These hat pins would have been used by women wearing the large-style hats popular at the end of the 19th and the beginning of the 20th centuries. The hat pin was both a practical and an ornamental item. Smaller varieties of hat pins may still be used today. These items are retained as examples of the type of hat pins used by women over 100 years ago.These are nine hat pins, all with metal spikes and all rusted. One has a round top with an inlay of blue glass, two have aqua and cream-coloured elongated tops made from composite material, four have round black tops and two have pearl-coloured tops. One hat pin has a metal cover at the end. women’s accessories, history of warrnambool

The badge is possibly part of early Bendigo Military HistoryBadge, centre has a figure 8, underneath a scroll and each side has Oak leaves, rear has two lugs for uniform or hat attachment“8th AUST INF REGT”badges, military history

New puggaree to suit a slouch hat. Khaki coloured cotton / polyester cloth.“ADA. APR 2005 - Size 60 NSN 8405 66 025 1608”military history-uniforms/army, costume accessories - hat accessories, pugaree

Item relates to R T PHILLIPS VX113093 early in the CMF, refer Cat No 3239P for his service details.Small black & white portrait of an Australian Soldier wearing peaked cap, no rank evident. Rising Sun on his lapels & hat. The colour patch on his left shoulder is a square with a dividing line top right to bottom left. Dark on left, light on right. Photo is held in a simple tin frame painted gold.Small print at bottom: Photographic company name "Vincent Kelly - Bendigo"photograpy - photographs-frame accessories, military history-army

Heavy timber frame, black & white portrait of a WWI Soldier wearing a slouch hat.Written on rear of frame: "Bernie Hinton"photography-photographs, frame accessories, trades - carpentery, military history - army

PTE EDWARD BICKFORD No 1519, 21st Batt AIF, KIA 26.8.1916. Refer Catalogue No 2948.4 for his and his brothers service history. Refer brothers 2950P, 2991P.Black & white portrait, bust & head only of an Australian soldier wearing a slouch hat. There are no badges on the soldier's uniform. The frame is timber with a 12 mm gold trim on the inner edge.photography-photographs, frame accessories, military history - army

The photo is re Alfred John PORTER No 2436 AIF, 23rd Batt. Refer Cat No1923 for his service details.Brown, wooden frame with gold inner edge, glass front with wooden backing. Black & white full length portrait of WWI Soldier in AIF uniform with slouch hat, puttees & boots. Pyramid background backdrop.photography-photographs, frame accessories, trades - carpentery, military history - army

Gladys Elva Mole VFX17199 Australian Army Nursing Service. Refer Cat No’s 1899, 1901.4 medals and service history. .1) Two photos, colour, side by side in the one frame. On the left is a Nurse in grey uniform with hat & tie. On the right is same Nurse in uniform with red cape. The frame is brown stained wood with gold band. .2) Photo, colour showing Gladys Mole standing beside her uniform that is on a mannequin. The frame is brown stained wood with gold band,.1) " Capt Gladys Mole VFX17199" .2) "Gladys Mole with her wartime uniform prior to going on display."photography - photographs,, frame accessories, medicine, nursing, military history, army

Roy Leslie Thurlow enlisted 25.5.16 No 2493 in the 60th Batt A.I.F. K.I.A 25.10.17. Refer Cat No 1890P for service history also 649P..1) Badge "Rising Sun" hat badge, pressed blackened metal "rising sun depiction, crown centre, scroll under with "Australian Commonwealth military forces" .2) Badge "Australia" shoulder, curved shape blackened metal with 2 lugs on rear. .3) identity disc, round, aliminium with stamped details re R.Thurlow..3) " R. Thurlow, 2493, 60 BT, A.I.F CE."numismatics - badges -military, military history, identity discs

Jack Smethurst VX28896. Refer 550.2, 557, 558.6.From the Mr J Smethurst collection. 549.1 Hat badge, dark, Rising Sun, Australian Commonwealth Military Forces. 549.2 Lapel badge, dark, Rising Sun, Australian Commonwealth Military Forces. 549.3 Lapel badge, dark, Rising Sun, Australian Commonwealth Military Forces. 549.4 Female relative badge (2nd AIF) with bar and one star.549.4 Rear of badge marked "A31532"metalcraft, badges, rising sun, female relative, royal australian artillery

Item issued to either R.G Bennetts No’s 119452, 36088 RAAF, R.R Bennetts No A312177 RAAF.Badge, hat, blackened brass, RAAF crown with floral surrounds. RAAF centre lugs on rear for uniform.badges, hats, raaf, accessories

Slouch hat and Uniform jacket belonging to Edwin James JONES No 3511 AIF. Refer 1367.5 for his service history. The hat was manufactured in 1918 by Dalter Lucas & Sons Bury, UK. It appears to be of a similar style to those issued to Gurkha troops due to the thickness of the felt, the three rows of stitching around the brim and the use of a press stud to pin up the left hand side of the brim..1) Coat, Battle Dress, Kahki, includes 2 x “Australia” shoulder badges, 2 x “Rising Sun” epaulette badges, 2 x “yellow over purple” colour patches, 3 x “service chevrons”, 1 x “Empire Wounded stripe”, 1 x “Lewis Gun” cloth badge, all metal buttons intact as well as waist belt. .2) Hat, Slouch, kahki fur felt, cotton pugaree, leather head band, Rising sun badge, no chin strap..2) Pressed into the hat band appears to be; “Dalter Lucas & sons (1910) Ltd, BURY 1918”uniforms, military clothing, costume accessories - male

Edward Joseph Flynn VX28373. Refer Cat No 1442 for his service details.Portrait, sepia tone of a soldier with slouch hat, VX28373 Edward Joseph Flynn. Wooden frame with gold edging. photograph framed, photography, framed accessories

Framed photo of 114th Howitzer Battery, Australian Field Artillery, on the way to the front 1918. The photo shows teams of horses towing 4 wheeled devices. Sic horse teams. Each pair has a driver mounted. The soldiers have overcoats on, and a mixture of helmets and slouch hats. The teams are on a gravel road with grass verges. Frame is a simple wooden design.Label on front "114 Howitzer etc" as abovephotography-photographs, arms-ordnance, frame accessories, artillery, howitzer

Bertram Avenue Sheir Carey No 49 enlisted in the AIF in A Coy 5th Batt AIF on 17.8.14 age 26 years. Embarked for Egypt 21.10.14, embark for Gallipoli 5.4.15, WIA 26.4.15 GSW to thigh fractured, returns to duty 30.9.15, promoted to CPl 1.3.16, attached to 1st Army Pay Corps 1.9.16, transfers to Australian Flying Corps (AFC) London and posted 30th Training SQD 29.11.17, taken on strength 1st Wing HQ 16.1.18, discharged from the AIF 28.3.19.Framed photo of B.A.S. Carey, No. 49, 5th Battalion AIF and A.F.C. A grainy black and white portrait of an Australian soldier. Bare headed. Hat under his left arm. At least two strips on right sleeve. Frame - stylised black and gold wooden frameTicket on front - B.A.S CAREY NO 49 5 BN AIF and A.F.C. WIA 26 - 4 - 1915.photography-photographs, frame accessories, military history

John Leonard Stanley Hammill No 1351 AIF. Refer 396.2 for his service history also 369. Black & white portrait photograph of Australian WWI Soldier wearing a slouch hat & Rising Sun badge. The image has been artistically enhanced. The frame is ribbed timber.J S S HAMMILL No 1351photography-photographs, frame accessories, military history-army

Colour patch worn between 1941-44. Belonged to Thomas Henry ISER V24933 and VX102660 2nd AIF. Refer Cat No 383.2 for his service history.Beret, khaki with 2/10th Armoured Regt colour patch and copper Rising Sun badge.hat, military history, numismatics-badges-military, hat accessories

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHat Pin with a forest green opaque ball headclothing, millinery, hat accessories, 1920 fashion

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0287hat pin, female head apparel, clothing accessories

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsHead of pin is ball shaped covered blue/silver reflective fastened sequin. Each sequin is attached by a seed bead of dark blue colourmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsPin head consists of one eight petaled flower, two seed pods half open and one long leaf connecting leaf with seed pods. pin head and shaft are gold coloured. see KVHS 0351 for a cleaner itemmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsElongated pearl on silver coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors This item is similar as the one worn by the "Queen Mother" in the film "The Kings' Speech"Silver coloured pin with a thistle shaped head also in silver/chrome colour. Sleek in appearancemillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsGold coloured pin adorned with two curls. One with fourteen small glass/diamond stones one red/ruby type stone three empty stone clasps gold coloured pin shaftmillinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis hat pin has a turquoise glass ball head with a long needle. It is in the same style as items KVHS 0358 and KVHS 0359.millinery, costume, pin hat accessories, female hair restrainer

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0361costume, female head wear, accessories hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin