Tumble grass or umbrella grass surrounding house at Brimin 1955Black and white photograph of the veranda of a house, with trellised grape vines across the front, and windblown weeds drifted in a mound against the veranda.On back of photo: "Umbrella grass banked up around 'Carinya' May 1955"carinya, buildings, umbrella grass, tumble grass, brimin

Tumble grass or umbrella grass surrounding house at Brimin 1955Black and white photograph of the veranda of a house with mounds of dry weeds banked up against it.On back of photo: "Umbrella grass banked up around 'Carinya' May 1955"buildings, carinya, umbrella grass, tumble grass, brimin

Image of boys and men around and in a grassed area at RVIB, that is bordered by wooden railing. A single-storey bluestone building and two wooden buildings surround the grass. Some children rest on the railing whilst others play in the grass or walk around the area. Three adults talk amongst the boys. Boys and men standing behind or by a fence bordering a grassed arearoyal victorian institute for the blind, education

Legacy have many programs to send young junior legatees on activities, camps and outings. This photo shows children attempting grass skiing. The date and venue is not known. It was stored with other photos of Junior Legatees from the 1980s and 1990s. A record of a Legacy providing experiences for the junior legatees.Colour photo of junior legatees attempting grass skiing.Printed on Fujicolor paper.junior legatee outing, skiing

An unnamed group comprising a woman , two men and two girls sitting in the grass with Mountjoy Guest-house in the distance.Black and white blurred photograph showing a woman, two men and two children sitting in the grass below a building.guest house, mountjoy

The Grass skirt is from New Guinea and was given to Edward Turner by a Fuzzy Wuzzy Angel. Edward Adrian Turner enlisted in the CMF No V24563 on 14.5.1942 age 19 years, transferred to the 2nd AIF as VX112851 on 3.10.1942. Active service is listed as Darwin 26.2.1944 - 19.3.1945, New Guinea area 12.6.1945 - 9.4.1946, discharged from the 2nd AIF 20.8.1946 with the rank of Signaller Linesman in 15th Line section.Grass skirt with plaited waist band, natural toning.grass skirt, new guinea, fuzzy wuzzy, clothing

The open grassed area is the remains of the football ground constructed at Camp 1. Foam backed copy in file.Coloured photograph. In foreground there is a large, flat, low, rectangle of concrete rubble. To the left of this concrete is a smaller rectangle of concrete. In centre of photograph is an open grassed area flanked by trees.camp 1, tatura victoria, internment camps, internment camp football fields, internment camp remains

Green sticker with white writing and sheepWool runs on grass

Several kangaroos were reported bounding along Blackburn's busy streets early on February 27th having been attracted to roadsides in search of grass & water during our prolonged dry spell.Several kangaroos were reported bounding along Blackburn's busy streets early on February 27th. wildlife, blackburn, whitehorse road, blackburn, warriors 4 wildlife

The sickle was used to cut crops and grass and vegetable matter. It has been in use for a very long time but has probably been superceded by electric tools in developed countries.This sickle was used by a resident of the Kiewa Valley.A curved steel edged blade fixed to a short wooden handle. It is used for harvesting the crops, grass and cutting other vegetative matters. The previous KVHS committee referred to it as a '"Hand Craft Cutter".sickle, farm tool, garden tool

Open Monument is a contemporary artwork acknowledging the history of Chinese people in Ballarat. The Chinese diaspora was global and many Chinese people came to Ballarat and the Victorian Goldfields. The work details some of the personal Chinese family memories of Ballarat from the goldrush forward. The 33 marble laser-etched panels include found images and texts mounted on a modernist metal architectural feature holding back a grassed hill landscape. Within the side walkway of gravel and composite stone is an etched of local activities relating to the Chinese community achievements that can be added to by the community.Open Monument is of aesthetic and historical significance to the people of BallaratArchitectural artwork consisting of large marble panels on a corten steel frame imbedded into a grassed mount.Inscription on plaque: Open Monument 無極紀念碑 ​/ Artist: John Young ​/ Officially Launched by Mr Yumin Song / Chinese Consul-General to Victoria​ / 6th September 2015​ / Open Monument unearths stories of the Chinese diaspora in Ballarat, a name which means/ “resting place” to the traditional custodians - the Wadawurrung and Dja Dja Wurrung people.​/ The monument comprises of two artworks: Transculture, a granite-panelled work, evoking stories of alternative worldviews, / modernity, leisure and toil. Whilst Timeline traces the major contributions of the Chinese community in Ballarat, every decade / from the 1850s until the present. The timeline then folds out to 2170, anticipating imaginary future contributions.​ / The monument is open to future interpretations of this history. ​/ I thank you for visiting and acknowledging the contributions and memories that meant so much to / those who have gone before us./ - John Young Zerunge​ / Patron: Mr Henry Thai OAM JP​ / President of Ballarat Chinese ​/ Community Association Inc​ / The following generous donors to this project are acknowledged with gratitude​/ City of Ballarat​ Sovereign Hill Museum Association Inc.​ Ballarat Chinese Community Association Inc.​ Mr Henry Thai OAM JP & Mrs Sandra Thai ​ Mrs Shirley Doon & Family in memory of Harry Doon​ Chinese Masonic Association Inc.​ Mr Mean Te and Mrs Meng Khun​ Mr Jack Nguyen MA JP & Mrs My Tang​ Mr Tony and Mrs Elise Yu​ Mr Chang Zhen Zhen & Family​ Australian Lian Jiang Association​ The Federation of Chinese Associations Vic​ The Leesoon Family​ Mr Stephen K.F Ng OAM JP​ Dr Che Sam Lo MD phD JP OAM​ Elderly Chinese Home Inc.​ The Federation of Chinese Org from VN Cambodian and Lao Association of Vic. Inc.​ Bright Moon Buddhist Society​ Nam Pon Soon Club House​ See-Yup Society​ Mr Peter Chong Wai Lo​ Mr Qing Song Lin​ Mr Binh Quoc Mao & Mrs Thuy Cam Thai​ Mr Alexander Mao​ Mr Yuet Lung Kwok JP​ Mr Tai The Tran​ Mr Phillip K. L. Tran​ Mr William K. L. Tran​ Mr Quang Khon Tran JP​ Mr Kouy Taing​ Mrs Kieng Hor Lou​ Mr Bill Chang Piu Au​ Mr Maurice Kwok Leong ​ Mrs Eunice J. Leong​ Mr Vi Minh Tran JP​ Mr Frank Cheng​ Mr David Cheng​ Mr William Thai​ Mr Lizhen Lin​ Mr Phillip Richard Thai​ Mr Hoan Ping Kow​ Mrs Xao Nhu Kow​ Mr Huy Thai​ Mr Yun Kuen Lo​ Mr Chiu Yip & Mrs Yuan Han Cho​ Mrs Jacqueline Louise Thai Greenwood​ Mr Joe Hap Chi Chao & Mrs Rosana Wei Ning Chao​ Charity & Multi Art Association of Victoria Inc.​ Mr Billy Cai​ Miss Nikki Cai​ Miss Su-Ling & Miss Lily Mays-Doon​ Mr Anthony Doon​ Mr H J Moy & Family​ Chinese Australian Cultural Society Ballarat Inc​ open monument chinese, chinese history ballarat goldfields, china, ballarat, goldfields, john young, chinese, mining, multicultural, immigration, tong way, goon, joss house, embroidery, billy butterfly, chinese market gardens, red lion hotel, ah soon, mayor of main road, chinese herbalist, yee lee, james hong, cheok cheong hong, john ah loo, wathawurrung, robe, lowe kong meng, louis ah mouy, tongway, gallipoli, william lung

Trigg Dairy Farm, built in the 1970s, showing a Rotolactor and silo for storing grass silage. Today this set up may be considered unique in this District.An example of a modern dairy operation in the 1970sColour photo of Triggs Dairy Farm, Bungaree, showing milking operation with Friesian cows in the holding yards, in the foreground. The photo includes a Rotolactor, on the left and a silo which held grass silage in the background. Built in the early 1970s this operation was considered unique in the District.trigg dairy farm operation, bunagree, 1970

The photograph shows Ted Child with his working horse Spark cutting grass at his homestead on Childs Road. The photograph was taken by his daughter Ivy Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a man with a working horse cutting grass. They are working along a fenceline with a house visible alongside.Written below photograph in album - Spark againted child, child, horse, ivy child, homestead

Barbara Weir (b. 1945-03/01/2023) Born: In the region of Utopia, North East of Alice Springs, formerly known as Derry Downs Station Language: Anmatyerre and Alywarr Country: Atnwengerrp, Utopia Region, North East of Alice Springs, Northern Territory One of the Stolen Generation, Barbara Weir was removed from her Aboriginal family at the age of nine, and she was raised in a series of foster homes. Reuniting with her mother, Minnie Pwerle, in the 1960s, Weir eventually returned to her family territory of Utopia, 300 kilometres northeast of Alice Springs. Active in the local land rights movement of the 1970s Barbara Weir was elected the first woman president of the Indigenous Urapunta Council in 1985. Barbara’s career as an artist was inspired by the dynamic community of artists at Utopia and the work of her adopted auntie Emily Kame Kngwarreye. Highly experimental in her approach, Barabara Weir tried many mediums before travelling to Indonesia in 1994 with other artists to explore batik technique. She returned full of ideas on how to develop her own style which has since evolved to a more expressive abstract form. Grass Seed is part of her Dreamings and is associated with women’s ceremony and the activity of food gathering of local seeds, grasses, berries, potato, plum, banana, flowers and yams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Barbara Weir's paintings include representations of particular plants and "dreamings". Inspired by a small grass found in Utopia called Lyaw, Munyeroo or Pigsweed, Barbara's Grass Seed paintings consist of a series of small brush strokes that overlap and weave to create a swaying effect. This Dreaming tells the story of grass seed that is part of the bush tucker found in the region of Utopia. This seed is collected, crushed to a fine powder and is then used to make a bread, very similar to damper. The people of Utopia were still using this seed as late as the 1950s. During that time the seed grew in abundance but as the years passed there were very few good seeds to be found due to bullocks roaming the land and eating the grasses. The people then began to eat a substitute that the white man provided, and today very few Aboriginal people collect these seeds. art, artwork, barbara weir, aboriginal, dreaming, stolen generation, acrylic on linen

Donated by John Leslie OBE, 1979Wood and grassgippsland, artwork, permanent collection

Infantry in tall grassphoto, vietnam, army

This is a set of seven photographs of surveyors and support staff in the field undertaking duties in North Queensland in 1958. The surveyors were employed in the establishment of mapping and geodetic control. In this era surveyors used theodolites to observe horizontal and vertical angles and chains to measure base line distances between survey stations. Bob Skitch shown in photos .4P to .6P was in the 2nd year of his career in the Australian Army. He achieved the rank of Lieutenant Colonel and his last appointment was the CO of the Army Survey Regiment from 1976 to 1980. The annotation on the back of photo .5P ‘Black foreground is where Bob Skitch boiled billy and started a grass fire’.This is a set of seven photographs of surveyors and support staff in the field undertaking duties in North Queensland in 1958. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, 1958. Surveyor in Nth QLD enjoying a bath. L to R: Don Cocker, Bob Thompson. .2) - Photo, colour, 1958. Don Cocker surveyor in Nth QLD, enjoying a bath. .3) - Photo, colour, 1958. Surveyors Nth QLD undertaking survey observations, using MRA1 tellurometer to measure base-line distances. L to R: Len Davies, Lou Sommer, John Van De Graff. MRA1 was covered to stop overheating. .4) - Photo, colour, 1958. Surveyors south of Richmond, QLD digging holes for the erection of a Bilby observation tower. L to R: John Van De Graff, Bob Skitch, Kev Moody, Mal Hayes, Don Gray .5) - Photo, colour, 1958. Surveyors south of Richmond, QLD erecting a Bilby observation tower. L to R: Tom Royle, Bob Skitch (on ground level), Mal Hayes. .6) - Photo, colour, 1958. Surveyors south of Richmond, QLD erecting a Bilby observation tower. L to R: Tom Royle, Bob Skitch, Mal Hayes, Jim McGill (on ground level). .7) - Photo, colour, 1958. Surveyors south of Richmond, QLD undertaking survey measurements from a Bilby observation tower..1P to .7P annotated on back – personnel names, the year and the location. Annotated on back of .5P ‘Black foreground is where Bob Skitch boiled billy and started a grass fire’.royal australian survey corps, rasvy, army survey regiment, asr, army svy regt, fortuna, surveying

Typed below photograph, "Mullum Creek from footbridge on Munro St. Looking east, 1969". Written on backing sheet, "Mullum Creek looking east at footbridge at Munro St. 1970. Pampas grass was planted years ago by Mrs. Blood".(To be verified in regards to planter). +Additional Keywords: Brown, Mrs / Blood, MrsTyped below photograph, "Mullum Creek from footbridge on Munro St. Looking east, 1969". Written on backing sheet, "Mullum Creek looking east at footbridge at Munro St. 1970. Pampas grass was planted years ago by Mrs. Brown or Mrs Blood".

Colour photograph of Hays Paddock in East Kew taken by a Country Roads Board photographer. The reverse provides details of the negative and the purpose of the photograph.Reverse: "Hays Paddock. Tops of bank to be rounded gently, grassed & planted."hays paddock - kew east (vic), parks and gardens - kew (vic)

Many of the brigade and group base radios were situated in private residences and operated primarily by fire fighters wives who held the position of Communications Officer, either registered as a brigade member or informally. Edna Barrie was never registered as an operational brigade member but operated informally as an assistant to her husband Bon. She was however a member of the Melton Fire Brigade Ladies Auxiliary from its inception in 1968, a non-operational position. Edna kept up to date with radio procedure following the 1967 handbook; preparing maps, plotting compass points and taking notes on weather forecasts from the SA Border and Western District. Daily notes were taken in anticipation of fire warnings. These log books and daily radio traffic were incidental to the regular radio schedules. Emergency turnouts noted, burning off times and predicted location of smoke. In the summer fire season all TBF (total fire ban days were recorded.)CFA burning off dry grassemergency services

From the Adelaide Advertiser for 19 November 1952, p. 11: Two Happy Visitorsf rom the Pacific Adelaide is proving 'just like our real home'' to two charming and interesting visitors from Methodist missions in the Pacific. Miss Ravesi Mosi. of Fiii. and diminutive Miss Katalini Dimula, of Papua, the first native women missionaries to visit Australia From these islands. Ravesi and Katalini have enjoyed vastly the three months they have already spent in this country. Thev came here at the' invitation of the Methodist Women's Auxiliary for Oversea Missions in Victoria to take part in their diamond jubilee celebrations in Melbourne. They also spent some time in Sydney. But they are particularly happy to be in Adelaide because both of them have found old and good friends here. That is why it feels! like 'home'. Katalini. whose home is on the Island of Misima, in the far south-west of Papua, is the guest of the Rev. H. K. Bartlett and Mrs Bartlett. who lived on Misima for several years and knew Katoitni as a young girl. They are the first people she has met in Australia who speak her language and know her background. It was a personal interest to them to hear of her work as a missionary nurse, for which she did her training in Salamo Hospital on Ferguson Island, about 200 miles away from Misima, where she now helps to train the women of the island villages in the principles of health and hygiene and caring for their babies according to modern methods.Katalini is dressed in a grass skirt and a western top."Katalini Dimula" "D. Schmidt"katalini, dimula, methodist, papua

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of Marram Grass plantings in the dunes at Woolamai Promontorylocal history, photography, dunes at cape woolamai, black & white photograph, coastline, cape woolamai, sand dunes, dr a b edwards, john jenner, bryant west