Showing 247 items
matching ladies costume
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Tatura Irrigation & Wartime Camps Museum
Clothing - Ladies Night Gown, 1940's
Ladies nightgown made at Camp 3, Tatura from re-made men's pyjamas, with the addition of floral material and bows as a feminine toughPale blue and white striped cotton nightgown, long sleeves, bodice of red and blue patterned material with ties attached either sidenight gown, hoefer family, camp 3, ww2 camp 3, costume, female night attire -
Tatura Irrigation & Wartime Camps Museum
Handbag, 1940's
Made by internee and at Camp 3Brown leather ladies handbag. 2 handles, large and small pockets on the inside. Fastened with a tab and a button. Initials "LW" made from beaten silver Internment Camp issue coinsbag, leather, wied l, camp 3, tatura, ww2, costume, accessory, female -
Clunes Museum
Costume - CAMISOLE, CIRCA 1850
... Costume CREAM VOILE AND GUIPURE LACE LADIES CAMISOLE local history ...CREAM VOILE AND GUIPURE LACE LADIES CAMISOLElocal history, costume, female underwear, womens clothing -
Clunes Museum
Clothing - SCANTIES, CIRCA 1926
CREAM SILK SCANTIES WITH FRENCH LACE USED BY LADIES IN THE "FLAPPER ERA" CIRCA 1926CREAM SILK WITH FRENCH LACE TRIM AND EMBROIDERED LEAF MOTIVE ON EACH LEG.local history, costume, female, underware, female, clothing -
Plutarch Project
Lady's dancing costume, Βλαχοπούλα, vlahopoula costume, circa 1980's
... Full costume traditionally worn by ladies in country towns... dancing costume Βλαχοπούλα, vlahopoula costume Black and navy blue ...Full costume traditionally worn by ladies in country towns of Greece. Recently worn in parades, Greek dances and theatrical performancesHistorical significance for the purposes it was used by Thessaloniki Association in AustraliaBlack and navy blue velvet and silver embroidery panels, button up at the front costume. Part "A" of a four piece costume. Three in possession of Thessaloniki AssociationΠΑΙΔΙΚΗ ΧΑΡΑlady's costume, jacket, greek, βλαχοπούλα, στολή -
Plutarch Project
Lady's dancing costume Apron, Ποδιά στολής βλαχοπούλας, circa 1980's
... The full costume used traditionally by ladies in the 16th... dancing costume Apron Ποδιά στολής βλαχοπούλας Navy embroidered ...The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume.Navy embroidered apron with sequins and coloured stitching. Black lining on reverse side. Part "B" of a four piece costume.lady's costume, apron, greek, βλαχοπούλα, ποδιά, στολή -
Plutarch Project
Lady's dancing costume Jacket, Γιλέκο στολής βλαχοπούλας
... The full costume used traditionally by ladies in the 16th... dancing costume Jacket Γιλέκο στολής βλαχοπούλας Lady's dancing ...The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume.Historical significance due to the variety of traditional functions it was used during the 1990'sLady's dancing costume Jacket, gold and silver embroidery around edges. It has orange lining of silk material, lace and linen frill sleeve. Whole costume is called "Vlahopoula". Velvet outer. Part "C" of a four piece costume.lady's costume, jacket, greek, βλαχοπούλα, γιλέκο, στολή -
Plutarch Project
Lady's dancing costume Belt, Ζώνη από στολή βλαχοπούλας
... The full costume used traditionally by ladies in the 16th... dancing costume Belt Ζώνη από στολή βλαχοπούλας Lady's dancing ...The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume. In Australia used by Thessaloniki Association "The White Tower".Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Lady's dancing costume belt. Woollen with silver sequins and beading. Fringe on either end. Slightly damaged, silver buttons missing. Part "D" of a four piece costume.lady's costume, belt, greek, βλαχοπούλα, ζώνη, στολή -
Plutarch Project
Girl's dancing costume dress, Κοριτσίστικη στολή Βλαχοπούλας
... The full costume used traditionally by ladies in the 16th... dancing costume dress Κοριτσίστικη στολή Βλαχοπούλας Girl's white ...The full costume used traditionally by ladies in the 16th to 19th century AD. Now used in Greek dances, parades and theatrical performances as a traditional costume.Historical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Girl's white cotton dancing costume dress, with embroidery along neck, sleeves and bottom of dress. Part "A" of a four piece costume. Four in Thessaloniki Association's possession.girl, dancing, costume, dress, βλαχοπούλα, φόρεμα, greek -
Plutarch Project
Girl's dancing costume vest, Γιλέκο στολής βλαχοπούλας
... The full costume used traditionally by ladies in the 16th... dancing costume vest Γιλέκο στολής βλαχοπούλας Red velvet girl's ...The full costume used traditionally by ladies in the 16th to 19th century AD. Here used by Thessaloniki Association in Greek dances, parades and theatrical performances as a traditional costumeHistorical significance for the purposes it was used by Thessaloniki Association "The White Tower", in functions, dancing and parades.Red velvet girl's dancing costume vest with embroidery along outside and sleeves. Part "B" of a four piece costume.girl, dancing, costume, vest, βλαχοπούλα, γιλέκο, greek, στολή, plutarch -
Tatura Irrigation & Wartime Camps Museum
Photograph, Croquet Club Foundation
The foundation members of the Croquet Club, which is one of the oldest such clubs in the Goulburn Valley.|The Croquet Club for ladies was formed in 1913. In the years to follow the Lawn Bowls and Croquet Clubs worked together in close cooperation.|In 1937 the Bowling and Croquet Clubs cooperated in securing the pavilion of the defunct Tennis Club as a useful addition to their buildings.|At a General Meeting held 19 December 1970, it was regretfully decided to disband due to lack of sufficient members.tatura, recreations, games, sports, costume, female -
Port Fairy Historical Society Museum and Archives
Decorative object - Fan
A decorative fan such as this tells of an era of infrequent social events such as balls where ladies dressed in their finery such as long elegant dresses, dainty shoes and carried these fans to keep them cool or just to flirt.Black feather and wood fan with gold decoration. Metal clip at end with black ribbon attached.fan, costume -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1915
... grampians Costume and Accessories Clothing Ladies Flannelette Pants ...Ladies Flannelette Pants. Square Leg. Band at Waist. Buttons & Tapesstawell clothing material -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1880
Black Silk Ruched Bonnet Ladies. Smocked Crown. Pleated Brim. Pleated Ribbon Flower trim. Silk Satin Ties.stawell clothing material -
Stawell Historical Society Inc
Accessory - Costume and Accessories
... grampians Costume and Accessories Accessory Ladies Pink Silk Necktie ...Ladies Pink Silk Necktie. Faggoting in centre. Drawn thread work rosette on ends, embroidery on ends. Dane Family.stawell clothing material -
Stawell Historical Society Inc
Footwear - Costume and Accessories
... grampians Costume and Accessories Footwear Ladies Ankle Boots ...Ladies Ankle Boots in Brownish Black Leather above ankle. Lace ups. Mid height heel, tin plate on heals. Size 5. Dane Family. stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
... grampians Costume and Accessories Clothing Ladies Black Silk Jacket ...Ladies Black Silk Jacket. Silk, High Neck, Leg of Mutton Sleeves. Tucked Collar. Black Lace Guipure on front Cuffs. Sateen Lining. Boned.stawell clothing material -
Stawell Historical Society Inc
Accessory - Costume and Accessories
... grampians Costume and Accessories Accessory Ladies “Dicky” Front ...Ladies “Dicky” Front. Creamy white material with narrow greyish Black Horizontal Lines Gold buttons down front.stawell clothing material -
Stawell Historical Society Inc
Accessory - Costume and Accessories, c1950
Pearl Embroided Ladies Collar. Trickey Familystawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1950
Heavy Turquoise coloured Ladies Winter Overcoat with detached collar. Simple design. Mrs Ruby Willy ne Abbott.stawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories
Fully Lined Black Astrakhan Ladies Coatstawell clothing material -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1960
... grampians Costume and Accessories Clothing Ladies woollen Winter ...Ladies woollen Winter Weight Overcoat. Simple design. Raglan sleeves with cuffs. Roll collar. Edge to edge in front. Two side pockets. Lined with grey Satin. Mrs R Willy.stawell clothing material -
Stawell Historical Society Inc
Headwear - Costume and Accessories, c1900
Black Ladies Bonnet with long velvet ties coming from the base. Wire base lined with black material inside.. The exterior trimmed with lace Tule art flowers and feathers. Mrs Ella Dunnstawell clothing material -
Stawell Historical Society Inc
Footwear - Costume and Accessories, c1960
Gold Coloured High Heeled ladies Shoes. Purchased in London 1960's. Mrs Kate Van Dyckstawell clothing material -
Heidelberg Theatre Company Inc..
Program Photo Review Article, Ladies in Retirement by Edward Percy and Reginald Denham
Produced and acted by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company) . All supporting areas including set design, set building, lighting and sound design and operation, costumes, front of house, ticket sales, publicity and administration were undertaken by members of the City of Heidelberg Repertory Group (now Heidelberg Theatre Company).All in good condition, some printing faint1954, 19, htc, director naomi davidson -
Kew Historical Society Inc
Print - Framed Fashion Plate, The Young Ladies' Journal, 1864
The Young Ladies Journal was first published by E. Harrison. It was issued from 1864 to 1920. Framed fashion plate from the Young Ladies Journal. Two women in 1864 costume, one blue, one monochrome. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, ladies home journal -
Kew Historical Society Inc
Photograph, Kew Light Opera Company, A Country Girl, 1957
The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Sepia-toned photograph of (L. to R.) Marion Smith, Maureen Lynch, Denise Lynch, and Marion Tilley in a performance of A Country Girl by Lionel Monckton. The performance was produced and directed by Graeme Cust with musical direction by John Trotter. The sets for the production in the Kew Recreation Hall were sourced from Melbourne Little Theatre, will the costumes came from the Princess Theatre. During this production, Marion Tilley acted as wardrobe mistress as well as being a member of the 'Chorus Ladies'. Inscribed underneath the photo in the scrapbook by Marion Tilley: "Marion Smith, Maureen Lynch, Denise Lynch. Me, Marion Tilley".marion tilley, kew light opera company, kew recreation hall -- wellington street -- kew (vic.), performing arts -- kew (vic.), theatre memorabilia -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and Alan Wilson in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria