black and white photographs. .2) 309 pages, plain, illustrated, black and white photographs. .3) 350 pages, plain, illustrated, map..1) - .3) Handwritten blue ink on title page "J.M. Coglin Feb 16th, 1949". .2) Handwritten blue ink on title page "Ralph ????ling Strathmore Loddon Vale"books, biography, military history

Book, soft cover cardboard, black & red colour , black print on front cover & spine, colour photograph framed in red on front of a soldier mounted on a horse. Colour photograph of author on back, 217 plain cut pages, illustrated, black & white photographs.Handwritten in black ink on front flyleaf: Donated by Bendigo YMCA Owners label: Miss S M Sutherland 2/181 Whitehorse Rd Balwyn Vic 3103 Black ink stamp on front fly leaf: RSL Stampbooks, military history

Image of a Charles Conder painting on front of soft covered book titled The Artists' Camps: Plein Air Painting In Melbourne 1885-1898. FOREWORD by Margaret Plant - Department of Visual Arts, Monash University. The paintings of the 'Heidelberg school" are the best loved group of works in Australian art. The affection is linked in the national mind with a recognition that the authentic Australian landscape had been discovered and colonial bonds broken. The painting activity of the 1880s and 1890s was by no means confined to Heidelberg. Helen Topliss painstakingly presents the variety of sites around Melbourne, in the bush and on the coast, reconstructing their original character and the history of their accessibility. The major figures are well known — Roberts, McCubbin, Streeton and Conder — but there were a number of 'minor' artists associated with the various painting spots that have been too long neglected. A research programme is here initiated in the hope that some of these figures might be more fully returned to us. The restoration of the sites provokes a more extensive roll-call of artists involved in the plein air phenomenon. Various expressions of nationalism in the late nineteenth century have been accorded attention: the painters contributed in varying degrees. But it is, finally, the quality of the painting, the freshness, the particularity of nuance, the calculated aesthetic angles that have governed response and inspired affection. The elegant relaxation themes of many of the paintings have in fact been overlooked in the intellectualization of the quest for 'national identity'. The orchards and the beaches, the ladies promenading a la mode on the beach at Mentone or in the grasses of Box Hill are as important to our artistic tradition and social history as the shearers of rams.

A short essay of the tribes in the Victorian Alpine district, their contact with White Settlement and their languages and customs. Includes information on massacres.jaitmathang, ngarigo, monaro, djilamatang, minjambuta, krauatungalung, bidawal, brabiralung, braiakaulung, wurundjeri, taungarong, taungurung, mount buffalo, omeo, gippsland

Maps, b&w illustrationsngarigo, jaitmathang, ngunawal, kosciusko, djilamatang, charlie tarra, strzelecki, gibbo range, omeo, jemmy gibber, e w bayliss, matooka, matoka, monaro

A short book of Kurnai (Ganai) words - Kurnai-English only. Includes a short introduction with pronunciation and grammatical notes derived from R. H. Mathews? materials.word lists, b&w photographskurnai, gunai, bratauolung, braiakaulung, tatungalung, brabiralung, krautungalung, la trobe valley, mitchell-tambo watershed, gippsland, r. h. matthews

Gives descriptions of area, origin and meanings.Maps, b&w illustrations, b&w photographsgippsland, gunnai, kurnai, bairnsdale, wurruk, place names

An examination of the origins of over 400 names in and around the Bass Strait, including Victorian areas from Cape Otway to Lakes Entrance and the north coast of Tasmania.Maps, b&w illustrations, b&w photographsbunerong, bass strait, tasmania, place names, bassian isthmus, king island, otway coast, port phillip bay, western port bay, wilsons promontory, cape barren island, flinders island, king island

Detailed examination of the origins of local names from Mallacoota to Marlo and from Wingan Inlet to Willis. Includes explanations of the origins of major towns and their features.Maps, b&w illustrations, b&w photographskrauatungalung, gunnai, kurnai, bidawal, east gippsland, lake tyers, point hicks,

Provides an account of the origins and histories of local names in the South Gippsland region.Maps, b&w illustrations, b&w photographsbunerong, kulin, gunnai, kurnai, brataualung, seaspray, phillip island, mirboo, wilsons promontory, woodside, foster, inverloch, leongatha, wonthaggi

Lists the place names along the Victorian Alps, with descriptions and meanings.Maps, b&w illustrations, b&w photographsgunnai, kurnai, ngarigo, jaitmathang, brabiralung, tongiomunjie, tambo, tongio, bruthen, tambo, mount stringy, swifts creek

An account of the origins and histories of local names from Robin Hood to Kilmany, and from Mirboo North to Mt. Howitt.Maps, b&w illustrations, b&w photographsgunnai, kurnai, braiakaulung, bunerong, wurundjeri, kulin, coranderrk, warragul, morwell, rosedale, governor la trobe, drouin, noojee, darnum, walhalla, strzelecki, heyfield, gormandale

Gives a comprehensive account of the origins of local names in the area. Anecdotes of interesting pieces of history.Maps, b&w illustrations, b&w photographsjaitmathang, minjambuta, djilimatang, ngarigo, brabiralung, braiakaulung, yuin, gunnai, lake tyers, dargo river, omeo, bright, swifts creek, benambra, ovens valley, mount hotham, mount nugong, wonnangatta station

An account of the origins and histories of local names between Bairnsdale and Omeo.Maps, b&w illustrations, b&w photographsgunnai, kurnai, brabiralung, jaitmathang, ngarigo, yuin, tongiomunjie, tongio gap, bruthen, tambo, hells gate, mount stringy, doctors flat

Place name list in a specific area. Giving descriptions and meanings.Maps, b&w illustrationsdandenong, genoa, south coast nsw, yarra river, moruya, kiama, captain cook, east gippsland, rosedale