This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy.Fifty Years of the Commonwealth of Australia 1901 - 1951.This medal was awarded to the school children of Australia in 1951 to mark the fiftieth anniversary of the Federation of Australia. The design was chosen after a competition, with the valuable cash prize of two hundred guineas. It was won by John Wolfgang Elischer for his depiction of a man hand-sowing wheat. The wheat has grown to represent the seven States of Australia on the other side of the medal. Elischer was an Austrian sculptor and an Associate of the Royal Academy. This is a round medal and is bronze in colour. On the front is a man throwing seed on the ground with the dates, 1901-1951, and on the back the words, "FIFTY YEARS COMMONWEALTH OF AUSTRALIA". along with a carving of the sun and seven ears of wheat representing the States and Territory.1901, 1951, commonweath australia medal

A man uses a long fixed cane to ascend steps to a church.1 B/W photograph of man ascending church stepsMobility - historical Negative number: 8/70103royal blind society of new south wales, white cane day, orientation and mobility

Older whiskered man with combed down hair sits as speaks to someone on his left.1 b/w photograph of seated elderly manassociation for the blind, elanora home (brighton)

An unnamed man, wearing a crochet shawl and knitted cap, sits in a chair with his head low to the pillow in front of him.2 b/w photographs of unknown manassociation for the blind, elanora home (brighton)

A photo of a young man on a hike at Oberon Bay on Wilson's Promontory, with a sign saying 'Lighthouse 9M'. The date is possibly 1967 from the note on the back. The event and the name of the man is unknown. It is possibly part of a young legatee camp though the photo was in a Comradeship Committee photo album. The Comradeship committee gathered photos of events and compiled them in a Comradeship photo album for Legatees to look through.Melbourne Legacy provided many outings and experiences for Legatees and also junior legatees, this is perhaps one of them in the 1960s.Black and white photo of a young man on a hike.Stamped Property of Melbourne Legacy in purple ink. Handwritten "Dec 1967 / At Oberon Bay / Wilsons Promontory" in pencil.camp, legatee event, junior legatee outing

This is a photograph of a man fishing off the rocks at Cape Conran in Far East Gippsland.Cape Conran has always been a popular fishing destination for Orbost people. This photograph is a pictorial record of that recreational activity in the early 20th century. A black / white photograph of a man fishing from rocks into the ocean.

Mr Gilroy family friend, Thomas and Mary Lydia Laughton (Thomas's daughter) Miss Beatrice Trixie Gilroy and a young un-named man standing beside horse. It was assumed that this house called 'Kalimna' was near Lakes Entrance, however the imposing gates and fence made this seem unlikely. A search of ‘Trove’ gave a death notice for Mary Anne Laughton , Thomas Laughton’s wife, passed away on 30th July 1920 at her daughter Mary Lydia Hegarty's ‘Kalimna House’ in Kareela Rd. Cremorne, Sydney . Sepia toned photograph of two ladies and two gentlemen seated on a buggy, and a young man standing beside horse outside impressive security gate and bluestone fence. Also second pic of report of Mary Anne Laughtons Death notice - Trove July 1920Copy of restored photograph original approximately c1910 was on Silver taken outside Kalimna House Cremorne Sydney Mr Gilroy family friend, Thomas and Mary Lydia Laughton, Miss Beatrice Trixie Gilroy and un-named young man transport, hotels

An older man looks to camera as he smokes his pipe. He wears a flannelette shirt, jumper and jacket as he sits on a couch.2 black and white photographs of an elderly manelanora home (brighton), association for the blind

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt

An older man uses a Hoover (long) cane to descend a wooden stairway.B/W photograph of man using white cane on wooden stairway3/68049 Mobility - historicalroyal blind society of nsw, white cane day

Photograph was found on the road at the junction of Jacks Road and the Murray Valley Highway by Ian Stones, a member of the Rutherglen Historical Society. We do not know the identity of the man with Slim Dusty.Photo of Slim Dusty & unknown man ?slim dusty

Nellie May Poultney married Thomas Basil Hennessy in 1924. Bridesmaid was Mary Hennessy and Best Man was Loyola Hennessy.Copy of black & white photograph of a wedding group, with small girl seated at front."The wedding/1924/Thomas Basil Hennessy/to Nellie May Poultney/Bridesmaid: Mary Hennessy/Best Man: Loyola Hennessy".nellie poultney, thomas hennessy, mary hennessy, loyola hennessy, weddings

The children from Bulla Primary School had an excursion to Williamstown Beach and some of them constructed a sculpture of a man in the sand.While at the beach the children were encouraged to pursue a number of seaside activities.A non-digital coloured photograph of a sand sculpture of a man.school excursions., bulla primary schooil, sand sculpture, williamstown beach

An elderly man walks with a white cane along the path outside the RBS offices in Enfield, followed by an O&M instructor.B/W photograph of man using a white cane90002 FF/3royal blind society of nsw, white cane day

Sister Rocks Stawell Photo by W Dawson. with man on horse drawn buggy. Photo of Sister Rocks with a man on a horse drawn buggy beside the rocks.Copyrights regd. W, A. Whitehead. Photo W. Dawson date on photocopy C 2009

This waistcoat was made for Mr Alan Vinnell by the Fletcher Jones Man’s Shop in 1946 and was worn by Mr Vinnell at his wedding in Lang Lang on 27/4/1946 to Miss Madge Ridgway. Alan was the son of Albert Vinnell and Ada Rose Wood. He attended school in Macarthur about 40 kilometres northwest of Warrnambool. The Fletcher Jones Man’s Shop was located at the corner of Liebig and Koroit Streets in Warrnambool. David Fletcher Jones (1895-1977) served in World War One and in the 1920s set up as a travelling hawker selling drapery in Western Victoria. In 1924 he leased three shops in Liebig Street and in 1928 he moved to the Koroit/Liebig Streets intersection with his Man’s Shop. He manufactured men’s clothing on site. In 1931 a new set of two-storeyed buildings was erected on the site and Fletcher Jones moved into the building. In 1946 a Fletcher Jones shop was opened in Melbourne and in 1948 a factory was established in Raglan Parade, Warrnambool with a new company, Fletcher Jones and Staff established in 1951. This company became known Australia-wide, firstly for the production of men’s trousers, and later men’s and women’s clothing. By 2011 the Warrnambool factory was sold and the company dissolved. This waistcoat is of historical interest as an example of the high quality work produced at the Fletcher Jones Man’s Shop in Warrnambool in the mid 1940s. The Fletcher Jones business became one of the most important ones in Warrnambool in the 20th century and the early 21st century.This is a sleeveless woollen waistcoat made of blue striped material with a black cotton backing. The back has two black cotton flaps with a metal buckle to allow for the tightening of the coat across the back. The inside is lined with a cream, yellow and grey striped cotton material. The waistcoat has one inside pocket with a button enclosure and four outside pockets. The waistcoat has six black buttons on the outside and a maker’s label stitched on the inside. ‘Fletcher Jones The Man’s Shop Warrnambool Mr A. Vinnell Date 15/2/46’fletcher jones man’s shop warrnambool, history of warrnambool, albert vinnell, vinnell

A blind man feels model buildings on a relief map of the Sydney CBD whilst two others look on. B/W photograph of blind man using relief mapLearning layout of City of Sydney by raised map Orientation - historical RBS XIroyal blind society of nsw, maps

Man in photo was well known photographer and bushwalking guide Gilbert Rogers. He was also a Forest Officer so knew the Grampians well.Postcard shows a man standing beside a waterfall holding up a cup. the waterfall is flowing rapidly over rocks. The man has on a backpack and long hiking boots.'Good luck and good health from your old friend'( written on front) Rogers - (bottom Right) no,264people, gilbert rogers, scenery, waterfalls

Providing more than education or employment, blind and low vision organisations recognised that many people needed assistance in navigating paper forms to access support from the government. In these photographs a woman from RVIB helps a man fill in the paperwork required for the Invalid Pension. A brochure for this is situated on the corner of the coffee table that the forms rest on. The man sits between the woman and a television.royal victorian institute for the blind

From the Duncan collection photo album , this young man could be one of the officer writing to Lillie Duncan.Small monochrome (sepia) photograph depicting man seated on grass in yardalex, olive duncan, lillie duncan, duncan album

A man was Tasered by armed police on a Melbourne tram after he allegedly threatened to kill passengers on board.Has a photo inside tram of armed policeNewspaper clipping from the Age titled: "Man with knife Tasered on tram"route 48, tramways, trams, police, king street, collins street

A bearded man walks on a grassy area next to the RBS building in Enfield, having just walked past a couple holding hands.2 B/W photographs of man using white caneFile: Skills Training - O&M 88-7 A white cane provides blind people with early warning of obstacles. S-129, bottom picture of page 3 Gordon Tibbles, PR Officer RBSroyal blind society of new south wales, white cane day, orientation and mobility

The man & woman in the photograph are Emil & Mary Jack (nee Schwerkolt) Mary was the daughter of August Schwerkolt and Wilhelmina (nee Oppel, nee Both, nee Kruse). After August died, Wilhelmina took her children (Mary & John) to America.Black & White photograph of a man and woman dressed as if attending a wedding. The woman is carrying flowers and the man has a flower in his buttonhole.jack emil, jack mary

Unknown RVIB worker wearing a dust jacket, sits as he places something into paper packets. His guide dog stands next to him, out of harness, with his lead in the man's lap. 1 B/W photograph of man at a worktableAR 1964royal victorian institute for the blind, dogs

Rehabilitation covers learning how to undertake various tasks with assistive devices. In this image, a seated man presses buttons, guided by the hands of a female rehabilitation instructor. Some buttons are labelled with Braille markers.1 black and white photograph of man and womanrehabilitation, royal victorian institute for the blind

A man uses a white cane crossing a street at night in Newcastle. His cane reflects the photographer's flash and is illuminated against the dark night.Black and white photograph of a man using a white cane at nightOrientation and mobility at night - Newcastle Please return to RBSwhite cane day, royal blind society of new south wales

Murray Comrie Collection. Murray Comrie's information about Tarnagulla hotels to be added. Reference to 'self' on back may relate to Murray Comrie? Looks like a young man similar in appearance to him at that age. This photograph is an original print.Monochrome photograph of the Golden Age Hotel in Tarnagulla, A young man is standing next to a horse drawn cart and another man standing on the cart.On reverse (handwritten): 'J. Caldwell' and 'Golden Age after being painted. Allan Snow in cart, self talking to him'. Printed on reverse 'Bock Print'.tarnagulla, hotels, golden age hotel, businesses, commercial road, bock print, allan snow, murray comrie