This glass slide presents an image of the Old Beechworth Post Office and was taken in the year 1900. The building displayed within the image is not that of the post office in its original form; the post office originally consisted of only a simple wooden building. With the establishment and growth of new towns across Victoria, as well as an increased need for more consistent communications with the City of Melbourne, this modest building was soon deemed inadequate. In 1858 it was brought into the style of the changing times, with the tall clock tower added in 1865. This transition aligned with a pattern of refurbishment and conversion of many Beechworth buildings (which could be seen during the 1860s-70s), aiding in the growth and prosperity of the town. Early makeshift homes were turned into more substantial dwellings, featuring elements such as weatherboard, brick, and granites materials, and gabled or hipped roofs with iron lacework fringing the verandah. These refurbishments were temporarily halted in March of 1867 when a fire swept through the town, damaging many buildings including the post office. This led to further reconstructions on the building, including heightening of the clock tower, and in 1870 the two-storey Italianate style building was completed. The Old Beechworth Post Office itself also holds significance due to its connection with one of Australia's most infamous families. It reportedly played an important role in communicating the news of the 1880 murders of police at Stringybark Creek by the Kelly Gang. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques. This glass slide captures social and historical significance as it displays the Old Beechworth Post Office in 1900, a building that demonstrates the prosperity and growth of Beechworth as a town during this time period. This slide also holds a level of aesthetic significance due to the Italianate style building that is featured in its image; a style that became very popular during the nineteenth-century. Thin translucent sheet of glass with a square image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.Obverse: x / burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, beechworth post office, beechworth post office kelly gang, 1900, 1900 beechworth, growth of beechworth, 1867 beechworth fire, old beechworth post office, beechworth post office reconstructions, italianate style, italianate style buildings, italianate style beechworth post office

This picture shows an angle of Beechworth Primary School (State School number 1560) which is also pictured in the building's entry in the Victorian Heritage Register (VHR record 1718). The school began as a national school in 1858 as an alternative to Wesleyan and Anglican schools already operating in the area. Its name was changed to Common School number 36 in 1862 and the Beechworth Academy prior to being taken over by the Education department in 1873. The new premises were built in 1875 utilising the skills of architect Henry Bastow though the original design may be attributable to the firm Wharton and Vickers. The design was used with modifications for other schools in Victoria, including the Competition School in Errol Street, North Melbourne. The school moved to the building pictured from its original premises in Loch Street, designed by Thomas Dalziel, which later became the office of the Ovens Advertiser. The school was opened on 2 July 1875 by former Beechworth resident G.B. Kerferd, who was then the Premier of Victoria. The image shows approximately ninety older students at the school in approximately 1900. There are approximately equal numbers of boys and girls pictured, with most of the individuals pictured appearing to be between the ages of twelve and fifteen. Although the school had more than 1000 students enrolled at its height, enrolments had declined to 304 in 1890. Also visible is a fringe of sequoia pines which were planted by the school children as a project lasting through to the late 1930s. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.The image is significant because it sheds light on the educational infrastructure present in Beechworth in the early part of the Twentieth Century, including the prevalence of education for students after current-day primary-school age and the education of girls. It also provides insight into the building and design practices used by Government departments at the time. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.Obverse: L / burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, schools, education, high school, primary school, common school, state school, state school 1560, common school 36, beechworth academy, g.b. kerferd, thomas dalziel, henry bastow, victorian heritage register, beechworth primary school, girls education, boys education, public schools, education department, pines, trees, sequoias, competition school

Chiltern Pharmacy, now called Dow's Pharmacy, opened in 1859 at a time when the township of Chiltern was experiencing a second-wave gold rush that redistributed the balance of commercial and social activity in the region. David McEwan, father of Prime Minister John McEwan, was one of the first pharmacists practicing at the business. It was purchased in 1929 by pharmacist Hilda Dow who ran the business with her apprentice and husband, Roy Dow, until they closed the business in 1968. In 1988, after founding the North East branch of the National Trust, the Dows donated the premises with its entire fittings and stock. Some of the more than 4,000 items in stock at the time of closure in 1968 were present in the shop when the Dows took charge in 1929 and date to the late Nineteenth Century (around the time this image was taken). Hilda Dow (nee Grey) was born in 1897, the daughter of a police magistrate. She enrolled to study at the Victorian College of Pharmacy in 1919 and worked initially for Poynton's Pharmacy in Morwell before purchasing the Chiltern Pharmacy that was later named after her. She was a member of the Pharmaceutical Society of Victoria, a hospital committee and Board, the Red Cross and the Infant Welfare Association and held office for the Chiltern branch of the Country Women's Association. Her sister Helene Grey received an OBE for her work as Lady Superintendent of the Royal Melbourne Hospital. Although Hilda Dow was not Australia's first female pharmacist (this was Caroline Copp in 1880) the preservation of the pharmacy and the stories it presents sheds light on the general issue of recognition for female medical pioneers in Australia. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This image is significant as it provides insight into social and commercial infrastructure available in the North-East region of Victoria in the late Nineteenth and early Twentieth Centuries. The business pictured is also associated with a Prime Minister of Victoria and some of Victoria's first female medical and pharmaceutical practitioners. Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, hilda dow, roy dow, chiltern pharmacy, dow's pharmacy, chiltern, indigo shire, north east victoria, history of pharmacies, women in pharmacy, women in medicine, women in business, david mcewan, john mcewan, national trust, national trust victoria, north-east victoria national trust, heritage buildings, industrial heritage, helene grey, pharmaceutical society of victoria, victorian college of pharmacy, country women's association, caroline copp, royal melbourne hospital, red cross, infant welfare association

Miners from Snake Valley lobbied the Victorian Government in 1855 to make land available for sale for farming purposes as an alternative occupation and income for people who wished to stay in the region but move away from gold mining. A secondary motivation was to increase the supply of fresh produce and decrease prices of items that otherwise needed to be transported from Melbourne or other regions. Forty-three country lots were initially offered in the Three Mile area, ranging in size from two to ninety acres and costing from £1 to £3 per acre. An additional eighty-five country lots were auctioned later in the year, in addition to many smaller suburban lots. More lots were offered than sold, initially, but this represented conditions of sale requiring the total purchase cost up front which many people interested in purchasing could not afford, especially as land purchased for farming would accrue substantial additional costs for clearing and labour before becoming productive. Further lobbying activities and the election of parliamentary members sympathetic to the cause took place through the 1850s. Ovens Parliamentary Member, Daniel Cameron, was re-elected in 1856 on a platform of surveying the land for public selection with deferred payment options. Land reform remained an issue in the area through the 1850s and early 1860s, impacting broader decisions in the new State of Victoria relating to voting rights, use of Crown land and the farming of land that wasn't always suitable for the purpose. This photograph depicts Beechworth in approximately 1900, after several waves of land sales resulted in increasingly levels of development. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and infrastructure in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square-edged image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, farming, squatters, miners, agriculture, land-clearing, land reform, daniel cameron, land sales, three mile, snake valley, tarrawingee

This image shows six older Chinese men standing in a row with two younger non-Chinese men outside a small wooden business or official building in the Beechworth region, circa 1900. The two non-Chinese men are wearing clothes of the period that indicate relative prosperity (such as three piece suits, top hats, and a pocket handkerchief), whereas most of the Chinese men are wearing Western-style working clothes of the era. One Chinese man at the far right of the image is wearing similar garments to the non-Chinese men, including a bowler hat and longer, more tailored suit jacket. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details that there were approximately 60 Chinese people in the area in 1855, more than 1000 in 1856 and 4700 (a quarter of the population) in 1857, despite the introduction in 1855 of official policies such as additional taxes formulated by the Victorian Government to limit access by Chinese immigrants. Most Chinese miners in the region came from southern China and had formerly worked as merchants, mechanics, farmers and shop-keepers. Chinese people were subjected to a 'protectorate' system, ostensibly to minimise the potential for conflict with other groups; this system required Chinese people to live in designated 'hygienic' camps with paid Chinese headmen who supervised the village and enforced the protectorate's rules. Chinese people were required to purchase an annual protection ticket to fund this system. The protectorate system was abolished in 1861, before this image was taken in approximately 1900, but it may still provide insight into social stratification or relationships between and within cultural groups in Beechworth resulting from such practices. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese miners. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, protectorate system, protection licence, immigration, racism, classism, social groups, cultural groups, taxes, hygiene camps

Used as a visual aid in classrooms at Ballarat School of Mines Early media technology used by the histroical school of Mines in Ballarat Brass Lantern Slide projector, used for glass slidesof maximum 8x8 picture size. Projector has original power cord and phillips projection globe as well as 2 sets of lenses. Name plate on side door with manufacters identity " Radiguet & Massiot: Constructeurs, 13 et 15 Bould des Filles du Calvatre. Paris".projector, ballarat school of mines, paris, glass slides, radiguet & massiot, theatre, photography, lantren slide

Object. MAGIC LANTERN SLIDE- Arabic scene / - Magic Lantern slide - rare (19th Century ?) timber mounted hand painted Lantern Slide depicting an Arabic scene.photography, projectors - still

This glass slide captures the crowd at the unveiling of the two cannons at Queen Victoria Park which were secured by Sir Isaac Isaacs and presented to Beechworth in 1901. In the forefront of the slide, elegantly dress ladies, some pushing strollers or holding onto children, and dapper gentlemen can be seen gathering around and on top of the park’s iconic rock. The unveiling of these two cannons would have been a celebratory affair for those in attendance, marking a momentous occasion for Beechworth residents which was captured in this lantern slide. The two cannons were secured by Sir Isaac Isaacs who was an influential figure in Beechworth. Sir Isaac Isaacs was born and raised in Beechworth, beginning his education at the Common school and eventually graduated as dux of the Beechworth Grammar School. His commitment to public service was evident early on and he was elected to the Legislative Assembly in 1892, representing Bogong, a district which included Yackandandah and Beechworth. During his time in office, Sir Isaac Isaacs pushed for better education, healthcare, employment opportunities and housing for the people of Beechworth. This glass slide is socially and historically significant as it captures a moment of celebration and advancement for the Beechworth residents while also symbolising an important milestone in the towns history. The slide also, perhaps indirectly, memorialises an important figure in Beechworth history, Sir Isaac IsaacsA thin translucent sheet of glass with a curved rectangular image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome

Object. MAGIC LANTERN COLLECTION- MAGIC LANTERN SLIDE- Chinese SCENE - lamp seller. Magic Lantern slide - rare (19th Century ?) timber mounted hand painted Lantern Slide. Number 10 is written in ink on top right corner/ glass is cracked.photography, projectors-still

Black and white photographs pasted in light cardboard loose-leaf photograph album, "1930" written on inside front cover. Probably prints of A.W. Jessep's Lantern Slides. (1) Orchard. (2) Lawn and glimpse of Principal's Residence. (3) Shrub. (4) Shrub. (5) As (2). (6) Garden view. (7) Garden view. (8) Orchard. (9) Lagoon or Boulevard Paddock see B11.0351.a.w. jessep, orchards, lawns, principal's residence, shrubs, garden views, orchards, lagoon paddock, boulevard paddock, lantern slides

Object.MAGIC LANTERN COLLECTION- Magic Lantern slide - rare (19th Century ?) timber mounted hand painted Lantern Slide depicting the presentation of gold coins ? To a Chinese Emperor ? Number 7 is written in ink on top right corner.photography, projectors - still

Object. MAGIC LANTERN COLLECTION- Magic Lantern slide - rare (19th Century ? ) timber mounted hand painted Lantern Slide, depicting a boy in a cave looking at a demonic apparition in flames and smoke. Number 4 is written in pencil on top right corner.photography, projectors - still

MAGIC LANTERN COLLECTION- MAGIC LANTERN SLIDE/ black and white group photo slide of adults and children.photography, projectors-still

This glass slide captures the driveway into Mayday Hills Mental Asylum formally known as the Beechworth Lunatic Asylum circa 1900. The slide depicts the driveway lined with an elevated landscape featuring tall trees, shrubbery of different varieties and well shaped bushes. The Mayday Hills Mental Asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD). The decommissioned Asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The Asylum was predominately inhabited by long-stay patients but there were active out-patients. The Asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the Asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The Asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner.This glass slide captures social and historical significance as it represents a one small part of a much larger and pivotal location within Beechworth history. This lantern slide stands testament to a special place in Beechworth’s history and its significance continues to be remembered today.Thin translucent sheet of glass with a square image printed on the front and framed. It is held together by metals strips to secure the edges of the slide.NOW SCENE / ASYLUM AVENUE/ R.P.B. HALL/ BEECHWORTH.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, mayday hills

The glass slide captures the Beechworth Band performing down Ford Street, Beechworth circa 1900. In the slide three rows with five people in each row wearing the Beechworth Band uniform playing instruments as they walk through Ford Street. The slide was captured right as the Band was passing RTP Laycock Saddler. Marching bands, choirs, circus acts, theatrical performances, races, and seasonal activities were among the entertainments on offer in Beechworth. The location is also significant as Ford Street is, and was when this slide was taken, considered one of the two main streets of Beechworth. Today Ford Street is lined with updated shopfronts. This glass slide is socially and historically significant as it captures a moment of celebration for the Beechworth residents. The image is historically and socially significant for attesting to the enduring appeal of local musical associations, which were a popular means of entertainment that fostered social connections among settlers from diverse ethnic backgrounds.A thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals trips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome

This glass slide depicts a group of school children standing in Queen Victoria Park (previously Beechworth Botanic Gardens), circa 1900. Queen Victoria Park was first secured in 1858 by the Beechworth Council with the assistance of the Central Board of Health (CBH). The CBH was a firm believer in the socially beneficial effects of parks and other recreation areas which is why they aided the council in securing the parkland. the council held a local competition for the design of the park and decided on a plan called "Better late than never" by Hungarian nobleman, J.A. Rochlitz. The first non-native trees were planted in 1861 and have since been heritage listed on the National Trust's register of significant trees. There are nine trees located in Queen Victoria Park that are currently on the National Trust's register. These are the Loblolly Pine, Italian Cypress, Shore Pine, and the Big Cone Pine. These trees hold significance as they date back to 1875 and show rare and localised examples of these types of species which are not seen in many other places in Victoria. The trees in the background of the glass slide depict a species of the pine tree and may be some of the trees still standing in Queen Victoria Park today.This glass slide captures social and historical significance as it not only captures a moment in time of these school children, but it also shows environmental significance for the heritage trees depicted in the background.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, queen victoria park, indigo shire, school, j.a. rochlitz, beechworth council

This glass slide captures the landscape of Beechworth's Town Hall Gardens c. 1900. In the foreground is a variety of shrubs and trees (including Sequoia) with many of the original plantings on the National Trust Significant Tree Register. The background depicts an original wooden and metal rotunda that dates to 1876, with a man sitting on a bench.This glass slide has social and historical significance as it represents the Beechworth's historic Town Hall Gardens in c.1900 and how they were a place for local residents to come, sit, enjoy, and relax.Thin translucent sheet of glass with a rectangular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, town hall gardens, beechworth town hall, rotunda

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a cow in a barn.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

MAGIC LANTERN COLLECTION- 3 X empty wooden Magic Lantern slide holders made from hard wood.photography, projectors - still

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a horned cow in a barn.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a graph of cattle breeds.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting illustrated diagram of hair follicles.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a diagram relating to cattle breeding.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a calf standing in a paddock with a fence in the background.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a chart showing variations in hair follicles.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a horned cow in a barn with a rope on it's muzzle.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a horned cow standing in a paddock with trees in the background.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting horned cows standing in a paddock with trees in the background.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a cow standing in a paddock with a fence and trees in the background.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide

This item is part of a collection of twenty black and white glass lantern slides previously housed together in an old cardboard box. [8611 - 8630] The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting a cow standing in a paddock with a fence and trees in the background.new south wales graziers association, travel, cattle, agriculture, j w allen, photography, glass lantern slide