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Mt Dandenong & District Historical Society Inc.
Photograph, Mary Dorey, Early 1900s
Studio photograph of Mary Dorey (1883-1918). The photograph, mounted on thick cardboard was taken by Stewart & Co. 284 - 286 Bourke Street, Melbourne.Handwritten on back: Mary Dorey -
Whitehorse Historical Society Inc.
Photograph, Mary Matheson
Black and white photo (three) of Mary Mathesonmatheson, mary, strathdon community, miller, marjorie -
Flagstaff Hill Maritime Museum and Village
Craft - Ship Model, Mary Campbell, circa 1940
This ship model is of the sailing brigantine MARY CAMPBELL, which once belonged to Captain James Arthur Robilliard. The model was made by Harry McKenna, a well-known ship model maker and Warrnambool resident. CAPTAIN ROBILLIARD James Arthur Robilliard, sea captain and tent maker, was born in 19th April 1843 in St. Helier, Jersey, Channel Islands. He trained there in his father’s sail loft as a sail maker. He later became a skipper. His first job as a sailor was achieved in Liverpool, England. In 1875 James Robilliard migrated to Australia as mate on the “E.M. Young”. Captain Robilliard and his family were amongst the early settlers along the Curdies River in the Heytesbury district. In 1877 he became a Captain. On 14th November 1879 Captain Robilliard married Helen Beckett. James and Helen had ten children; James Arthur (Jnr), Henry William, Nellie Jessie, Alfred Albert, Rubena Nellie, De Jersy Norman, Clifford Beckett, Olive Ida, Frances Ridley Havergal and Nellie Elvie, all born in Victoria. THE MARY CAMPBELL The ship “Mary Campbell” was built by Alexander Newton Jnr. She was carvel planked, of iron bark and blue gum timber. The family shipyard was at Pelican, on the Manning River, NSW, and “Mary Campbell” was first launched by her builder in 1869 as “The Son”. Three months later she was renamed “Mary Campbell’ by her purchaser J. Campbell in Sydney. She was used to carry equipment for the Sydney Sugar Refinery’s Mill in Southgate, NSW. She then traded for the next 20 years between Australian ports and rivers along the east coast as well as regular ports in New Zealand. She was “recognised as one of the best carrying little vessels in the timber trade” (Sydney Morning Herald). She had several owners over this time, the last one being Captain James A. Robilliard. On 29th April 1889 “Mary Campbell”, in the charge of her owner, Captain James A Robilliard, was on her way from Clarence River, NSW to Melbourne, Victoria with a cargo of railway girders for the Melbourne Harbour Trust. Captain Robilliard encountered a storm off Port Macquarie. He sailed the vessel south to 25 miles (about 40km) east of Cape Hawke, near Tuncurry and Forster. At 7pm, he discovered that the cargo had shifted during the stormy seas and the heavy girders had damaged the hull, causing a leak. The pumps were inadequate to stem the fast flowing leak and over a meter of water filled the hull during the next 2 hours. Some of the crew began throwing the cargo overboard to lighten the vessel, hoping to keep it afloat until daylight. When the water reached over 2 meters in the hull they realised their efforts were in vain. At 1:30am on 30th April 1889 the crew left the vessel. They stood by in the lifeboat until 3am. The ship was sinking fast, so they left for the shore, looking for a safe place to beach their boat. While still miles off Cape Hawke all 7 crew members, including the Captain, were rescued by the Government Tug “Rhea” and taken to Port Macquarie hospital then returned to Sydney in the “Wellington”. Captain Robilliard managed to rescue his ship’s compass but no cargo was saved from the vessel. It had been under-insured, only covered for half its value, due to lack of funds. Many years later, in 1976, an anchor was caught up in the net of a trawler south of Forster and thought to be from the “Mary Campbell”. It was donated and installed in the Great Lakes Museum, Tuncurry, NSW. (The same museum also has a half-model of the hull of “Mary Campbell”.) The name of the last ship Captain Robilliard sailed is currently unknown, however he sailed that ship from the port of Marlborough, Queensland, carting steel railway girders for the Geelong-to-Camperdown line. On one trip it hit a storm, the cargo shifted and the ship was wrecked along the NSW coast. After this, Captain Robilliard exchanged sea life for farming in Peterborough. In about 1897, verging on retirement, Capt. Robiilliard superintended the Melbourne Sailors’ Home in Spencer Street, Melbourne, before being asked to leave this position in 1902 for trying to shut down the local hotel! At this time the Melbourne Sailors’ Home was about to change its location. On 6th May 1917 Captain James Arthur Robilliard J.P. died at Blackwood Park, in the Cobden district of Brucknell, which is now considered the first official Robilliard family homestead in Australia. He was buried in the Melbourne General Cemetery, Victoria. His wife Helen passed away in 1947. The Becket and Robilliard family names continue to be well known in the Western District Flagstaff Hill Maritime Village also has a ship’s compass in the collection that was also owned by Capt. J. Robilliard and was used on the ship Mary Campbell.This ship model of the MARY CAMPBELL is of local significance for its association with well known Warrnambool resident and ship model maker. The model is also significant for its association with the brigantine MARY CAMPBELL, a trading vessel that brought railway girders to the Melbourne Harbour Trust.Ship model "Mary Campbell", a two-masted vessel with black hull, brown masts and black rigging. In glass case with timber frame painted green. Painted on the bow in white “MARY CAMPBELL” Gold label with black print attached to display case “MODEL BY THE LATE HARRY McKENNA OF WARRNAMBOOL”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, marine artwork, model making, captain james arthur robilliard, j.a. robilliard, vessel mary campbell, ship mary campbell, melbourne sailors home, vessels, harry mckenna -
Glenelg Shire Council Cultural Collection
Postcard - Postcard with image of Mary MacKillop and franked by Mary MacKillop stamp, Mary MacKillop, 2010
Celebration of Mary MacKillops Canonisation 2010Postcard with image of Mary MacKillop and franked by Mary MacKillop stamp. Produced for her canonisation 2010. -
Whitehorse Historical Society Inc.
Photograph, Mary and John Campbell
Black and white photo of Mary and John Campbellcampbell, john, mary, daisy, bruce, campbells croft -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 34 Mary Street, Kew, 2003
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 34 Mary Street, Kew by Margaret Picken.34 MARY ST., KEW / PICKEN © 2003 / REALTOR (FLETCHERS)artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 34 mary street - kew (vic). -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 32 Mary Street, Kew, c 1980s
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Single fronted, rendered brick Victorian villa. Pen and ink architectural drawing on drafting film of 32 Mary Street, Kew by Margaret Picken.32 MARY ST., KEW. MARG. PICKENartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 32 mary street - kew (vic). -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Wedding Photograph, Alonzo and Mary Box, Box, Alonzo and Mary, 1918
Alonzo Box, who lived in Oakleigh, was the nephew of William and Elizabeth Box, a pioneer settler of Dendy's Special Survey 1841 who purchased 'Box Cottage ' in 1865 and lived there until 1914. Alonzo Box married Mary Kloster/ Closter in 1918. On the Marriage Certificate Mary Box has spelt "Closter" with a "C" and not the "K" of her German heritage. This marriage was taking place during World War 1. Many immigrants would have altered their name at that time. The Box family were early pioneers of the district and raised their family in reconstructed 'Box Cottage'. They established a market garden and sold produce to the Melbourne markets for the colony's increasing population.A large, glass covered, wooden-framed, wedding photograph of Alonzo and Mary Box (nee Kloster/ Closter),married June 12th 1918 is displayed in the reconstructed 'Box Cottage' Museum, Joyce Park, Ormond, Victoria. At front base of mounting of photograph 'Muntz Malvern' is stamped. On back of photograph is written, unsigned, 'Mr & Mrs Alonzo Box/ June 12th 1918/ (Mary Kloster )/photographs, brighton, moorabbin, malvern, box william, box elizabeth, box alonzo, box mary, oakleigh, muntz -
Learmonth and District Historical Society Inc.
Medals - Coronation 1911, Untitled, Coronation of King George V & Queen Mary 1911, 20th Century
Medals to commemorate the coronation of King George V & Queen Mary in 1911.Commemoration of historical event. The coronation of King George V & Queen Mary on the 6th July 1911.Round medals with eyelet at the top, the first medal is made of gilt bronze and the second one, a gold coloured metal featuring King George V & Queen Mary in 1911 for their Coronation.Front of the medals, King George V & Queen Mary, engraving of the King & Queen. Back of the medallions states, "To Commemorate Their Majesties Coronation". June 22. 1911. Also the Victoria Coat of Arms with the word, "Victoria" above and under them the words, "Peace & Prosperity".medal, queen mary, 1911, king george v, coronation -
Learmonth and District Historical Society Inc.
Medal - Coronation 1911, King George V & Queen Mary,Coronation 1911,medal, 00/00/1911
These medals were mass produced for the coronation of King George V & Queen Mary which took place on the 6th July 1911. George was the son of King Edward V11 & Princess Alexandra.Commemoration of the coronation of King George V & Queen Mary in 1911A round silver plated medal with KING GEORGE V & QUEEN MARY on the front, on the back is the British Monarchy "Coat of Arms", attached is also a red, white & blue, small ribbon. On the front is the heads of KING GEORGE V & QUEEN MARY along with their names, on the back is the British Monarchy "Coat of Arms", with a crown above it, surrounded by the words "TO COMMEMORATE THEIR MAJESTIES CORONATION. JUNE 22. 1911".medal, queen mary, 1911, king george v -
Mt Dandenong & District Historical Society Inc.
Photograph, Mary Dorey and Friends, c1909
Formal photograph of Mary Dorey with three friends seated on a bench in a bush setting. All are well dressed. L to R Anita Grosman, H Dunn, Mary Dorey, Fred Webb. c1909Handwritten on back: Anita Grosman, H Dunn, Mary Dorey, Fred Webb. Taken about 1909.mary dorey, anita grosman, h dunn, fred webb -
Orbost & District Historical Society
folder, Daniel Moylan (Dan the Cook), October 2012
This research record was part of a thesis that Mary Doland was preparing.This record is an excellent research tool for the study of the Indigenous history of Orbost.A 38 pp black spiral bound plastic folder containing a CD and research evidence compiled by Mary Doland on the topic of Dan Moylan, known as "Dan the Cook". He was speared to death in 1851 at Orbost Station, Snowy River.handwritten on a white label - Daniel Moylan handwritten on a white label below -Information researched and supplied by Mary Doland (Dan the Cook) Orbost grave Orbost station death 1851daniel-moylan aboriginal-history-orbost -
Tatura Irrigation & Wartime Camps Museum
Administrative record - Report Card, Mary McNamara, 1936
Report card issued by St Mary's College Tatura term ending 13/7/36 for Mary McNamara class 4. Lists subjects and percentage obtained in each subject. Handwritten comments and signed by Sr M Angela.green soft cardboard with black writing.on back: Maryst mary's college tatura, mary mcnamara, school reports 1936, sister m angela -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4/8 Mary Street, Kew, c.1980s
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Painted brick, two storey townhouse; one of a group of eight. Pen and ink architectural drawing on drafting film of 4/8 Mary Street, Kew by Margaret Picken.4/8 MARY ST., KEW / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4/8 mary street - kew (vic). -
Ballarat Heritage Services
Photograph - Black and White, Mary O'Dea and Patrick Lenehan
Mary O'Dea was the daughter of Michael O'Dea of Killarney, Victoria. She was born in Ballarat in 1849. Mary O'Dea married Patrick Lenehan.Photographic portrait of Mary O'Dea and Patrick Lenehan.mary o'dea, patrick lenehan, ballarat, killarney -
Federation University Historical Collection
Photograph - Photograph - Black and White, Mary Egan, Lecturer at the Ballarat Teachers' College, c1983
Mary Egan lectured in English Curriculum at Ballarat College of advanced Education, a predecessor institution of Federation University Australia.Mounted photograph of Mary Egan, and text outlining her career. .2) Framed photograph of Mary Egan, with biographical textballarat college of advanced education, egan, mary egan, ballarat teachers' college, available, university women -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 30 Mary Street, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Block fronted single storey Victorian villa. Pen and ink architectural drawing on drafting film of 30 Mary Street, Kew by Margaret Picken.130 MARY ST., KEW / MARGARET PICKEN ~95 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 30 mary street - kew (vic). -
Eltham District Historical Society Inc
Photograph, Yeoman and Co, Mary Shillinglaw, c.1898
Mary Shillinglaw born November 5, 1880 at Bundoora, Victoria was the sixth child of Phillip Shillinglaw and Sarah Ann (nee Kidd). She commenced school at Eltham State School No. 209 (Register No. 423) in 1885 at age 4 years. Mary did not marry and spent most of her life at Wattle Brae (Shillinglaw Cottage). In his Will, Phillip Shillinglaw provided that any of his unwed sisters would be able to live at Wattle Brae, rent free. When Eltham Shire Council aquired the property in 1963 to build new Shire Offices, both Mary and her sister Lizzie (also unmarried) were still living at the cottage. Council paid for the women to relocate. Mary moved to Elizabeth House, a nursing home in Ivanhoe but found it very hard to adapt to her new surroundings and living consdtions. She died there only a few months after departing Eltham on October 29, 1963 at age 83 years. Lizzie died June 28, 1972 at age 93 years."Mary Shillinglaw"marg ball collection, 1883-1918, 1898, mary ann shillinglaw (1880-1963), yeoman & co photographer prahran -
Whitehorse Historical Society Inc.
Photograph, Mary and Marjorie Matheson
Donated by Cap'n Matheson's daughter.Small black and white photograph in the middle of a cream background of Mary Matheson and her daughter, Marjorie as a baby.matheson, mary, miller, marjorie, strathdon homestead -
Phillip Island and District Historical Society Inc.
Book, KARNEY, Mary et al, No rugged landscape by Mary Karney, 1991
HistoricalTwo small soft covered books, includes black and white photos.Reg. 944 was presented to Phillip Island Historical Society by Jean Herkes in memory of her husband William Halford Herkes (Hal) 18.12.1904-25.6.1991. Cowes, Feb 5 1992. etc. Based on Georgina Oswin's diaries written from 1881-1910.georgina oswin, diaries, oswin family, mornington peninsula, victoria, phillip island, melbourne, genealogy, mary karney, jean herkes -
Greensborough Historical Society
Book, Mary Murray, My mother's times: a collection of household hints... collected... by Mary Murray, 1998_
Household hints and recipes from 19th and early 20th century times.152 p., hardback book, photographs and line drawingshousehold hints -
Greensborough Historical Society
Leaflet, Mary Woolridge MP, It's time to duplicate the Hurstbridge line all the way to Eltham. Issued by Mary Woolridge MP, 2018
Liberal Party information leaflet on the duplication of the Hurstbridge rail line.2p. colour leaflet, printed both sideshurstbridge rail line -
Greensborough Historical Society
Book, Sheena Coupe et al, Was it only yesterday? Australia in the twentieth century world, by Sheena Coupe and Mary Andrews, 1983_
A history of Australia from Federation to the early 1980s, a secondary school textbook.Paperback, 216 p. illus. (some col.)australia history -
Eltham District Historical Society Inc
Book, Mary Kent Hughes, Matilda waltzes with the Tommies / by Mary Kent Hughes (T/Major Thornton, R.A.M.C.), 1943
Hardback with dust jacket; 176 p. : ill., maps, ports. ; 22 cm.mary kent hughes, world war ii -
Stawell Historical Society Inc
Book, Mary (Molly) Wallace, Memoirs of Bolangum Inn and Earlier 'An Era', Typed Copy by Mary M (Molly) Wallace, 1979
Two folders. One handwritten, with black Spine, the other typed, with Red spineDedicated to Mum & Dad , (Edward Bryce Davies & Catherine Agnes Davies nee King) etcstawell, davies family, bolganum inn -
Stawell Historical Society Inc
Book, Mary F E Stawell, My Recollections -- Life of Sir William Stawell by Mary F E Stawell, 1910
stawell -
Robin Boyd Foundation
Letter, Mary and Leon Chatelain, Mary and Leon Chatelain to Robin Boyd, 04.05.1964
This is a thank you letter to Robin Boyd for the recent visit to his home, and for the book 'The Australian Ugliness'. It is written on paper with the Hotel Esplanade, Perth letterhead. -
Federation University Art Collection
Drawing - Pencil drawing, Macqueen, Mary, 'Ostrich Cleaning' by Mary McQueen, 1980
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Four drawings of an ostrich.art, artwork, mary mcqueen, ostrich, bird, pencil, pencil drawing, drawing -
Federation University Art Collection
Printmaking - Sceenprint with wood relief, Mary Modeen, 'The Graces Encroaching' by Mary Modeen, 2000
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, printmaking, screen print, wood relief -
Federation University Art Collection
Work on paper - Printmaking - Screenprint, Modeen, Mary, Three Mothers: Infants by Mary Modeen, 1995
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed green screen print with three women standing in centre.artwork, art, mary modeen, modeen, screenprint, printmaking