A Donnay Graphite/Wood wood tennis racquet. Materials: Wood, Plastic, Adhesive tape, Leather, Nylon, Graphitetennis

Graphite frottage drawing on paper.Not signed. Not dated.

Graphite frottage drawing on paperNot signed. Not dated.frottage, text, words, urban

A Dunlop 'Graphite' tennis racquet, with Dunlop trademark on netting. Materials: Graphite, Leather, Adhesive tape, Nylon, Ink, Plastictennis

A Wimbledon 'Eclipse Graphite 98' tennis racquet. Materials: Composite Materials, Nylon, Plastic, Adhesive tape, Leather, Graphitetennis

A Wilson 'Graphite Matrix' racquet. Handle sealed with clear plastic. Materials: Graphite, Plastic, Nylon, Adhesive tape, Leathertennis

A Slazenger C.P.S.A. Graphite Comp, wood/graphite squash racquet, with open throat, and synthetic handle grip still sealed in original plastic wrap. Materials: Wood, Graphite, Ink, Synthetic material, Nylon, Plastictennis

A 'Red' Fox wood/graphite, open throat tennis racquet. Materials: Wood, Graphite, Paint, Ink, Nylon, Leather, Plastictennis

MEDIUM: Oil stick / Graphite on panel

An unstrung Wimbledon graphite/fibreglass composite, tennis racquet. Materials: Graphite, Fibreglass, Paint, Ink, Plastic, Adhesive tape, Leather, Metaltennis

This crucible was raised from the wreck of the Loch Ard. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All were manufactured by the Morgan brothers who founded the Patent Plumbago Crucible Company in 1856, making crucibles in a small factory in Battersea London. A crucible is a container used for purifying and melting metals so that they can be cast in a mold to a predetermined shape and use. They must withstand extremely high temperatures, abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles this technique was pioneered by the Morgan Bros thereby making a significant technological advance in foundry technology and metallurgy. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially, they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm's manufacturing rights and began producing their graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the Loch Ard suggests they may have been part of a sample shipment intended for similar promotion in the Australian colonies or at Melbourne's International Exhibition to be held in 1880. A newspaper account of an 1864 tour of the Morgan brothers' 'Black Potteries' at Battersea indicates: "All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilograms; a No. 3, three kilograms, and so on." These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six is of the same size. (For more information on the Loch Ard wreck see note sec this document) The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck of which the crucible is a small part. The collections objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.A medium size crucible, or fluxing pot, for heating and pouring molten metal. The container rises in a slight curve from a smaller flat base to a wider open top with a lip for pouring. It was recovered from the wreck of the LOCH ARD. The crucible has a coating of sediment that obscures its numerical specifications of size and capacity. The markings that remain visible indicate it is a Morgan’s crucible, made with graphite to prevent cracking and provide a smooth non-adhesive inner surface. .On base: “…ORGAN’S …ENT”flagstaff hill, warrnambool, flagstaff-hill-maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, graphite crucible, plumbago crucible, morgan's crucible company, loch ard, morgan potteries, crucible, fluxing pot

A 'Blue' Fox wood/graphite, open throat & open shaft tennis racquet. Materials: Wood, Graphite, Paint, Ink, Silk, Leather, Plastictennis

A 'Blue' Fox wood/graphite, open throat & open shaft tennis racquet. Materials: Wood, Graphite, Paint, Ink, Nylon, Leather, Plastictennis

A Wimbledon 'Graphite Composite' tennis racquet, featuring 'Forten' strings. Materials: Graphite, Fibreglass, Paint, Ink, Plastic, Adhesive tape, Leather, Nylontennis

Graphite frottage series of 12, drawings on paperNot signed. Not dated. new york, frottage, street, urban, trace

Marilyn Medenbach was a local community craft worker at Deer Park community health centreGraphite drawing of a daffodils, loose treatment, pencil

A Dunlop Power SL, graphite/composite squash racquet with open throat. Materials: Graphite, Plastic, Nylon, Leather, Adhesive tape, Ink, Composite Materialstennis

A 'Red' Fox wood/graphite, open throat tennis racquet, netted with Prince strings. Materials: Wood, Graphite, Paint, Ink, Nylon, Leather, Plastictennis

Two Slazenger Panther Pro Graphite, graphite/composite squash racquets (.1-.2), with open throat, and synthetic handle grip which is still sealed in original plastic wrap. Materials: Graphite, Nylon, Ink, Adhesive tape, Synthetic material, Plastic, Composite Materialstennis

A Wilson 'Graphite Tempest' racquet and full length vinyl cover with woven strap. Handle sealed with clear plastic. Materials: Graphite, Plastic, Adhesive tape, Nylontennis

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity in foundries and expansion of demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggest they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. The summary of cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’ does not mention any crucibles, implying that they were not a large consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six are of the same size from a visual appraisal.The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417A large crucible, or fluxing pot, for heating and pouring molten metal. It was recovered from the wreck of the LOCH ARD. The clay fired vessel rises from circular flat base to a larger rim with pouring lip. It is stained a rust colour and bears some sedimentary accretion. Half of its loose fitting lid with central knob has also survived. Markings on the artefact indicate it is a Morgan’s crucible, made with graphite to prevent cracking in the furnace and provide a smooth (non-adhesive) inner surface. On base: “…RGAN’S PATENT CRUCIBLE”. On rim: “MORGAN’S PATENT P…” Below top edge "BAK"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, graphite crucible, plumbago crucible, morgans crucible company, loch ard, fluxing pot, crucible

Workers Art CollectiveFramed Graphite Pencil Drawing - Workers campaigning for an EBAUnion Enterprise bargaining agreement Mary Leunigunionism

A Prince 'Woodie' wood/graphite tennis racquet, with Wilson 'Championship' nylon strings. Materials: Wood, Graphite, Nylon, Leather, Plastic, Adhesive tape, Ink, Glue, Lacquer, Enameltennis

A Wilson 'Graphite Supreme Stretch' racquet and three-quarter length vinyl cover. Handle sealed with clear plastic and adhesive label. Materials: Graphite, Plastic, Adhesive tape, Nylontennis

Coloured pencil, graphite, air brushed drawing ink on paperSigned and dated lower right corner "F MESARIC '93"

A Pro Group 'Tony Trabert C-6' split shaft tennis racquet. This racquet, was one of the earliest Graphite racquets made, hence it's name. The C stands for carbon (the source of graphite), and the 6 for its atomic number. Materials: Graphite, Composite Materials, Paint, Plastic, Leather, Adhesive tape, Ink, Nylontennis

A rare Dunlop Mad Raq, graphite/composite squash racquet with open throat, and 3-way stringing pattern. Materials: Graphite, Plastic, Nylon, Leather, Adhesive tape, Ink, Composite Materialstennis

A Donnay 'Mid 25' wood/graphite composite tennis racquet, with nylon netting, and brown leather handle grip. Materials: Wood, Plastic, Adhesive tape, Leather, Graphite, Ink, Nylon, Metaltennis