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Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Marshall family [male relatives], 1930s
This photograph shows one of the Marshall relatives, unidentified male, early 1930s Digital copy of black and white photograph. Caption illegible..charles marshall, world war 1, marshall family -
Federation University Art Collection
Sculpture (exterior), [Untitled Sculpture] by Mary Modeen, 2000
Mary MODEEN (1953- ) Born United States of America Lives Scotland Mary Modeen is an artist/printmaker and interdisciplinary academic who also works in artist books, installations, and recently, in video and sound. She is also an academic of nearly 30 years full-time experience in higher education, residing in Scotland where she convenes the Art, Philosophy and Contemporary Practices at the Duncan of Jordanstone College of Art and Design, University of Dundee. Modeen’s research has several threads: perception as a cognitive and interpretive process, and place-based research, which tends to connect cultural values, history and embodied experience. In 2000, while a Visiting Research Fellow at the University of Ballarat (later Federation University Australia), Mary Modeen was commissioned to create a sculpture in a Public Art context for the campus. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.An external sculpture commissioned in a Public Art context for the Mt Helen campus Business Building (B Building) by Scottish Artist and Visiting Research Fellow, Mary Modeen. Mary Modeen's three dimensional sculptures and installations draw on her interest in "light" relating to artworks and conceptual art. The 'plugs' in the sculpture represent students, while the blue acrylic disk represents alumni, and the spread and impact of our students throughout the community. art, artwork, sculpture, mary modeen, business school art collection -
Federation University Art Collection
Ceramic, Valerie Marshall, Shingle Style Hand Built Pot by Valerie Marshall, 1985, 1974
Valarie Marshall was a Diploma student at the Gippsland Institute of Advanced Education from 1972 to 1974.Shingle style hand built pot with clay pellets lightly coloured with copper oxide. gippsland campus, jan feder memorial ceramics collection, ceramics, valerie marshall, gippsland institute of advanced education, alumini -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Stowell Marshall, 3rd Light Horse Machine Gun Squadron, 1917_
This photograph shows Stowell Marshall (seated) and another from the 3rd Light Horse Machine Gun Squadron..Digital copy of black and white photograph. No caption on this photographcharles marshall, world war 1, stowell marshall -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Elva Hill & Mrs Mary Martina, 22nd August 2000
This oral history interview was conducted with two sisters, Mrs Elva Hill and Mrs Mary Martina. They describe growing up in Beechworth, living a fairly well-off life compared to others around them. Mrs Martina in particular talks about going to school, becoming a teacher, and helping to set up Beechworth Secondary School. She talks briefly about gender roles for girls in the classroom and how teaching has changed over time. Mrs Hill and Mrs Martina describe the Beechworth community as friendly, including towards migrants, and suggest they were not particularly involved in political movements except for protesting after the dismissal of the Whitlam Government. They discuss visiting the Albury Show. The sisters briefly discuss 'them pushing the wheelbarrow to Mt Buffalo'. This refers to a publicised wager between garage proprietor Tom Parkinson and Post Office Hotel licensee Tony Evans in 1935. Evans challenged Parkinson to push him in a wheelbarrow for over 80km (with an elevation of 1000m) from the Beechworth Post Office to Mt Buffalo in just eight days, with the winner awarded twenty pounds. A brochure was published with official rules, and the incident made international news in the New York Times. They briefly discussed that their parents worked at the 'Mental Hospital', the full name of which was the Mayday Hills Mental Hospital, known at other points as the Beechworth Asylum and the Beechworth Hospital for the Insane. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The statement captures a personal perspective on the teaching profession and education at rural schools during the mid-twentieth century, with a focus on the experience of young girls and women going to school. It specifically discusses the establishment of Beechworth Secondary School. Mrs Hill and Mrs Martina also provide insights into the social dynamics of the town, as two girls from a well-off family discuss how they believed people from different backgrounds interacted with one another. The interview also puts Beechworth into a wider social context, as the women discuss how they were perceived when they went to College and how they interacted with wider politics. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Elva & Mrs Mary Martina /listen to what they say, beechworth, oral history, burke museum, hill, martina, sisters, boarding school, rural school, primary school, beechworth secondary school, mayday hills mental hospital, gender, gender at school, entertainment, albury show, dress codes, wealth gap, whitlam dismissal -
Greensborough Historical Society
Photograph - Digital image, Charles Marshall et al, Marshall family, 1930s
This photograph shows the Marshall family, early 1930s with Doris (centre back) and Loris, aged 4 (centre front).Digital copy of black and white photograph. No caption on this photo.charles marshall, world war 1, marshall family -
Eltham District Historical Society Inc
Book, Alan Marshall (1902-1984), The Complete Stories of Alan Marshall with pen drawings by Noel Counihan, 1977
A collection of sad, funny, warm and tragic real stories. Author Alan Marshall lived in Eltham for some of his life and wrote the history: "Pioneers & Painters: One Hundred years of Eltham and its Shire" published in 1971.497 pagesnon-fictionA collection of sad, funny, warm and tragic real stories. Author Alan Marshall lived in Eltham for some of his life and wrote the history: "Pioneers & Painters: One Hundred years of Eltham and its Shire" published in 1971.short stories -
Kew Historical Society Inc
Work on paper, Joy Stewart, 14 Marshall Avenue, Kew, c. 1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen & Ink sketch on paper of 14 'Marshall Avenue, Kew' by the artist Joy Stewart. Inscription: "Marshall Avenue - Kew". Signed lower right: "JStewart". joy stewart, marshall avenue (kew) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 10 Marshall Avenue, Kew, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 10 Marshall Avenue, Kew by Margaret Picken.10 MARSHALL AVE., KEW / MARGARET PICKEN ~88 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 10 marshall avenue - kew (vic). -
Whitehorse Historical Society Inc.
Document, Lucie Baragwanath, 1/03/2006 12:00:00 AM
Interview with Lucie Baragwanath, who migrated to Australia from Austria in 1956.Interview with Lucie Baragwanath, who migrated to Australia from Austria in 1956. Interviewed by Erica Sharpe 14 March 2006. Tape at NP 3457Interview with Lucie Baragwanath, who migrated to Australia from Austria in 1956.austrians in australia, oral history migration program, emigration, baragwanath, lucie -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 28 Marshall Avenue, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 28 Marshall Avenue, Kew by Margaret Picken.28 MARSHALL AVE., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 28 marshall avenue - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 30 Marshall Avenue, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 30 Marshall Avenue, Kew by Margaret Picken.30 MARSHALL AVE., KEW / MARGARET PICKEN '89 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 marshall avenue - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1/6 Marshall Avenue, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 1/6 Marshall Avenue, Kew by Margaret Picken.1/6 MARSHALL AVE., KEW / MARGARET PICKEN ~ 93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1/6 marshall avenue - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/6 Marshall Avenue, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 2/6 Marshall Avenue, Kew by Margaret Picken.2/6 MARSHALL AVE., KEW / MARGARET PICKEN ~91/ WOODARDS ~ C'WELLartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/6 marshall avenue - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4/6 Marshall Avenue, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 4/6 Marshall Avenue, Kew by Margaret Picken.4/6 MARSHALL AVE., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4/6 marshall avenue - kew (vic). -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Borden, Mary, Passport For A Girl by Mary Borden
Hardcover book with a dark navy blue cover. 331 pages. Prior Ownership: W. & D. Thomas, News Agents, Inglewood and Booklovers' Art Shop, King's Cross, Sydney.fictionmary borden, fiction -
Eltham District Historical Society Inc
Photograph, Alan Marshall
Some photos include Alan Marshall with his secretary, Pat Wiltshire, at work in his Eltham home, c.1970Black and white photographs of Alan Marshall at his home.pioneers and painters, alan marshall, pat wiltshire -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Martens, Mary E, A Woman of Small Account by Mary E. Martens, 1911
Book is 'A South African Social Picture.'Hardcover book with a red fabric cover and gold embossed text. 320 pages. Front page of book states it is a South African Social Picture.fictionBook is 'A South African Social Picture.'mary e. martens, south africa, fiction -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Rinehart, Mary Roberts et al, When A Man Marries by Mary Roberts Rinehart, 1909
Romance novel.Hardcover book, 356 pages. Book has an olive green cover with white text.Illustrations by Harrison Fisher and Mayo Bunker.fictionRomance novel.mary roberts rinehart, romance, fiction -
Kew Historical Society Inc
Photograph, J E Barnes, John Marshall, Mayor [of Kew] 1872-3, c.1906
Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection -
Eltham District Historical Society Inc
Document, Mary Owen, Mary Owen's speech at the unveiling of the Memorial Plaque to her grandfather, Walter Withers, at Walter Withers Reserve, cnr Arthur and Bible Streets, Eltham, 13 October 1990, 1990
Mary Owen was the granddaughter of Walter WithersA4 cream copy paper, typed, 5 pagesdedication, mary owen (walter withers granddaughter), walter withers rock -
Federation University Art Collection
Artwork- Ceramic, Rasmussen, Mary, 'Vessel' by Mary Rasmussen, 2009
Mary RASMUSSEN (1940- ) A student of John Gilbert, Mary Rassmussin (Davidson) established her own pottery in 1980. In 1993 she was employed as a Ceramics tearcher at the Ballarat School of Mines. In 2009 Mary Rasmussen celebrated ten years continuous service teaching Ceramics at the Federation Univeristy Arts Academy. In 2015 she curated the 2015 Clunes Ceramics Award. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two wheel thrown vessels, woodfired. .1) Light coloured finish .2) Brown and rust finish This work was purchased from the Victorian Bushfire Appeal Concert 'Ballarat RemEmbers', March 2009. Works were donated for the appeal.art, artwork, mary rasmussen, ceramics, woodfire -
Federation University Art Collection
Watercolour, 'Dargo' by Mary Glenane, 1979
Over several years Mary Glenane, Sue Jarvis and John Reid would spend most Saturdays painting together. The work would have been exhibited during one of the dozen or so exhibitions held by Mary Glenane, and purchased by Dr David Alexander for his personal Collection. Mary Hollick (nee Glenane) lectured in Tourism at Federation University until her retirement (c2017) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed watercolour depicting a hilly landscape around Dargo in Gippsland, Victoria. Gift of David Alexander, 2013art, artwork, glenane, mary glenane, mary hollick, available, landscape -
Federation University Art Collection
Tapestry, Mary Modeen, 'Three Wise Women: The Source of Knowledge' by Mary Modeen, 1995
In 2000 Mary Modeen was a visiting artist to the newly formed University of Ballarat Arts Academy. Mary Modeen was senior fine art lecturer at the University of Dundee, Scotland. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed screenprint depicting three women looking at a large book. Edition 3/10 Signed lower right side art, artwork, mary modeen, scotland, women, printmaking, screenprint, available -
Federation University Art Collection
Painting - Artwork - Painting, Hollick, Mary, [Untitled] by Mary Glennane
Mary GLENNANE (Hollick) Artist and curator Mary Glannane (Hollick) lectured in Tourism at the Federation Univesity Buisness School. She was highly involved in purchases for the Business School Art Collection. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large abstract painting on a stretcher. art, artwork, mary hollick, mary glenane, abstract, alumni -
Surrey Hills Historical Society Collection
Photograph, Mary Sneddon with daughter Jean
The photo was taken in the garden of of 'Cliburn', 14 Suffolk Avenue, Surrey Hills, the home of William and Mary (nee Bird) Sneddon. It was named after Cliburn, Westmorland (later Cumbria) where Mary's mother was born and the name was given to all their homes. Mary Bird, daughter of John Bird and Mary Coulston, b 1878 Bethanga, Victoria; died 1948, Surrey Hills. They were married on 12/11/1903 in Surrey Hills at the home of James Sneddon. William Sneddon was a postman in Surrey Hills for many years. His father James had an estate agency in Surrey Hills from the 1880s. Born in1875, Sandhurst (Bendigo); died in 1957, Deepdene. Buried Box Hill Cemetery: P-061-0033. They had the following children: Jim (James 3rd) b 1905, Balwyn Jack (John William) b. 1908, Camberwell Norman Alexander b 1910, Camberwell Alan Coulson b 1914 Surrey Hills Jean Isabel b 1916, Surrey Hills Douglas Haig b 1918, Surrey Hills. Additional information from Robin da Costa-Adams, who is related to the Sneddon family through her first marriage. Sepia photo of Mary Sneddon with daughter Jean wearing hats and taken in a garden. Mary is seated and Jean stands beside her. Part of the house next door can be seen in the background. It is an Edwardian timber home"Jean Sneddon / Mary Sneddon/ (in grey lead pencil by Robin da Costa-Adams. 1050 in blue biro crossed out in top RH corner. KODAK PRINT - black stamp in centre. "Jean dau of Mary - / Will. Sneddon" in black ink in Jocelyn Hall's hand. cliburn, suffolk road, (miss) jean sneddon, william sneddon, (mrs) mary sneddon, (miss) mary bird -
Whitehorse Historical Society Inc.
Postcard, Christmas Card from Mary to Cissie, 21/12/1913
Photocopy of Christmas Card from Mary and Emil to Cissienon-fictionPhotocopy of Christmas Card from Mary and Emil to Cissiejackschowsky mary, schwerkolt francesca, jackschowsky emil -
Whitehorse Historical Society Inc.
Letter, Letter From Mary In Berlin, 25/11/1919
Photocopy of part of a letter from Mary to Charlesnon-fictionPhotocopy of part of a letter from Mary to Charlesjackschowsky mary, schwerkolt charles clarence victor, schwerkolt cottage -
Whitehorse Historical Society Inc.
Document - Letter, Mary Elizabeth Jack, Letter from Mary Jack to Charles Schwerkolt, Oct 1962
Colour photocopies, A4, covering letter (3 pgs) and an envelope (i pg).non-fictionjack mary elizabeth, schwerkolt charles clarence victor -
Surrey Hills Historical Society Collection
Photograph, Mary Sneddon
Mary was married to William Sneddon who was a postman in Surrey Hills for many years. His father James ran an estate agency in Surrey Hills which had been established by his father, also James, in the 1880s. William married Mary nee Bird in 1903 at his father's home. They lived at 'Cliburn' 14 Suffolk Road, named after Cliburn, Westmorland (later Cumbria) where Mary's mother, Mary Coulston came from. According to the donor, all their homes were given this name. WIlliam and Mary had the following children: Jim (James 3rd) b 1905, Balwyn Jack (John William) b. 1908, Camberwell Norman Alexander b 1910, Camberwell Alan Coulson b 1914, Surrey Hills Jean Isabel b 1916, Surrey Hills Douglas Haig b 1918, Surrey Hills. William and Mary are buried in Box Hill Cemetery: P-061-0033. The donor Robin da Costa-Adams is related to the Sneddon family through her first marriage. Formal sepia photo of Mary Sneddon seated in a studio or against a backdrop provided by a travelling photographer. "Mary Sneddon" - Robin da Costa-Adams' hand in grey lead pencil. "nee Bird) / (wife of Wm Sneddon" in black ink in Jocelyn Hall's hand.(miss) mary bird, (mrs) mary sneddon, william sneddon