Before Stage 5 of the expansion of Eastland and REALM.Digital photographs only

The baby is most probably Jean Watson, daughter of Chris and Carrie who was born in 1906. Christoher Watson and Carolyn Shillinglaw married in 1907. Jean died in 1920 PANEL 1875-1920 Panels began to be produced around 1875, and were particularly suited, because of their larger size, for capturing family, or even larger, groups. They measured 8.5 by 6.5 inches (22 cm x 16.5 cm). - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991In had written pencil "C. Watson Carrie Watson her sisters Elizabeth and Mary Shillinglaw"marg ball collection, 1906, caroline (carrie) watson (nee shillinglaw 1876-1956), christopher watson, elizabeth (lizzie) ann shillinglaw (1879-1972), horse and carriage, jean watson (1906-1920), mary ann shillinglaw (1880-1963)

The text on reverse translates to Kikaha toilet department. There is also the printed image of a swallow on the back, which suggests that it was taken by the S. N. Banshiudo Studio in Shiba Park, Tokyo. Geisha Sakae was an extremely popular postcard model shortly after the Russo-Japanese war 1904-05, people used to line up early in the morning whenever a new postcard was released at the postcard shop in Ginza. The beauty of her gait was so widely admired that her walk inspired many of the leading Onnagata (male Kabuki actors in female roles) of the day. She went on to marry Ichikawa Sadanji II, one of the most popular Kabuki actors in Japan, who worked hard to promote new plays and revive long-forgotten classical dramas. [Ref: https://www.flickr.com/photos/blue_ruin_1/8448420741] During the Russo-Japanese War (1904–05), the Japanese government sent postcards of beautiful Japanese women, bijin ehagaki (美人絵葉書), to soldiers to motivate them. Publishers continued to print them well into the 1920s. [Ref: Duits, Kjeld (February 21, 2022). 1910s: Geisha Postcards, OLD PHOTOS of JAPAN. Retrieved on March 31, 2024 (GMT) from https://www.oldphotosjapan.com/photos/883/vintage-geisha-postcards-early-20th-century] See also: Sakae さかえ - Meiji / Taishō Era Geisha https://www.flickr.com/groups/1988804@N22/pool/ The photochrom process Photochroms are not photographs but actual prints, produced using 6 to 15 colors and the lithography printing process. The technique was invented by the Swiss Hans Jakob Schmid during the 1880s. The fascinating aspect of these prints is that they are created from black and white photographs. It required quite some work and talent to create these images. The photographer would usually make notes about the colors in the image he shot. These enabled a painter to create a painting that served as a color guide for the litho stone maker. This artisan would then create multiple exposures of the original black-and-white negative, changing the exposure time, development settings, and using dodge and burn techniques to create the required set of 6 to 15 stones that would each be used to print one specific color. By combining all these colors you get the prints [Ref: https://www.prepressure.com/printing/history/photochrome-prints]This item, a souvenir from Japan from between the wars (circa 1923) was brought home to Research, Victoria by Bill Teagle who was serving in the Royal Australian Navy (1919-1945). Bill Teagle's sister Violet Amelda Teagle had married Theodore (Curly) Feldbauer in 1933. Bill's brother-in-law Curly was taken as a Prisoner of War by the Japanese and died at Sandakan in March 1945. The family did not learn of Curly’s death till months later and Bill's sister, Violet, herself could never forgive the Japanese for what happened to Curly. Curly is remembered on the Eltham Roll of Honour Board and his son, Albert Feldbauer (Bill’s nephew and youngest child of the children of the soldier fathers attending a school in the district), was given the honour of turning the first sod for the Eltham War Memorial Infant Welfare Centre Building. Despite this, the family maintained this cherished souvenir from a time of previous foreign friendship with Japan. The item was possibly given by Bill Teagle to his sister Margaret Rose (formerly Ingram) who later married Richard Edward (Eddie) Fielding in early 1948. (Eddie had been engaged to someone else before he went to war, but his fiancée broke it off before his return to Australia.) It was cared for by the Teagle/Fielding family for approximately one hundred years. It is of particular significance given the family's connection to the Eltham War Memorial and the significance of that memorial to the local community and represents that despite the horrors of war, former friends then foes can become friends again.tom fielding collection, geisha sakae, japanese postcard, postcard

Black and white copy of photo printed on glossy photographic paper 30.5 x 40.5 cm (12 x 16 inch); image size approx. 18.5 x 28 cmcar, groups, motor vehicles

Digital TIFF file Scan of 35mm Kodak Safety 5035 colour transparencyKodak Safety 5035 March 1981 process date of printeltham railway station, george coop collection, hurstbridge railway line, red rattler, tait train

small b & w photograph of unknown man standing in unknown missionstamp: K7020duster, portland

From Yeoman family file. Believe the photo was taken in Eltham Library in the former Shire of Eltham office building on Main Road, Eltham Black and white photographactivities, main road, shire of eltham historical society, heritage week, russell yeoman

"Take your speed humps and stuff someone else's street up, not this one."Colour photograph1991, protests, simon miller, speed humps, streets

Possibly showing the summons to fellow Building Inspector, Charlie Harris.Roll of 35mm colour negative film, 6 stripsFuji 100council staff, eltham shire council, shire of eltham, building inspector, danny hick

Booklet reporting on a Regional Arts programme to bring about change through Storymaking and The Arts.b&w illustrationsperforming arts, theatre, storymaking, social capital, culture and identity, community engagement, reigniting community project, brotherhood of st laurence

Collected by Dorothy Brumby in relation to Great Western ResearchMan seated on pathway with hedge and fence behind himW.J. Chapman

ernest stephenson, ballarat, streetscape

This photograph was taken in Clunes at 'Glendaruel'. Seated is Esther Coombs nee Whitehand and standing is Mary Martha Whitehand.coombes, daisy coombes, glendaruel, clunes, costume, persons, private dwelling, mary martha whitehand, esther coombes

Department of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour CollectionDepartment of Health – National Fitness Office (Sports & Recreation) – Historical Press Release Photo - Empire Youth Day & Royals on Tour Collection

Newspaper Clipping from the centre page of the Melbourne Herald Sun, Sunday 8 March 1998, pages 44 and 45, featuring photographs and text from the book 'Melbourne's Marvellous Trams" by Dale Budd and Randal Wilson, University of NSW Press. Reproduces nine photographs of trams, including cable trams and a ex Melbourne W2 in Denver. In bottom left hand corner is a photo of the intersection of Main and Barkly St. with two Ballarat single truck trams in bound from Mt Pleasant, taken from the Ballarat Fire Station tower in 1971. Also has seven other photo reproductions from the Book itself of various tramway signs. Image is supplied by Randal Wilson in an email of 15/10/2019 Text of email from Randal Wilson of 15/10/2019: Hi Warren We managed to track down a digital version of the photo taken by the late Bill McNiven of the trams on the Mount Pleasant line (page 76 of The Melbourne Tram Book). We contacted UNSW Press, the book's publisher, which provided the following explanation. Apparently, the team there could not find the scan of the slide submitted for the book. However, a member of the team was able to capture a jpg of page 76 of the book. From my recollection of the original photo, the attached image is very close in terms of its reproduction quality. We trust this is of use to you and BTM. Regards Randall and Dalemelbourne, mt pleasant, barkly st

Lights and candles shine against the darkened sky during an undated Carols by Candlelight performance.B/W photograph of Carols by Candlelight crowdcarols by candlelight, fundraising

Unknown year

ocean, climate change, environment, tuvalu, funafuti