This is a typical example of a flat wick domestic paraffin lamp used in households prior to the introduction of electricity.A flat-wick lamp is a simple type of paraffin lamp, which burns paraffin drawn up through a wick by capillary action. A flat-wick lamp has a fuel tank (fount), with the lamp burner attached. Attached to the fuel tank, four prongs hold the glass chimney, which acts to prevent the flame from being blown out and enhances a thermally induced draft. The glass chimney needs a "throat", or slight constriction, to create the proper draft for complete combustion of the fuel; the draft carries more air (oxygen) past the flame, helping to produce a smokeless light, which is brighter than an open flame would produce. The wick holder has holes around the outer edges. When the lantern is lit and a chimney is attached, the thermally induced draft draws air through these holes and passes over the top of the wick. This has a cooling effect and keeps the wick from over heating. The lamp burner has a flat wick, made of cotton. The lower part of the wick dips into the fount and absorbs the paraffin; the top part of the wick extends out of the wick tube of the lamp burner, which includes a wick-adjustment mechanism. Adjusting how much of the wick extends above the wick tube controls the flame. The wick tube surrounds the wick and ensures that the correct amount of air reaches the lamp burner. Adjustment is usually done by means of a small knob operating a cric, which is a toothed metal sprocket bearing against the wick. If the wick is too high, and extends beyond the burner cone at the top of the wick tube, the lamp will produce smoke and soot (unburned carbon). When the lamp is lit, the paraffin that the wick has absorbed burns and produces a clear, bright, yellow flame. As the paraffin burns, capillary action in the wick draws more kerosene up from the fuel tank. All paraffin flat-wick lamps use the dead-flame burner design, where the flame is fed cold air from below, and hot air exits above. (Source: Wikipedia accessed 24 Nov 2023) This lantern has a circular heavy green glass base for holding the paraffin. The base has a 12mm green glass handle. There is a small clear glass chimney with a fluted upper edge and some bubbles in the glass. The metal burner and wick holder has four metal prongs to hold the glass chimney in place. The round metal wick winder is functioning. There is a small amount of residual paraffin in the base. The flat wick is made of cotton.There are no markings to indicate the manufacturer.paraffin lamp, flat wick lamp, domestic lantern

Kerosene lamp with cast iron base hand painted blue and green trim with red flowers and green petals. Amber glass font with brass collar & burner, complete with wick and glass chimney.Wick winder reads P&A Risdon MFG Co Danbury CT Made in USAlighting, kerosine & oil, kerosene, u4.705

Glass lamp base - seven sided narrowing before kerosene covered bowl section covered with brass burner possibly ' Aladdin' with used wick. Middle rim patterned - molded glass. Chimney - clear glass undamaged. Made around 1920's - 1950's.

Small red tin plate kerosene childs night light commonly called Pixie lamps, base filled with gravel or sand to prevent tipping over, small milk white glass chimney, brass burner complete with wick.Wick winder reads GWB British madelighting, kerosine & oil, kerosene

This lamp pattern was originally made in USA between 1880 and 1900. The pattern is called Feathered Cartouche and generally had a painted motif on each of the panels on the front. This lamp is probably a copy of the American lamp and made in Australia sometime in the first half of the 20th century. The lamp has an English style collar rather than an American one and the pattern is not as crisp as the American ones. There were several lamp patterns made here that were copies of American patterns and that style of collar was used on most of them. (ref Oil Lamp Antiques)This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.Ornate clear glass kerosene lamp. Glass chimney is missing. Base is square and patterned with raised oval shapes, as is the stem. Both base and stem are hollow. At the top, the kerosene holder is squarish with round corners.. The wick holder is of brass and has a small wick adjustor.lamp, kerosene lamp, lighting - domestic

Hand-held kerosene lamps were introduced in the late 1800s for lighting homes prior to the introduction of electricity. This lamp was used in the Bridge Hotel during early European settlement and migration to the area.This lamp is the only example of domestic lighting within the collection. It belongs to the objects relating to the interpretation of Echuca's Bridge Hotel, built by European founder Henry Hopwood.Ornate pressed metal base (4 sided) with floral design. Featuring a ribbed blue glass fuel fount, a four-pronged metal carrier (that would hold a flat cotton wick) with small circular knob (a mechanism for adjusting the wick) and a bulbous clear glass chimney with decorative scalloped edge.lamp, glass, blue glass, kerosene, flat wick, 1800s

A flat-wick lamp is a simple type of kerosene lamp, which burns kerosene drawn up through a wick by capillary action. A flat-wick lamp has a fuel tank (fount), with the lamp burner attached. Four prongs hold the glass chimney, which acts to prevent the flame from being blown out and enhances a thermally induced draft. The glass chimney needs a "throat," or slight constriction, to create the proper draft for complete combustion of the fuel; the draft carries more air (oxygen) past the flame, helping to produce a smokeless light which is brighter than that produced by an open flame. The lamp burner has a flat wick, usually made of cotton. The lower part of the wick dips into the fount and absorbs the kerosene; the top part of the wick extends out of the wick tube of the lamp burner, which includes a wick-adjustment mechanism. Adjusting how much of the wick extends above the wick tube controls the flame. The wick tube surrounds the wick, and ensures that the correct amount of air reaches the lamp burner. Adjustment is usually done by means of a small knob operating a toothed, metal sprocket bearing against the wick. A paraffin lamp with a green metal base to hold fuel with a side screw to adjust wick length. An opaque white glass shield sits in a metal frame attached to base* moorabbin, bentleigh, cheltenham, pioneers, early settlers, market gardeners, lights, lamps, paraffin, oil lamps

The kerosene lamp is a type of lighting device that uses kerosene as a fuel. Kerosene lamps have a wick or mantle as light source, protected by a glass chimney or globe; lamps may be used on a table, or hand-held lanterns may used for portable lighting. There are three types of kerosene lamp: traditional flat wick, central draught (tubular round wick), and mantle lamp. The side screws adjust the length of the wick and hence the strength of the flame/light produced. Prior to the introduction of gas and electricity these lamps were used for lighting in all households after sunsetPioneers and early settlers relied on kerosene lamps for lighting their homes after sunset.A 19th Century kerosene chamber lamp, with clear, plain glass shade and reservoir, circular metal base and 1 side screw for adjusting the flameearly settlers, pioneers, market gardeners, moorabbin, brighton, bentleigh, ormond, cheltenham, candles, lights, lamps, kerosene, paraffin, oil

Lamp circular with glass shade/chimney (broken). Brass plated copper construction. 2 rings on base. Made by Dietz, and fitted with a Dietz "Convex" Burner.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lamp, dietz

From the home of Mrs. Nell Sebire, 2nd wife of Thomas Sebire. On loan from Lance Sebire. Son of Nell and Thomas.Aladdin Lamp - White china shade with leaf design and plain glass edging. Clear glass lamp chimney. Metal fuel container, and wick assembly. Has stamped base.Metal base - "Juno Lamp made in USA" stamped. Fuel cap has "Miller" inscribed. Wick has logo and "Made in USA" stamped on it. kerosene lamps

Early Settlers used candles and lamps as their source of light after sunset. This lamp, uses a flat wick immersed in kerosene or oil, contained in the bulbous reservoir, with a side screw to adjust the flame enclosed in a glass, open top shield.A flat wick kerosene lamp. The knob protruding to the right adjusts the wick, and hence the flame size. This lamp has a plain blue glass shade -chimney with a fluted rim, blue glass geometrically engraved reservoir and a circular brass base early settlers, pioneers, market gardeners, moorabbin, brighton, bentleigh, ormond, mckinnon, lighting, lamps, kerosene, paraffin, oil

Large Platform Lamp used by Railways to signal train at stoppings, Cubed in shape with angled sides. Plain glass front, Red-coloured lens on both sides, which can be opened to reveal plain glass.. Covered chimney on top . Bracket on the back to hang the lamp up. railway, platform lamp, lantern, signal, kerosene

Steel framed paraffin lamp with steel base. Glass bulbous chimney with embossed writing and makers mark. Thin steel wire for protecting glass, and as handle on top with hook indent, attached to frame. Mechanism for raising and lowering glass casing by small handle attached to frame for facilitating lighting. Wick trimming device on side of base, and cap covering hole in base for filling.On glass - 'Feuerhand, Made in Germany' embossed. On opposite side, company logo of hand holding flames. On base - 'Made in Germany', embossed. Company logo. '*Nr. 327' Company logo on oil cap, wick trimming knob and on top of framelighting, kerosene and oil, hurricane, lamp, paraffin, feuerhand, lighting. dora buckley

Used in the early 20th CenturyAn early 20th Century glass and rusted tin "hurricane" lamp with curved wire protecting the clear chimney glass. This is a portable lantern with an oil tank at the bottom that forms the base of the lamp. The tank is filled through a metal tube with a screw top lid and it also houses a wick and knob that increases or decreases the length of the wick.lamps, kerosene lamps, lighting equipment, lanterns

This trade mark (V inside a clover) was German. It was used by the lamp makers Veritas Efsca Works in Birmingham, and for a time by Valor Co. Ltd. which took over Veritas. Valor Co. Ltd. was established in Birmingham in 1890 and produced oil containers for the Anglo-American Oil Com. In 1901 the firm advertised themselves as Stampers And Pieces. Later it was named 'The Valor Co. and was associated with the Aston Brass Co., and advertised as makers of oil lamps and stoves. Valor became a maker of oil heaters cookers and many other products that were fueled by oil. Later it sold gas heaters and ovens. In 1936 Valor Co. Ltd. was made a Public Company and operated under the name The Velor Company Ltd. The company changed names over the years and it was still operating under Velor Fires in January 2002.Oil or kerosene lamps were the means of lighting for homes, farms and industry in the late 19th and early-to-mid 20th centuries. Lamps like these were important as Lighthouse Keepers and Assistant Keepers' equipment. They were in common use in until the lighting was powered by gas and electricity. The reflector at the back of the lamp makes it of greater significance as most lamps don't have this feature. The logo is also interesting as it originated in Germany and was used with permission by a British company and the company that brought it out for a short time. Similar lamps are still available today, usually with gas for fuel. Kerosene lamp; blue painted metal fuel can and metal rear reflector support. and a round corrugated reflector at the rear. The mid-section wick is made of brass. The glass cover or chimney is bulbous in shape. Inscriptions include a trademark "V" inside a clover. It is British-made in Birmingham by either Veritas Efsca Works or Veritas Valor.Trademark; "[clover symbol] surrounding a "V" Stamp: "BRITISH MADE" Marked on adjusting device: "English Made 1 in w" Marked on support of deflector shield - "British Made" and symbolwarrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, oil lamp, table lamp, kerosene lamp, valor co. ltd, v inside a clover, veritas, british made, lamp reflector, lighting, lamp, the valor company ltd

Used in the early 20th CenturyAn early 20th Century glass and rusted tin "hurricane" lamp with three wire curved horizontal bands protecting the clear chimney glass. This is a portable lantern with an oil tank at the bottom that forms the base of the lamp. The tank is filled through a metal tube with a screw top lid and it also houses a wick and knob that increases or decreases the length of the wick.lantens, kerosene lamps, lighting equipment, lamps

OIL LAMPS Oil had been burnt in lamps at least since the Palaeolithic age, and the cheapest light fittings used in Victorian homes had changed little since then, with a simple wick protruding from a small container of whale oil or vegetable oil. However, much brighter and more sophisticated lamps had emerged late in the 18th century, the most important being the Argand oil lamp. This lamp had a broad flat wick held between two metal cylinders to form a circular wick, with air drawn through it and around it. This in itself was a revolutionary idea, but its inventor, Aimé Argand also discovered that by placing a tube or 'chimney' over the flame, the hot gases from the flame rose rapidly creating a draught and drawing air in from below. Fanned by a draught from both inside and outside the circular wick, the poor spluttering flame of early lamps was transformed into a bright, efficient light source (see illustration). The one disadvantage for the Argand oil lamp and its many imitators in the early Victorian period was that the best oil then available, colza, was so thick and viscous that it had to be fed to the wick either by gravity from a reservoir above, or pumped up from below. Most colza oil lamps have a reservoir often shaped like a classical urn to one side which in some fittings obstructed the light. The Sinumbra lamp got around the problem by having a circular reservoir around the base of the glass light shade. One of the most significant improvements of the Victorian period was the introduction of paraffin. Patented in 1850, the price of the new fuel fell dramatically following the discovery of oil in Pennsylvania, USA. As paraffin was much lighter than colza the reservoir could be placed below the flame, enabling many new designs of light fittings. One of the most successful paraffin lamps was the Duplex burner introduced in 1865 which had two wicks side by side and, like the Argand lamp, a clear glass chimney with air drawn from below. Most lamps also had a larger shade around the chimney often of opaque glass to diffuse the light. The shades or diffusers provided an opportunity for decoration, and a variety of shapes, colours and patterns were used. The amount of light which can be produced by a wick is limited by the surface area of the wick and the amount of fuel and air able to reach it. As fuel burns at the tip of the wick only. The gas mantle, on the other hand, provides a much larger three-dimensional surface, and is far more effective as a result. Invented by Carl Aur von Wesbach in 1885, the incandescent mantle was the last major breakthrough in oil and gas lighting of the period, before both succumbed to electric lighting. The mantle consists of a skirt of silk or cotton impregnated with a non-inflammable mixture (thorium and cerium), suspended over a fierce flame. When first ignited, the cotton burns away leaving fine, brittle filaments of non-combustible material in its place which glow white hot or 'incandescent'. The mantle works best with either gas or a fine mist of paraffin produced by a pressurised reservoir which is still widely used in camping lamps today, producing a bright, warm light to rival an electric bulb. https://www.buildingconservation.com/articles/lighting/lighting.htm http://www.artandarchitecture.org.uk/stories/lighting/lighting4.html#:~:text=Oil%20had%20been%20burnt%20in,whale%20oil%20or%20vegetable%20oil.An item of great importance in any home before gas or electricity was available.Kerosene lamp, ceramic, with metal top and wick. Has handle at side and floral hand painting around the body. Glass cover. Metalwork is rusty.Noneflagstaff hill, warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, oil lamp, heating, lighting, ceramics

In the beginning of the19th century, the main mode of transportation was the horse and carriage. Even after the advent of the railway, remote areas still relied on the horse for local transport.Until Australian coachbuilders began making buggies from the 1860s, most were made in America Buggies with four wheels were light but comfortable. Many had hoods to keep the sun and rain off passengers. They were generally owned by doctors, ‘squatters’ and business people. Some had small turn-out seats at the back for children. Lamps are placed at different places on the carriage sides: 1 lamp on each side placed close to box seatThese lanterns are examples of lighting devices used in the time of horse and carriage transport.Two kerosene lanterns - buggy lamps.They are rectangular in shape and have a chimney on top. Both have carrying handles.There are 3 glass windows having two clear white lights and one small red round light on the back. The ceramic burner is made by Barton's.On ceramic wick holder - B in the middle of BARTONS B Underneath is TRADE MARK lighting kerosene-lights buggy-lamps transport lanterns

The article was contributed by J.K.McCaskill, JP. a mayor of Ringwood in the years between 1924-1951.The Sanders family came from England and are mentioned in the book "Ringwood a Place of Many Eagles" by Hugh AndersonObituary from The Ringwood Mail of Joseph Richard Sanders of 18, Wantirna Road, Ringwood, aged 87 years. He came from a family who were early pioneers of Ringwood. he was born in Collingwood but schooled in Ringwood, married and brought up his family in Ringwood. He lived at 18, Wantirna Road .The article was contributed by J.K.McCaskill, JP. a mayor of Ringwood in the years between 1924-1951.Transcript: "The death occurred of Joseph Richard Sanders, 18 Wantirna Rd, Ringwood, on Wednesday, 21st October 1959, in his 87th year, marks the passing of another of Ringwood’s early pioneers. He was born in Collingwood in August 1873 and came to Ringwood with his parents when 15 months old. They made their home on land on what is now known as Jubilee Park (Fuller particulars of this Park will appear in ‘The Mail’ at a later date, also reference will be made to Wantirna Rd, in the early days it was known as West Prussia Rd). Joe went to the school held in the old homestead and orchard of Mr. Mills, just through the Heatherdale Road railway gates. He remembered many of the scholars, some of the boys and girls had to walk three and four miles to school through rough scrub paddocks in all kinds of weather. During the lunch hour a few of the boys generally went to the creek to fish for eels and would be late in getting back to school, greatly to the annoyance of the teacher. One day the fishing was good, and the boys rather reluctantly returned to the school late as usual. The teacher was furious and made them stand in front of the class but before inflicting punishment she called out to one of the boys to throw out that dirty bag he was holding. The lad gave the bag a shake and out wriggled a snake. There was immediately a general stampede from the classroom, led by the teacher. The school was closed for the rest of the afternoon. Another incident related to a few tramps who after the scholars had all gone home, generally camped for the night in an old back room in the homestead. One of the boys put a little gunpowder in this old fireplace and when the tramps lit the fire to boil their billies the old chimney and part of the old wall just collapsed. Joe, after leaving school, worked around the district for some time and later left Ringwood to live in other suburbs. He at one time was employed at the Aust Glass Works, and later as a carpenter worked on building the dome of the Railway Station at Flinders St. He married a Miss E. M. Wood in 1901 at Richmond and a few years afterwards returned to Ringwood and resided at No. 18 Wantirna Rd., where he reared a family' of three girls (Alice, Ethel, Joyce) and two boys (Robert and Joe). Joe recalled many interesting events of earlier years, such as the duplication of the railway line, and the cutting back of the embankment at the Goods Shed, the earth being used to heighten up the railway bridge over Wantirna Rd. The brickworks at Ringwood East and reference to early land surveys, the using of the heavy chain links before the use of the theodolite became general, and the many neighbours and friends whom he knew. He was interested in local public affairs and was fond of fishing. He proved himself a good citizen and was highly respected and esteemed throughout the district, and so another old pioneer passes on." (Contributed by J. K. McCaskill, J.P.) RM 19 Nov 1959

This is a vintage lighting mechanism probably dating from the 1920s. It would have been used in a household or business to provide lighting for a room. It is quite heavy so would have mostly rested on a table or ledge. It is a Petromax lantern, a brand name for a type of pressurised paraffin lamp that uses a mantle. The Petromax lantern was developed in 1910 by Max Graetz of the firm of Ehrich and Graetz of Berlin, Germany (petro= petroleum, max=Max Graetz).The Petromax lantern is still produced todayThis lantern is of antiquarian interest as an example of household lighting100 years ago.This is a lantern with a metal base, a wooden stem painted black, a metal body holding a piece of circular glass and a metal top with perforations acting as a chimney. The base has a hand pump and a removable screw cap to enable the base to be filled with paraffin. The main body has a screw holder to control the lighting and a pre-lighting mechanism and a mantle fitting inside the glass. The mantle is missing.PETROMAX No. 886 MADE IN GERMANYvintage lighting, petromax lanterns

Arthur E. Woodley donated the WW1 Military Carbide Signal and General Purpose Lamp to Frankston RSL. It was given to Arthur E. Woodley of Crib Point during the 1960s by Captain Ivan E. Layton MBE who was then the Executive Officer of Melbourne Legacy. During WW2 Ivan Layton was secretary to General Blamey. Ivan Layton died on 15th September, 1979. The carbide workings of the lamp were removed because of corrosion, otherwise it is almost complete.WW1 Military Carbide Signal and General Purpose Lamp which is round and made of brass. The lamp has a latched and hinged brass top. Brass and wood hinged handle with knurled access knob which is situated at the top of the lamp. In between the handle uprights is a round chimney flu which allows heat to escape. Approximately one third down from the top of the lamp there is a brass side handle. Immediately to the left of the handle is a rectangular curved view port with brass cover. Directly opposite the side handle is a convex glass window. Air vents are located at the bottom of the lamp. Inside the top half of the lamp is a chamber which contains the carbide lamp and perpendicular sleeves for the insertion of coloured glass panels. The bottom half of the lamp contains the carbide.Manufacturers Stamp, 'PLAYER & MITCHELL LTD', 'SENTINEL WORKS' 'BIRMINGHAM'ww1, military, brass, lamp, world war 1, round, great war, carbide, signal lamp, player mitchell, birmingham

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Glass centre for lamp. Long cylindrical tube, larger at base than at top.Front: 6 / Sun Brand / Best Crystal / Fireproof / Made in Czecho-slovakia (etched logo, base).

Displayed at History HouseSheet-metal lantern with cubed lantern mounted on cylindrical handle. Two sides are full-pane thick bevelled glass, one tin with concave reflector panel on inside and one side with hinged door with red glass circle mounted in the middle. Painted black with black chimney and hood. Brass edging to glass panes.Front: Goodwin & Co/Birmingham (metal embossed plaque, candle mount).port of portland archives