Copy of Title to land owned by Shirley Margaret Fraser, who was a descendant of early landowners in Watsonia, the Black Family. Subject land was part of the family holdings before subdivision.Certificate of Title Vol. 8424 Fol. 599, with Covering letter from Garland Hawthorn Brahe, solicitors and With Compliments slip. Black and white, Lot no. and easement coloured.mckellar street watsonia, shirley fraser (black), black family

Items were owned by William John GARLAND, 5th Army Troop. Illustrated information of the named campaigns of 1944-45..1) Coloured paper map of Bougainville Campaign, New Britain Campaign & Aitape - Wewak Campaign. .2) Coloured paper map of Tarakan Campaign, Balikpapin Campaign & North Borneo Campaign.maps, bouganville, tarakan, islands

Students wearing flower garlands to celebrate Shavuot, c. 1960s-1970s. Please contact [email protected] to request access to this record.shavuot, 1960s, 1970s

When the newly married William and Anna Maria Greenlaw acquired the property in 1862, an existing house known as Studley Villa stood on the land. John Hodgson probably built the latter soon after he bought three portions of land here in 1853. The Greenlaws changed the name of the residence to Villa Alba in about 1870 and in 1882-84 rebuilt the house to create the present mansion. After William Greenlaw’s death in 1895, John Ballinger rented the house until 1914. The lease then passed to Samuel and Esther Fripp, who went on to purchase the property in 1918 after Anna Maria Greenlaw’s death in 1918.This rare textile is associated with the most significant period of Villa Alba's history and is an example of the colonial aspirations of its citizens in the boom years of the 1880s before the crash that engulfed the owner.Small white damask tablecloth or napkin embroidered with the crest of William Greenlaw, the owner of Villa Alba in Walmer Street, Kew. The embroidery of the crest and borders of garlands are completed in multicoloured silk thread.Greenlaw crest - griffin holding thistle in beak over initials WGvilla alba, william greenlaw, tablecloths

This home-made nightgown was part of Mary Ethel McIntyre (nee Lindsay)'s wedding trousseau. Mary married Robert McIntyre on 29 August 1929 at St Andrews Church, Korumburra. The couple moved to Lang-Lang, then Mentone. The nightgown was donated by Mary's daughter-in-law, Elaine McIntyre (nee Wyatt), who was born and raised in Brighton. She was born in Padua House and attended Brighton Primary School and Hampton High School.Cream short-sleeved nightgown with lace collar and cuffs. Attached fabric sash at waist. Fine hand stitched pintucks on either side of waist and small embroidered floral garlands on bodice.mary ethel mcintyre, mary ethel lindsay, trousseau, 1920s

Needle Case: Handmade Cardboard Needle Case with 3 needles and a Poem inside a garland of flowers on the Front. Hand stitched at the seam, gold border, mustard in colour, flowers on the back. Box 625handcrafts, needlework containers, needles, needle case. handmade.

A thirty one page booklet collating many stories from the Military and families during the conflict. Front cover shows Vietnamese girl placing Garland around the neck of soldiers lined up.booklet, memorbilia

Levy Sons & Co. 1895-1919 Paris, France and London, England In 1864 the Parisian photographic studio of Ferrier pere*, fils & Soulier was bought out and became M. Leon & J. Levy. This partnership lasted until 1872 when Leon left and it was renamed J. Levy & Co., which became an important producer of stereo-views and lantern slides. By 1895 his sons had joined the company and it was renamed once again to Levy Sons & Co. (or Levy et ses Fils). His son Lucien became a well known photographer who began publishing international view-cards from his own work depicting scenes mostly from within the French empire, though quite a number are from England and there are some from Australia and Russia as well. There are few French towns that are not captured by his cards. His name does not appear on the cards but - L.L. follows the title as a photo credit. Many of their cards are not attributed. These cards were printed as colotypes in black & white, sepia, and over speckled color lithography. In 1920 the studio united with Neurdein Freres to become Levy & Neurdein reunis. Their negatives are now owned by the Roger-Viollet Photographic Agency. *Claude Marie Ferrier (1811-1889) was also an important early photographer. He was the 'Pere' in Ferrier Pere, Fils & Soulier - best remembered for their stunning series of glass views. Sorting this collection is a challenge. The postcard rears display a variety of forms - a) garland emblem with LL inside, b) with an addition emblem within (FPS?). Or c) - no emblem which may mean production by another company - however LL. remains on the front as a credit to the photographer. http://www.metropostcard.com/picslogos/pcl-levylucien.jpg.jpg http://www.unpi.com/clem/unpostcards/LON1919PC2Naback.jpg Example Colour Card circa 1920 No. 78 Paris - L'Escalier de l'Opera - LL. http://www.postcardcollector.org/forum/index.php?p=/discussion/1306/levy-fils-cie-paris-specifically-lucien-levy-llAbbeyville was a town in the Somme, so that this is a possible reason that the name has been erased on the postcard. http://www.france-voyage.com/travel-photos/abbeville-11435.htmSmall brown covered book of 12 postcards with views of Abbeyville in the Somme. Issue between each each individual postcard. The cover has an oval on front and the name "Abbeyville" in its centre has been erased. The name of the town has also been erased (censored) throughout the booklet. There is a garland in maroon around the maroon oval on the front cover. Print in dark grey on bottom left and right hand side corners.Print "Modele ... Depose" in dark grey on bottom left and "12 Vues Detachables" on right hand side corners. Names of places printed inside but the name of the town has been erased throughout. "Carte Postale" with logo underneath at centre and "Correspondence" LHS and "Adresse" RHS on top of verso of each postcard in booklet. "Levy Fils & Co, Paris sideways along centre line of postcard on verso.abbeyville, levy fils, postcard, vues, panorama, place de l'amiral-courbet, monument, rue alfred-cendre, alfred-cendre street, statue, saint vulfran church, saint gilles church, museum, prarona statue, avenue de la gars, avenue of the station, chevalier de la barre, river somme, somme, talence bridge, correspondence, carte postale, censor, censored

Persons named L to R: Rev. Helen Jackson (Supervisor), Glenys Garland (Secretary), Rev. John Billington (ex Moderator), Rev. Phyllis Gorfine (Minister), Bill Adams (Chairperson)Colour photograph of a group of people gathered outside Wesley Grange Sandringhamwesley grange, sandringham, rev helen jackson, rev john billington, rev phyllis gorfine, glenys garland

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. Cut velvet pelerine featuring multicoloured garlands of flowers in shades of gold, brown and blue on a pink ground. Chenille trim and long silk fringe, Centre front hook and eye closure, Lined with pale pink silk.women's clothing, outerwear -- capes, fashion -- 1890s, fashion design

Used at Eliot's Bakery in Ena Rd around the 1950's, where the Police Station is now located. Was found when Police Station was constructed. Later donated to Southern Sherbrooke Historical Society by Phil Garland.Two rectangular tins joined together, used to bake 2 sandwich loaves at once. Used at Elliot's bakery in Ena Rd, Belgrave.bakrery, belgrave

A shaving scuttle and shaving mug were developed around the 19th century with the first patent for a shaving mug dating to 1867.[8] As hot water was not common in many households, one way to provide hot lather was to use a scuttle or mug. A traditional scuttle resembles a teapot with a wide spout where hot water is poured in, and this is where it differs from a shaving mug, which has no spout. Both shaving scuttles and mugs usually have a handle, but some have none. Shaving mugs often look like a standard mug, however, some also have a built in brush rest, so the brush does not sit in lather. Modern versions of the scuttle are in limited production, usually by independent potters working in small volumes.[9] At the top of the scuttle or mug is a soap holder. Traditionally, it was used with a hard block of shaving soap (rather than soft soap or cream) and therefore had drain holes at the bottom. Later scuttles and mugs do not include the holes, and thus can be used with creams and soft soaps. Some scuttles and mugs have concentric circles on the bottom, which retain some water thus helping to build lather.[9] In use, the shaving brush is dunked into the wide spout, allowing it to soak into the water and heat up. The soap is placed in the soap holder. When needed, one can take the brush and brush it against the soap, bringing up a layer of lather; excess water is drained back. This allows conservation of water and soap, whilst retaining enough heat to ensure a long shave. Source: www.wikipedia.org Local social historyOrnate white china mug with handle. Cup side to hold brush and saucer shaped top with 3 drainage holes. Gold painted decoration and flower garland of pink and yellow roses. Mother of pearl effect over sides.Made in Germanyshaving, item, china, mug, bathroom, men, personal, toiletry

Collection of 78 rpm records, 12 records in total in paper covers, including ''Over The Rainbow'' by Judy Garland, ''Home Sweet Home'' by Deanna Durbin, ''The Loveliest Night Of The Year'' by Mario Lanza, ''The Anniversary Waltz'' by Vera Lynn & others.entertainment, music, records

Cream coloured card with raised border. A green oval at the top with a shaped, rolled edge banner with 'All Good Wishes' printed in gold. Near the bottom is a small green garland. Card & insert held together with green card with a tassel on the ends.person, greeting cards, malone collection, malone collection, greeting cards

Alice McGREGOR Born: 1908; unknown parents. Possibly adopted by the Salter family? Electoral Roll 1936: Highland Terrace Kangaroo Flat. Alice Mary Salter and William Robert Salter living together; presumed to be sister and brother. William Robert Salter was killed in a MVA in Bendigo in 1937 aged 26. In Victoria in 1938, Alice Mary Salter married James Thomas McGregor (born Victoria 1917, died Victoria 1983, buried Fawkner Cemetery) Lived: 1968; 22 Wade Street Golden Square Alice McGregor Died: 1999 aged 91 at Anne Caudle Centre, Bendigo Buried: Kangaroo Flat Cemetery See additional research. Postcard Album of Alice McGregor contained 86 post cards.Postcard Album of Alice McGregor contained 86 post cards. See 1400. Colour painting of male and female hands clasped within a garland of roses and blue flowers. "A Happy Christmas" at top left corner. A 2-line poem below. To Miss Shatford (no address given) from Gwen Dated 1907 & 1908 postcard, collector, alice mcgregor

Australian National Flag Montage depicting 15 Australian flags, including Naval, Military and Aboriginal flags - with history and details of each flag, also featuring the words of our National AnthemAustralia entered the first world war with three flags representing its dual nationality: the Union Jack as national flag and its two Australian ensigns. All three featured in recruiting drives for the Australian Imperial Force (the AIF). At that time the Union Jack was clearly regarded as the most importantBlack and gold painted frame containing montage of Australian flag and 14 smaller flags with boxed narratives.The Australian National Flag Gold Plaque - Proudly endorsed by the Returned & Services League of Australia 1992 Signed by Brigadier A B Garland AM and B C Ruxton OBEflags, australian, australian states and territories

Hand embroaded on silk memento by Bill Handcock to his mother from Pelestine 1940. Main feature is the Rising Sun Bagde.silk hand embroaded memento Mrs P G Handcock from Bill Palistine 1941 Australian Commonwealth Military Forces Rising Sun Badge in centre Crown is centered on top of Garlands with flowers embossed in corners Blue fringed on all edges"Palestine" Lower L/H Side, "1940" Lower R/H side, "Mrs P G Handcock /From Bill" centre bottom, "Australian Commonwealth /Military Forces, on Rising-Sun-Badge centre world war two, embroidery, memento, rising sun badge, palestine, 1940, handcock

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Wallpaper fragment from ‘Reno’. These two large fragments of wallpaper have a formality of design that is accentuated by the wide borders and narrow vertical lines that separate the repeated designs of rose garlands in vases on a vertical trellis design. The design is in tones of pink and green with gilding.reno, st john's parade, kew, samuel cocking, wallpaper

Bendigo Advertiser "The way we were" from Thursday, April 22, 2004. Time to celebrate: home on leave from New Guinea in 1944 were, from left: Bill Garland, Beryl McLean, Joy Cullen, Max Dyett, Lola McLean and Alan Phillips.newspaper, bendigo advertiser, the way we were

Australian World War One Soldier memento. This postcard was possibly sent home from France during World War One, most probably from Harry Holmes of Ascot, Victoria. HENRY SMERDON (Harry) HOLMES was born in 1897 at the family property, ’Sauchieburn’, 17 km north of Ballarat, in the Ascot district. He was the youngest of four children. After finishing his education at St Patrick’s College, Ballarat, Henry joined the Holmes family farming interests. At the age of 18 he enlisted and served with AIF in Egypt, France and Belgium 1915-1918. Henry served at the famous battlegrounds of Ypes and Somme in the Australian Army 8th Battalion. He was a Driver with the 4th D.A.C. The postcard is of "The Ascot" boys. Includes [Samuel] Gordon Spittle, Henry [Harry] Holmes's first cousin, and other Ascot and Tourello lads and district connections: neighbours (including a Wrigley boy), Ascot State School classmates and football mates from Clunes / Creswick districts. (Research by Jane Dyer) Postcard with embroidered detail on white silk, with top flap. The central embroidery depicts two small soldiers dressed in brown outside a gate leading to house in a peaceful setting surrounded by trees. Below is a blue embroidered "Best Compliments" and red embroidered garland of red flowers.chatham family collection, chatham, world, war, world war one, world war 1, world war i, france, harry holmes, holmes, embroidery, postcard

This is a coloured formal portrait of King George VI and Queen Elizabeth. They are dressed in full royal regalia with crown and tiara. They are standing on a raised step in front of a maroon curtain. On the walls beside the curtain are garlands of flowers and leaves. At the bottom of Portrait is the phrase "Their Majesties, the King and Queen." This portrait is unframed.At the very bottom of portrait is printed - "Printed and Published - by the Argus and Australasian Ltd"'ww2, britain's king and queen

There is no information available with this item. The photograph was possibly taken at the old showground in Orbost and may be associated with a church function. It may have been taken at a sports ground or at a race meeting. The rotunda may be a judge's stand.A black / white photograph / postcard. There is a large group of children girls in white dresses which have sashes or garlands. They are partnered with boys in suits. They are in a paddock in formation. There is an audience of mostly men watching them. In the right front is a group of men, wearing turbans, who appear to be Sikhs. In the background is a rotunda. there is a very faded indecipherable stamp on right side.children

Document. Greeting Cards. Single white card with some green shading & pattern cut edges and cutouts. Across the top is a garland of green ivy & white flowers. To the left of centre the cutouts resemble two pieces laced together. A hapy New Year to you From (written on the front.)Raphael Tuck & Sonperson, greeting cards, malone collection, malone collection, greeting cards

Green binding represented Wombat House at Williamstown High SchoolBlack woolen pocket taken from a Williamstown High School blazer, year [1953]. Blazer has green binding stripe at top and embroidered anchor and garland in red and yellow. 'Hold Fast' across bottom of anchor. Green stripe under logo. Black lining on back of pocket.williamstown high school, school uniform, wombats