Set of six Digital images of All by Chris Phillips. c1970 .1 - No. 30 at Sebastopol terminus showing Lydiard St Nth destination with a lady standing in the front door. Has a Pay as you enter sign. Shows the houses behind the tram in Albert St. .2 - No. 30 leaving the terminus with the hotel and house in the background. .3 - view from inside the tram, looking back along the track towards the terminus. Shows the nature of the Albert St at the time. .4 - No. 30 with Chris Phillips boarding the tram. .5 and .6 - single trucker at dusk with all the lights on.trams, tramways, sebastopol, albert st, night photo, tram 30

Demonstrates aspects of the Ballarat Tramways fare system at the time of the one man trams, tokens which could be pre purchased by travellers and save time when boarding trams. See notes on file re these eg Reg Item 1801.Fare token- 2d - 21mm diameter - green celluloid - with "B.E.T." in large capitals on front centre of token and words "Ballarat Electric Tramways 1913" on circumference. On reverse in large font "2" and a small font "D" at top of the two - indicating token had a value of two pence. Extract from A. Bradley "The Golden City and its Tramways" about tokens and why. "The ESCo worked out its procedures from its own experience. A "pay as you enter" system was used on city-bound cars, and a "pay as you leave" system on outward-bound cars. On Sundays during busy periods this was reversed on the Gardens lines, but conductors were still required on this line to cope with the heavy summer holiday traffic. Trams 1 to 18 were altered by altering the end seating, placing gates on doorways and "pay as you enter" and "pay as you leave" signs. Once on board, passengers paid their coins into a farebox mounted behind the driver, which was fitted with glass windows and mirrors to enable the driver to see the coins slide into the box - a form of "moral check on passengers". Regular passengers could buy pink or green celluloid tokens at a discount price, to save the motorman having to issue tickets and give change." Stopped being in use in 1921, see Reg Item 1801.1 and 1802. Place of manufacture not known. For other 2d token see Reg. Item 1943 and 2488 page 31. See Reg. Item 2514 for H.P. James notes on the token system. 1794.1 - added 18/4/2009 - donation of Lyall Denning Related documents provides some information on the value of the items. eBay sale 15/10/2006 $20 - eBay slip with worksheet - see related items.trams, tramways, tickets, tokens, esco, one man trams

Demonstrates aspects of the Tramway Union (ATMOEA) management the provided a copy of the Award in a printed form for the use of employees - applicable for Geelong, Ballarat and Bendigo.Sixteen page book within pink light card covers, titled "The Australian Tramway and Motor Omnibus Employees Association" & "Agreement - Ballarat, Bendigo and Geelong", dated Geelong 1955. Gives details of Tramways - SEC award 1955, covering duration of the award contract of employment, rates of pay, margins, additional rates, hours, shift work, overtime, holiday work, call forward and call back, spread of hours, Saturday and Sunday work, special night allowance, penalty rates, time allowances, attending, reporting, meals, acting out of grade, surpluses and shortages, annual leave, sick leave, free travel, uniforms, training, reports, union notices, punishments. Signed by E.W. Tonkin as Conciliation Commissioner. Full scan of document added as a pdf file 5/6/2019.trams, tramways, atmoea, unions, rules, geelong, ballarat, bendigo, awards

Thirteen typed, foolscap size, page (carbon copy) of the Commonwealth Court of Arbitration decision and basis for this decision made 14/6/1955 by Conciliation Commissioner E.W. Tokin. Notes history of dispute, MMTB, SEC, Adelaide, Hobart, Launceston, Ballarat, Bendigo and Geelong. Details basis for decisions of Contract of Employment, additional rates for trackman, time allowance at commencement and finish of duty, meals, training of traffic employees, special night allowances, margins. On bottom of page 5, the formal award commences: gives details of award duration, rates of pay, contract of employment, margins compared to the basic award, additional rates, hours of labour, shift work, overtime. holiday work, call forward and call back to duty, spread of hours, Saturday and Sunday work, special night allowances, time allowance at commencement and finish of duty, attending for duty, reporting for duty, meals, acting out of grade, surpluses and shortages, annual leave, sick leave, free travel uniforms, training of traffic employees, reports, union notices and punishments. Was stapled for all 13 pages with three staples on left hand side. Pages 10 to 13 have become unstapled. Contained within a heavy grey cardboard folder with "A.T.M.O.E.A Award as from 14.6.55" written on outside cover in black ink. "BTPS 219" on cover of folder and first sheet of award.trams, tramways, atmoea, unions, agreements, sec, uniforms

Yields information about the appearance and the use of ESCo tram 12 in Victoria St and has a strong association with those photographed on the steps of the tram.Digital Copy of a photograph purchased by David Critchley from E-bay, of ESCo No. 12 in Victoria St Ballarat, c1925, possibly at the King St loop. Tram has the destination of Orphanage, a Viceroy Tea advertisement, a Coliseum roof advert and an "Pay as You Leave" sign. Note the positioning of the tram number on the route footsteps. The tram still has track brakes and the footstep boards are yet to be cut back or shortened. Tram has four men in suits standing on the running board with the driver or motorman in the doorway of the tram as well. Image not to be formally published without owners permission or knowledge.On the rear of the print is a stamp of "Alpha Print Box Hill" with the number "88"trams, tramways, esco, victoria st, orphanage, motormen, tram 12

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of Bendigo tram No. 19, 1st of the ex MMTB cars to Bendigo, prior to any conversion work. Tram has "Bendigo Tramways" painted on the side of the tram, a sign at the front of the tram saying "Pay as you Leave", the destination of Golden Square. Has one conductor and five drivers? (motormen) standing alongside the front of the tram. Wal Jack has written in on the album "No. 19, 1st of ex MMTB cars at depot 1930" Peter Duckett photo or collection. On the rear in blue ink "PWD"trams, tramways, bendigo, new trams, signs, crews, tram 19

p.765.fictionThe classic tale of one young woman's quest for fulfillment in 1820s England, and the price she would pay for true freedom. Maggie Tulliver's entire life has been spent in the shadow of Dorlcote Mill on the River Floss with her beloved older brother, Tom. But when their father meets an untimely death, the siblings' singular bond is strained as Tom is forced to leave his studies and Maggie struggles to find a sense of belonging. Maggie's sharp intelligence and spirited nature have made her an oddity in the rural hamlet of St. Ogg's, where such unique qualities are perceived as unbecoming for a woman. Her need for recognition and love eventually drives her to defy her brother, who casts her out of his house to survive on her own. Forced to grieve the losses of both their father and each other, the siblings will have to find it in their hearts to forgive in order to reconcile before tragedy strikes again. Inspired by events in the life of the author, The Mill on the Floss is George Eliot's most heartfelt novel and one of her most compelling and moving worksengland - fiction, romantic fiction

Has reference to the MTA (Metropolitan Transport Authority), lists of Union Officers, delegates, Do's and Don't's. Has many advertisements for organisations throughout the book, including Slater and Gordon, Ansair buses and Sands McDougall. Gives information on pay rates, awards, gratuity payments and working conditions.Yields information about the ATOMEA and the awards that crews worked under in 1988.Booklet - pink card covers with an image of an articulated tram and a bus, 64 pages, centre stapled, titled "Handbook of Award, Long Service Leave and & Workers Compensation 1988".tramways, atomea, awards, unions, workplace conditions, workers compensation, annual leave, the met, mta

Has reference to the MTA (Metropolitan Transport Authority), lists of Union Officers, delegates, Do's and Don't's. Has many advertisements for organisations throughout the book, including Slater and Gordon, BHP steel and Tramways Benefit Society. Gives information on pay rates, awards, gratuity payments and working conditions.Yields information about the ATOMEA and the awards that crews worked under in 1984 and 1985Booklet - blue card covers with an image of an articulated tram and a bus, 36 pages, centre stapled, titled "Handbook of Award, Long Service Leave and & Workers Compensation 1984-85". tramways, melbourne, atomea, awards, unions, workplace conditions, workers compensation, annual leave, the met, mta

Digital Image of a newspaper cutting in the Melbourne Herald, recording the retirement of Oscar Reginald Turner. Titled "His pay was 10d a trip" - reports on the career of Oscar starting as a cable tram conductors, passengers, pay rates, picking up the wealthy passengers who leave a tip. Has a photo of Oscar - Cap No. 56. Part of the bottom of the cutting is missing. See htd1930i for Certificate of Service - gives retirement date of 8/8/1953, i2 - tiff filetrams, tramways, mto co, conductors, cable trams, mmtb, camberwell depot

Manuscript of an possible article - 2 quarto sheets - untitled - memories of an "old stager" contrasting the working conditions of the MTO Co to that of the MMTB. Looks as the hackney license, pay rates, hours, leave, cash deposit bond, uniforms. Finishes off complaining about the union executive and its relationship with the Board at the time. Undated - c1930?trams, tramways, mmtb, wages, workplace conditions, cable trams, unions, licence fees

Newsletter titled "Secretary's Newsletter June 2010", Issue 6, issued by the Tram and Bus division of the RTBU. Has a photo of Lou Di Gregorio. Story of Union pay rates, retirements of Eamon Naughton, Kevin Sheehan, motor vehicle licenses and tram driver, defective trams, Bendigo Tramway, Malvern centenary and annual leave provisions.Yields information about the activities of the RTBU during 2010.Newsletter - folded A3 sheet, full colour.trams, tramways, rtbu, unions, yarra trams, presentations, bendigo, malvern depot, tram drivers, drivers, licence fees

Black and white negative, by Wal Jack, of X1 460, at the Footscray Railway Station terminus in Leeds St. Has the destination of Russell St. Tram has a Pay as You leave sign. In the background is the Franklin Chemist, Appleton and Wright Menswear, Roy Thomas Tailor, and R. S. Smith Printer. Either late 1930's, 1940 or post 1945 no white stripe on tram.trams, tramways, footscray, leeds st, x1 class, tram 460

Set of two notices regarding passenger behaviour: 1 - "Person travelling in a condition likely to offend Passengers" - dated 30/11/1967 about a Mr G A Duncan travelling on tram in a filthy state of dress - quoting By-Law 11, section 8, being not permitted to travel. 2 - "Passengers unable to pay fares" - dated 8/11/1967, about excessive fare owing reports, regular offenders, false names and addresses asking crews to obtain proof of address or ask the person to leave the tramcar,Yields information about the behaviour of some passengers in relation to dress and unpaid fares.Document - Set of two quarto sheets, printed, each with two punched holes on left side.tramways, instructions, operations, unpaid fares, fares, behaviour, conductors

Pamphlet details the features of the X1 class trams that were introduced onto the Footscray system during late 1926. Details the construction of the tram, seating, safety features, fares, fare boxes, pay as you enter (PAYE), and provide hints for passenger behaviour. See items 7519 and 7530 for the introduction to Russell St and Williamstown Road respectively also using the Pay as You Leave system,. Yields information about the attributes of the X1 class tram at the time of their introduction in 1926.Pamphlet - one sheet folded printed on light brown paper.tramways, trams, mmtb, x1 class, fare box, footscray

Pamphlet details the introduction of the X1 class safety trams to the Russell St Footscray route from 13/9/1926. Gives information on the tram, fares, fare boxes, pay as you enter (PAYE), or pay as you leave, and provides hints for passenger behaviour. See also item 7470 for a pamphlet on the tram itself. See 7520 for the pamphlet on the introduction to Williamstown Road route.Yields information about the attributes of the X1 class tram at the time of their introduction in 1926 to Russell St.Pamphlet - one sheet folded printed on light brown paper. Two copies held.tramways, trams, mmtb, x1 class, fare box, footscray, russell st

Pamphlet details the introduction of the X1 class safety trams to the Williamstown Road route from 9/6/2024. Gives information on the tram, fares, fare boxes, pay as you enter (PAYE), or pay as you leave, and provides hints for passenger behaviour. See also item 7470 for a pamphlet on the tram itself. See 7518 for the pamphlet on the introduction to the Russell St route. Notes the discontinuation of the through service to Russell St,.Yields information about the attributes of the X1 class tram at the time of their introduction in 1926 to Williamstown RoadPamphlet - one sheet folded printed on off white paper.tramways, trams, mmtb, x1 class, fare box, footscray, russell st, williamstown road

One page document 'Extract from Dickers Mining Record, Strength of ropes Vol.1, No. 5, March 1862, page 3, 'Square the circumference in inches, and multiply by 200. The product is the weight in pounds the rope will bear in safety' Also, 'A question of some importance to miners'. A co-operative company had agreed that every shareholder working in the mine of the Great Redan Extended Coy shall bring two suits of clothes before he be allowed to work in the mine and shall proceed to the shifting room allotted to him and then shall put on his working clothes and on leaving work shall proceed to the shanty, and there change his clothes, and permit the officer appointed by the company to search the clothes in which he shall have worked. Any person not complying with this rule shall have a man work in his place and such person shall not be allowed to go down below. The wages of the man shall be deducted from the dividends of the shareholder. When taken to court, his Honor ruled in Favour of the company. Each party to pay his own costs. He said that all classes when going through the Custon's Houses had to submit for the general good. It was not the individual in the present issue, but the clothes that were submitted to the indignity of being searched.bendigo, mining, strength of mining ropes

Used by Colin Sach during his employment as Manager of the Chemistry Dept. at the University of Melbourne over a period of forty years.Manufacturing History Museum Victoria Commentary: Australian manufacturing history Philip Wollen Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good1'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good1'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Square metal box with electrical elements inside. Used to stand on or to put feet on when sitting. Elaborate pattern in centre with inscription.Hecla Foot Warmerdomestic items, heating

The pay books relate to : John Donaldson Gardiner. Enlisted in the AIF on 26.6.1915 Regt No 2832 age 29 years 7 months in the 9th Reinforcements to the 5th BN. Embark for Eygpt 10.9.1915, embark for France 25.3.1916, hospital 10.5.1916 injury to Rib and Knee, rejoin unit 21.5.1916, hospital 18.1.1917 with Septic Throat, rejoin unit 2.2.1917, hospital 5.4.1917 with Influenza, rejoin unit 10.5.1917, hospital 8.10.1917 with Scabies then while on leave Sprained left ankle serious, rejoin unit possibly 11.2.1918, hospital 26.10.1918 with Influenza, embark for Australia 25.1.1919, discharged from the AIF 15.5.1919 medically unfit..1) Pay book Serial number 126092 brown colour covers 16 pages, front has space for details (all blurred), entries are in blue pen or pencil, stamped in purple “Discharged”. .2) Pay book Serial number 126092 dark brown covers with black tape on edges 10 pages with a single slip pasted in the back, entries are in blue pen or pencil, stamped “Cancelled” Entries relate to pay and deductions also inoculations.On Both. “ Pay book No 5025, Gardiner, John Donaldson, Regt No 2832, Pres, Pte"pay books, administrative, records

The document provides details of the 1917 agreement between the Australian Tramway Employees' Association and the Electric Supply Co. of Victoria Ltd, detailing details and conditions of work and disputes, grievances, discipline, leave etc. Applied to both Ballarat and Bendigo tramways. On page 9 re meals on fare box cars, pages 13 to 16 show the rosters for both systems. Page 11 gives pay rates and a specific rate for Youth Rundle. Document dated 30/6/1917.Yields information about the industrial agreements between the Union and ESCo,Booklet - 16 pages + red card cover - saddle or centre stapled. Two copies held.Has the Ballarat Division of the Union stamp on page 1tramways, atea, union, agreements, rosters, esco, ballarat, bendigo, fare boxes, rates of pay

Collection of personal effects that belonged to Private SIdney Spencer Plum, 3431 1st Pioneer Battalion. SIdney was born on 3/1/1894 at Dockers Plains via Wangaratta. He attended both North Wangaratta and Dockers Plains schools. He was a Blacksmith aged 21 years when he enlisted on 12/6/1915 and embarked on 11/10/1915 on board HMAT Nestor. He was wounded three times and was discharged from the AIF on 16/3/1919. Items include oval photo of Sidney Plum in the centre surrounded by four post cards, one embroidered post card of a dove with an envelope in it's beak with the Union Jack and French flag, a Greetings From The Front" booklet, "The Armour of Light" bible, "A Form of Prayer for open air services" book, Soldier's Pay Book, a "To my dear Mother" card, a black leather pouch, a rising sun badge, round gold medallion. A framed montage of personal items belonging to Private Sydney Spencer PLUM compiled by his family to honour his memory and service. In addition to general military issue the remaining items were most likely purchased whilst on leave in France and England during the first world war. Postcards particularly embroidered postcards were sent home to loved ones and friends.Framed Collection of personal effects - Private Sidney Spencer Plum, 1st Pioneer Battalion. Includes oval photo of Sidney Plum in the centre surrounded by four post cards, one embroidered post card of a dove with an envelope in it's beak with the Union Jack and French flag, a Greetings From The Front" booklet, "The Armour of Light" bible, "A Form of Prayer for open air services" book, Soldier's Pay Book, a "To my dear Mother" card, a black leather pouch, a risen sun badge, round gold coloured medalion. Frame has a donation plaque.Front: Pte Sidney Spencer Plum, 1st Pioneer Battalion. Donated by Max & Hilary (Plum) Ryan and Sylvia Reed (Plum) of Wangarattaa Back: Wangaratta Picture Framers 9 Oct 2003. Also has messages from front postcards; Dear Mother, Just a few lines to let you know that I am alright hoping that you and all the rest is well too. We have had three fogs over here and it is very cold at night. I was picked in Cairo and they had some Turkey Officers an a German spy in gaol there. I wrote to Aunt Nelline. I got two letters from Alf. Maude Saxby hasnt wrote to me since I was up there on final leave. I get the letters quicker. I got Alf photos all right. I will be having Christmas in London. Well I think this is all this. I remain you son Sid. Tell Alf to send me over the Age so I can see how the war is going. I suppose Dad and the rest is busy harvesting now. Glad to hear that you got the photos all right. I think this is all this time from Sid same address as before. Dear Mother, Just a few lines to let you know that I am keeping well hoping that you and every body is the same. We have some great fogs over here, it rained all one night. We had a very good Christmas we got a billy issued to us and it had every thing in it. The Captain of our company gave me a Christmas pudding. All the same I wished I were back in Australia again. I think this is all this time. Yours truely son Sid, 25/12/15plum, sidney, world war 1, postcards, embroidered postcard, soldier's pay book, leather pouch, bible, prayer book, sydney

Early form of home heating and because of the copper dish was considered one of the better models|Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla.|This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Pedestal radiator. Base is cast iron with three feet with rose design on each. Pedestal supports a copper spherical reflector plate which has an electrical connection box at its base. The connection box is joined to the pedestal by a screw and nut to enable the reflector to be tilted. The element is cone shaped and is in the centre of the plate. The element is protected by a wire guard.Hecla Firedomestic items, heating

Manufacturing History Museum Victoria|Commentary: Australian manufacturing history Philip Wollen|Many years ago, when I was an ambition young man, I took over a company called Hecla. This business was formed in 1872, long before Federation was even contemplated. The company established a rich tradition in the Australian manufacturing industry. The prodigious product range included kettles, mixers, toasters, hairdryers, urns, pie warmers, bain maries, and electric blankets for the domestic and commercial market. During the war it even manufactured parts for aircraft. It was one of Melbourne's largest employers.|Hecla was one of the pioneers in TV advertising, led by icons like Bert Newton, Bobby Limb, Evie Hayes and Graham Kennedy who ad Jibbed his way through irreverent and unscripted naughtiness about Hecla electric blankets and foot warmers. The slogan was 'By Hecla, its good.'. One can imagine the fun Bert and Graham had with their double entendres.|In the 60's Hecla entered into a partnership with General Electric and expanded rapidly. The massive factory, on the corner of Alexandra Parade and Chapel Street overlooking the Yarra River was a Melbourne landmark.|The business was formed by one of the scions of Melbourne industry. Mr Marriott was a metal worker of some repute, building the lights in front of Melbourne's Parliament House, the first steam car, the sideboard at the RACY Club, and the first factory to run on electricity.|By the time I acquired the company it was a shadow of its former self, incapable of competing with cheap Chinese imports. Wandering around the warehouse late one night I discovered a large, boarded up storeroom which appeared not to have been opened in decades.|Over several months I combed through the room, unearthing a treasure trove of products from a bygone era. Dusty files, engineering drawings, wooden prototypes, patent records, and correspondence from distributors on every continent.|I decided to track down an old man, Ray, long retired after 50 years with Hecla. He was not well off financially and welcomed the paid work. It turned out that he had done his apprenticeship with the company and there wasn't much he didn't know about it. He had been personally involved in the manufacture of almost every type of product on the Hecla smorgasbord's of products.|So for over 2 years he methodically assembled a mini museum of Hecla products, painstakingly polishing them and ensuring they were in working order. He attached the original brochure of each product and their respective warranty cards. For him it was ,a labour of love. For me it was a fascinating, if vicarious journey, into Australia's manufacturing past.|My colleagues complained that I was wasting money on his salary, our time and factory space on stuff that should have been dumped years ago. I tried to explain that I was merely a steward of the Hecla tradition, not merely an owner. Besides, the look on Ray's face convinced me that there was another dynamic at work. One I could see, but didn't really understand.|After he Passed away I faced a dilemma. What to do with this 'museum' of Hecla history. Nobody was interested.|So I kept the 'stuff' in private storage, hoping that same day someone would be interested in it. And the years passed.|Finally, I had a brainwave. Perhaps the Melbourne Museum would be interested. It was a long shot but I made the call. I had a nagging suspicion that they would think I was simply trying to get them to relieve me of paying for this huge collection to be taken to the tip.|To my surprise they said they would be willing to take a look, I secretly hoped that they would take the whole collection and not leave me with an incomplete jumble of appliances that I would indeed have to take to the tip.|On the appointed day, four serious looking young people showed up. Armed with digital cameras, note books and poker faces they spent four hours analysing the goods and the supporting materials. I asked them if they had any interest and their response was decidedly non-committal. It depends on the acquisitions committee, I was told. I was disheartened and packed up the exhibits to go back into storage.|Imagine my surprise when months later they telephoned to say that they had researched the history of the company, and yes, they would like to take the whole collection. And a truck with 'handlers' would arrive the following day to pick it up. Two years ago all Hecla's archives left me forever and went to the Museum's warehouse.|Well, to my delight I received a call yesterday inviting me to a private viewing of the exhibition at the Melbourne Museum. These young historians had meticulously assembled an impressive display of Melbourne's industry and technology going back to the 1800's. They thanked me like a significant benefactor when it is I who should have thanked them.|I saw the excitement in the eyes of these young people who had somehow managed to dig out and assemble memories from Australia's past. If this is the standard of care that the curators of the Melbourne Museum show all their exhibits, our history is in safe hands.|Their meticulous work took me back to those years long ago when I saw an old man lovingly assembling and cataloging a lifetime of his work.|It took me back to the day when Australians actually made things. Long before we became a nation of quarrymen. Before we became animal-factory 'farmers'. Of a time when products didn't break down, or dumped and replaced before the warranty expired. When men like Mr Marriott cared deeply about what their hands produced.|It reminded me of the call I received from an elderly lady in Tasmania asking for the electrical element for a Hecla K7 kettle. I searched the archives and called her back. The K7 was produced decades earlier and we no longer carried that spare part. She was quite disheartened and told me her kettle had finally 'given up the ghost' and she couldn't bear to part with it. It was a present from her husband on their wedding day 45 years ago. Her final words were 'they don't make them like that, do they? By Hecla they were good.'|I'm glad I followed my instinct and put Ray back on the payroll all those years ago..|I like to think Mr Marriott would have been pleased.Large electric heater with two radiator bars and a protective grille at the top and false coals at the bottom.Replacements for this fire - Elements No. F314 - Illuminators No. 3P. Berry's Electric Ltd - Volts 230 - 240 -Watts 2000 V/AD/Cat No. 454 . Made in Australia by Hecla Electrics Pty Ltd Melbournedomestic items, heating

Legal or Memorandum of Agreement between the Electric Supply Co. of Victoria and the Federated Tramways Officers Association, dated 24/4/1923, setting out hours of work, annual leave, payment rates, dispute settlement, employment conditions, and further claims. Prepared by Home & Wilkinson or Collins St, Melbourne.Yields information about the agreement between ESCo and their Officers in 1923.Legal document - four sheets double foolscap typed, carbon copy and folded. Second copy is a carbon copy on three folded sheets. Has "Ballarat" in front in pencil. Second copy has the hand written date of "24th of April" in pencil.tramways, unions, officers, agreements, rates of pay