Showing 34 items
matching government wharf
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Queenscliffe Maritime Museum
Painting - MV Surriento, Dacre Smyth, Surriento
Like so many ships that were used during WWII, she was laid up and remained idle for several years, until finally in 1948 the US Government sold her at auction and the highly decorated USS Barnett, ex MS Santa Maria was officially purchased by the well known Italian Multi Millionaire ship owner Mr. Achille Lauro on April 13, 1948. Soon she headed for a Baltimore shipyard where she received some work to ensure that her engines that had been shut down for a considerable time, were back in full working condition. When the work had been completed she was certified for her delivery voyage to Italy! The delightful all white MS Surriento was ready to depart Genoa on her very first voyage to Australia in her brand new passenger/migrant liner role. A framed oil painting of the migrant ship MV SurrientoSurrientoms surriento, migrant ships, emmigration -
Ballarat Tramway Museum
Ephemera - Timetable, Dept of Government Transport - NSW, Sydney Tramway Timetable - 1953 Sydney, 1953 and 1954
Paper - black and white. Alterations on separate pieces of paper in the book - 5 pages. 120.1 - Tramway timetable for Circular Quay - Canterbury - Cooks Rivers - Dulwich Hill - Earlwood lines, 1953. 120.2 - Altered journey for route, Circular Quay - Cooks River line - 1954 120.3 - Altered journey - Dulwich Hill, Glebe Point, Balmain, Lilyfield and Darling St. wharf - Canterbury lines - 1954. 120.4 - Altered journey (on trail) Circular Quay and Darling St. wharf and Canterbury lines - 1954. 120.5 - Additional and altered journeys - Circular Quay and Darling St. wharf lines - 1954 120.6 - Tram time table for Circular Quay - North Bondi line (via Bellevue Hill) including running times, sections and fares - July 26 1954.sydney, timetables -
Kew Historical Society Inc
Photograph, Anglo-Australasian Photographic Company, View of the River Murray, near Echuca, showing the Railway Wharf with steamers unloading, c. 1876
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.albumen silver photograph on boardprinted in ink on support l.c.: VIEW ON THE RIVER MURRAY, NEAR ECHUCA, SHOWING THE RAILWAY WHARF WITH STEAMERS UNLOADING. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 7. / VIEW ON THE RIVER MURRAY, NEAR ECHUCA, SHOWING THE RAILWAY WHARF WITH STEAMERS UNLOADING. / The rapidly increasing traffic on the River Murray, with wool, timber, and other colonial produce, has called / into requisition no less than 400 steamers and over 1000 barges. To meet this growing emergency the Victorian / Government has expended several thousand pounds in the erection of a Railway Wharf which during the wool- / season presents a very busy scene, the crowded steamers laden with precious clip taxing to the utmost the / powers of the Railway Department in the process of unloading. The River here is about a quarter of a mile wide, / and is from 60 to 70 feet deep. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, river murray, echuca -
Glenelg Shire Council Cultural Collection
Work on paper, (Untitled - Port Fairy Wharf)
David Williams, betweeen 1990 and 2004 self-published 18 historical sketchbooks around Victoria. These and other projects involved the creation of over 5000 paintings. David Williams is a water colourist. His book for South-eastern Victoria around the Portland area was awarded the Victorian Government History Award in 2005. Special exhibitions of David William's paintings have been held in Eaglehawk, Echuca, Bright, Glen Waverley, Myrtleford, Wandiligong, Olinda and Point Lonsdale to assist community projects.Image of a wharf with boats moored up either side. To the right of the wharf are several large Norfolk Pines. In the foreground of the image is the front part of a boat with the letters 'Jot' in blue. It is roped to the side of the wharf.Bottom right - David Williams 2004