The booklet advertises the third sale within the Old Golf Links Estate which was a major subdivision of farmland in North Kew in the 1920sThe subdivision of the Kew Golf Links Estate was a major subdivision of farmland in Kew. The site was at one stage designated for industrial development and the building of a new Kodak factory. The decision by Council to oppose the redevelopment makes the beginning of the period when all industrial development was banned in Kew.6 page illustrated brochure advertising the third section of a major subdivision in Kew in 1927 including 75 charming home allotments and 7 valuable building sites. The brochure includes the subdivision plan. The front cover includes a colour illustration of the almost completed houses in Woolcock Avenue. Streets named include: Kilby Road, Kodak Avenue, Baker Avenue, Mathers Avenue, Coleman Avenue, White Avenue and Belford Road. Lots for sale are numbered. Existing buildings are designated with a square.subdivisions - kew (vic), kew golf links estate

The Melbourne and Metropolitan Board of Works (MMBW) plans were produced from the 1890s to the 1950s. They were crucial to the design and development of Melbourne's sewerage and drainage system. The plans, at a scale of 40 feet to 1 inch (1:480), provide a detailed historical record of Melbourne streetscapes and environmental features. Each plan covers one or two street blocks (roughly six streets), showing details of buildings, including garden layouts and ownership boundaries, and features such as laneways, drains, bridges, parks, municipal boundaries and other prominent landmarks as they existed at the time each plan was produced. (Source: State Library of Victoria). This plan forms part of a large group of MMBW plans and maps that was donated to the Society by the Mr Poulter, City Engineer of the City of Kew in 1989. Within this collection, thirty-five hand-coloured plans, backed with linen, are of statewide significance as they include annotations that provide details of construction materials used in buildings in the first decade of the 20th century as well as additional information about land ownership and usage. The copies in the Public Record Office Victoria and the State Library of Victoria are monochrome versions which do not denote building materials so that the maps in this collection are invaluable and unique tools for researchers and heritage consultants. A number of the plans are not held in the collection of the State Library of Victoria so they have the additional attribute of rarity.Original survey plan, issued by the MMBW to a contractor with responsibility for constructing sewers in the area identified on the plan within the Borough of Kew. The plan was at some stage hand-coloured, possibly by the contractor, but more likely by officers working in the Engineering Department of the Borough and later Town, then City of Kew. The hand-coloured sections of buildings on the plan were used to denote masonry or brick constructions (pink), weatherboard constructions (yellow), and public buildings (grey). A detail plan of part of Studley Park bordered by the major streets of Hodgson Street, Stevenson Street and Studley Park Road. Included on the plan are a number of significant Studley Park mansions in existence at the beginning of the 20th century. The unnamed street shown in the middle of the plan is McEvoy Street. The most important house still extant is Campion House, formerly named Dalsraith [Dalswraith] and Glendalough, owned since the 1940s by the Society of Jesus. Campion House can be seen on the corner of Hodgson and Studley Park Road. Its stables at the rear of the block have now been incorporated into a contemporary residence. An interesting feature of the plan is the 1910 annotation by Ed Seitz, professional designing engineer. Is Seitz the contractor who modified the MMBW original?melbourne and metropolitan board of works, detail plans, mmbw 1291, cartography

Ref: Mr & Mrs J Davies, Greensborough - Alfred Davies took over this store in 1904. He lived with his wife, Lucretia and 5 children above the store. His son Cyril recalled sleeping on the corner balcony on hot nights. Alfred Davies was a strong Temperance man and gave up the store when clients pressured him to collect their beer from the hotel opposite and deliver it with their grocery orders. The pharmacy moved across the road to this corner in 1936 when acquired by Dartnells. The corner shop in Woodheads building was a store and other businesses over the years. The "Druggist" on right, in Hansen's Exchange building, was established in 1889. From 1910 Percy Cathcart conducted the pharmacy there until 1936 when he was joined by Vic Dartnell, his cousin. In 1940, Vic transferred the business to Woodheads corner. His son John followed as a pharmacist until his daughter Amanda became the pharmacist. After the Dartnell family sold the business, the pharmacy continued in a similar manner as a compounding pharmacy and retained 'Dartnell' in its name.This documents the importance given to celebration of the British Empire in the Surrey Hills area in the first half of the 20th century. It also documents the earliest centre of business activity in the area with 2 major sets of dual occupancy residential and retail terraces - the Woodhead buildings and Hansen's Exchange, the later set of terraces having been demolished c1971.Sepia photo of the corner of Canterbury and Union Roads in 1906 or 1909 festooned with flags and lanterns for Empire Day celebrations. On the SE corner is Alfred Davies grocery store with advertising signs for Rosella jams and Southern Seas soap. There are people standing on a balcony above the Rosella advertising sign. Other adults and children stand in the street and there is a cab outside the draper's further east in Canterbury Road. On the opposite corner to Alfred Davies is a druggist and on the north-west corner is McNeil's Family Hotel.mcneil's family hotel, empire day, festivals and celebrations, grocers, pharmacists, alfred davies, businesses, woodhead's buildings, john woodhead, percy cathcart, hansen's exchange, hansen's folly

This swimsuit belonged to Brighton local Joyce Fuller, nee Harries (1920-2018), who wore it at Dendy Beach in the 1950s. Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. Visiting Brighton Historical Society in 2019, Ada recalled this particular swimsuit style to be a popular one, particularly with older women, as the cinched waist and pleated modesty skirt suited many body types. This was important to her, as she wanted women of all ages and sizes to look and feel good in her swimwear, and she devoted much time and attention to the fit and finish of the garments. When the company began introducing padded bras, such as the one in this swimsuit, Ada insisted on using lacy floral lining and a small ribbon rosette in the centre gore, to give women a sense of quality, femininity and care in construction.Blue one-piece swimsuit with waist tie and short finely pleated overskirt. Sleeveless with thin elasticised straps. Inbuilt padded underwire bra with label and pale pink ribbon rosette on centre gore. Fastens with back zip.Label: "Ada / OF CALIFORNIA / 38"swimwear, brighton, dendy street beach, ada of california, ada murkies, toni murkies, joyce fuller, joyce harries

To recognise major donors for Vision Foundation's Kooyong centre in 2001, glass plaques were created with donor name and placed in various areas of the building. Prior to their removal due to refurbishment in 2017, photographs were taken of individual plaques and where they were previously located. The Cybec Trust - first floor of the library side, near lift. The Top Opp volunteers - first floor of the library side, outside door to the studios Gandel Charitable Trust - first floor of the library side, inside door to the studios Dame Elisabeth Murdoch AC, DBE. - first floor of the library side, in studio corridor The William Buckland Foundation Sir Donald and Lady Trescowthick Foundation Limited - ground floor of the library side, to the left of the doors to the library Bib Stillwell - ground floor of the library side, to the right of the doors to the library Sidney Myer Fund National Australia Bank Kooyong Fair Committee, stall holders, volunteers and staffGlass plates in various huesnameplates, vision australia foundation

To assist in providing services, Vision Australia Foundation needed to raise additional funds through donor relations, particularly for building or renovation projects. In 2001 and 2002, the following donors were recorded as providing a substantial amount of funding towards this and were commemorated with a glass plaque displayed in the building. The following names (estates) were listed: 2001 - Henry Edward Bird Estate, Jakob Bursztyn Estate, Ian Sloan Hamilton Estate, Harold Charles Hill Estate, Kathleen Mary Johnston Estate, Jean Learmonth Shoosmith Estate, Ena Lemon Estate, Frederick Francis Percival Thornton Estate. 2002 - Betty Rae Collie Estate, Ivy May Horne Estate, Elaine Millicent Lewes Estate, Elsie Lorraine Lynch Estate, Patricia Marian Macfarlane Estate, Andrew John Watson Estate.Major Vision Australia Foundation donors vision australia foundation, nameplates

Magazine or Journal - 32 pages + printed cover - "Tramway Circuit", Vol. 3, No. 6, July 1955 published by the Tramways Board Sub-branch of the Municipal Officers' Association of Australia - the Monthly Journal of the Official and Clerical Staff of the Melbourne and Metropolitan Tramways Board. The magazine has many advertisements for suppliers to the Board and others, including AEC buses and Ansair. Features the Official Opening of the Bourke St to Northcote tramway. Has a major article by D. H. Eakins, Chief Engineer - reviews those departments involved in the construction of new tramcars, Preston Workshops, tram track, Perway, distribution branch (electrical), building, and stores. (See key associations for names mentioned in the item).. Centre page spread of the opening day photographs, misc. notes on the day, letters to the Editor. An historical article on the cable tramway to Northcote, written by H. S. McComb, notes on the AETA provided by KK (Keith Kings) and notes on the AETA tour on 25/6/1955. Has minutes of the Special meeting of the MOA, notes on long service leave, Federal Council meeting notes. Two copies held. All pages scanned - pdf - text searchable. Cover scanned in colour, all other pages as gray scale. See Reg Item 5090 for a photo of the AETA tour at Malvern Depot.On top of the cover of one copy in ink "pages 1, 4, 14,17, 23"trams, tramways, moa, mmtb, bourke st, opening, northcote, new trams, cable trams, aeta, tours

Magazine, published by the Metropolitan Transit Authority of Victoria "Met Lines" (Metlines) - A4, printed on white gloss paper, centre stapled with the MTA logo or symbol. Issued under the name of Kevin Shea as Chairman. Continues from Reg Item 1183 "Met Lines" - printed in an A4 version. Notes Editor as Judi Lalor and writer Sandra McLaren. Chris Astridge Major tram and bus items listed. Tramway names only listed, not railway. .1 - March 1989 - 20 pages - Track gangs, graffiti, signalling, making recruitment videos, body building at Preston Workshops. .2 - June 1989 - 16 pages - Flinders St station cover theme - 16 pages - modifications to Z class tram lights to improve visibility at stops, payroll, Wattle Park rejuvenation project, Essendon Depot Soccer team, Ian Barkla on Puffing Billy. .3 - September 1989 - 20 pages - Show grounds theme - Met Planning, Metplan, Met Plan, Jolimont Rail Yards, Mill Park Light rail extension, photo of 2004, The Met shop, 60th anniversary of Camberwell tram depot, apprentice awards, Melbourne Stamp show 1989, Wattle Park, New billiard table at Malvern, recycling of W2 trams in to mobile Tramburgers - Jim Johnstone and Greg Hart - was going to franchise 60 trams cut in half. (See also Reg Item 406 for other background - also see Jim Johnson) .4 - December 1989 - 20 pages - Christmas theme cover - "On the buses", the Met Bus workshop, details the bus maintenance, bundy clocks - where they were maintained, size of the bus fleet and major depots. Festoon lighting at Flinders St station and retirement of Howard Smith - see image i5. For next year 1990 - see Reg Item 1185.trams, tramways, the met, mta, preston workshops, tramcars, repairs, wattle park, essendon depot, metplan, camberwell depot, postage stamps, post office, malvern depot, scrapped trams, w2 class, flinders st station, bundy clock, buses, tram 2004

Situated at the eastern end of York Street, Eltham, 'Shinrone', the former home of Professor William (Mac) MacMahon Ball was one of the first in the Shire of Eltham to incorporate mud-brick. Professor MacMahon Ball, a political scientist, writer, broadcaster and diplomat and family moved to York Street, Eltham in 1945 into a timber cottage built around the 1890s and in poor repair. Mac asked Alistair Knox to renovate the home and he expanded the living area and added verandahs. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Neighbour Gordon Ford made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in shortwave broadcasting, to build a pise (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms - including an attic bedroom - a balcony with a shower and toilet, a nd a fireplace and chimney of local stone. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p141 At the eastern tip of York Street, Eltham, stands Shinrone, the former home of one of Australia’s intellectual leaders. Professor William Macmahon Ball, was one of the first to bring Asia as a foreign policy issue to the Australian public.1 He was a political scientist, writer, broadcaster and diplomat. The house was one of the first in Eltham Shire to incorporate mud-brick,2 because of the acute shortage of building materials after World War Two. Its novice builders later become leaders in Eltham’s built and garden design. Mac (as he was usually called), who was the son of a Church of England minister, was born in Casterton, Victoria in 1901 and died in 1986. In 1945 he helped establish the United Nations, as political consultant to the Australian Delegation at the San Francisco Conference.3 Then in 1946 Mac was appointed British Commonwealth Representative on the Allied Council for Japan, which is recorded in detail in his diary.4 In 1948 Mac led an Australian Government Goodwill Mission to South East Asia. However, Mac was perhaps most successful as an academic and public speaker.5 He was a commentator on the Australian Broadcasting Commission, from the early 1930s to the early 1960s. He was also Controller of the Short-Wave Broadcasting Unit during World War Two, which later became Radio Australia. From 1923 he taught at The University of Melbourne, then became foundation Professor of Political Science in 1949 and was Chair until his retirement in 1968.6 In 1942, as the government expected a Japanese invasion, Mac’s wife Katrine and their only child Jenny, moved from Kew to Eltham as temporary evacuees. However Mac and Katrine lived in Eltham for almost the rest of their lives. After staying with friends, they rented a house in Reynolds Road, where, as it was wartime, they needed to keep horses for transport and a cow and poultry for milk and eggs. In 1945 the family moved to the house at York Street, which was then a timber cottage, built around the 1890s and in poor repair. The underground well, cellar and part of the garden are all that remain of what stood on the original 18 acre (7.3ha) allotment. Thanks largely to Katrine’s hard work, the house was gradually renovated and extended. The long rambling house was partially built by several young neighbours, who were inspired by the cheap mud-brick and stone building style of Montsalvat, the Eltham artists’ colony. Mac asked Alistair Knox to renovate Shinrone, named after an Irish village near Katrine’s family home. Knox later popularised the mud-brick style of house construction, for which Eltham became known. He expanded the living area and added verandas. In 1948 Montsalvat artist and sculptor Sonia Skipper supervised the building of most of the mud-brick studio. Another neighbour, Gordon Ford, who was to have a major influence on the Australian garden style, made the mud-bricks. Mac also asked John Harcourt, who had worked with him as a journalist in short-wave broadcasting, to build a pisé (rammed earth) and stone addition to the largely timber house. Harcourt built two bedrooms – including an attic bedroom – a balcony with a shower and toilet, and a fireplace and chimney of local sandstone. With pioneering work naturally came mistakes, including one particularly dramatic incident when Harcourt was building walls with unsupported sections. Jenny Ellis, Mac’s daughter, remembers being awakened from sleep by a thundering shudder. The wall of her room had fallen down – fortunately away from her! In 1950 artist Peter Glass – another neighbour and later landscape designer – built Katrine a mud-brick pottery. As a result, the house features at one end Harcourt’s characteristic steep gable roof, while at the other the flatter construction characteristic of Knox. Mac referred to the home as the Eltham ‘experimental building site’.7 Surprisingly, the combination works, perhaps partly because it has the warm inviting feel of timber, mud-brick and stone.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, alistair knox, gordon ford, john harcourt, mudbrick construction, pise construction, professor macmahon ball, shinrone, sonia skipper, york street

Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Black one-piece swimsuit with deep v-neck and low-cut back and high-cut legs. Halter neck. Ruched sides. Label in side: "ada / 16"swimwear, ada of california, ada productions, melbourne designers, ada murkies, toni murkies

Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Blue backless one-piece swimsuit with ruching up sides and front. Halter neck. Straps loop down over hooks at the back.Label in side: "ada / 12"swimwear, ada of california, ada productions, melbourne designers, ada murkies, toni murkies

This swimsuit belonged to Audrey May Ferguson (nee Fulton), a longtime Brighton resident. Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun.Black one-piece rayon and cotton swimsuit. Straps button at back. Asymmetrical zig-zag front with double-line of white stitching, embellished by a large cream button.Label, white with green palm tree logo and red text: "Ada / OF CALIFORNIA" Label, white with red text: "61% RAYON, 10% RUBBER, 29% COTTON 36"swimwear, audrey may ferguson, audrey may fulton, melbourne designers, ada of california, ada murkies, toni murkies, 1950s, 1960s

Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Pink short-sleeved one-piece swimsuit with silver lamé embellishment. Sweetheart neckline and low-cut back with metal zip. A black and gold swing tag is attached to one sleeve.Label in bra: “Ada OF CALIFORNIA / MIRACULOUS s-t-r-e-t-c-h BRI-NYLON / 34” Swing tag, front: black with gold text and palm tree logo. “Ada / OF CALIFORNIA / ‘Limited Edition’”. Back: gold with black text. “‘Limited Edition’”. Interior: “Congratulations on your choice of ADA OF CALIFORNIA ‘Limited Edition” Swimsuit contoured for your discriminating taste. / Style 546 / Size 34 / Price £11.9.6”. Care instructions also included.swimwear, ada productions, ada of california, ada murkies, toni murkies, melbourne designers

The Institute movement came to Melbourne in 1839 with the establishment of the Melbourne Mechanics’ Institute later known as the Melbourne Athenaeum. Adopting the principles of self help, social improvement and the recognition of the importance of useful knowledge, it maintained a library, a reading room and an art gallery, while also establishing classes and lectures in a variety of fields. Various dates have been suggested for the founding of the Cheltenham Mechanics’ Institute with the range being somewhere between 1853 and 1856. The first Institute building erected on the tip of the land where Charman Road joined Point Nepean Road was of weatherboard construction. It consisted of a small hall, a reading room and a library. Later it was realized that the building was inadequate for community functions that attracted a large number of participants; consequently additions and modifications were needed. The Shire Council in 1888 voted £10 to the building fund but stipulated that the money would only be paid when the new building was commenced. Major contributors to the fund were the temperance societies who were regular users of the Institute’s facilities. As a result of their contributions the building was named Mechanics’ Institute Free Library and Temperance Hall with this title being proudly painted on its façade in ‘gold letters shaded with blue’.Black and white image of a group of six men dressed in suits and wearing hats, standing at the front entrance of the Mechanics Institute, Free Library and Temperance Hall, Cheltenham