Black and white copy of original photograph showing a lady seated in a chair, wearing a dark dress with lace trim. White lace at neckline and cuffs with buttons down the bodice. Eliza Browne (née Linton).mrs eliza browne, miss eliza linton

Landscape view. Mountjoy on hill, post office and residence with fence and sign post. Mrs Eliza Hand and (probably) Miss Florence hand outside. Another person standing on Ridge Road on the left. On right, the Methodist Church.eliza hand, florence hand, methodist church, mountjoy, mt dandenong north, post office, ridge road

John McGlone, Mrs Eliza Jane McGlone, Black and white photo of old Harvest Home Hotel, Whitehorse Road , Mitcham. The first hotel in Mitcham. Closed in 1889. John McGlone and family in front. John McGlone Junior, the last surviving family member died in late 1950's and was a keen spectator of local football and cricket matches.mcglone, john, harvest home hotel, . mitcham

NO INFORMATION EXCEPT NAMES.SMALL OVAL PHOTOGRAPH OF MR. BOB YOUNG - STANDING AND THE FORMER MRS ELIZA DAVIES SITTING. MR. YOUNG WEARING HAT, TIE AND FIVE BUTTONED WAISTCOAT - MRS. DAVIES WEARING LARGE DECOATIVE HAT, WHITE JABBO AND DARK DRESS.local history, photography, photographs, early citizens

While several men perch on the framework, almost another two dozen assemble at ground level. Most of the women have hats but one wears an apron, another carries a large basket. No names are recorded. Mrs. Eliza Hand is distinctive in her lace collar.eliza hand, fiveways, kalorama, kalorama methodist church

This item belonged to Mrs. Eliza Reardon, great grandmother of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A rectangular black lacquered jewellery box. The lid in decorated with an image of 3 Chinese women, a man and a child in traditional clothing. They are looking at an open box on the floor which has mice coming out of it.decorative items, jewellery, lacquerware

The congregation gathers outside the newly built church. All are well dressed, most wearing hats.There appears to be 14 women, 8 men (one the pastor) and 9 children.The elderly lady appears to be Mrs Eliza Hand, though no lace collar or hat. There is no window in the porch.eliza hand, fiveways, kalorama methodist church, methodist church

This hair accessory is part of collection donated by Mrs. Jean Raper. It belonged to her great grandmother Mrs. Eliza Reardon.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A pronged hair ornament used to decorate a woman's bun and hold it securely in place.hair decorations, personal accessories

This hair accessory is part of collection donated by Mrs. Jean Raper. It belonged to her great grandmother Mrs. Eliza Reardon. It was used to keep a bun or other hairstyle in place.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A hair pin/comb or decoration used to secure a woman's hair bun in place. hair decorations, fashion accessory, women's jewellery

James Leonard Foley’s family lived at ‘Warringal’, 3 Foley Street, Kew. Like many other soldiers from Kew, he was educated at the Kew State School. He enlisted at the age of 19 in March 1915. His previous occupation is recorded as 'Blacksmith'. James sent a postcard to his mother in 1915 saying that he was ‘quite well’. He was to be killed in action on the Western Front on 24 August 1916 and is buried in the Villers-Bretonneux cemetery. Poignant card from a Kew soldier in World War 1 who was later to die on the Western Front.Single page Field Service Postcard and Envelope from James Leonard Foley to Mrs Eliza Foley of 3 Foley Street in Kew. Private J.L. Foley (1600) served during World War one with the 24th Battalion. He died on the Western Front. His parents were Edward and Eliza Foley of 3 Foley Street, Kew.Mrs E Foley, 3 Foley Street, Kew, Vic [Signed] JL Foley 8/9/15first world war (1914-18), james foley, world war one, foley street, warringal, villers-bretonneux cemetery, e. foley, edward foley

Mrs. Priscilla Harvey was the sister of Mrs. Eliza Jane Harvey (Duncan Street Long Gully). She ran a Fruit shop in View Street opposite the Queen Elizabeth Oval.Oval framed photograph of Mrs. Priscilla Harvey. The frame has an outer edge of black painted wood, a central section of mid brown timber veneer and an inner section of gold coloured metal. The centre is enclosed with a convex piece of glass. The black and white photograph is an upper body portrait of an elderly woman wearing black clothing and a black bonnet with loose ties. The back is sealed with brown paper with two adhesive cushion pads on the lower edge.harvey, view street, fruiterer

This glass design bears a leaf design etched into the surface. It is believe to have been produced in Melbourne, possibly at the Melbourne Glass Bottle Works Co Pty Ltd. It belonged to Mrs. Eliza Reardon, great grandmother of Mrs. Jean Raper.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A glass mug with and etched leaf design, thought to have been made in Melbourne, Victoria.glassware, decorative items, glass mug

The South Warrnambool Primary school No 1902 was opened in 1877 by the mayor at the time Cr J Cramond. The first teacher was Mrs Eliza Clarke. It catered for the children of the strong and closely knit community of South Warrnambool. The Mc Donald family was one of these families. A clear photograph of a school with which many past students would have fond memories. A contribution over 25 years to a primary school in this case by W D McDonald is a story of personal endeavour. It therefore has historical and social significance.Coloured photograph of the South Warrnambool State School framed with inscription written in black ink at bottom of coffee coloured mount.Presented to Mr W D McDonald by the residents of South Warrnambool as a token of appreciation for services rendered as a member of the School Committee (1912-1937) A Wilkins Photo. Stuart Mc Donald and Shirley written on back of frame mounting board.south warrnambool primary school, school number 1902, warrnambool history

Warrnambool South Primary School was opened in 1877 and the first teacher was Mrs Eliza Clarke. Many of the trades of the early parents were occupations such as tanners, saddlers, wharf labourers and fishermen. The school celebrated its centenary in 1977 and was decommissioned around the 1990’s.The community of South Warrnambool was close knit and the school was a focal point of that community. The McDonald name has had a strong association with that community for over 100 years. The game of cricket was and remains an important part of sporting life. Black and white photograph, on cinnamon coloured mount, with fifteen boys front row sitting and back row standing. Man on left side of group and children at either end of front row, have cricket bats. Boy kneeling at front is holding a sign with group details.On blackboard in Photo: Warrnambool Sth. SS 1902 Cricket Club. On back of mount: Stuart McDonald in pen struck through with black lead, Pink stamp H Webb, Photographer, weddings and picnics attended, In grey lead: Person to left of Roy was P? Knights. Roy (Goog) McDonald born 21.12.1903. Father was Griff or Charlie. In red felt pen McDonald. south warrnambool, warrnambool south ss cricket team, boys cricket team south warrnambool, ss1902

Warrnambool South Primary School was opened in 1877. The first teacher was Mrs Eliza Clarke. Many of the trades of the early parents were occupations such as tanners, saddlers, wharf labourers and fishermen. The school celebrated its centenary in 1977 and was decommissioned around the 1990’s. There are four McDonald children identified towards the RHS of the picture. The South Warrnambool school was part of a close knit community. This photo shows a very good cross section of many of the South Warrnambool families at that time. Little Alma Mc Donald 3rd from right in front row was born in 1910. Black and white photograph showing approximately 80 children and three teachers, standing in rows outside stone building. Cinnamon coloured mount. State School No 1902.warrnambool, south warrnambool primary school, mcdonald, ferrier, tinker, pickett, holmes, eliza clarke, dridan

Kalorama Memorial Reserve was once the location of 'Mountain Grange', the property of Thomas and Eliza Hand. The pine tree pictured was reputedly planted by Mrs Eliza Hand in the 1880s. Thomas Hand died in 1888 when he was thrown from his horse on Inverness Road. The photograph was taken in 1974 and the pavilion pictured is no longer there. John Lundy-Clarke grew up in the Kalorama/Mt Dandenong area and later in life (1972-74) began to write a comprehensive history of the area working from an original settlement map in an effort to cover all areas.Black and white photograph showing a large pine tree behind a pavilion. Handwritten description on reverse by John Lundy-Clarke.Hand’s pine tree in Kalorama reserve. Planted 1874 approx. Pictured 14-3-73.kalorama memorial reserve, kalorama oval, mountain grange, thomas hand, eliza hand, pine tree, pavilion

Roy Staughton was a member of the Staughton family who were among the early and prominent pastoralists in the Bacchus Marsh and Melton area. His Father was Samuel Thomas Staughton Snr a member of the Parliament of Victoria for over 20 years and whose properties included Eynesbury near Melton. Samuel Staughton died in 1901. In 1910 while working in New South Wales Roy Staughton contracted Typhoid and died aged only 22. This portrait was first presented to the Bacchus Marsh Branch of the Australian Natives Association a few months after his death by his Mother Mrs. Eliza. Staughton, Framed portrait photograph of Roy Staughton. The image is framed within an oval shaped inner frame with an inscribed plaque at the bottom of the frame which reads: ‘Mr Roy Staughton, born May 16th 1888, Died Feby (sic) 22nd 1910’.‘Mr Roy Staughton, born May 16th 1888, Died Feby (sic) 22nd 1910’.roy staughton 1888-1910, staughton family bacchus marsh

This book was a prize given to Arthur Rogers in 1928. Arthur George (Bill) Rogers was the grandson of Joseph Rogers, a Warrnambool plumber and the son of Arthur and Agnes Rogers of Warrnambool. He worked in the advertising department of the Warrnambool Standard newspaper for nearly 50 years and died in 1995. It is presumed that the school that awarded the prize was South Warrnambool State School No. 1902. This school was established in 1877 with the first Head Teacher, Mrs Eliza Clarke. It was closed in 1994. The donor of the prize was South Warrnambool Football Club. This club was established in 1902 and has competed in the Hampden Football League since 1933. It is a successful club with many of its players going on to play in A.F.L./V.F.L teams. This book is of interest because of its 1920s connection to the South Warrnambool State School, the South Warrnambool Football Club and a local South Warrnambool resident, Bill RogersThis is a hard cover book of 196 pages. The cover is multi-coloured with an image of scouts on top of a hill with their encampment beneath. The lettering is white. The dust cover has the same illustration and is rubbed at the edges and partly torn away at the top left edge. It also shows some silverfish damage. It has a protective plastic cover. The book has one full page colour illustrations and many black and white illustrations and sketches. The book has 20 stories or articles. The inscription is handwritten in black ink.‘Grade IV First Prize Awarded to Arthur Rogers by the South Warrnambool Football Club December 1928 A.S.James Head Teacher’ south warrnambool state school, south warrnambool football club, bill rogers, south warrnambool

, 15 December 1860 this was a ceremony to present a ceremonial bugle to the Belfast Volunteer Rifles by Mrs William Rutledge (Eliza) Bringing the company officially into being.Black and white photograph of Belfast Volunteer Rifles, 15 December 1860defence, belfast, soldier, ceremony, belfast volunteer rifles, group, bugle, eliza rutledge

In 1935 Mrs Eliza tank transferred her private hospital 'Nethercourt' from Wilson Street to 219-223 Union Road. She has operated it at the Wilson Street address from 1916. The Union Road building had originally been Surrey College, a boarding school for boys built in 1889 by Rev Dr Darling. It was not the success hoped for. In 1905 it briefly became Milverton College for girls, after which it was used as a nursing home or small private hospital. By the 1960s it was known as 'Norwich Hospital' and later still 'St Jude's'. It closed as a hospital in 1983. The land at the front facing Union Road was sub-divided off and the building became a private home fronting Barton Street. As a private residence it was rendered and painted.Black and white photo of a double-storey brick building with a tower. There is a veranda between the tower and one of the wings of the building. This is enclosed at the upper level. On one side there is an external set of stairs and an out building. The building is approached by a circular driveway. There are mature bushes in front of the building.On copy photo in lead pencil: "? No & if missing"; "This is a copy"; "595"nethercourt hospital, milverton college, matron eliza tank, norwich private hospital, rev darling, st judes private hospital, hospitals, surrey college

The Norman Oliver collection. Norman Oliver was three times Mayor of Bendigo - 1950-51, 1964-65, 1970-71. Three pages of typed notes titled 'The Mayor Speaks', date of 13/3/65 is handwritten on the top. Topics include: Pipe Bands, Golden Fleece 1000 report, Mayoral Ball, criticism of Commonwealth Government treatment of its citizens, and praise for Mr Rylah, Victorian Chief Secretary. Persons mentioned include : Cr Warren Cambridge, Mr Hamilton Sleigh, George Vasey, Mr and Mrs Malyon, Eliza Malyon, and Mr George Sutch.bendigo, council, report, norman joseph oliver , councillor norman oliver. mayor of bendigo.

This chemise is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This chemise is machine sewn by Eliza Towns and she has added pintucks and broderie anglaise lace as a decorative element. A chemise was usually a sleeveless garment made of linen or cotton (so they could be easily washed) and its shape was much like a modern day nightgown. The name comes from the French word for "shirt" or "shift". Women wore chemises next to the skin (under the corset) to keep stains and odors away from the less washable corset and gown.This item is an example of the needlework skills of women in the mid to late 19th century - combining machine stitching with hand embroidery to personlise and embellish an item of clothing. It is also significant as an example of a practical solution to the difficulties of needing to regularly hand wash a bulky outer garment or gown in the Victorian era.A white cotton, short sleeved, knee length chemise. The fabric at the front is gathered on a yoke which is decorated with bands of five pintucks alternating with broderie anglaise lace and embroidered strips lined with pink ribbon. A different broderie anglaise design decorates the sleeve edges, neckline and center broderie anglaise strip. The back of the chemise is gathered on to the neckline. There are two bands of pintucks on each sleeve. The fabric around each armhole has been strengthened with another layer of cotton and a length of cotton has been added (from the left shoulder to the hem) to increase the width of chemise.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, south west victoria, victorian era, victorian era undergarments, chemise, victorian era chemise, undergarments, pintucks, victorian chemise, eliza towns, nhill, wimmera, home sewing, machine sewn, hand made

This nightgown is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This nightgown is machine sewn by Eliza Towns and she has added a detailed design of pintucks and broderie anglaise lace to the front yoke and cuffs as a decorative element. The 1800's bought a shift in attitude towards modesty as the Victorian era progressed and by the mid to late 1800's it had become more acceptable ladies to wear simple, modest nightgowns. They tended to have a very loose fit and were usually made of linen, cotton or flannel, which had the advantage of providing warmth and also being easy to wash - a necessity for a garment worn next to the skin. Although the basic design of the nightgown was fairly simple, the wearer was free to add various types of trim e.g. lace, crochet, pintucks, embroidery etc.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady's long, white, cotton nightgown with a V shaped bodice decorated with bands of nine pintucks alternating with strips of broderie anglaise lined with pink ribbon. The opening front placket and neckline are bordered with a simpler broderie anglaise lace. The long sleeves are gathered into cuffs with a matching V shape, pintuck and broderie anglaise design. The front placket fastens with three cream buttons although one is missing. The back of the nightgown has gathered fabric on a plain, narrow V shape yoke. A narrow gusset has been added to the both sides at the bottom of the nightgown.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, victorian era clothing, victorian era nightgown, nightgown, nightdress, eliza towns, nhill, wimmera, textiles, clothing, machine sewing, hand sewing, pintucks, broderie anglaise, sewing

This corset cover is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. This corset cover is an excellent example of an everyday clothing item with the decorative trim favoured by women in the late Victorian era. Eliza Towns has added pintucks, embroidered feather stitch and a highly decorative hand crocheted lace trim to the neckline, sleeves and front of the bodice. Corset covers (sometimes called camisoles) began to appear in women's fashion around 1840 and continued through the late Victorian decades into the Edwardian era. The long chemise was considered too bulky to cover the corset and so the corset cover was developed to be short and light and was worn over the corset and under the bodice of the outer garment. A woman would dress into her chemise and drawers first, followed by her corset and finally her corset cover as a final layer under her dress. Corset covers served several purposes. They provided protection against sweat (and the need to regularly wash the corset), helped smooth the lines of the corset and increased a woman's modesty.This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery and crochet to embellish an item of personal underclothing. It is also significant as an example of a practical solution to the difficulty of hand washing a corset in the Victorian era.A short (waist length) corset cover of fine cotton. Short sleeves fall from a square neckline and are gathered into a wide crocheted lace trim with a band of embroidered feather stitch. The same crocheted lace design and feather stitching are also on the square neckline which is finished with a drawstring ribbon. The bodice has a front opening with five buttons and is bordered on each side with four pintucks. It has a drawstring ribbon at the waist and an extra layer of fine cotton lining has been added to strengthen the corset cover under the arms. The back has two bands of three pintucks running vertically from the neckline to the waist.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, great ocean road, shipwreck coast, nhill, wimmera, eliza towns, underclothing, corset cover, camisole, machine sewing, hand sewing, crocheted lace, pintucks, feather stitch, embroidery, underwear, victorian era underclothing, victorian era corset cover

This item of underclothing, called a "combination" is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. Although they were worn under the corset, next to the skin (and therefore not meant to be seen), they were often decorated with lace and embroidery. Although these combinations are made with a plain cotton fabric, Eliza Towns has incorporated pin tucks, hand embroidery and crocheted lace to embellish her garment. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear.Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has three buttons in the front and a handmade drawstring cord around the square neckline. It is trimmed with crocheted lace (with a floral design) on the neckline, sleeves and pants. It had pintucks and feather stitching on the bodice and the left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, 19th-century undergarment, handmade clothing, handmade lace, crocheted lace, towns family, nhill, eliza towns

Born about 1838, Eliza Brophy married Thomas Kennedy - an early Linton police officer, a Shire of Grenville councillor, and later a landowner/grazier - in 1861. Eliza and Thomas Kennedy lived in Linton from about 1865 to 1885, and then were at Portland from 1885 to 1892, after which Thomas Kennedy retired from police work to pursue farming and other interests. The Kennedys lived at their property "Fingal Park" (at Spring Vale, later called Pittong) until about 1907-08, when they built a house, named 'Kin-Kora", next to the Catholic Church in Cumberland Street, Linton. Eliza and Thomas Kennedy had thirteen children. The first five children are shown in a photograph taken outside the Linton Court House, c.1869-1870. (See Registration no. 2017-93). Eliza Kennedy died in 1915. An obituary for her published in the 'Grenville Standard', 25 September 1915, notes that "through her genial and happy disposition, she endeared herself to the whole community."Enlarged copy of original black and white photograph which has been mounted on white card. The photograph shows an older lady dressed in dark clothing, wearing a hat, cape and gloves. She is seated on a wooden chair, with her right hand resting on an occasional table, on which are vases of flowers. Eliza Kennedy (Mrs Thomas Kennedy), née Brophy.eliza kennedy née brophy

This bolster sham is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes and household linens - adding her own handmade embroidered or crocheted decorative trim. Most beds during the late 19th and early 20th century had a feather, hair or spring mattress covered by a blanket and topped with an under sheet, an upper sheet, several blankets and a bedspread. A flat bolster could be placed either under the pillows or on top of the pillows with a decorative sham. Washing pillows and quilts by hand would have been a very onerous task (involving heating water and handwashing in a tub or using a copper) and so it became the practise of many housewives to cover the pillows and bolsters with an outer slip (or sham) of washable material which could be easily removed and washed when needed. If the bolster was kept under the pillows it wouldn't need to be very decorative but many shams or slips that were "on show" were often highly decorated with embroidery, pintucks, ribbons or lace. This bolster sham is machine made and quite plain with the exception of some pintucking and eyelet lace on each end which suggests that it would mostly be hidden under the top pillows with just the decorative edges on display.This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also significant as an example of an early 20th century innovation that helped make the working lives of housewives a little bit easier.A long white cotton rectangular bolster sham, machine sewn, with seven ties and two buttons (plus one missing button) to enable it to be folded over lengthwise and closed. It has two pull string ties near each end to enclose a bolster and is finished with a decorative edge of pintucks and handmade eyelet lace and embroidery.flagstaff hill maritime museum and village, eliza towns, sham, bedding, great ocean road, shipwreck coast, warrnambool, household textiles, sewing, bolster sham, housework, pillow sham, charles towns, nhill, haberdashery, needlework, manchester, handmade, household linen

This child's dress is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes as well as clothes for her children - adding her own handmade embroidered or crocheted decorative trim. A photograph of their youngest child, Alice, taken in circa 1903 depicts her wearing the dress. The dress would have been only worn on special occasions (such as a formal family photographic portrait) as most young girls in that era would have smocks or pinafores for everyday wear. The age of the dress is in question as it may have been made by Eliza for her eldest daughter, Dorcus, who was born in 1884. This dress has some machine sewing at the neck, waistband and pintucks but much of the dress is handsewn and richly embroidered with Broderie anglaise. Broderie anglaise (also known as eyelet lace) is a form of cutwork embroidery. The foundation fabric is cut to make decorative holes which are sewn with overcast or buttonhole stitches to create a lace like effect. Designs often involve floral motives that are enhanced with simple embroidery stitches such as stem stitch and satin stitch and scalloped edges finished with buttonhole stitches. It was commonly used to trim baby clothes, dresses, nightclothes, underclothes and household linens - particularly in the Victorian and Edwardian eras. This item is an example of the needlework skills of women in the late 19th century - combining machine stitching with hand embroidery to personalise and embellish a child's special dress.Child's white dress made of cotton and lawn, with a skirt of hand embroidered circular cutwork (broderie anglaise), a scalloped hem edged in buttonhole stitch and a gathered waist. The lined bodice has three panels of hand embroidered broderie anglaise (eyelet lace) inserted in a V shape with pintucks and bordered with a broderie anglaise lace frill. The short sleeves also have an inserted broderie anglaise lace strip, three pintucks and a broderie anglaise lace frill. The skirt is semi lined with fine lawn. The dress has a back opening with one button and two ties. The neckline is decorated with two rows of hand embroidered broderie anglaise lace.flagstaff hill, flagstaff hill maritime museum & village, warrnambool, shipwreck coast, great ocean road, nhill, wimmera, eliza towns, dorcus towns, child's dress, machine sewing, hand sewing, broderie anglaise, cutwork, embroidery, eyelet lace, clothing, handmade, charles towns, alice towns

Rose Series post card #182Copy of Rose Series postcard #182 showing Kalorama Gap in 1913. Haystacks in foreground with Mountjoy Guest House and Beulah Tea Rooms/Mt Dandenong North Post Office in centre. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.Kalorama Gap in 1913 The elm trees are in the centre of the picture. One of these is really two as two suckers of the further tree were twisted together by Fred Jeeves in 1898 and grew as one tree. The other was planted in 1880. The shop is the shop of Mrs Eliza Hand and daughter Florence. The closed in far end of the verandah was the Mount Dandenong North Post Office. The large house is “Mountjoy” owned and run by the Jeeves Family from 1908 till 1943. It was built in 1905 by the Paynters who sold to Ellis Jeeves in 1908.He moved his line of coaches from “Kalorama” his old homestead and housed the horses in a line of stables behind “Mountjoy”. Price’s house, which contained their shop, the first one on the mountain, opened 1906, can be seen faintly behind the pine tree opposite the bend in the road, which was the main road then and now is Ridge Road. The Price’s house just shows in two tiny pieces, one on each side of the pine tree half way up. The house to the right of and high up the pine tree is Walker’s cottage which exists today opposite Jack Kidd’s home at the far edge of Lt 2 Village Settlement and was between Main Road and Barbers Road which runs down the left behind the elms. Walker’s homestead can be seen near left edge of picture 2/3 way up. The roof of the Methodist Church shows among trees left of picture. This, like Mrs Hand’s shop was built on portions separated from Isaac Jeeves’ Selection “C” known as Jeeves Saddle. kalorama gap, five ways, mountjoy, john lundy-clarke, beulah tea rooms, post office, fred jeeves, paynter, jeeves, frederick jeeves, price, walker, jack kidd

This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework