Site of former Sunday school c 1990.Adverting sign from Monaghan's Real Estate with image of the houses.LUXURY HOME UNITS Six to be erected on this site. Monaghen's Real Estate Pty Ltd. 189 Main St. Stawell Ph. 053 581300 anytime. Builders W. Tuttle Project Homes Ph. 584123stawell religion

2 NAL - Rinadeena - (Mt. Lyell) O 2; 2 NBL - 1st. class saloon car (20) NAL FIRST-CLASS SALOON CAR. Four saloon end-platform cars originally built during 1901–1902 by the Lancaster Railway Carriage and Wagon Company Ltd. for the 3'6" gauge Mt. Lyell Mining & Railway Company in Tasmania and classed O. Converted for use as second-class cars on the 2'6" gauge Puffing Billy Railway during 1965–1966, these cars were reclassified NBL and numbered 1–4. The L recognises their Mt. Lyell origin, No. 1 was kept for use as the Railway's VIP car and was reconditioned to a higher standard. No. 2 was similarly upgraded in 1985 for use on special occasions. In 1989 No. 3 was similarly reconditioned with No. 4 receiving similar treatment in 1995. These cars were re-classified NAL in recognition of their new first-class nature. The Mt Lyell Railway was closed in 1963 and subsequently dismantled, but fortunately several of the locomotives and carriages passed into preservation. Purchased by the Puffing Billy Preservation Society from the Mount Lyell Mining & Railway Company in the 1960's and converted to 2' 6" gauge. It has since given many years of service on the Puffing Billy Railway. TASMANIAN CARRIAGES & GUARDS VANS No. Builder Type Year built Ex. Location Note NAL 1 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Mt Lyell NAL 2 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Rinadeena NAL 3 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Teepookana NAL 4 Lancaster Railway Carriage and Wagon Co Saloon 1901 Mt Lyell Railway Named Dubbil BarrilThe Rinadeena is a stunning example of a classic narrow gauge 1st Class Saloon Carriage, used as a luxury edition to train travel in the late 1800s and the 2NAL within Puffing Billy's collection was purchased by the Puffing Billy Preservation Society in the 1960s, where it underwent restoration to become part of the railway's historic transport collection.A timber and iron saloon car - painted in crimson with a name plate 'Rinadeena' attached to the centre of the carriage and the words '2 NAL' painted in white directly below. The word 'FIRST' is painted in gold at both ends of the carriage. The car has nine windows on either side of the carriage and a wrought iron ballastrade upon entry at eiether end of the carriage as well as iron steps to ascend. Inside the carriage are 10 bench seats made of wood and leather and ten tables for dining. The windows are adorned with cream cloth fabric and above each bench are wrought iron luggae racks. The ceiling is covered in cloth and features two suspended ornate glass and metal light fixtures. A wooden door with two glass panels can be found at both ends of the carriage.2 NAL - Rinadeenarailway carriages, first class saloon, narrow gauge, rinadeena, mt lyell, transport, travel, leisure, luxury

Rectangular tin, black with purple & gold printing.Marchews de chocolat. Luxury Belgian Chocolate. Flaked truffles. A Sumptious Assortment of Milk, Dark and White Belgian Flaked Chocolate Truffles. Truffles assorties au chocolat belge blanc, fondant et au lait.

Market gardeners in Moorabbin Shire had many successful seasons and bought luxury items with their profitsAs market gardeners and other early settlers achieved prosperity they purchased luxury items.A silver embossed serving bowl with 4 curved legs and a lid with finial and embossed rim silverware, serving bowls, dinnerware, early settlers, moorabbin shire, bentleigh, moorabbin shire, cheltenham, market gardeners,

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Challenge blankets, ElectracolourFirst Time Ever!/Clan Murray Challenge Blankets/Bring You New Colours Glowing like Early Morning Sunlight/Electracolour/from New Swiss Miracle Dyes/Still with the Super Luxury of Kitten-soft Double "Perma-Nap" Finishwool, blanket, blanket fever, challenge, advertisement, australian women's weekly

Diggers & Mining. Stores at the diggings. MEMS FROM THE MOUNT . . . Among the numerous novelties at the diggings are Messers. Dunolly and Fitzpatrick's machine manufacturing of aerated lemonade, gingerade, soda and carrara waters; the superior excellence of their beverages is now well established by the daily crowds of thirsty gold diggers that visit their establishment adjoining the Herald office and opposite the point office (M.M.H., February 28, 1852) Slide reads: Some enterprising men provided ''luxury'' lines for the diggers. Markings: 15 994.LIF. 5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

35mm Kodak white cardboard colour slide by Keith Kings of SW6 850, the class leader at Preston Workshops 2/1/1969. Has adverts for Marshall batteries, Warren Smith Motors and High Speed Gas. See Inscriptions for further notes.Keith Kings stamp and number "45-4", with details of exposure. in ink "MMTB No. SW6 850, the prototype luxury tram built by Preston Workshops / Preston WS. Note One Piece steel frame full drop saloon windows (as in SW5 cars 840-849"trams, tramways, sw6 class, preston workshops, tram 850

Object. A beautiful chocolate box consisting of white reinforced cardboard and mushroom silk backing, surrounded by 2 borders of braided string in mushroom and beige in a stylised oval. Inlaid with a sepia photograph of a young lady 18 cm x 13 cm also with a beige string border. Inscription Tag: To HM The King By Appointment. T.S. Fry & Sons Limited Bristol London inside lid and on the back Bristol England. On the border of the Art Nouveau and Art Deco Periods items favoured natural stylised forms, geometric shapes, cool sophistication and luxury and celebrated living in the modern world.T.S. Fry & Sons Limited Bristol London.domestic equipment, food storage & preservation, container chocolate box

Strip shopping and ample parking were features of suburbs in the middle of the twentieth centuries. Cars were still considered a luxury, although that would soon change, and local, independent shops serviced local areas.During the post-war years, the municipality of Moorabbin experienced a population boom. The 'newcomers' were predominantly returnees from the war who were marrying and establishing families; those from the old inner-suburban areas who were moving away from rented premises to establish their own homes on cheap land. The 1950s were a time of immense growth for the area now known as City of Kingston.Black and white photograph of the intersection of Centre and East Boundary roads, Bentleigh East. Several cars are visible both in the foreground and background, and the intersection includes a roundabout. The street is lined with poles to carry electricity cables, and the roundabout is dotted with four poles for electric street lights.Handwritten in blue ink: 56 - 230 Handwritten in red ink: 82% Handwritten in black ink: Ch. 6shopping strip, cars, suburbs

Opera glasses such as these would have been used in the 20th century by theatre and concert-goers who had the means to purchase what would have been a luxury item. Such a set could still be used today. These opera glasses have no known local provenance and will be useful for display. These are opera glasses in a kidney-shaped black leather case. The case has a light brown leather handle and a metal clasp. The case inside is lined with red silk material and the inside lid and upper part of the case inside have a gold rim. The case is much crumpled and worn. The glasses are made of brass with iridescent inlays with ornamental gold edging. The mechanism for altering the focus of the glasses is still in good working order. social history, warrnambool history, opera glasses, theatre glasses

Built in 1991 at 16 The Esplanade, St Kilda, on the site of the St Moritz Skating Rink, which operated from 1939-1981. The building was demolished in July 2019 and replaced with a luxury apartment complex 'Saint Moritz'.Colour photographst moritz, st kilda, novotel, alfred square, esplanade

Colour photocopy of an article by Geoffrey Skelsey providing a short history of the two VR tram lines, and the construction of the luxury trams, Nos. 52 to 54. Covers the use of the first two on the MMTB system and their operational history.Provides details of VR luxury trams in a UK based magazine,Photocopy of an article from the June 2009 issue of Tramway Review - two A4 sheets.trams, railways, vr trams, tram 52, tram 53, tram 54, mmtb, tramways, lrta

Cypress Gardens was built by Bert and Flo Foster to encourage holiday makers to visit Yarrawonga Mulwala and enjoy aquatic pursuits. Boats were accommodated. Built in the 1950’s and opened 19th December 1959, demolished around 2000, land sold and luxury homes were built along the lakeside. Four fold coloured ( red, black, blue, yellow) brochure, printed on both sides featuring black and white photos. Taken around about and inside resort buildings. tourism, advertising, aquatic sports

Project: Domain Park from office of Grounds Romberg and Boyd. Perspective of Penthouse. The Domain Park flats (1959-62) were designed by Robin Boyd and were among the first high-rise blocks of ‘luxury’ flats constructed in post-war Melbourne. This exterior perspective highlights the unparalleled views available from the penthouse apartment.Aerial Perspective, Tracing Paperdomain park, robin boyd, ohm2022, ohm2022_14

The steam yacht Titania of the Royal London Yacht Club depicted in the painting was a luxury steam propelled cruising yacht sailing from London to America and various locations throughout the world. She was captained by Captain Gordon Trent Chambers. During Operation Dynamo the Titania was employed transporting soldiers from Dunkirk and therefore was instrumental for saving many lives. Gilded wooden frame with painting of Steam Yacht Titania.S Y Titania on left front bottom. L. Papaluca (artist) on right front bottom.

The Statesman WB range of long-wheelbase luxury sedans, developed by General Motors-Holden’s in parallel with the Holden WB series, was released in May 1980. Like their Statesman HZ predecessors, the two models in the Statesman WB range, the de Ville and the Caprice, were marketed as "Statesman" rather than as "Holden". A 3.3-litre inline six cylinder engine was standard equipment and a 4.2-litre V8 was offered as an optionThe WB series was discontinued in late 1984. Production of the Holden WB and related Statesman WB models totalled 60,231 vehicles Blue 4 door sedan In fair condition, Blue interiorDeVille badge on Grille, De Ville badges on both front mudguards on boot statesman badge on LHS of Boot lid and De Ville on centre of boot vehicle, wb statesman, car

The Mena Camp, Egypt, was the training camp for the 1st Australian Imperial Forces(AIF) before the Landing at Gallipoli. The camp was located 16Kms from Cairo.Built around Mena House, it was a luxury hotel built next to the Pyramids of Giza (originally spelt Gizeh) supplied with its own purpose built tram-line to Cairo. The centre road up the middle of the camp was known as Artillery Road. The initial force consisted of 20,000 men.The Camp was a major training facility for the 1st Australian Imperial Force in 1014-15.Rectangular shaped glass covered picture frame showing a photo of Mena Camp-1914/15.Mena Camp-1st Australian Division. Australian Imperial Force-Egypt. 1914-15.mena camp, egypt, gallipoli, cairo, lara r.s.l. training camps, australian imperial force.

The Mena Camp, Egypt, was the training camp for the 1st Australian Imperial Forces(AIF) before the Landing at Gallipoli. The camp was located 16Kms from Cairo.Built around Mena House, it was a luxury hotel built next to the Pyramids of Giza (originally spelt Gizeh) supplied with its own purpose built tram-line to Cairo. The centre road up the middle of the camp was known as Artillery Road. The initial force consisted of 20,000 men.The Camp was a major training facility for the 1st Australian Imperial Force in 1014-15.Rectangular shaped glass covered picture frame showing a photo of Mena Camp-1914/15.Mena Camp-1st Australian Division. Australian Imperial Force-Egypt. 1914-15.mena camp, egypt, gallipoli, cairo, lara r.s.l. training camps, australian imperial force.

Early in World War I local women's groups in Australia began working to provide provide tobacco, cakes, puddings, condensed milk, sugar, biscuits, newspapers and other 'luxury' items to supplement the Australian soldier's army rations. These fund-raising bodies were amalgamated in 1916 to form a national body, The Australian Comforts Fund (ACF), which undertook to provide 'comforts' to all Australians abroad. Sales of this book raised funds for The Australian Comforts Fund.A thin book with a brown fabric cover. On the cover is a black line drawing of a koala in a tree. It contains a summary of the work done by the Australian Comforts Funds at the front, Anzac and Mudros, at the camps in Egypt with a summary of gifts and statement of accounts.The book sold for 3/- or 15 P.T. in aid of the A.C.F. It was edited by William Beit.

This box spanner was used in the early twentieth century to tighten the hubcaps on wire wheels. These were the standard wheels for early models of cars, as the quick detachable hubcaps meant they could be changed quickly. Although they were later replaced by the development of the cheaper pressed steel wheels in the 1920s, their lighter weight meant they were still used on luxury cars. This spanner was manufactured by ‘Wire Wheel Corporation of America’, also known as ‘Houk Manufacturing Company’, who were making wheels in Buffalo, New York, from 1910.Box spanner for wire wheels; tapered handle, hanging loop other end to spanner. surface rustWire Wheel Corp of America Buffalo NY B4-1005/H4.B4.CB4.CB4 5 Abox, spanner, tool, tools, churchill island, farm

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Part of a group of curtain furnishings which includes a curtain with original fittings, fringe and braid unpicked from other curtains, and these six curtain tie backs. The six curtain tie backs are identical, though one pair is shorter. The tie backs comprise a length of soft, loose (floss) silk cord, made of two thick strands twisted together (cable cord). An elaborate tassel is attached to the middle of each cord, to weight the tie back in an elegant loop, with the loose ends attached to hooks or pins on the window frame. Each tassel is formed of a turned wooden mould, covered with floss silk thread, and further decorated with knotted netting, applied braid, and glass beads. The end of the mould has a large flattened shape, from which hangs a ring of long, bullion metal fringe. This may be silver-gilt: untarnished parts are still true gold colour, while the majority of the fringing is tarnished black. These curtain decorations are truly luxurious; the original suite of curtains would have been very expensive, an eloquent item of conspicuous consumption of luxury goods.Attached handwritten note : "VA Th 7/6/2012 Ric Freeman (Nat Trust member) & Julie Freeman / re soft furnishings, tassels, trimmings, braid set / Jessie, Terry (and Chris St) to view, collect"decorative arts & design, interior decoration - history, curtain accessories, tassels

Photograph of one of the three Victorian Railways "Luxury" cars that were sold to the MMTB following the closure of the final section of the St Kilda - Brighton tramway on 28-2-1959. The tramcar has been placed on No. 15 trucks to enable movement around the workshops. Two of the trams, No. 52 and 53 were modified with longer running boards, full driver's bulkheads to replace the blackout blinds, route number boxes, removal of the red oil lamps above the headlight, conversion to from Broad gauge (5'3") to standard gauge, changes to destination boxes, seating and many other changes. Reference Destination City, Edition 5, page 103.Yields information about the former VR "Luxury" trams sold to the MMTB in 1959.Black and white photograph of one of the three Victorian Railways Trams sold to the MMTB at Preston Workshops.tramways, mmtb, trams, victorian railways, st kilda brighton electric tramway, preston workshops, vr class

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'The Geisha' by Sidney Jones and Harry Greenbank. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), theatre (kew), the geisha (musical)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Maritana' an opera by Vincent Wallace. Performances were held in June 1958. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, theatre groups (kew), performing arts, maritana (opera)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'Blossom Time' in conjunction with Moomba. Performances were held in March in the Alexandra Gardens and subsequently at the Kew Recreation Hall in October and November. The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, performing arts, moomba, alexandra gardens, theatre groups (kew), blossom time (musical)

The “Q” Theatre Guild was formed in 1957. It inherited the productions and casts of the earlier Kew Light Opera Company. The Guild initially performed in the Kew Recreation Hall (Wellington Street) and later at the Kew Civic Hall (Cotham Road). A partial list of its performances include: 1957 The Geisha 1958 Maritana 1959 They All Do It (Cosi Fan Tutti) 1959 Blossom Time 1959 Love’s a Luxury 1960 There And Back & The Bohemian Girl 1960 Die Fledermaus 1961 Gay Rosalinda 1961 The Land of Smiles 1961 Kisses For A Kid & Hansel and Gretel 1962 Die Fledermaus 1964 Monsieur Beaucaire 1964 Macbeath [The Beggars’ Opera] 1964 The Beggars’ Opera Undated And So To BedThe Marion Tilley scrapbook is a significant record of performing arts in Melbourne during the 1950s and 1960s. The scrapbook includes programmes, photographs, newspaper reports and personal annotations which are a rich source of detail about repertoire, performers, and artistic sensibility in the period.Souvenir programme isued by the "Q" Theatre Guild incorporating Kew Light Opera Company for a performance of 'The Bohemian Girl: A Romantic Opera in 3 Acts' by Michael William Balfe. There are various personal annotations on the cast list. The most interesting highlights one of the ladies of the Chorus, Joan Carden.The annotation reads: "Feb 18-1974 in Courier Mail Brisbane. Joan Carden to make debut as Opera Singer Covent Garden London. Leading role of Gilda in Rigoletto." The programme forms part of a scrapbook that includes programmes, photographs and theatre reviews for the Kew Light Opera Company and later "Q" Theatre Guild."q" theatre guild, joan carden, the bohemian girl (opera), theatre groups (kew)